Ch\u00e0o m\u1eebng b\u1ea1n \u0111\u1ebfn v\u1edbi glossary InterSpace Daily \u2014 \u0111\u1ecbnh ngh\u0129a b\u1eb1ng ti\u1ebfng Anh thu\u1ea7n t\u00fay v\u1ec1 c\u00e1c thu\u1eadt ng\u1eef th\u1ef1c t\u1ebf di chuy\u1ec3n ti\u1ec1n v\u00e0 si\u00eau d\u1eef li\u1ec7u trong ng\u00e0nh \u00e2m nh\u1ea1c, \u0111\u01b0\u1ee3c vi\u1ebft cho c\u00e1c ngh\u1ec7 s\u0129, nh\u00e0 s\u1ea3n xu\u1ea5t v\u00e0 ch\u1ee7 nh\u00e3n hi\u1ec7u Ch\u00e2u Phi.<\/p>\n
M\u1ed7i m\u1ee5c \u0111\u01b0\u1ee3c x\u00e2y d\u1ef1ng xung quanh ba \u0111i\u1ec1u: thu\u1eadt ng\u1eef l\u00e0 g\u00ec, t\u1ea1i sao n\u00f3 t\u1ed3n t\u1ea1i v\u00e0 n\u00f3 c\u1ee5 th\u1ec3 c\u00f3 \u00fd ngh\u0129a g\u00ec \u0111\u1ed1i v\u1edbi c\u00e1c b\u1ea3n ph\u00e1t h\u00e0nh Nigeria v\u00e0 Ch\u00e2u Phi. Ch\u00fang t\u00f4i th\u00eam c\u00e1c m\u1ee5c nh\u1eadp m\u1edbi m\u1ed7i tu\u1ea7n. S\u1eed d\u1ee5ng n\u00f3 nh\u01b0 m\u1ed9t t\u00e0i li\u1ec7u tham kh\u1ea3o nhanh ho\u1eb7c g\u1eedi li\u00ean k\u1ebft cho m\u1ed9t ng\u01b0\u1eddi vi\u1ebft b\u00e0i c\u1ed9ng t\u00e1c vi\u00ean lu\u00f4n nh\u1ea7m l\u1eabn gi\u1eefa c\u01a1 ch\u1ebf v\u1edbi royalty hi\u1ec7u su\u1ea5t.<\/p>\n
What is a 360 Deal? Why the Label Wants More Than Your Records<\/p>
A 360 deal is a record contract that gives the label a percentage of multiple revenue streams beyond just recordings: touring, merchandise, sync licensing, sponsorship, brand deals, sometimes publishing.<\/p><\/a><\/div>
Aggregator vs Distributor in Music: The Real Industry Distinction<\/p>
In music, an aggregator and a distributor are not synonyms. They sit on different layers of the supply chain. The terms get used interchangeably in marketing copy, which leads to confusion when a working professional needs to choose a partner \u2014 or when someone writes that DistroKid is an aggregator and trips an entire comments section.<\/p><\/a> Anghami: The MENA Region’s Leading Music DSP, Explained for Indie Artists<\/p> Anghami is the dominant music streaming service in the Middle East and North Africa. Here is how Arabic metadata, charts, and payouts work for indie artists.<\/p><\/a> Audiomack: The African and Hip-Hop Discovery DSP Explained<\/p> Audiomack is a free streaming service dominant in Africa and the global hip-hop scene. Here is how it pays, how discovery works, and who should prioritise it.<\/p><\/a> What is AI Music Detection? How DSPs Identify Generated Tracks<\/p> AI music detection is how distributors and DSPs flag tracks made by Suno, Udio, and similar tools. Here is what gets caught and what the rules are in 2026.<\/p><\/a> What is an Algorithmic Playlist? How Discover Weekly Actually Decides<\/p> An algorithmic playlist is generated by a machine learning system that picks songs for each individual listener based on their behaviour, similar listeners' behaviour, and the metadata of the songs themselves.<\/p><\/a> What is Apple Digital Masters? The High-Fidelity Standard for Apple Music<\/p> Apple Digital Masters is the audio quality standard that gets your release the AAC 256 best-in-class master on Apple Music. Here is the technical spec, plain.<\/p><\/a> What is Audio Fingerprinting? Chromaprint, Echoprint, and How Music Recognition Works<\/p> Audio fingerprinting turns any recording into a unique acoustic signature for matching. Here is how Chromaprint, Echoprint, and DSP systems actually work.<\/p><\/a> What is Audio Watermarking? Inaudible Tags That Track Music Use<\/p> Audio watermarking embeds an inaudible identifier inside a recording. Here is how it differs from fingerprinting and why it matters for promos, radio, and AI.<\/p><\/a><\/div> Boomplay: Africa’s Largest Music DSP, Explained for Indie Artists<\/p> Boomplay is Africa's largest music streaming service with 90M+ users across the continent. Here is how it pays, how to get on, and why it matters for indies.<\/p><\/a> What are Black Box Royalties? The Unclaimed Money Pool Explained<\/p> Black box royalties are music royalties that have been collected by a society or platform but cannot be matched to a specific rightsholder, and after a holding period are redistributed by formula rather than by actual usage.<\/p><\/a><\/div> What is Catalog Acquisition? How Music Rights Get Bought and Sold<\/p> Catalog acquisition is the purchase of music rights as a financial asset. Here is how deals are structured, who is buying, and what indie artists should know.<\/p><\/a><\/div> What is a DSP? The Streaming Platforms That Pay You, Listed Globally<\/p> A DSP is any digital service that delivers your music to listeners. Streaming platforms, download stores, fitness apps, livestream tools, the entire downstream universe that consumes a distributor's catalog.<\/p><\/a> What is DDEX? The Music Distribution Delivery Standard Explained<\/p> DDEX is the standardised set of file formats and message specs that lets one music release move cleanly from a distributor to every digital service provider in the world.<\/p><\/a> What is DSR? Digital Sales Reporting, the Royalty Standard Explained<\/p> DSR is the DDEX message every DSP uses to report streams and revenue back to your distributor. It is the source of truth for any royalty dispute.<\/p><\/a><\/div> What is an Editorial Playlist? How DSP Curators Actually Pick Songs<\/p> An editorial playlist is a curated playlist programmed by a human team inside a streaming platform. They remain, by a wide margin, the most powerful single discovery surface in streaming for indie artists.<\/p><\/a> What is ERN? Electronic Release Notification, the Core DDEX Message Explained<\/p> ERN is the DDEX message that delivers a release from a distributor to a DSP. Here is what it carries, why deliveries fail, and which version matters.<\/p><\/a><\/div> What is Hi-Res Audio? FLAC vs WAV and the High-Resolution Music Standard<\/p> Hi-Res Audio means 24-bit recordings above CD quality. Here is what FLAC and WAV actually do, which DSPs care, and what indie artists should deliver.<\/p><\/a><\/div> What is an ISRC Code? The Recording Identifier Every Artist Needs<\/p> An ISRC is a 12-character code that identifies a specific recording of a specific song, used by every DSP and royalty body in the world to track who gets paid for that exact master.<\/p><\/a> What is an ISWC? The Composition Code Every Songwriter Should Know<\/p> An ISWC is the unique 11-character code that identifies a musical composition, the underlying song, separately from any recording of it.<\/p><\/a><\/div> JioSaavn: India’s Largest Music DSP, Explained for Indie Artists<\/p> JioSaavn is India's dominant music streaming service with 100M+ users. Here is how Indian-language metadata, regional charts, and payouts actually work.<\/p><\/a><\/div> KOMCA: The Korea Music Copyright Association and K-pop Royalties, Explained<\/p> KOMCA is the Korean PRO that collects performance and mechanical royalties for almost every K-pop song. Here is what KOMCA does and why it matters globally.<\/p><\/a><\/div> What is LUFS? Loudness Normalization Explained for Music Producers<\/p> LUFS is the unit streaming platforms use to measure the perceived loudness of a piece of music, so they can normalize playback volume across an entire catalog.<\/p><\/a><\/div> What is a Mechanical Royalty? Songwriter Payouts on Reproductions Explained<\/p> A mechanical royalty is the money the songwriter and publisher earn every time a copy of their song is reproduced \u2014 physically, digitally, or as a stream.<\/p><\/a> What is Master vs Publishing? The Two Sides of Every Song Explained<\/p> Every song carries two separate copyrights. The master covers the recording. The publishing covers the composition. They are owned, traded, and paid out independently.<\/p><\/a> What is Metadata in Music? The Spine of Every Royalty You Earn<\/p> Metadata is everything attached to your music that is not the audio file itself.<\/p><\/a> What is Music Sub-Distribution? The Layer Between Labels and Global DSPs<\/p> Music sub-distribution is the B2B arrangement where regional labels plug into a global distributor's DSP network. Here is how the layer works and who it serves.<\/p><\/a><\/div> What are Neighbouring Rights? Master-Side Royalties Most Artists Miss<\/p> Neighbouring rights are the master-side cousin of performance royalties: the money paid to performers and master owners when a sound recording is publicly performed on radio, TV, in venues, or on certain digital services.<\/p><\/a><\/div> What is a Per-Stream Rate? Why the Number You Read Online Is Misleading<\/p> A per-stream rate is the average payout an artist or rightsholder receives per single play on a streaming platform.<\/p><\/a> What is a Performance Royalty? PROs, Radio, and Public Play Explained<\/p> A performance royalty is the money owed to songwriters and publishers every time a song is publicly performed \u2014 on radio, on TV, in a venue, on a stream, in a coffee shop, in a stadium.<\/p><\/a> What is a Pre-Save? The Release-Day Boost Most Artists Run Wrong<\/p> A pre-save is a fan action that automatically adds your release to their streaming library the moment it goes live.<\/p><\/a> What is a Publishing Admin Deal? Songwriter Royalty Collection Without Selling the Catalog<\/p> A publishing admin deal is a contract where an administrator collects your songwriter and publisher royalties from collection societies worldwide in exchange for a percentage commission, without taking ownership of your songs.<\/p><\/a><\/div> What is Recoupment? When an Artist Actually Starts Seeing Money<\/p> Recoupment is the process by which a record label or financier earns back, from the artist's royalty share, the money the label invested upfront before the artist starts receiving royalty payments.<\/p><\/a><\/div> What is a Smart Link? One URL That Routes Fans to Every DSP<\/p> A smart link is one URL that detects which streaming service a visitor uses and routes them straight to the right platform to listen.<\/p><\/a> What is a Splits Sheet? The Document That Decides Who Gets Paid<\/p> A splits sheet is the document that records what percentage of a song each contributor owns and is therefore owed when the song earns.<\/p><\/a> What is Spatial Audio? Dolby Atmos Music and the Immersive Format Explained<\/p> Spatial audio in music means Dolby Atmos: object-based immersive mixes that pay more on Apple Music and Tidal. Here is what it actually requires.<\/p><\/a> What is Streaming Fraud? Bot Streams, Click Farms, and How DSPs Fight Back<\/p> Streaming fraud is the inflation of music streams using bots, click farms, or stream-buying services. Here is how it works, who pays for it, and the penalties.<\/p><\/a> What is Sync Licensing? Film, TV, Ads, and Games Explained for Artists<\/p> A sync license is the permission to synchronise a piece of music with moving images. Film, TV, advertising, video games, YouTube content, and increasingly TikTok and Reels for branded use.<\/p><\/a><\/div> What is a Take-Down Notice? DMCA and Music Copyright Removal Explained<\/p> A take-down notice is the legal request that pulls infringing music from a DSP or platform. Here is how DMCA works and how indie artists actually use it.<\/p><\/a><\/div> What is a UPC? The Release-Level Barcode Explained for Indie Artists<\/p> A UPC is the 12-digit number that identifies your release as a single commercial product across every DSP, store, and reporting system in the world.<\/p><\/a><\/div> What is White-Label Music Distribution? The Back-End Layer Powering Labels and Aggregators<\/p> White-label music distribution lets labels, aggregators, and managers run their own branded distribution platform on someone else's DDEX rails.<\/p><\/a><\/div> What is YouTube Content ID? Music Fingerprinting and Royalty Collection Explained<\/p> YouTube Content ID matches your audio across every upload on YouTube and lets you claim, block, or monetise it. Here is how it actually works for indie artists.<\/p><\/a><\/div>B<\/h2>
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