{"id":11560,"date":"2026-08-05T17:59:18","date_gmt":"2026-08-05T17:59:18","guid":{"rendered":"https:\/\/interspacemusic.com\/blog\/les-organisations-europeennes-dartistes-et-de-labels-soutiennent-laction-de-la-commission-europeenne-pour-la-protection-des-droits-a-lechelle-mondiale\/"},"modified":"2026-08-05T17:59:18","modified_gmt":"2026-08-05T17:59:18","slug":"les-organisations-europeennes-dartistes-et-de-labels-soutiennent-laction-de-la-commission-europeenne-pour-la-protection-des-droits-a-lechelle-mondiale","status":"publish","type":"post","link":"https:\/\/interspacemusic.com\/blog\/fr\/les-organisations-europeennes-dartistes-et-de-labels-soutiennent-laction-de-la-commission-europeenne-pour-la-protection-des-droits-a-lechelle-mondiale\/","title":{"rendered":"Les organisations europ\u00e9ennes d’artistes et de labels soutiennent l’action de la Commission europ\u00e9enne pour la protection des droits \u00e0 l’\u00e9chelle mondiale"},"content":{"rendered":"

Une coalition d’organisations europ\u00e9ennes d’artistes et de labels, dont l’Independent Music Companies Association (IMPALA<\/a>)<\/strong>, a exprim\u00e9 un fort soutien \u00e0 l’action de la Commission europ\u00e9enne visant \u00e0 renforcer la protection des droits d’ex\u00e9cution dans le monde, en exhortant les \u00c9tats-Unis \u00e0 instaurer des droits de radiodiffusion et d’ex\u00e9cution publique et en soutenant un cadre de r\u00e9ciprocit\u00e9 flexible.<\/p>\n

Dans une d\u00e9claration commune publi\u00e9e cette semaine, des groupes repr\u00e9sentant des entreprises de musique ind\u00e9pendantes et des artistes-interpr\u00e8tes \u00e0 travers l’Europe, ainsi que leurs homologues aux \u00c9tats-Unis et dans d’autres r\u00e9gions, ont d\u00e9clar\u00e9 partager un int\u00e9r\u00eat commun \u00e0 maximiser les revenus des artistes. Ils ont sp\u00e9cifiquement appel\u00e9 \u00e0 l’adoption de l’American Music Fairness Act<\/a><\/strong>, qui obligerait les stations de radio AM\/FM am\u00e9ricaines \u00e0 r\u00e9mun\u00e9rer les artistes et les labels lorsque leur musique est diffus\u00e9e.<\/p>\n

Au-del\u00e0 de la radio, la d\u00e9claration souligne que les \u00c9tats-Unis, le plus grand march\u00e9 musical mondial, ne disposent pas de droits d’ex\u00e9cution publique complets pour la musique diffus\u00e9e dans les magasins, les caf\u00e9s et les bars, un droit d\u00e9j\u00e0 reconnu dans 142 pays, y compris tous les membres de l’OCDE \u00e0 l’exception des \u00c9tats-Unis.<\/p>\n

La r\u00e9ciprocit\u00e9 comme levier d’alignement mondial<\/h2>\n

Les groupes ont fait valoir que la r\u00e9ciprocit\u00e9 est essentielle pour encourager les pays tiers \u00e0 s’aligner sur les normes internationales.<\/p>\n

Si tout le monde applique les m\u00eames r\u00e8gles, il n’y a pas de probl\u00e8me, mais lorsqu’un pays d\u00e9cide de ne pas adopter l’ensemble des droits au niveau national, les autres pays sont libres de limiter leur mise en \u0153uvre \u00e0 ceux qui le font.<\/p><\/blockquote>\n

Ils se sont f\u00e9licit\u00e9s de l’intention de la Commission europ\u00e9enne de confirmer le principe de r\u00e9ciprocit\u00e9 par voie l\u00e9gislative, comme l’a indiqu\u00e9 la Cour de justice de l’UE \u00e0 la suite de l’arr\u00eat RAAP<\/a><\/strong> de 2020. Les groupes ont soulign\u00e9 qu’ils ne recherchaient pas une r\u00e9ciprocit\u00e9 obligatoire, mais une approche proportionn\u00e9e qui clarifie l’applicabilit\u00e9 tout en permettant aux pays dot\u00e9s de syst\u00e8mes diff\u00e9rents, comme le traitement national, de continuer.<\/p>\n

L’\u00e9lan venu du Japon et des \u00c9tats membres de l’UE<\/h2>\n

La d\u00e9claration a mis en lumi\u00e8re la r\u00e9cente mise \u00e0 jour de la loi sur le droit d’auteur au Japon, qui a cr\u00e9\u00e9 un droit d’ex\u00e9cution publique pour la musique enregistr\u00e9e, garantissant que les artistes et les labels soient r\u00e9mun\u00e9r\u00e9s lorsque leurs enregistrements sont diffus\u00e9s publiquement. Ce changement permet \u00e9galement de d\u00e9bloquer des revenus r\u00e9ciproques provenant d’autres territoires, d\u00e9montrant ainsi l’importance de la r\u00e9ciprocit\u00e9, ont d\u00e9clar\u00e9 les groupes.<\/p>\n

Au sein de l’UE, quatre \u00c9tats membres ont d\u00e9j\u00e0 modifi\u00e9 leurs r\u00e8gles \u00e0 la suite de l’arr\u00eat RAAP et ont appel\u00e9 la Commission \u00e0 proposer une l\u00e9gislation clarifiant la r\u00e9ciprocit\u00e9 dans le droit de l’UE :<\/p>\n

    \n
  • Pays-Bas<\/li>\n
  • Su\u00e8de<\/li>\n
  • Danemark<\/li>\n
  • Irlande<\/li>\n<\/ul>\n

    Selon la d\u00e9claration, une majorit\u00e9 de pays de l’UE recherchent d\u00e9sormais une clart\u00e9 juridique et sont ouverts \u00e0 une approche flexible qui respecte les diverses traditions juridiques nationales. Les retours d’une r\u00e9cente consultation de la Commission ont montr\u00e9 un large soutien en faveur d’une solution flexible pour rem\u00e9dier \u00e0 l’anomalie selon laquelle la directive europ\u00e9enne concern\u00e9e ne mentionne pas la r\u00e9ciprocit\u00e9, malgr\u00e9 les r\u00e9serves des \u00c9tats membres aux trait\u00e9s internationaux et les pratiques de longue date. La plupart des organisations repr\u00e9sentant les artistes, les labels et les utilisateurs de musique europ\u00e9ens, y compris les radiodiffuseurs et le secteur de l’h\u00f4tellerie, appellent \u00e0 une action.<\/p>\n

    Les groupes ont d\u00e9clar\u00e9 qu’ils continueraient \u00e0 travailler avec des organisations partenaires dans le monde entier pour lutter en faveur d’une protection accrue des droits et d’une r\u00e9mun\u00e9ration sur tous les march\u00e9s.<\/p>\n","protected":false},"excerpt":{"rendered":"Les organisations musicales europ\u00e9ennes soutiennent les efforts de l’UE pour renforcer la protection des droits dans le monde, en appelant \u00e0 des droits d’ex\u00e9cution aux \u00c9tats-Unis et \u00e0 une approche flexible de la r\u00e9ciprocit\u00e9.","protected":false},"author":3,"featured_media":7561,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"csco_display_header_overlay":false,"csco_singular_sidebar":"","csco_page_header_type":"","csco_page_load_nextpost":"","csco_post_video_location":[],"csco_post_video_location_hash":"","csco_post_video_url":"","csco_post_video_bg_start_time":0,"csco_post_video_bg_end_time":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[6828],"tags":[20169,20172,20175,20178,20181,20184],"class_list":["post-11560","post","type-post","status-publish","format-standard","has-post-thumbnail","category-policy-legal-fr","tag-american-music-fairness-act-fr","tag-copyright-law-fr","tag-european-commission-fr","tag-impala-fr","tag-performance-rights-fr","tag-reciprocity-fr","cs-entry","cs-video-wrap"],"yoast_head":"\nLes 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