{"id":11255,"date":"2026-08-05T17:05:40","date_gmt":"2026-08-05T17:05:40","guid":{"rendered":"https:\/\/interspacemusic.com\/blog\/japao-e-o-segundo-maior-mercado-musical-do-mundo-e-cresceu-89-em-2025-ainda-e-metade-fisico\/"},"modified":"2026-08-05T17:05:40","modified_gmt":"2026-08-05T17:05:40","slug":"japao-e-o-segundo-maior-mercado-musical-do-mundo-e-cresceu-89-em-2025-ainda-e-metade-fisico","status":"publish","type":"post","link":"https:\/\/interspacemusic.com\/blog\/pt-br\/japao-e-o-segundo-maior-mercado-musical-do-mundo-e-cresceu-89-em-2025-ainda-e-metade-fisico\/","title":{"rendered":"Jap\u00e3o \u00e9 o segundo maior mercado musical do mundo e cresceu 8,9% em 2025. Ainda \u00e9 metade f\u00edsico."},"content":{"rendered":"<p>A IFPI, sigla para International Federation of the Phonographic Industry, publicou seu <a href=\"https:\/\/www.ifpi.org\/global-music-report-2026-global-recorded-music-revenues-grow-6-4-as-record-companies-drive-innovation\/\">Global Music Report 2026<\/a> em mar\u00e7o. A receita global de m\u00fasica gravada cresceu 6,4%, chegando a US$ 31,7 bilh\u00f5es. O Jap\u00e3o cresceu 8,9%, acima da m\u00e9dia do mercado, e manteve a posi\u00e7\u00e3o de segundo maior mercado de m\u00fasica gravada do mundo, atr\u00e1s dos Estados Unidos.<\/p>\n<p>O detalhe que a maioria das coberturas ignorou: o crescimento da receita f\u00edsica superou o digital em todo o mundo pela segunda vez na hist\u00f3ria, e o Jap\u00e3o \u00e9 o motivo.<\/p>\n<h2>Jap\u00e3o se recusa a priorizar o streaming<\/h2>\n<p>Em todo lugar, o streaming engoliu o mercado. No Jap\u00e3o, ele o dividiu. Os formatos f\u00edsicos ainda representam a maior parte da receita fonogr\u00e1fica japonesa, cerca de dois ter\u00e7os nos \u00faltimos anos, segundo a <a href=\"https:\/\/soundcharts.com\/en\/blog\/japan-music-market-overview\">Soundcharts<\/a>.<\/p>\n<p>O Jap\u00e3o \u00e9 o maior mercado f\u00edsico, ou de pacotes, do mundo, e a \u00c1sia como um todo respondeu por 45,1% da receita f\u00edsica global em 2025, de acordo com a IFPI. O vinil cresceu 13,7% no mundo no ano passado, alta que o <a href=\"https:\/\/www.musicbusinessworldwide.com\/10-quick-and-crucial-takeaways-from-ifpis-global-music-report-2026\/\">Music Business Worldwide<\/a> atribui em grande parte \u00e0 demanda japonesa.<\/p>\n<p>O motivo \u00e9 estrutural, n\u00e3o nost\u00e1lgico:<\/p>\n<ul>\n<li>Economia dos \u00eddolos. Os CD singles s\u00e3o vendidos em pacotes com ingressos para eventos, cart\u00f5es fotogr\u00e1ficos e direitos de voto, ent\u00e3o os f\u00e3s compram v\u00e1rias c\u00f3pias do mesmo disco.<\/li>\n<li>O ranking Oricon. Ele opera um chart de singles combinado que une f\u00edsico, downloads e streams, ent\u00e3o a venda de um CD ainda conta para o n\u00famero que importa comercialmente.<\/li>\n<li>Cultura de colecionador. Embalagens de edi\u00e7\u00e3o limitada mant\u00eam o objeto valioso de uma forma que o streaming n\u00e3o consegue.<\/li>\n<\/ul>\n<p>\u00c9 por isso que um lan\u00e7amento no estilo AKB48 pode liderar o chart f\u00edsico enquanto um conjunto totalmente diferente de artistas domina os rankings de download e streaming.<\/p>\n<h2>A metade do streaming pela qual as distribuidoras realmente brigam<\/h2>\n<p>O outro lado do mercado est\u00e1 avan\u00e7ando r\u00e1pido. O streaming representa cerca de 34,5% da receita fonogr\u00e1fica japonesa e continua crescendo, com o streaming de \u00e1udio por assinatura e o de v\u00eddeo com an\u00fancios ambos subindo mais de 100% em um \u00fanico ano recente, segundo a Soundcharts.<\/p>\n<p>A <a href=\"https:\/\/luminatedata.com\/blog\/japan-is-the-growth-story-to-watch-in-global-premium-streaming-music\/\">Luminate<\/a> aponta o Jap\u00e3o como l\u00edder incontest\u00e1vel na ado\u00e7\u00e3o de streaming premium na \u00c1sia-Pac\u00edfico, respondendo por quase um em cada tr\u00eas streams premium da regi\u00e3o. \u00c9 nesse campo que as distribuidoras globais competem, e onde a maioria delas cobre apenas metade do terreno.<\/p>\n<p>A participa\u00e7\u00e3o de mercado dos DSPs, sigla para provedores de servi\u00e7os digitais, no Jap\u00e3o n\u00e3o se parece com a do resto do mundo. Com base em dados recentes compilados pela <a href=\"https:\/\/create.routenote.com\/blog\/largest-music-streaming-services-in-japan-with-market-share-numbers\/\">RouteNote<\/a>, a divis\u00e3o \u00e9 aproximadamente:<\/p>\n<ul>\n<li>Spotify: cerca de 24%<\/li>\n<li>Apple Music: cerca de 21%<\/li>\n<li>LINE Music: cerca de 13%<\/li>\n<li>AWA: cerca de 10%<\/li>\n<\/ul>\n<p>Some LINE Music e AWA e voc\u00ea tem um bloco local do tamanho do Spotify. Acrescente o RecoChoku, servi\u00e7o veterano de download e streaming, e cerca de um quarto do mercado sob demanda japon\u00eas est\u00e1 em plataformas que a maioria das distribuidoras com foco no Ocidente n\u00e3o atende.<\/p>\n<h2>O que isso significa para uma gravadora que quer entrar no Jap\u00e3o<\/h2>\n<p>Se a cobertura do seu distribuidor no Jap\u00e3o se resume a Spotify, Apple Music, Amazon e YouTube, voc\u00ea est\u00e1 disputando a fatia internacional do pa\u00eds e ignorando a local. O LINE Music, em especial, est\u00e1 integrado ao aplicativo de mensagens LINE, que a maior parte do Jap\u00e3o usa diariamente, o que o torna um motor de descoberta, n\u00e3o apenas um player.<\/p>\n<p>Lista pr\u00e1tica para quem vai lan\u00e7ar no Jap\u00e3o:<\/p>\n<ul>\n<li>Confirme se seu distribuidor entrega para LINE Music, AWA e RecoChoku, n\u00e3o apenas para as tr\u00eas globais.<\/li>\n<li>Pergunte como os metadados s\u00e3o tratados. Os DSPs japoneses esperam campos de artista e t\u00edtulo limpos em japon\u00eas e romanizado, e uma entrega descuidada faz o lan\u00e7amento ser enterrado.<\/li>\n<li>Trate o f\u00edsico como uma alavanca de chart, n\u00e3o como uma rel\u00edquia. A elegibilidade para o Oricon ainda influencia como a m\u00eddia e o varejo japoneses tratam um lan\u00e7amento.<\/li>\n<\/ul>\n<p>DDEX, sigla para Digital Data Exchange, \u00e9 o padr\u00e3o de entrega que permite que um lan\u00e7amento chegue de forma limpa a uma longa lista de DSPs de uma s\u00f3 vez, incluindo os locais. Um canal nativo em DDEX \u00e9 a diferen\u00e7a entre alcan\u00e7ar todo o mercado de streaming do Jap\u00e3o e alcan\u00e7ar apenas as duas plataformas em que todos os outros artistas j\u00e1 est\u00e3o. A InterSpace Distribution encaminha para esse mapa mais amplo e liquida as divis\u00f5es de forma transparente.<\/p>\n<p>O Jap\u00e3o n\u00e3o \u00e9 um mercado dif\u00edcil porque resiste ao streaming. \u00c9 um mercado dif\u00edcil porque manteve duas economias funcionando ao mesmo tempo, e apenas distribuidoras constru\u00eddas para o mapa completo conseguem entregar nas duas.<\/p>\n","protected":false},"excerpt":{"rendered":"Jap\u00e3o cresceu 8,9% em 2025 e manteve a posi\u00e7\u00e3o de segundo maior mercado musical do mundo, e o f\u00edsico ainda vende mais que o streaming. Distribuidoras globais entregam para Spotify e Apple Music, mas ignoram LINE Music, AWA e RecoChoku, onde ainda acontece boa parte da descoberta e da monetiza\u00e7\u00e3o japonesa.","protected":false},"author":7,"featured_media":7871,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"csco_display_header_overlay":false,"csco_singular_sidebar":"","csco_page_header_type":"","csco_page_load_nextpost":"","csco_post_video_location":[],"csco_post_video_location_hash":"","csco_post_video_url":"","csco_post_video_bg_start_time":0,"csco_post_video_bg_end_time":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[7500],"tags":[13921,13924,11387,6726,6732,7594],"class_list":["post-11255","post","type-post","status-publish","format-standard","has-post-thumbnail","category-industry-trends-pt-br","tag-apple-music-pt-br","tag-j-pop-pt-br","tag-japan-pt-br","tag-music-en-pt-br","tag-spotify-en-pt-br","tag-streaming-pt-br","cs-entry","cs-video-wrap"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Jap\u00e3o \u00e9 o segundo maior mercado musical do mundo e cresceu 8,9% em 2025. Ainda \u00e9 metade f\u00edsico.<\/title>\n<meta name=\"description\" content=\"A IFPI, sigla para International Federation of the Phonographic Industry, publicou seu Global Music Report 2026 em mar\u00e7o.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/interspacemusic.com\/blog\/pt-br\/japao-e-o-segundo-maior-mercado-musical-do-mundo-e-cresceu-89-em-2025-ainda-e-metade-fisico\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jap\u00e3o \u00e9 o segundo maior mercado musical do mundo e cresceu 8,9% em 2025. Ainda \u00e9 metade f\u00edsico.\" \/>\n<meta property=\"og:description\" content=\"A IFPI, sigla para International Federation of the Phonographic Industry, publicou seu Global Music Report 2026 em mar\u00e7o.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/interspacemusic.com\/blog\/pt-br\/japao-e-o-segundo-maior-mercado-musical-do-mundo-e-cresceu-89-em-2025-ainda-e-metade-fisico\/\" \/>\n<meta property=\"og:site_name\" content=\"The InterSpace Daily.\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/facebook.com\/interspacemusic\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-08-05T17:05:40+00:00\" \/>\n<meta name=\"author\" content=\"Daniel Obembe\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@interspacegroup\" \/>\n<meta name=\"twitter:site\" content=\"@interspacegroup\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Daniel Obembe\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":[\"Article\",\"BlogPosting\"],\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/pt-br\\\/japao-e-o-segundo-maior-mercado-musical-do-mundo-e-cresceu-89-em-2025-ainda-e-metade-fisico\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/pt-br\\\/japao-e-o-segundo-maior-mercado-musical-do-mundo-e-cresceu-89-em-2025-ainda-e-metade-fisico\\\/\"},\"author\":{\"name\":\"Daniel Obembe\",\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/#\\\/schema\\\/person\\\/dfda45c52f01072dd0d297096b799422\"},\"headline\":\"Jap\u00e3o \u00e9 o segundo maior mercado musical do mundo e cresceu 8,9% em 2025. Ainda \u00e9 metade f\u00edsico.\",\"datePublished\":\"2026-08-05T17:05:40+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/pt-br\\\/japao-e-o-segundo-maior-mercado-musical-do-mundo-e-cresceu-89-em-2025-ainda-e-metade-fisico\\\/\"},\"wordCount\":849,\"publisher\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/pt-br\\\/japao-e-o-segundo-maior-mercado-musical-do-mundo-e-cresceu-89-em-2025-ainda-e-metade-fisico\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/i0.wp.com\\\/d2n07ae9429qri.cloudfront.net\\\/wp-content\\\/uploads\\\/2026\\\/07\\\/20170517\\\/237700053_04d680ef93_b-1.jpg?fit=1024%2C683&ssl=1\",\"keywords\":[\"Apple Music\",\"J-pop\",\"Japan\",\"Music\",\"Spotify\",\"Streaming\"],\"articleSection\":[\"Industry Trends\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/pt-br\\\/japao-e-o-segundo-maior-mercado-musical-do-mundo-e-cresceu-89-em-2025-ainda-e-metade-fisico\\\/\",\"url\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/pt-br\\\/japao-e-o-segundo-maior-mercado-musical-do-mundo-e-cresceu-89-em-2025-ainda-e-metade-fisico\\\/\",\"name\":\"Jap\u00e3o \u00e9 o segundo maior mercado musical do mundo e cresceu 8,9% em 2025. Ainda \u00e9 metade f\u00edsico.\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/pt-br\\\/japao-e-o-segundo-maior-mercado-musical-do-mundo-e-cresceu-89-em-2025-ainda-e-metade-fisico\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/pt-br\\\/japao-e-o-segundo-maior-mercado-musical-do-mundo-e-cresceu-89-em-2025-ainda-e-metade-fisico\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/i0.wp.com\\\/d2n07ae9429qri.cloudfront.net\\\/wp-content\\\/uploads\\\/2026\\\/07\\\/20170517\\\/237700053_04d680ef93_b-1.jpg?fit=1024%2C683&ssl=1\",\"datePublished\":\"2026-08-05T17:05:40+00:00\",\"description\":\"A IFPI, sigla para International Federation of the Phonographic Industry, publicou seu Global Music Report 2026 em mar\u00e7o.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/pt-br\\\/japao-e-o-segundo-maior-mercado-musical-do-mundo-e-cresceu-89-em-2025-ainda-e-metade-fisico\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/pt-br\\\/japao-e-o-segundo-maior-mercado-musical-do-mundo-e-cresceu-89-em-2025-ainda-e-metade-fisico\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/pt-br\\\/japao-e-o-segundo-maior-mercado-musical-do-mundo-e-cresceu-89-em-2025-ainda-e-metade-fisico\\\/#primaryimage\",\"url\":\"https:\\\/\\\/i0.wp.com\\\/d2n07ae9429qri.cloudfront.net\\\/wp-content\\\/uploads\\\/2026\\\/07\\\/20170517\\\/237700053_04d680ef93_b-1.jpg?fit=1024%2C683&ssl=1\",\"contentUrl\":\"https:\\\/\\\/i0.wp.com\\\/d2n07ae9429qri.cloudfront.net\\\/wp-content\\\/uploads\\\/2026\\\/07\\\/20170517\\\/237700053_04d680ef93_b-1.jpg?fit=1024%2C683&ssl=1\",\"width\":1024,\"height\":683,\"caption\":\"Japan Is the World&#8217;s No. 2 Music Market and Grew 8.9% in 2025. It Is Still Half Physical.\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/pt-br\\\/japao-e-o-segundo-maior-mercado-musical-do-mundo-e-cresceu-89-em-2025-ainda-e-metade-fisico\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Jap\u00e3o \u00e9 o segundo maior mercado musical do mundo e cresceu 8,9% em 2025. Ainda \u00e9 metade f\u00edsico.\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/#website\",\"url\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/\",\"name\":\"The InterSpace Daily.\",\"description\":\"Nigeria&#039;s leading music tech blog\",\"publisher\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/#organization\"},\"alternateName\":\"InterSpace Daily\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/#organization\",\"name\":\"The InterSpace Daily.\",\"alternateName\":\"InterSpace Distribution\",\"url\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/i0.wp.com\\\/interspacemusic.com\\\/blog\\\/wp-content\\\/uploads\\\/2025\\\/03\\\/DP1.png?fit=90%2C90&ssl=1\",\"contentUrl\":\"https:\\\/\\\/i0.wp.com\\\/interspacemusic.com\\\/blog\\\/wp-content\\\/uploads\\\/2025\\\/03\\\/DP1.png?fit=90%2C90&ssl=1\",\"width\":90,\"height\":90,\"caption\":\"The InterSpace Daily.\"},\"image\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/facebook.com\\\/interspacemusic\\\/\",\"https:\\\/\\\/x.com\\\/interspacegroup\",\"https:\\\/\\\/instagram.com\\\/interspace.africa\",\"https:\\\/\\\/youtube.com\\\/@interspacedistro\"],\"description\":\"Nigeria's leading music tech blog \u2014 streaming, distribution, royalties, AI and the business of music, covered from Lagos for artists and labels worldwide.\",\"knowsAbout\":[\"music technology\",\"music distribution\",\"music streaming\",\"music royalties\",\"Nigerian music industry\",\"Afrobeats\",\"YouTube MCNs\",\"DDEX\",\"AI in music\"],\"parentOrganization\":{\"@type\":\"Organization\",\"name\":\"The InterSpace Group\",\"url\":\"https:\\\/\\\/business.interspacemusic.com\\\/\",\"description\":\"The independent side of the global music industry \u2014 distribution, publishing, rights, and technology built for independent artists and labels.\"},\"areaServed\":[\"Nigeria\",\"Africa\",\"Worldwide\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/#\\\/schema\\\/person\\\/dfda45c52f01072dd0d297096b799422\",\"name\":\"Daniel Obembe\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/api.dicebear.com\\\/9.x\\\/notionists\\\/svg?seed=daniel&size=96&backgroundColor=ff6a1a,f7a072,ffd5bd,ffb38a&backgroundType=solid\",\"url\":\"https:\\\/\\\/api.dicebear.com\\\/9.x\\\/notionists\\\/svg?seed=daniel&size=96&backgroundColor=ff6a1a,f7a072,ffd5bd,ffb38a&backgroundType=solid\",\"contentUrl\":\"https:\\\/\\\/api.dicebear.com\\\/9.x\\\/notionists\\\/svg?seed=daniel&size=96&backgroundColor=ff6a1a,f7a072,ffd5bd,ffb38a&backgroundType=solid\",\"caption\":\"Daniel Obembe\"},\"description\":\"Daniel Obembe covers music technology, distribution, and the publishing side of the industry for InterSpace Daily.\",\"url\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/author\\\/daniel\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Jap\u00e3o \u00e9 o segundo maior mercado musical do mundo e cresceu 8,9% em 2025. Ainda \u00e9 metade f\u00edsico.","description":"A IFPI, sigla para International Federation of the Phonographic Industry, publicou seu Global Music Report 2026 em mar\u00e7o.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/interspacemusic.com\/blog\/pt-br\/japao-e-o-segundo-maior-mercado-musical-do-mundo-e-cresceu-89-em-2025-ainda-e-metade-fisico\/","og_locale":"en_US","og_type":"article","og_title":"Jap\u00e3o \u00e9 o segundo maior mercado musical do mundo e cresceu 8,9% em 2025. Ainda \u00e9 metade f\u00edsico.","og_description":"A IFPI, sigla para International Federation of the Phonographic Industry, publicou seu Global Music Report 2026 em mar\u00e7o.","og_url":"https:\/\/interspacemusic.com\/blog\/pt-br\/japao-e-o-segundo-maior-mercado-musical-do-mundo-e-cresceu-89-em-2025-ainda-e-metade-fisico\/","og_site_name":"The InterSpace Daily.","article_publisher":"https:\/\/facebook.com\/interspacemusic\/","article_published_time":"2026-08-05T17:05:40+00:00","author":"Daniel Obembe","twitter_card":"summary_large_image","twitter_creator":"@interspacegroup","twitter_site":"@interspacegroup","twitter_misc":{"Written by":"Daniel Obembe","Est. reading time":"4 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":["Article","BlogPosting"],"@id":"https:\/\/interspacemusic.com\/blog\/pt-br\/japao-e-o-segundo-maior-mercado-musical-do-mundo-e-cresceu-89-em-2025-ainda-e-metade-fisico\/#article","isPartOf":{"@id":"https:\/\/interspacemusic.com\/blog\/pt-br\/japao-e-o-segundo-maior-mercado-musical-do-mundo-e-cresceu-89-em-2025-ainda-e-metade-fisico\/"},"author":{"name":"Daniel Obembe","@id":"https:\/\/interspacemusic.com\/blog\/#\/schema\/person\/dfda45c52f01072dd0d297096b799422"},"headline":"Jap\u00e3o \u00e9 o segundo maior mercado musical do mundo e cresceu 8,9% em 2025. Ainda \u00e9 metade f\u00edsico.","datePublished":"2026-08-05T17:05:40+00:00","mainEntityOfPage":{"@id":"https:\/\/interspacemusic.com\/blog\/pt-br\/japao-e-o-segundo-maior-mercado-musical-do-mundo-e-cresceu-89-em-2025-ainda-e-metade-fisico\/"},"wordCount":849,"publisher":{"@id":"https:\/\/interspacemusic.com\/blog\/#organization"},"image":{"@id":"https:\/\/interspacemusic.com\/blog\/pt-br\/japao-e-o-segundo-maior-mercado-musical-do-mundo-e-cresceu-89-em-2025-ainda-e-metade-fisico\/#primaryimage"},"thumbnailUrl":"https:\/\/i0.wp.com\/d2n07ae9429qri.cloudfront.net\/wp-content\/uploads\/2026\/07\/20170517\/237700053_04d680ef93_b-1.jpg?fit=1024%2C683&ssl=1","keywords":["Apple Music","J-pop","Japan","Music","Spotify","Streaming"],"articleSection":["Industry Trends"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/interspacemusic.com\/blog\/pt-br\/japao-e-o-segundo-maior-mercado-musical-do-mundo-e-cresceu-89-em-2025-ainda-e-metade-fisico\/","url":"https:\/\/interspacemusic.com\/blog\/pt-br\/japao-e-o-segundo-maior-mercado-musical-do-mundo-e-cresceu-89-em-2025-ainda-e-metade-fisico\/","name":"Jap\u00e3o \u00e9 o segundo maior mercado musical do mundo e cresceu 8,9% em 2025. Ainda \u00e9 metade f\u00edsico.","isPartOf":{"@id":"https:\/\/interspacemusic.com\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/interspacemusic.com\/blog\/pt-br\/japao-e-o-segundo-maior-mercado-musical-do-mundo-e-cresceu-89-em-2025-ainda-e-metade-fisico\/#primaryimage"},"image":{"@id":"https:\/\/interspacemusic.com\/blog\/pt-br\/japao-e-o-segundo-maior-mercado-musical-do-mundo-e-cresceu-89-em-2025-ainda-e-metade-fisico\/#primaryimage"},"thumbnailUrl":"https:\/\/i0.wp.com\/d2n07ae9429qri.cloudfront.net\/wp-content\/uploads\/2026\/07\/20170517\/237700053_04d680ef93_b-1.jpg?fit=1024%2C683&ssl=1","datePublished":"2026-08-05T17:05:40+00:00","description":"A IFPI, sigla para International Federation of the Phonographic Industry, publicou seu Global Music Report 2026 em mar\u00e7o.","breadcrumb":{"@id":"https:\/\/interspacemusic.com\/blog\/pt-br\/japao-e-o-segundo-maior-mercado-musical-do-mundo-e-cresceu-89-em-2025-ainda-e-metade-fisico\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/interspacemusic.com\/blog\/pt-br\/japao-e-o-segundo-maior-mercado-musical-do-mundo-e-cresceu-89-em-2025-ainda-e-metade-fisico\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/interspacemusic.com\/blog\/pt-br\/japao-e-o-segundo-maior-mercado-musical-do-mundo-e-cresceu-89-em-2025-ainda-e-metade-fisico\/#primaryimage","url":"https:\/\/i0.wp.com\/d2n07ae9429qri.cloudfront.net\/wp-content\/uploads\/2026\/07\/20170517\/237700053_04d680ef93_b-1.jpg?fit=1024%2C683&ssl=1","contentUrl":"https:\/\/i0.wp.com\/d2n07ae9429qri.cloudfront.net\/wp-content\/uploads\/2026\/07\/20170517\/237700053_04d680ef93_b-1.jpg?fit=1024%2C683&ssl=1","width":1024,"height":683,"caption":"Japan Is the World&#8217;s No. 2 Music Market and Grew 8.9% in 2025. It Is Still Half Physical."},{"@type":"BreadcrumbList","@id":"https:\/\/interspacemusic.com\/blog\/pt-br\/japao-e-o-segundo-maior-mercado-musical-do-mundo-e-cresceu-89-em-2025-ainda-e-metade-fisico\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/interspacemusic.com\/blog\/"},{"@type":"ListItem","position":2,"name":"Jap\u00e3o \u00e9 o segundo maior mercado musical do mundo e cresceu 8,9% em 2025. Ainda \u00e9 metade f\u00edsico."}]},{"@type":"WebSite","@id":"https:\/\/interspacemusic.com\/blog\/#website","url":"https:\/\/interspacemusic.com\/blog\/","name":"The InterSpace Daily.","description":"Nigeria&#039;s leading music tech blog","publisher":{"@id":"https:\/\/interspacemusic.com\/blog\/#organization"},"alternateName":"InterSpace Daily","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/interspacemusic.com\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/interspacemusic.com\/blog\/#organization","name":"The InterSpace Daily.","alternateName":"InterSpace Distribution","url":"https:\/\/interspacemusic.com\/blog\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/interspacemusic.com\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/i0.wp.com\/interspacemusic.com\/blog\/wp-content\/uploads\/2025\/03\/DP1.png?fit=90%2C90&ssl=1","contentUrl":"https:\/\/i0.wp.com\/interspacemusic.com\/blog\/wp-content\/uploads\/2025\/03\/DP1.png?fit=90%2C90&ssl=1","width":90,"height":90,"caption":"The InterSpace Daily."},"image":{"@id":"https:\/\/interspacemusic.com\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/facebook.com\/interspacemusic\/","https:\/\/x.com\/interspacegroup","https:\/\/instagram.com\/interspace.africa","https:\/\/youtube.com\/@interspacedistro"],"description":"Nigeria's leading music tech blog \u2014 streaming, distribution, royalties, AI and the business of music, covered from Lagos for artists and labels worldwide.","knowsAbout":["music technology","music distribution","music streaming","music royalties","Nigerian music industry","Afrobeats","YouTube MCNs","DDEX","AI in music"],"parentOrganization":{"@type":"Organization","name":"The InterSpace Group","url":"https:\/\/business.interspacemusic.com\/","description":"The independent side of the global music industry \u2014 distribution, publishing, rights, and technology built for independent artists and labels."},"areaServed":["Nigeria","Africa","Worldwide"]},{"@type":"Person","@id":"https:\/\/interspacemusic.com\/blog\/#\/schema\/person\/dfda45c52f01072dd0d297096b799422","name":"Daniel Obembe","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/api.dicebear.com\/9.x\/notionists\/svg?seed=daniel&size=96&backgroundColor=ff6a1a,f7a072,ffd5bd,ffb38a&backgroundType=solid","url":"https:\/\/api.dicebear.com\/9.x\/notionists\/svg?seed=daniel&size=96&backgroundColor=ff6a1a,f7a072,ffd5bd,ffb38a&backgroundType=solid","contentUrl":"https:\/\/api.dicebear.com\/9.x\/notionists\/svg?seed=daniel&size=96&backgroundColor=ff6a1a,f7a072,ffd5bd,ffb38a&backgroundType=solid","caption":"Daniel Obembe"},"description":"Daniel Obembe covers music technology, distribution, and the publishing side of the industry for InterSpace Daily.","url":"https:\/\/interspacemusic.com\/blog\/author\/daniel\/"}]}},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/d2n07ae9429qri.cloudfront.net\/wp-content\/uploads\/2026\/07\/20170517\/237700053_04d680ef93_b-1.jpg?fit=1024%2C683&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/interspacemusic.com\/blog\/wp-json\/wp\/v2\/posts\/11255","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/interspacemusic.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/interspacemusic.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/interspacemusic.com\/blog\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/interspacemusic.com\/blog\/wp-json\/wp\/v2\/comments?post=11255"}],"version-history":[{"count":0,"href":"https:\/\/interspacemusic.com\/blog\/wp-json\/wp\/v2\/posts\/11255\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/interspacemusic.com\/blog\/wp-json\/wp\/v2\/media\/7871"}],"wp:attachment":[{"href":"https:\/\/interspacemusic.com\/blog\/wp-json\/wp\/v2\/media?parent=11255"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/interspacemusic.com\/blog\/wp-json\/wp\/v2\/categories?post=11255"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/interspacemusic.com\/blog\/wp-json\/wp\/v2\/tags?post=11255"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}