{"id":11230,"date":"2026-08-05T17:02:13","date_gmt":"2026-08-05T17:02:13","guid":{"rendered":"https:\/\/interspacemusic.com\/blog\/le-sertanejo-truste-10-des-15-premieres-places-au-bresil-ses-revenus-ne-viennent-quasiment-pas-de-letranger\/"},"modified":"2026-08-05T17:02:13","modified_gmt":"2026-08-05T17:02:13","slug":"le-sertanejo-truste-10-des-15-premieres-places-au-bresil-ses-revenus-ne-viennent-quasiment-pas-de-letranger","status":"publish","type":"post","link":"https:\/\/interspacemusic.com\/blog\/fr\/le-sertanejo-truste-10-des-15-premieres-places-au-bresil-ses-revenus-ne-viennent-quasiment-pas-de-letranger\/","title":{"rendered":"Le sertanejo truste 10 des 15 premi\u00e8res places au Br\u00e9sil. Ses revenus ne viennent quasiment pas de l&#8217;\u00e9tranger."},"content":{"rendered":"<p>Le sertanejo n&#8217;a pas besoin d&#8217;\u00eatre tendance sur TikTok dans l&#8217;Ohio. Sur le classement quotidien Spotify du Br\u00e9sil au 18 juillet 2026, le genre occupait 10 des 15 premi\u00e8res places, le funk se partageant les cinq autres, selon <a href=\"https:\/\/kworb.net\/spotify\/country\/br_daily.html\">le tracker br\u00e9silien de kworb<\/a>. Jeninho, Z\u00e9 Neto &amp; Cristiano, Gusttavo Lima, Murilo Huff. Presque tout est enregistr\u00e9 en live, estampill\u00e9 \u00ab Ao Vivo \u00bb.<\/p>\n<p>C&#8217;est le genre que la plupart des distributeurs internationaux lisent de travers, parce qu&#8217;il ne franchit jamais leur bureau depuis l&#8217;\u00e9tranger.<\/p>\n<h2>Le classement que personne ne voit en dehors du Br\u00e9sil<\/h2>\n<p>Pro-M\u00fasica, l&#8217;organisme br\u00e9silien de l&#8217;industrie phonographique, a publi\u00e9 une \u00e9tude en juillet 2026 couvrant six plateformes : Spotify, YouTube, Deezer, Apple Music, Tidal et Amazon Music. Le chiffre cl\u00e9 est sans appel.<\/p>\n<ul>\n<li>96 % des 50 titres les plus stream\u00e9s au Br\u00e9sil sont interpr\u00e9t\u00e9s par des artistes br\u00e9siliens. Seuls quatre morceaux sur cinquante sont \u00e9trangers, <a href=\"https:\/\/rapmidia.com.br\/pro-musica-revela-top-50-streaming-96-faixas-brasileiras-sertaanejo-no-topo\/\">selon les donn\u00e9es de Pro-M\u00fasica<\/a>.<\/li>\n<li>Les hits internationaux repr\u00e9sentaient autrefois environ 15 % des classements. Cette part s&#8217;est effondr\u00e9e.<\/li>\n<li>Le sertanejo domine nettement, avec Gusttavo Lima, des titres posthumes de Mar\u00edlia Mendon\u00e7a et Henrique e Juliano aux premi\u00e8res places. Le funk et le pagode suivent.<\/li>\n<\/ul>\n<p>Environ 75 % de l&#8217;ensemble des streams Spotify au Br\u00e9sil vont d\u00e9sormais \u00e0 des artistes nationaux, <a href=\"https:\/\/portalzonafranca.com\/2025\/12\/dominio-brasileiro-no-streaming-sertanejo-pagode-e-funk-levam-artistas-nacionais-ao-topo-do-spotify-e-da-billboard-brasil\/\">rapporte Portal Zona Franca<\/a>. Le Br\u00e9sil est un march\u00e9 qui s&#8217;\u00e9coute surtout lui-m\u00eame.<\/p>\n<h2>M\u00eame pays, deux cartes des revenus radicalement diff\u00e9rentes<\/h2>\n<p>C&#8217;est l\u00e0 que les choses deviennent int\u00e9ressantes pour quiconque r\u00e9fl\u00e9chit \u00e0 la provenance r\u00e9elle des royalties.<\/p>\n<p>Le funk br\u00e9silien a \u00e9t\u00e9 le genre au-dessus de 50 millions de dollars connaissant la plus forte croissance sur Spotify en 2025, en hausse de 36 % sur un an, devant la K-pop et le reggaeton, <a href=\"https:\/\/musically.com\/2026\/04\/02\/the-2025-royalty-numbers-are-in-loud-clear-updated-with-new-data-takeaways\/\">comme l&#8217;a rapport\u00e9 Music Ally<\/a> d&#8217;apr\u00e8s la mise \u00e0 jour Loud &amp; Clear. Le funk voyage. Ses streams proviennent de plus en plus de l&#8217;\u00e9tranger.<\/p>\n<p>Le sertanejo fait exactement l&#8217;inverse. Il est plus gros que le funk au niveau national, mais ne g\u00e9n\u00e8re quasiment aucun revenu en dehors du pays. L&#8217;audience, la diffusion radio, les tourn\u00e9es dans les ar\u00e8nes et les streams restent confin\u00e9s au Br\u00e9sil et \u00e0 la diaspora lusophone.<\/p>\n<p>Cette distinction est cruciale, car le g\u00e2teau br\u00e9silien dans son ensemble a connu une croissance rapide. Les artistes br\u00e9siliens ont g\u00e9n\u00e9r\u00e9 environ 2 milliards de reais sur Spotify en 2025, soit une hausse de 24 %, presque le double de la croissance du march\u00e9 global, <a href=\"https:\/\/newsroom.spotify.com\/2026-05-11\/artistas-brasileiros-alto-e-claro\/\">a confirm\u00e9 la newsroom de Spotify<\/a>. Le portugais a \u00e9t\u00e9 la langue \u00e0 la croissance la plus rapide au-dessus de 100 millions de dollars, en hausse de 26 % sur un an.<\/p>\n<h2>Pourquoi un catalogue de sertanejo met en \u00e9chec un distributeur g\u00e9n\u00e9rique<\/h2>\n<p>Un DSP, c&#8217;est un fournisseur de services num\u00e9riques, la plateforme de streaming elle-m\u00eame. La plupart des distributeurs optimisent pour un seul : le pitch de playlist Spotify aux \u00c9tats-Unis ou au Royaume-Uni. Une sortie de sertanejo ne correspond pas \u00e0 ce sch\u00e9ma, pour trois raisons.<\/p>\n<ul>\n<li>Le format est le live. L&#8217;enregistrement \u00ab Ao Vivo \u00bb est la version commerciale, pas la prise studio. Un m\u00eame morceau est livr\u00e9 sous plusieurs enregistrements distincts, chacun n\u00e9cessitant son propre code ISRC et des m\u00e9tadonn\u00e9es impeccables.<\/li>\n<li>La structure en dupla. Le sertanejo repose sur les duos et les featurings, de sorte qu&#8217;un seul titre peut porter trois ou quatre ayants droit qui exigent tous une r\u00e9partition transparente.<\/li>\n<li>Le mix de DSP est domestique et pluriel. Pro-M\u00fasica a compt\u00e9 six plateformes parce que les auditeurs br\u00e9siliens se r\u00e9partissent r\u00e9ellement entre YouTube, Deezer et Amazon Music, pas seulement Spotify.<\/li>\n<\/ul>\n<p>DDEE signifie Digital Data Exchange, le standard de m\u00e9tadonn\u00e9es utilis\u00e9 par les DSP pour ing\u00e9rer les sorties. Un distributeur qui livre en natif DDEX, g\u00e8re l&#8217;abondance de versions live sans cr\u00e9er de doublons et r\u00e9partit proprement les droits entre plusieurs artistes fait le vrai travail qu&#8217;exige une sortie de sertanejo.<\/p>\n<h2>Ce qu&#8217;il faut retenir pour les catalogues br\u00e9siliens<\/h2>\n<p>Si votre catalogue est du sertanejo ou du pagode, le discours centr\u00e9 sur l&#8217;export que tiennent la plupart des distributeurs li\u00e9s aux majors n&#8217;est que du bruit. Votre argent est au pays, sur six DSP, dans des enregistrements live aux ayants droit multiples.<\/p>\n<p>InterSpace Distribution a \u00e9t\u00e9 con\u00e7u pour cette r\u00e9alit\u00e9 : livraison DDEX vers l&#8217;ensemble du mix de DSP br\u00e9siliens, m\u00e9tadonn\u00e9es par enregistrement qui survivent aux versions live, et r\u00e9partition des droits suivie au centime pr\u00e8s. L&#8217;enjeu n&#8217;est pas la port\u00e9e pour la port\u00e9e. C&#8217;est d&#8217;\u00eatre pay\u00e9 correctement sur les plateformes que votre public utilise d\u00e9j\u00e0.<\/p>\n<p>Les artistes et labels ind\u00e9pendants br\u00e9siliens d\u00e9passent d\u00e9j\u00e0 d&#8217;environ 50 % la moyenne mondiale des ind\u00e9pendants sur Spotify. Il faut simplement que l&#8217;infrastructure soit \u00e0 la hauteur de la mani\u00e8re dont la musique est r\u00e9ellement produite.<\/p>\n","protected":false},"excerpt":{"rendered":"Le sertanejo occupe 10 des 15 premi\u00e8res places du classement Spotify au Br\u00e9sil et domine un top 50 compos\u00e9 \u00e0 96 % de titres nationaux, pourtant ses revenus ne proviennent presque pas de l&#8217;\u00e9tranger. Pourquoi le funk s&#8217;exporte-t-il alors que le sertanejo reste \u00e0 la maison, et de quoi un catalogue d&#8217;enregistrements live \u00e0 multiples ayants droit a-t-il besoin de la part de son distributeur.","protected":false},"author":6,"featured_media":7878,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"csco_display_header_overlay":false,"csco_singular_sidebar":"","csco_page_header_type":"","csco_page_load_nextpost":"","csco_post_video_location":[],"csco_post_video_location_hash":"","csco_post_video_url":"","csco_post_video_bg_start_time":0,"csco_post_video_bg_end_time":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[6952],"tags":[8315,15687,6666,15695,6672,14901],"class_list":["post-11230","post","type-post","status-publish","format-standard","has-post-thumbnail","category-industry-trends-fr","tag-brazil-fr","tag-funk-fr","tag-music-en-fr","tag-sertanejo-fr","tag-spotify-en-fr","tag-youtube-fr","cs-entry","cs-video-wrap"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Le sertanejo truste 10 des 15 premi\u00e8res places au Br\u00e9sil. 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