{"id":11083,"date":"2026-08-05T16:27:27","date_gmt":"2026-08-05T16:27:27","guid":{"rendered":"https:\/\/interspacemusic.com\/blog\/la-bolivie-a-ouvert-deux-audits-sur-sa-societe-de-gestion-des-droits-musicaux-son-propre-avocat-affirme-que-les-artistes-interpretes-frappent-a-la-mauvaise-porte\/"},"modified":"2026-08-05T16:27:27","modified_gmt":"2026-08-05T16:27:27","slug":"la-bolivie-a-ouvert-deux-audits-sur-sa-societe-de-gestion-des-droits-musicaux-son-propre-avocat-affirme-que-les-artistes-interpretes-frappent-a-la-mauvaise-porte","status":"publish","type":"post","link":"https:\/\/interspacemusic.com\/blog\/fr\/la-bolivie-a-ouvert-deux-audits-sur-sa-societe-de-gestion-des-droits-musicaux-son-propre-avocat-affirme-que-les-artistes-interpretes-frappent-a-la-mauvaise-porte\/","title":{"rendered":"La Bolivie a ouvert deux audits sur sa soci\u00e9t\u00e9 de gestion des droits musicaux. Son propre avocat affirme que les artistes-interpr\u00e8tes frappent \u00e0 la mauvaise porte."},"content":{"rendered":"<p>Le Service national de la propri\u00e9t\u00e9 intellectuelle de Bolivie, SENAPI, a ouvert deux proc\u00e9dures d&#8217;audit sur Sobodaycom, la soci\u00e9t\u00e9 bolivienne des auteurs et compositeurs, dans les premiers jours de juillet 2026. Le d\u00e9clencheur a \u00e9t\u00e9 la r\u00e9volte publique de musiciens qui affirmaient que la soci\u00e9t\u00e9 collectait depuis des d\u00e9cennies sans jamais les payer.<\/p>\n<p>Alejandro Delius, de Quirqui\u00f1a, a r\u00e9clam\u00e9 26 ans de paiements r\u00e9troactifs et a commenc\u00e9 \u00e0 qualifier publiquement l&#8217;organisme de \u00ab Robodaycom \u00bb. Luis Vega a d\u00e9clar\u00e9 avoir \u00e9t\u00e9 factur\u00e9 pour avoir jou\u00e9 sa propre musique \u00e0 son propre mariage. <a href=\"https:\/\/correodelsur.com\/sociedad\/20260701\/artistas-vs-sobodaycom-la-polemica-por-las-regalias-en-bolivia.html\">Correo del Sur<\/a> a recens\u00e9 Viko Paredes d&#8217;Alcoholika, Bonny Lovy et d&#8217;autres dans la m\u00eame vague.<\/p>\n<h2>Ce que le SENAPI audite r\u00e9ellement<\/h2>\n<p>Deux choses, selon le <a href=\"https:\/\/correodelsur.com\/sociedad\/20260702\/sobodaycom-se-enfrenta-a-auditorias-tras-denuncias.html\">p\u00e9rim\u00e8tre annonc\u00e9<\/a> par le r\u00e9gulateur :<\/p>\n<ul>\n<li>Si les sommes collect\u00e9es au titre des droits d&#8217;auteur et des droits voisins ont \u00e9t\u00e9 correctement r\u00e9parties, distribu\u00e9es et vers\u00e9es.<\/li>\n<li>Si les frais administratifs et de fonctionnement que la soci\u00e9t\u00e9 pr\u00e9l\u00e8ve peuvent \u00eatre justifi\u00e9s.<\/li>\n<\/ul>\n<p>Le SENAPI a \u00e9galement ouvert un canal de plaintes officiel et invit\u00e9 les auteurs, artistes-interpr\u00e8tes et ayants droit \u00e0 d\u00e9poser, ce qui est la mani\u00e8re pour un r\u00e9gulateur de signaler qu&#8217;il souhaite une trace \u00e9crite plut\u00f4t qu&#8217;un cycle m\u00e9diatique.<\/p>\n<h2>La Bolivie compte quatre soci\u00e9t\u00e9s, pas une seule<\/h2>\n<p>CMO signifie organisme de gestion collective, l&#8217;entit\u00e9 qui octroie les licences pour l&#8217;ex\u00e9cution publique et la diffusion de musique et qui r\u00e9mun\u00e8re les ayants droit. <a href=\"https:\/\/www.senapi.gob.bo\/derecho-de-autor-y-derechos-conexos\">Le SENAPI en recense quatre autoris\u00e9es en Bolivie<\/a> : Sobodaycom pour les auteurs et compositeurs, ABAIEM pour les artistes-interpr\u00e8tes, ASBOPROFON pour les producteurs de phonogrammes et ESCRIBO pour les \u00e9crivains.<\/p>\n<p>Le directeur juridique de Sobodaycom, Charly Alborta, a d\u00e9clar\u00e9 \u00e0 <a href=\"https:\/\/www.vision360.bo\/noticias\/2026\/07\/03\/56338-tras-denuncias-e-inicio-de-auditorias-sobodaycom-responde-a-artistas-estan-incurriendo-en-un-error-deben-acudir-a-otras-sociedades\">Visi\u00f3n 360<\/a> que les artistes qui r\u00e9clament des redevances en se fondant sur leur qualit\u00e9 d&#8217;artiste \u00ab commettent une grave erreur \u00bb, car les droits des artistes-interpr\u00e8tes rel\u00e8vent d&#8217;ABAIEM.<\/p>\n<p>Juridiquement propre. Commercialement inutile si le volet des artistes-interpr\u00e8tes ne collecte et ne distribue pas visiblement \u00e0 grande \u00e9chelle. C&#8217;est cette lacune, et non l&#8217;audit, qui constitue le vrai probl\u00e8me structurel.<\/p>\n<h2>Le tarif qui a mis le feu aux poudres<\/h2>\n<p>Sobodaycom facture en unit\u00e9s UDA. <a href=\"https:\/\/eju.tv\/2026\/07\/denuncian-a-sobodaycom-por-cobrar-hasta-en-velorios-pero-no-dar-regalias-a-artistas\/\">eju.tv a publi\u00e9 le bar\u00e8me 2026<\/a> : une UDA vaut 110 Bs, les services fun\u00e9raires co\u00fbtent de 1 \u00e0 3 UDA, les f\u00eates de cat\u00e9gorie A avec sonorisation de 6 \u00e0 30 UDA, et les \u00e9v\u00e9nements politiques et kermesses de 4 \u00e0 60 UDA.<\/p>\n<p>Facturer une veill\u00e9e fun\u00e8bre est une position juridiquement d\u00e9fendable et publiquement catastrophique. C&#8217;est le d\u00e9tail que tous les m\u00e9dias boliviens ont mis en avant.<\/p>\n<h2>O\u00f9 un disque bolivien gagne r\u00e9ellement de l&#8217;argent<\/h2>\n<p>L&#8217;Am\u00e9rique latine a \u00e9t\u00e9 la r\u00e9gion \u00e0 la croissance la plus rapide au monde en 2025, en hausse de 17,1 % pour la seizi\u00e8me ann\u00e9e cons\u00e9cutive de croissance, le streaming repr\u00e9sentant 88,1 % des revenus r\u00e9gionaux, selon le <a href=\"https:\/\/www.ifpi.org\/global-music-report-2026-global-recorded-music-revenues-grow-6-4-as-record-companies-drive-innovation\/\">Rapport mondial sur la musique 2026 de l&#8217;IFPI<\/a>. Le Br\u00e9sil est le 8e march\u00e9, le Mexique le 10e. La Bolivie n&#8217;appara\u00eet nulle part sur cette liste.<\/p>\n<p>Son exportation la plus lucrative n&#8217;a jamais \u00e9t\u00e9 une collecte sur le march\u00e9 int\u00e9rieur. \u00ab Llorando se fue \u00bb, enregistr\u00e9 par Los Kjarkas en 1981, est devenu \u00ab Lambada \u00bb de Kaoma en 1989 sans cr\u00e9dit appropri\u00e9. Le groupe a intent\u00e9 un proc\u00e8s en France et a obtenu des cr\u00e9dits et des redevances, une histoire que <a href=\"https:\/\/www.songlines.co.uk\/content\/features\/stolen-melodies-global-hits-the-bittersweet-legacy-of-los-kjarkas-llorando-se-fue-1\">Songlines<\/a> a retrac\u00e9e en d\u00e9tail.<\/p>\n<p>Voil\u00e0 \u00e0 quoi ressemble l&#8217;argent de la musique bolivienne. La revendication \u00e9ditoriale voyage. Les revenus li\u00e9s aux enregistrements arrivent d&#8217;Espagne, d&#8217;Argentine, des \u00c9tats-Unis et du Br\u00e9sil, via les rapports des distributeurs, pas par un guichet \u00e0 La Paz.<\/p>\n<h2>Ce qu&#8217;un artiste ind\u00e9pendant de Santa Cruz devrait faire ce trimestre<\/h2>\n<ul>\n<li>S&#8217;enregistrer deux fois. Les compositions aupr\u00e8s de Sobodaycom, les interpr\u00e9tations aupr\u00e8s d&#8217;ABAIEM. Ce sont des lignes de revenus distinctes et aucune des deux soci\u00e9t\u00e9s ne fera les d\u00e9marches administratives de l&#8217;autre \u00e0 votre place.<\/li>\n<li>Fixer les r\u00e9partitions auteur-interpr\u00e8te d\u00e8s la livraison, pas apr\u00e8s la sortie d&#8217;un morceau. Les r\u00e9clamations r\u00e9troactives sont pr\u00e9cis\u00e9ment ce que l&#8217;audit est en train de d\u00e9m\u00ealer.<\/li>\n<li>Consid\u00e9rer les relev\u00e9s des plateformes de streaming comme la piste d&#8217;audit que vous ma\u00eetrisez. Le reporting par territoire et par magasin est le seul grand livre qu&#8217;un artiste bolivien peut r\u00e9ellement rapprocher.<\/li>\n<li>D\u00e9poser une plainte aupr\u00e8s du SENAPI si vous estimez qu&#8217;on vous doit de l&#8217;argent. Le canal de plaintes est ouvert et le r\u00e9gulateur a demand\u00e9 du volume.<\/li>\n<li>Surveiller les territoires d&#8217;exportation avant le march\u00e9 int\u00e9rieur. Le catalogue andin et cumbia surperforme en Argentine, en Espagne et sur le march\u00e9 latin des \u00c9tats-Unis.<\/li>\n<\/ul>\n<p>Le syst\u00e8me de collecte bolivien pourrait sortir plus propre de cet audit. Il ne couvrira toujours que le volet composition d&#8217;un petit march\u00e9 int\u00e9rieur. L&#8217;enregistrement, et l&#8217;argent qu&#8217;il g\u00e9n\u00e8re dans six autres pays, est un probl\u00e8me de distribution, et il l&#8217;a toujours \u00e9t\u00e9.<\/p>\n<p>Lecture compl\u00e9mentaire : <a href=\"https:\/\/interspacemusic.com\/blog\/ecuador-authors-society-distributed-6-6-million-dollars-own-members-got-878000\/\">La soci\u00e9t\u00e9 d&#8217;auteurs \u00e9quatorienne a distribu\u00e9 6,6 millions de dollars et ses propres membres ont re\u00e7u 878 000 dollars<\/a>, <a href=\"https:\/\/interspacemusic.com\/blog\/the-dominican-republic-built-a-single-window-for-music-rights-its-authors-society-is-in-the-supreme-court-over-how-it-splits-the-money\/\">le combat pour le guichet unique en R\u00e9publique dominicaine<\/a>, et <a href=\"https:\/\/interspacemusic.com\/blog\/panama-invented-reggae-en-espanol-one-panamanian-song-no-1-at-home-2025\/\">le probl\u00e8me des classements au Panama<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"Le SENAPI bolivien a ouvert deux audits sur Sobodaycom apr\u00e8s que des artistes ont d\u00e9clar\u00e9 que la soci\u00e9t\u00e9 collectait depuis des d\u00e9cennies sans jamais les payer. Mais la Bolivie autorise quatre soci\u00e9t\u00e9s, et celle qui facture 110 Bs par enterrement ne couvre que les compositeurs. Voici o\u00f9 un disque bolivien gagne r\u00e9ellement de l&#8217;argent.","protected":false},"author":3,"featured_media":11061,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"csco_display_header_overlay":false,"csco_singular_sidebar":"","csco_page_header_type":"","csco_page_load_nextpost":"","csco_post_video_location":[],"csco_post_video_location_hash":"","csco_post_video_url":"","csco_post_video_bg_start_time":0,"csco_post_video_bg_end_time":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[6828],"tags":[18483,7157,18486,6666,6996,6669],"class_list":["post-11083","post","type-post","status-publish","format-standard","has-post-thumbnail","category-policy-legal-fr","tag-bolivia-fr","tag-collective-management-fr","tag-latin-america-fr","tag-music-en-fr","tag-music-distribution-fr","tag-royalties-en-fr","cs-entry","cs-video-wrap"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>La Bolivie a ouvert deux audits sur sa soci\u00e9t\u00e9 de gestion des droits musicaux. Son propre avocat affirme que les artistes-interpr\u00e8tes frappent \u00e0 la mauvaise porte.<\/title>\n<meta name=\"description\" content=\"Le Service national de la propri\u00e9t\u00e9 intellectuelle de Bolivie, SENAPI, a ouvert deux proc\u00e9dures d&#039;audit sur Sobodaycom, la soci\u00e9t\u00e9 bolivienne des auteurs et compositeurs, dans les premiers jours de juillet 2026.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/interspacemusic.com\/blog\/fr\/la-bolivie-a-ouvert-deux-audits-sur-sa-societe-de-gestion-des-droits-musicaux-son-propre-avocat-affirme-que-les-artistes-interpretes-frappent-a-la-mauvaise-porte\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La Bolivie a ouvert deux audits sur sa soci\u00e9t\u00e9 de gestion des droits musicaux. Son propre avocat affirme que les artistes-interpr\u00e8tes frappent \u00e0 la mauvaise porte.\" \/>\n<meta property=\"og:description\" content=\"Le Service national de la propri\u00e9t\u00e9 intellectuelle de Bolivie, SENAPI, a ouvert deux proc\u00e9dures d&#039;audit sur Sobodaycom, la soci\u00e9t\u00e9 bolivienne des auteurs et compositeurs, dans les premiers jours de juillet 2026.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/interspacemusic.com\/blog\/fr\/la-bolivie-a-ouvert-deux-audits-sur-sa-societe-de-gestion-des-droits-musicaux-son-propre-avocat-affirme-que-les-artistes-interpretes-frappent-a-la-mauvaise-porte\/\" \/>\n<meta property=\"og:site_name\" content=\"The InterSpace Daily.\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/facebook.com\/interspacemusic\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-08-05T16:27:27+00:00\" \/>\n<meta name=\"author\" content=\"Patrick Ofe\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@interspacegroup\" \/>\n<meta name=\"twitter:site\" content=\"@interspacegroup\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Patrick Ofe\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":[\"Article\",\"BlogPosting\"],\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/la-bolivie-a-ouvert-deux-audits-sur-sa-societe-de-gestion-des-droits-musicaux-son-propre-avocat-affirme-que-les-artistes-interpretes-frappent-a-la-mauvaise-porte\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/la-bolivie-a-ouvert-deux-audits-sur-sa-societe-de-gestion-des-droits-musicaux-son-propre-avocat-affirme-que-les-artistes-interpretes-frappent-a-la-mauvaise-porte\\\/\"},\"author\":{\"name\":\"Patrick Ofe\",\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/#\\\/schema\\\/person\\\/0103434e4fa9a8a051cb480bd1427264\"},\"headline\":\"La Bolivie a ouvert deux audits sur sa soci\u00e9t\u00e9 de gestion des droits musicaux. 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