{"id":11414,"date":"2026-08-05T17:33:00","date_gmt":"2026-08-05T17:33:00","guid":{"rendered":"https:\/\/interspacemusic.com\/blog\/le-japon-a-progresse-de-89-et-a-sauve-les-ventes-physiques-mondiales-la-moitie-de-ses-redevances-de-streaming-provient-de-letranger\/"},"modified":"2026-08-05T17:33:00","modified_gmt":"2026-08-05T17:33:00","slug":"le-japon-a-progresse-de-89-et-a-sauve-les-ventes-physiques-mondiales-la-moitie-de-ses-redevances-de-streaming-provient-de-letranger","status":"publish","type":"post","link":"https:\/\/interspacemusic.com\/blog\/fr\/le-japon-a-progresse-de-89-et-a-sauve-les-ventes-physiques-mondiales-la-moitie-de-ses-redevances-de-streaming-provient-de-letranger\/","title":{"rendered":"Le Japon a progress\u00e9 de 8,9 % et a sauv\u00e9 les ventes physiques mondiales. La moiti\u00e9 de ses redevances de streaming provient de l&#8217;\u00e9tranger."},"content":{"rendered":"<p>Le Japon a accompli en 2025 ce qu&#8217;aucun autre march\u00e9 n&#8217;a r\u00e9ussi \u00e0 l&#8217;\u00e8re du streaming. Il a fait repartir la musique physique \u00e0 la hausse, et pas seulement sur son territoire.<\/p>\n<p>Le <a href=\"https:\/\/www.ifpi.org\/global-music-report-2026-global-recorded-music-revenues-grow-6-4-as-record-companies-drive-innovation\/\">Rapport mondial sur la musique 2026 de l&#8217;IFPI<\/a> chiffre la croissance des revenus du Japon \u00e0 8,9 % en glissement annuel. L&#8217;IFPI est la F\u00e9d\u00e9ration internationale de l&#8217;industrie phonographique, l&#8217;organisme professionnel qui comptabilise les revenus de la musique enregistr\u00e9e dans le monde.<\/p>\n<p>C&#8217;est ce rebond qui explique que les revenus physiques mondiaux aient augment\u00e9 de 8,0 % pour atteindre 5,3 milliards de dollars et d\u00e9pass\u00e9 la croissance du num\u00e9rique pour la deuxi\u00e8me fois seulement dans les annales, selon <a href=\"https:\/\/www.musicbusinessworldwide.com\/10-quick-and-crucial-takeaways-from-ifpis-global-music-report-2026\/\">l&#8217;analyse de Music Business Worldwide<\/a>.<\/p>\n<h2>Le plus grand march\u00e9 physique du monde a port\u00e9 le format<\/h2>\n<p>L&#8217;Asie repr\u00e9sente d\u00e9sormais 45,1 % des revenus physiques mondiaux. Le Japon est le moteur de ce chiffre et reste le plus grand march\u00e9 physique de la plan\u00e8te.<\/p>\n<p>Le d\u00e9tail par format est \u00e9loquent :<\/p>\n<ul>\n<li>Les revenus des CD ont progress\u00e9 de 3,7 % dans le monde, inversant des ann\u00e9es de d\u00e9clin.<\/li>\n<li>Le vinyle a cr\u00fb de 13,7 %, sa dix-neuvi\u00e8me ann\u00e9e de croissance cons\u00e9cutive.<\/li>\n<li>Les revenus des vid\u00e9os musicales ont augment\u00e9 de 10,8 %.<\/li>\n<li>L&#8217;Asie dans son ensemble a progress\u00e9 de 10,9 %, la Chine gagnant 20,1 % et se hissant \u00e0 la quatri\u00e8me place.<\/li>\n<\/ul>\n<p>Le tableau domestique est v\u00e9ritablement \u00e0 deux vitesses. La RIAJ, l&#8217;association de l&#8217;industrie du disque au Japon, a fait \u00e9tat d&#8217;une croissance des ventes num\u00e9riques pour la onzi\u00e8me ann\u00e9e cons\u00e9cutive, \u00e0 123,3 milliards de yens en 2024, en hausse de 6 % et atteignant un niveau record. Dans le m\u00eame temps, la production physique a chut\u00e9 de 11 % en volume, \u00e0 141,38 millions d&#8217;unit\u00e9s, la valeur de la production reculant de 7 %.<\/p>\n<p>Le streaming repr\u00e9sente environ 34,5 % des ventes de musique au Japon, selon <a href=\"https:\/\/soundcharts.com\/en\/blog\/japan-music-market-overview\">l&#8217;analyse de march\u00e9 de Soundcharts<\/a>. Dans la plupart des autres pays, ce chiffre avoisine les deux tiers. Le Japon n&#8217;est pas en retard. Il fonctionne simplement avec une m\u00e9canique diff\u00e9rente.<\/p>\n<h2>La moiti\u00e9 des redevances provient d\u00e9j\u00e0 de l&#8217;\u00e9tranger<\/h2>\n<p>Voici le chiffre qui devrait vous faire reconsid\u00e9rer votre vision de la J-pop.<\/p>\n<p>Pr\u00e8s de 50 % des redevances per\u00e7ues par les artistes japonais en 2024 provenaient de l&#8217;\u00e9tranger, et la majeure partie de ces revenus \u00e9tait g\u00e9n\u00e9r\u00e9e par des chansons interpr\u00e9t\u00e9es en japonais, selon <a href=\"https:\/\/newsroom.spotify.com\/2025-05-29\/japans-music-finds-the-world-how-streaming-and-fandoms-are-powering-a-new-global-chapter\/\">les donn\u00e9es de la salle de presse de Spotify<\/a>.<\/p>\n<p>Pas de traduction. Pas de single crossover en anglais. L&#8217;exportation, c&#8217;est l&#8217;enregistrement en japonais lui-m\u00eame.<\/p>\n<p>Spotify Wrapped 2025 a confirm\u00e9 cette tendance. Ado est devenue l&#8217;artiste japonais le plus stream\u00e9 \u00e0 l&#8217;\u00e9tranger, mettant fin au r\u00e8gne de quatre ans de YOASOBI, suivi de Kenshi Yonezu, Fujii Kaze et Creepy Nuts. La chanson japonaise la plus stream\u00e9e \u00e0 l&#8217;\u00e9tranger \u00e9tait \u00ab Otonoke \u00bb de Creepy Nuts, un r\u00e9sultat cons\u00e9cutif, comme l&#8217;a rapport\u00e9 <a href=\"https:\/\/musicbusinessjapan.com\/spotify-wrapped-japan-2025-what-japan-listened-to-and-how-the-world-streamed-japanese-music\/\">Music Business Japan<\/a>.<\/p>\n<h2>Les classements domestiques reposent sur des DSP que la plupart des distributeurs ignorent<\/h2>\n<p>DSP signifie fournisseur de services num\u00e9riques, les plateformes qui licencient et diffusent votre catalogue en streaming.<\/p>\n<p>Le march\u00e9 domestique japonais est bien r\u00e9el et ce n&#8217;est pas Spotify. LINE Music d\u00e9tenait 13,1 % du march\u00e9 et AWA 10,2 % en 2023, avec RecoChoku soutenu par les majors et NTT DoCoMo. YouTube reste la couche de d\u00e9couverte, utilis\u00e9e par 58,6 % des personnes interrog\u00e9es comme source principale pour trouver et \u00e9couter de la musique.<\/p>\n<p>La plupart des distributeurs mondiaux livrent sur Spotify, Apple Music et Amazon, puis consid\u00e8rent le Japon comme couvert. Cela laisse de c\u00f4t\u00e9 environ un quart du march\u00e9 domestique du streaming, sans parler des revenus physiques et des packages vid\u00e9o qui sont en croissance r\u00e9elle.<\/p>\n<h2>Ce que cela signifie si vous sortez de la musique<\/h2>\n<ul>\n<li><strong>Ne consid\u00e9rez pas la langue japonaise comme un obstacle.<\/strong> Les donn\u00e9es de Spotify indiquent que l&#8217;enregistrement non traduit est le produit d&#8217;exportation.<\/li>\n<li><strong>Demandez \u00e0 votre distributeur la liste des magasins japonais par \u00e9crit.<\/strong> Si LINE Music, AWA et RecoChoku manquent, votre strat\u00e9gie pour le Japon n&#8217;est qu&#8217;un tiers de strat\u00e9gie.<\/li>\n<li><strong>Fournissez les m\u00e9tadonn\u00e9es en caract\u00e8res japonais et en romaji.<\/strong> La recherche et l&#8217;\u00e9ditorial \u00e9chouent tous deux si les noms d&#8217;artistes ne sont pas coh\u00e9rents.<\/li>\n<li><strong>Traitez un placement dans un anime comme un \u00e9v\u00e9nement de distribution, pas seulement comme une victoire de synchronisation.<\/strong> Pr\u00e9parez la livraison et l&#8217;autorisation territoriale avant la diffusion de l&#8217;\u00e9pisode.<\/li>\n<li><strong>Surveillez le format physique.<\/strong> Sur un march\u00e9 o\u00f9 les CD et les packages de vid\u00e9os musicales sont en croissance, le tout-num\u00e9rique laisse de l&#8217;argent sur la table.<\/li>\n<\/ul>\n<h2>Le probl\u00e8me de livraison sous-jacent<\/h2>\n<p>Les plateformes locales japonaises ont des exigences strictes en mati\u00e8re de m\u00e9tadonn\u00e9es, et une livraison propre est ce qui permet d&#8217;obtenir de la visibilit\u00e9.<\/p>\n<p>DDEX signifie Digital Data Exchange, l&#8217;ensemble standard de formats de messages que les DSP utilisent pour ing\u00e9rer les sorties. Une livraison native DDEX fait la diff\u00e9rence entre une sortie qui arrive sur LINE Music avec les cr\u00e9dits corrects et une autre qui \u00e9choue silencieusement \u00e0 l&#8217;ingestion sans que personne ne vous le dise.<\/p>\n<p>InterSpace Distribution a construit sa couverture DSP r\u00e9gionale pr\u00e9cis\u00e9ment autour de cette lacune, avec des r\u00e9partitions de redevances visibles par territoire. L&#8217;objectif n&#8217;est pas la port\u00e9e pour elle-m\u00eame. L&#8217;objectif est que le Japon est le deuxi\u00e8me march\u00e9 mondial, qu&#8217;il a progress\u00e9 de 8,9 %, et que la moiti\u00e9 de l&#8217;argent du streaming de ses artistes traverse d\u00e9j\u00e0 une fronti\u00e8re. Il faut bien que quelqu&#8217;un livre l\u00e0 o\u00f9 cet argent se trouve.<\/p>\n","protected":false},"excerpt":{"rendered":"Le march\u00e9 japonais de la musique a cr\u00fb de 8,9 % en 2025 et a port\u00e9 la reprise des revenus physiques mondiaux, selon l&#8217;IFPI. Pourtant, pr\u00e8s de la moiti\u00e9 des redevances de streaming des artistes japonais provient d\u00e9sormais de l&#8217;\u00e9tranger, et le march\u00e9 domestique repose sur LINE Music, AWA et RecoChoku, les DSP que la plupart des distributeurs ignorent discr\u00e8tement.","protected":false},"author":6,"featured_media":7675,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"csco_display_header_overlay":false,"csco_singular_sidebar":"","csco_page_header_type":"","csco_page_load_nextpost":"","csco_post_video_location":[],"csco_post_video_location_hash":"","csco_post_video_url":"","csco_post_video_bg_start_time":0,"csco_post_video_bg_end_time":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[6952],"tags":[19951,13903,13906,11326,6666,6672],"class_list":["post-11414","post","type-post","status-publish","format-standard","has-post-thumbnail","category-industry-trends-fr","tag-anime-fr","tag-apple-music-fr","tag-j-pop-fr","tag-japan-fr","tag-music-en-fr","tag-spotify-en-fr","cs-entry","cs-video-wrap"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Le Japon a progress\u00e9 de 8,9 % et a sauv\u00e9 les ventes physiques mondiales. 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Il a fait repartir la musique physique \u00e0 la hausse, et pas seulement sur son territoire. Le Rapport mondial sur la musique 2026 de l&#039;IFPI chiffre la croissance des revenus du Japon \u00e0 8,9 % en\u2026\" \/>\n<meta property=\"og:url\" content=\"https:\/\/interspacemusic.com\/blog\/fr\/le-japon-a-progresse-de-89-et-a-sauve-les-ventes-physiques-mondiales-la-moitie-de-ses-redevances-de-streaming-provient-de-letranger\/\" \/>\n<meta property=\"og:site_name\" content=\"The InterSpace Daily.\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/facebook.com\/interspacemusic\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-08-05T17:33:00+00:00\" \/>\n<meta name=\"author\" content=\"Grace Wangeci\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@interspacegroup\" \/>\n<meta name=\"twitter:site\" content=\"@interspacegroup\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Grace Wangeci\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":[\"Article\",\"BlogPosting\"],\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/le-japon-a-progresse-de-89-et-a-sauve-les-ventes-physiques-mondiales-la-moitie-de-ses-redevances-de-streaming-provient-de-letranger\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/le-japon-a-progresse-de-89-et-a-sauve-les-ventes-physiques-mondiales-la-moitie-de-ses-redevances-de-streaming-provient-de-letranger\\\/\"},\"author\":{\"name\":\"Grace Wangeci\",\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/#\\\/schema\\\/person\\\/e932964055c2dfc2484af1bafae3e7b0\"},\"headline\":\"Le Japon a progress\u00e9 de 8,9 % et a sauv\u00e9 les ventes physiques mondiales. 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