{"id":11728,"date":"2026-08-05T18:26:32","date_gmt":"2026-08-05T18:26:32","guid":{"rendered":"https:\/\/interspacemusic.com\/blog\/le-marche-du-streaming-suedois-a-progresse-de-2-ses-auteurs-compositeurs-regnent-sur-le-hot-100-largent-vit-a-letranger\/"},"modified":"2026-08-05T18:26:32","modified_gmt":"2026-08-05T18:26:32","slug":"le-marche-du-streaming-suedois-a-progresse-de-2-ses-auteurs-compositeurs-regnent-sur-le-hot-100-largent-vit-a-letranger","status":"publish","type":"post","link":"https:\/\/interspacemusic.com\/blog\/fr\/le-marche-du-streaming-suedois-a-progresse-de-2-ses-auteurs-compositeurs-regnent-sur-le-hot-100-largent-vit-a-letranger\/","title":{"rendered":"Le march\u00e9 du streaming su\u00e9dois a progress\u00e9 de 2 %. Ses auteurs-compositeurs r\u00e8gnent sur le Hot 100. L&#8217;argent vit \u00e0 l&#8217;\u00e9tranger."},"content":{"rendered":"<p>La Su\u00e8de a invent\u00e9 l&#8217;\u00e9conomie moderne du streaming. C&#8217;est aussi l\u00e0 que cette \u00e9conomie arrive \u00e0 court de nouveaux abonn\u00e9s potentiels.<\/p>\n<p>IFPI Sverige, l&#8217;organisme professionnel local, a rapport\u00e9 que les revenus de la musique enregistr\u00e9e ont atteint 2,3 milliards de SEK (environ 234 millions de dollars) en 2025, en hausse de 3 % sur un an. Le streaming par abonnement, moteur du march\u00e9, n&#8217;a progress\u00e9 que de 2 % pour atteindre 1,95 milliard de SEK (199 millions de dollars) et repr\u00e9sentait toujours 85 % du march\u00e9, selon <a href=\"https:\/\/www.musicbusinessworldwide.com\/subscription-music-streaming-revenues-rose-just-2-yoy-in-sweden-in-2025\/\">Music Business Worldwide<\/a>.<\/p>\n<p>IFPI signifie International Federation of the Phonographic Industry. Son PDG su\u00e9dois, Ludvig Werner, a r\u00e9sum\u00e9 l&#8217;ann\u00e9e simplement : les ventes de musique su\u00e9doises \u00ab restent stables et 2025 n&#8217;a pas apport\u00e9 de changements majeurs \u00bb. Dans le march\u00e9 domestique de Spotify, cette ligne plate r\u00e9sume toute l&#8217;histoire.<\/p>\n<h2>Le march\u00e9 domestique a cess\u00e9 d&#8217;\u00eatre le moteur de la croissance<\/h2>\n<p>La Su\u00e8de ne r\u00e9tr\u00e9cit pas. Elle est satur\u00e9e. Le streaming financ\u00e9 par la publicit\u00e9 a progress\u00e9 de 9 %, le streaming vid\u00e9o de 10 %, et m\u00eame le physique a grignot\u00e9 1 % gr\u00e2ce \u00e0 une hausse de 4 % des CD. Mais le c\u0153ur payant, celui qui rapporte de l&#8217;argent r\u00e9el aux artistes, a ralenti jusqu&#8217;\u00e0 l&#8217;arr\u00eat.<\/p>\n<p>C&#8217;est parce que presque tous ceux qui sont pr\u00eats \u00e0 payer paient d\u00e9j\u00e0. Mediavision a d\u00e9nombr\u00e9 environ 5,3 millions d&#8217;abonnements \u00e0 la musique, aux livres audio et aux podcasts dans les foyers su\u00e9dois au troisi\u00e8me trimestre 2025, un niveau record, et selon <a href=\"https:\/\/musically.com\/2025\/11\/14\/report-paid-audio-subscriptions-are-still-growing-in-sweden\/\">Music Ally<\/a>, le Su\u00e9dois moyen d\u00e9pense d\u00e9sormais environ 135 SEK (14,30 $) par mois pour l&#8217;audio, contre 120 SEK un an plus t\u00f4t.<\/p>\n<p>Lisez bien. La croissance vient du prix, pas de nouveaux auditeurs. L&#8217;ARPU, c&#8217;est-\u00e0-dire le revenu moyen par utilisateur, est le seul levier restant dans un march\u00e9 mature. Cela red\u00e9finit la valeur de chaque stream.<\/p>\n<h2>La v\u00e9ritable \u00e9conomie de la musique su\u00e9doise est \u00e0 l&#8217;\u00e9tranger<\/h2>\n<p>Voici le chiffre qui compte pour quiconque sort de la musique. Les exportations musicales su\u00e9doises ont \u00e9t\u00e9 \u00e9valu\u00e9es \u00e0 5,4 milliards de SEK en 2023, en hausse de 18 % sur un an, selon les donn\u00e9es compil\u00e9es par <a href=\"https:\/\/sharingsweden.se\/app\/uploads\/2025\/10\/Facts-figures-and-key-messages_Swedish-music-industry.pdf\">Sharing Sweden<\/a>. C&#8217;est plus du double de l&#8217;ensemble du march\u00e9 domestique de la musique enregistr\u00e9e.<\/p>\n<p>La Su\u00e8de est le troisi\u00e8me exportateur net de musique pop au monde, apr\u00e8s les \u00c9tats-Unis et le Royaume-Uni, et le premier par habitant. Des auteurs-compositeurs ou producteurs su\u00e9dois ont contribu\u00e9 \u00e0 plus d&#8217;un quart des titres du Billboard Hot 100 en 2023. Les classements nationaux ne sont qu&#8217;une goutte d&#8217;eau \u00e0 c\u00f4t\u00e9.<\/p>\n<p>Ainsi, pour un artiste, un auteur-compositeur ou un label ind\u00e9pendant su\u00e9dois, l&#8217;\u00e9conomie est presque enti\u00e8rement \u00e9trang\u00e8re. Les revenus se trouvent aux \u00c9tats-Unis, au Royaume-Uni, en Am\u00e9rique latine et en Asie, r\u00e9partis sur des dizaines de DSP et de syst\u00e8mes de redevances. DSP signifie Digital Service Provider, c&#8217;est-\u00e0-dire les plateformes de streaming et les magasins qui effectuent les paiements.<\/p>\n<h2>Pourquoi la maturation fait de la distribution le facteur d\u00e9cisif<\/h2>\n<p>Quand votre march\u00e9 domestique stagne et que votre argent est \u00e0 l&#8217;\u00e9tranger, deux choses d\u00e9terminent si vous le collectez r\u00e9ellement.<\/p>\n<ul>\n<li><strong>La couverture territoriale et des plateformes.<\/strong> Si une sortie su\u00e9doise n&#8217;atterrit proprement que sur Spotify et Apple Music, elle rate les march\u00e9s o\u00f9 la croissance des exportations se produit r\u00e9ellement, d&#8217;Anghami dans le Golfe \u00e0 JioSaavn en Inde, en passant par Boomplay en Afrique.<\/li>\n<li><strong>La pr\u00e9cision des r\u00e9partitions.<\/strong> Le r\u00e9pertoire su\u00e9dois est riche en co-\u00e9critures. Quand quatre noms partagent un titre, une r\u00e9partition brouillonne des droits d&#8217;enregistrement et d&#8217;\u00e9dition n&#8217;est pas un probl\u00e8me administratif, c&#8217;est une perte de revenus sur chaque stream \u00e9tranger.<\/li>\n<li><strong>La transparence des paiements.<\/strong> Dans un march\u00e9 o\u00f9 la croissance vient de l&#8217;ARPU et non du volume, la valeur par stream augmente, et toute fuite entre le DSP et le cr\u00e9ateur devient plus co\u00fbteuse \u00e0 ignorer.<\/li>\n<\/ul>\n<p>C&#8217;est l&#8217;argument en faveur d&#8217;un distributeur con\u00e7u pour la livraison multi-territoire plut\u00f4t que pour un pipeline centr\u00e9 sur les majors. InterSpace Distribution livre en natif DDEX vers les plateformes r\u00e9gionales que la plupart des distributeurs ignorent, et r\u00e8gle les r\u00e9partitions de mani\u00e8re transparente pour que tous les co-auteurs voient le m\u00eame registre. DDEX signifie Digital Data Exchange, la norme utilis\u00e9e par l&#8217;industrie pour transf\u00e9rer les m\u00e9tadonn\u00e9es des sorties et l&#8217;argent.<\/p>\n<p>Pour les labels et agr\u00e9gateurs qui g\u00e8rent du catalogue su\u00e9dois \u00e0 grande \u00e9chelle, ToneGrid propose la m\u00eame livraison en marque blanche, avec des contr\u00f4les anti-fraude et KYC int\u00e9gr\u00e9s. KYC signifie Know Your Customer, la v\u00e9rification d&#8217;identit\u00e9 qui garantit que les redevances arrivent sur les bons comptes.<\/p>\n<h2>Ce qu&#8217;il faut retenir pour toute sortie nordique<\/h2>\n<p>La Su\u00e8de est un aper\u00e7u de tous les march\u00e9s du streaming matures : croissance plate du nombre d&#8217;abonn\u00e9s, valeur par stream en hausse, et des revenus qui vivent de plus en plus ailleurs qu&#8217;\u00e0 la maison.<\/p>\n<p>Les artistes qui gagnent dans cette transition ne sont pas ceux qui ont la plus grande audience nationale. Ce sont ceux dont la distribution collecte chaque stream \u00e9tranger, sur chaque plateforme, avec des r\u00e9partitions qui tiennent la route. Dans un march\u00e9 domestique \u00e0 2 %, l&#8217;argent est une d\u00e9cision de distribution.<\/p>\n","protected":false},"excerpt":{"rendered":"Le march\u00e9 su\u00e9dois de la musique n&#8217;a progress\u00e9 que de 3 % en 2025 et le streaming par abonnement de 2 % seulement, pourtant ses auteurs-compositeurs ont fa\u00e7onn\u00e9 plus d&#8217;un quart du Billboard Hot 100. Dans le march\u00e9 domestique satur\u00e9 de Spotify, la quasi-totalit\u00e9 de l&#8217;argent vit \u00e0 l&#8217;\u00e9tranger, et le collecter est une d\u00e9cision de distribution.","protected":false},"author":3,"featured_media":7472,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"csco_display_header_overlay":false,"csco_singular_sidebar":"","csco_page_header_type":"","csco_page_load_nextpost":"","csco_post_video_location":[],"csco_post_video_location_hash":"","csco_post_video_url":"","csco_post_video_bg_start_time":0,"csco_post_video_bg_end_time":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[6952],"tags":[13903,21181,6666,21184,6672,21187],"class_list":["post-11728","post","type-post","status-publish","format-standard","has-post-thumbnail","category-industry-trends-fr","tag-apple-music-fr","tag-europe-fr","tag-music-en-fr","tag-music-exports-fr","tag-spotify-en-fr","tag-sweden-fr","cs-entry","cs-video-wrap"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Le march\u00e9 du streaming su\u00e9dois a progress\u00e9 de 2 %. 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IFPI Sverige, l&#039;organisme professionnel local, a rapport\u00e9 que les revenus de la musique enregistr\u00e9e ont atteint 2,3 milliards de SEK (environ 234\u2026\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/interspacemusic.com\/blog\/fr\/le-marche-du-streaming-suedois-a-progresse-de-2-ses-auteurs-compositeurs-regnent-sur-le-hot-100-largent-vit-a-letranger\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Le march\u00e9 du streaming su\u00e9dois a progress\u00e9 de 2 %. Ses auteurs-compositeurs r\u00e8gnent sur le Hot 100. L&#039;argent vit \u00e0 l&#039;\u00e9tranger.\" \/>\n<meta property=\"og:description\" content=\"La Su\u00e8de a invent\u00e9 l&#039;\u00e9conomie moderne du streaming. 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IFPI Sverige, l&#039;organisme professionnel local, a rapport\u00e9 que les revenus de la musique enregistr\u00e9e ont atteint 2,3 milliards de SEK (environ 234\u2026\" \/>\n<meta property=\"og:url\" content=\"https:\/\/interspacemusic.com\/blog\/fr\/le-marche-du-streaming-suedois-a-progresse-de-2-ses-auteurs-compositeurs-regnent-sur-le-hot-100-largent-vit-a-letranger\/\" \/>\n<meta property=\"og:site_name\" content=\"The InterSpace Daily.\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/facebook.com\/interspacemusic\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-08-05T18:26:32+00:00\" \/>\n<meta name=\"author\" content=\"Patrick Ofe\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@interspacegroup\" \/>\n<meta name=\"twitter:site\" content=\"@interspacegroup\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Patrick Ofe\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":[\"Article\",\"BlogPosting\"],\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/le-marche-du-streaming-suedois-a-progresse-de-2-ses-auteurs-compositeurs-regnent-sur-le-hot-100-largent-vit-a-letranger\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/le-marche-du-streaming-suedois-a-progresse-de-2-ses-auteurs-compositeurs-regnent-sur-le-hot-100-largent-vit-a-letranger\\\/\"},\"author\":{\"name\":\"Patrick Ofe\",\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/#\\\/schema\\\/person\\\/0103434e4fa9a8a051cb480bd1427264\"},\"headline\":\"Le march\u00e9 du streaming su\u00e9dois a progress\u00e9 de 2 %. 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