{"id":10659,"date":"2026-08-04T05:11:50","date_gmt":"2026-08-04T05:11:50","guid":{"rendered":"https:\/\/interspacemusic.com\/blog\/la-historia-radical-de-la-moda-en-la-musica-sudafricana\/"},"modified":"2026-08-04T05:11:50","modified_gmt":"2026-08-04T05:11:50","slug":"la-historia-radical-de-la-moda-en-la-musica-sudafricana","status":"publish","type":"post","link":"https:\/\/interspacemusic.com\/blog\/es\/la-historia-radical-de-la-moda-en-la-musica-sudafricana\/","title":{"rendered":"La historia radical de la moda en la m\u00fasica sudafricana"},"content":{"rendered":"

A lo largo de generaciones, los artistas negros sudafricanos han utilizado la vestimenta para rebelarse contra las expectativas, convirtiendo el estilo personal en una forma de afirmaci\u00f3n cultural.<\/p>\n

Spoek Mathambo y la escena alternativa<\/h2>\n

Hace diecis\u00e9is a\u00f1os, el rapero, productor y cineasta Spoek Mathambo<\/strong> apareci\u00f3 en la portada de The Fader<\/a><\/strong>. Vest\u00eda un conjunto mayoritariamente negro: una camisa blanca abotonada hasta arriba, una bufanda dorada y negra que bordeaba una chaqueta negra, y unas gafas de montura cuadrada que se hab\u00edan convertido en un elemento b\u00e1sico de la est\u00e9tica hipster.<\/p>\n

Mathambo hab\u00eda sido una voz central en el rap y la m\u00fasica electr\u00f3nica sudafricana durante la d\u00e9cada de 2000. En los a\u00f1os siguientes, su identidad sonora y visual puso banda sonora a numerosas publicaciones y a la infraestructura cultural de un Johannesburgo que tambi\u00e9n produjo grupos como Dirty Paraffin<\/strong> y Big FKN Gun<\/strong>. Por un momento, una escena en gran medida ignorada por los medios sudafricanos convencionales encontr\u00f3 una acogida que abraz\u00f3 toda su amplitud de rarezas.<\/p>\n

Como una mitad de Sweat.X<\/strong> junto a Markus Wormstorm<\/strong>, Mathambo se inclin\u00f3 por los colores ne\u00f3n brillantes y los pantalones ajustados, compensados con sombreros fedora y gafas oscuras. El estilo reson\u00f3 con un grupo demogr\u00e1fico que no depend\u00eda de la radio para descubrir m\u00fasica.<\/p>\n

Un hilo conductor, informado por la geograf\u00eda, las tendencias internacionales y las concepciones fluidas del yo, era m\u00e1s improvisado que codificado. BLK JKS<\/strong>, que tuvieron su propia portada en The Fader dos a\u00f1os antes, se inclinaban por el punk con un toque de ‘pantsula cool’. El baterista Tshepang Ramoba<\/strong> canalizaba un gru\u00f1ido heavy metal mientras tambi\u00e9n trabajaba como deejay, excavador y curador de m\u00fasica electr\u00f3nica del norte de Gauteng. Los guitarristas Linda Buthelezi<\/strong> y Mpumi Mcata<\/strong> se enganchaban a transmisiones r\u00edtmicas dislocadas, inyectando negritud de vuelta al rock and roll con un trabajo de guitarra del interior que tomaba prestado de leyendas costeras como Madala Kunene<\/strong>, Mfaz’omnyama<\/strong> y Phuzekhemisi<\/strong>. El bajista Molefi Makananise<\/strong> era la presencia m\u00e1s apacible, constante y observadora.<\/p>\n

BoyzNBucks y el giro hacia la moda urbana<\/h2>\n

Mientras que la ropa como est\u00e9tica impregnaba las escenas alternativas, los artistas que pusieron el ‘drip’ directamente en la m\u00fasica se mov\u00edan en una formaci\u00f3n diferente. Siyabonga Ngwekazi<\/strong>, conocido como Scoop Makhathini<\/strong>, un \u00edcono juvenil cuyo trabajo en televisi\u00f3n y radio ayud\u00f3 a elevar muchas escenas, recuerda que lo que hac\u00eda el colectivo BoyzNBucks<\/strong> era ‘moda urbana de muy alto nivel’.<\/p>\n

‘No \u00e9ramos Louis Vuitton, no \u00e9ramos Gucci. Riky tom\u00f3 ese camino, pero nosotros como BoyzNBucks est\u00e1bamos m\u00e1s metidos en la moda callejera, que a\u00fan as\u00ed era de muy alto nivel porque no pod\u00edas conseguir esas marcas, no pod\u00edas conseguir esa ropa a menos que viajaras fuera del pa\u00eds’, dijo Ngwekazi. ‘Fue cuando Riky Rick<\/a> se convirti\u00f3 en artista que cambi\u00f3 la percepci\u00f3n de la gente’.<\/p>\n

Riky Rick<\/strong> domin\u00f3 ese cambio de percepci\u00f3n y construy\u00f3 una carrera sobre ello. Hace una d\u00e9cada, rape\u00f3: ‘Sidlukotini kwedini\/ cava le jean kwedini\/ cava le slumber boy\/ sidl’ ilast number boy’ (comemos algod\u00f3n, chico\/ mira este jean, chico\/ llevamos el est\u00e1ndar m\u00e1s alto, chico). Los versos establec\u00edan rango y lo diferenciaban, se\u00f1alando que su estilo era el m\u00e1s duro.<\/p>\n

Al abrazar la alta costura e inyectar referencias a Gucci en sus letras, abri\u00f3 un camino que muchos seguir\u00edan despu\u00e9s.<\/p>\n

La filosof\u00eda de estilo de Riky Rick<\/h2>\n

En una entrevista durante ese per\u00edodo, Riky Rick explic\u00f3 su enfoque hacia la ropa: ‘Intento explorar diferentes vibras, diferentes sentimientos seg\u00fan el entorno en el que me encuentre. A veces simplemente me pongo cosas que me gustan, tal vez se ve bien o lo que sea. Pero siempre trato de seguir conceptos, especialmente cuando son eventos importantes’.<\/p>\n

Continu\u00f3: ‘Todo el viaje para nosotros comenz\u00f3 con las zapatillas. Crec\u00ed en Austria, y lo que pas\u00f3 fue que hab\u00eda mucho \u00e9nfasis en marcas como Tommy Hilfiger y Timberlands. Esto fue cuando yo estaba en, digamos, Standard 3 (Grado 5). Hab\u00eda tanto \u00e9nfasis en eso y en Lacoste. Eran marcas que eran grandes en Europa. Siempre aspir\u00e9 a ser uno de esos chicos que pod\u00edan permitirse eso. Pero una cosa de la que mi pap\u00e1 siempre se asegur\u00f3 fue que siempre tuvi\u00e9ramos un par de zapatillas incre\u00edbles’.<\/p>\n

‘Cuando entramos en el rap, empiezo a tener oportunidades de explorar diferentes partes del mundo, explorar materiales, por eso uso el algod\u00f3n como algo que es importante para m\u00ed, y lo que significa sentirse c\u00f3modo en tu propia piel m\u00e1s all\u00e1 de las zapatillas. La gente negra, nuestra representaci\u00f3n m\u00e1s enferma es la de los zapatos. Miramos hacia abajo todo el tiempo: qu\u00e9 zapato es este, qu\u00e9 zapato es ese. Cuando empec\u00e9 a viajar a todas partes, los zapatos ya no significaban tanto. Todo se trata de accesorios, y entonces me met\u00ed en eso’.<\/p>\n

Una colaboraci\u00f3n entre el rapero y Hugh Masekela<\/a><\/strong> hab\u00eda estado en proyecto, pero nunca se materializ\u00f3 porque el veterano estadista falleci\u00f3.<\/p>\n","protected":false},"excerpt":{"rendered":"Un vistazo a c\u00f3mo los m\u00fasicos sudafricanos, desde Spoek Mathambo hasta Riky Rick, usaron la moda para afirmar su identidad y desafiar las normas.","protected":false},"author":6,"featured_media":8220,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"csco_display_header_overlay":false,"csco_singular_sidebar":"","csco_page_header_type":"","csco_page_load_nextpost":"","csco_post_video_location":[],"csco_post_video_location_hash":"","csco_post_video_url":"","csco_post_video_bg_start_time":0,"csco_post_video_bg_end_time":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[6894],"tags":[16584,16587,16590,16593,7098,16596],"class_list":["post-10659","post","type-post","status-publish","format-standard","has-post-thumbnail","category-culture-lifestyle-es","tag-blk-jks-es","tag-boyznbucks-es","tag-fashion-es","tag-riky-rick-es","tag-south-african-music-es","tag-spoek-mathambo-es","cs-entry","cs-video-wrap"],"yoast_head":"\nLa 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