{"version":"1.0","provider_name":"The InterSpace Daily.","provider_url":"https:\/\/interspacemusic.com\/blog","author_name":"Grace Wangeci","author_url":"https:\/\/interspacemusic.com\/blog\/author\/grace\/","title":"ISRC for Remasters: Keep the Code, Give Clean Edits a New One","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"IREEAxfAEK\"><a href=\"https:\/\/interspacemusic.com\/blog\/isrc-remasters-clean-edits-reissue-guide\/\">ISRC for Remasters: Keep the Code, Give Clean Edits a New One<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/interspacemusic.com\/blog\/isrc-remasters-clean-edits-reissue-guide\/embed\/#?secret=IREEAxfAEK\" width=\"600\" height=\"338\" title=\"&#8220;ISRC for Remasters: Keep the Code, Give Clean Edits a New One&#8221; &#8212; The InterSpace Daily.\" data-secret=\"IREEAxfAEK\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/interspacemusic.com\/blog\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/i0.wp.com\/d2n07ae9429qri.cloudfront.net\/wp-content\/uploads\/2026\/11\/06121410\/51345017746_ef8794a2de_b.jpg?fit=1024%2C768&ssl=1","thumbnail_width":1024,"thumbnail_height":768,"description":"A catalogue reissue does not automatically need a new recording code. If the audio is the same recording, keep its International Standard Recording Code (ISRC), even when the label, distributor, format or territory changes. If the team has made a different recording or a\u2026"}