{"id":11775,"date":"2026-08-05T18:33:45","date_gmt":"2026-08-05T18:33:45","guid":{"rendered":"https:\/\/interspacemusic.com\/blog\/le-bresil-est-le-8e-marche-musical-mondial-et-enregistre-195-milliards-de-streams-75-sont-des-titres-nationaux\/"},"modified":"2026-08-05T18:33:45","modified_gmt":"2026-08-05T18:33:45","slug":"le-bresil-est-le-8e-marche-musical-mondial-et-enregistre-195-milliards-de-streams-75-sont-des-titres-nationaux","status":"publish","type":"post","link":"https:\/\/interspacemusic.com\/blog\/fr\/le-bresil-est-le-8e-marche-musical-mondial-et-enregistre-195-milliards-de-streams-75-sont-des-titres-nationaux\/","title":{"rendered":"Le Br\u00e9sil est le 8e march\u00e9 musical mondial et enregistre 195 milliards de streams. 75 % sont des titres nationaux."},"content":{"rendered":"<p>Le Br\u00e9sil vient de grimper. La F\u00e9d\u00e9ration internationale de l&#8217;industrie phonographique, l&#8217;organisation professionnelle connue sous le nom d&#8217;IFPI, <a href=\"https:\/\/www.musicbusinessworldwide.com\/global-recorded-music-revenues-hit-31-7bn-in-2025-up-6-4-yoy-users-of-paid-music-subscriptions-reach-837m\/\">rapporte<\/a> que les revenus de la musique enregistr\u00e9e au Br\u00e9sil ont augment\u00e9 de 14,1 % en 2025, hissant le pays au huiti\u00e8me rang mondial. C&#8217;est une place devant le Canada.<\/p>\n<p>Le chiffre le plus impressionnant est le volume. Le <a href=\"https:\/\/luminatedata.com\/reports\/midyear-music-industry-report-2025\/\">rapport semestriel 2025 de Luminate<\/a> a enregistr\u00e9 195,4 milliards de streams \u00e0 la demande au Br\u00e9sil au premier semestre, ce qui en fait le troisi\u00e8me march\u00e9 du streaming en nombre de lectures, derri\u00e8re l&#8217;Inde et le Mexique.<\/p>\n<p>Voici le fait qui devrait r\u00e9organiser la fa\u00e7on dont tout label envisage ce pays. Sur Spotify Br\u00e9sil, environ 75 % de toutes les \u00e9coutes vont \u00e0 des artistes nationaux. Le Br\u00e9sil n&#8217;importe pas ses go\u00fbts. Il les exporte plus tard.<\/p>\n<h2>Un march\u00e9 int\u00e9rieur qui fonctionne avec ses propres genres<\/h2>\n<p>Le courant dominant br\u00e9silien n&#8217;est la traduction de rien. C&#8217;est une \u00e9conomie autonome construite sur des sons qui ne percent gu\u00e8re ailleurs, jusqu&#8217;\u00e0 ce qu&#8217;ils le fassent soudainement.<\/p>\n<p>Les genres qui portent le march\u00e9, selon l&#8217;analyse de Luminate, sont sp\u00e9cifiques et locaux :<\/p>\n<ul>\n<li>Le sertanejo, le spectre country-pop qui domine la radio et les playlists<\/li>\n<li>Le pagode, le son festif d\u00e9riv\u00e9 de la samba<\/li>\n<li>Le funk br\u00e9silien, de la sc\u00e8ne baile de Rio au sous-genre Mandelao<\/li>\n<li>Le piseiro et le forr\u00f3 \u00e9lectronique du Nordeste<\/li>\n<li>Une sc\u00e8ne trap locale en pleine croissance<\/li>\n<\/ul>\n<p>Aucun de ces genres n&#8217;est une r\u00e9flexion apr\u00e8s coup. Ils sont en premi\u00e8re page. Un distributeur qui traite le Br\u00e9sil comme une case \u00e0 cocher Spotify-plus-Apple optimise pour les 25 % de streams venant de l&#8217;\u00e9tranger et ignore les 75 % qui paient les factures.<\/p>\n<h2>Pourquoi l&#8217;\u00e9cart entre volume et revenus est important<\/h2>\n<p>Le Br\u00e9sil est le troisi\u00e8me march\u00e9 du streaming en volume de lectures, mais le huiti\u00e8me en revenus. Cet \u00e9cart r\u00e9sume \u00e0 lui seul le probl\u00e8me \u00e9conomique.<\/p>\n<p>Le streaming repr\u00e9sente <a href=\"https:\/\/www.riotimesonline.com\/latam-recorded-music-growth-ifpi-2025-may-2026\/\">88,1 % des revenus de la musique enregistr\u00e9e en Am\u00e9rique latine<\/a>, selon l&#8217;IFPI, la r\u00e9gion a donc d\u00e9j\u00e0 op\u00e9r\u00e9 la transition de format. Ce qu&#8217;elle n&#8217;a pas encore pleinement r\u00e9alis\u00e9, c&#8217;est la transition de la valeur par stream. Les offres gratuites financ\u00e9es par la publicit\u00e9 portent une part disproportionn\u00e9e de ces \u00e9coutes br\u00e9siliennes.<\/p>\n<p>Pour un artiste, cela signifie que la port\u00e9e est bon march\u00e9 et que le paiement par stream est faible. La fa\u00e7on de gagner n&#8217;est pas de courir apr\u00e8s un taux plus \u00e9lev\u00e9. C&#8217;est de capter davantage des lectures que vous g\u00e9n\u00e9rez d\u00e9j\u00e0, proprement, sur chaque surface qu&#8217;un auditeur br\u00e9silien utilise r\u00e9ellement.<\/p>\n<h3>Les surfaces qui sont n\u00e9glig\u00e9es<\/h3>\n<p>DSP signifie fournisseur de services num\u00e9riques, les plateformes qui h\u00e9bergent et r\u00e9mun\u00e8rent les streams. Au Br\u00e9sil, l&#8217;\u00e9coute est r\u00e9partie sur plus de plateformes que ce que la plupart des distributeurs mondiaux couvrent.<\/p>\n<p>Spotify et YouTube dominent, mais Deezer d\u00e9tient une v\u00e9ritable base br\u00e9silienne, et la d\u00e9couverte via les formats courts sur TikTok et YouTube Shorts propulse les perc\u00e9es du sertanejo et du funk avant que les chiffres audio ne bougent. Une sortie qui se contente d&#8217;\u00eatre livr\u00e9e sur deux plateformes laisse la couche de d\u00e9couverte non cr\u00e9dit\u00e9e et le catalogue sous-mon\u00e9tis\u00e9.<\/p>\n<h2>La le\u00e7on pour la distribution<\/h2>\n<p>Gagner le Br\u00e9sil est d&#8217;abord un jeu de march\u00e9 int\u00e9rieur, et ensuite seulement un jeu d&#8217;exportation. L&#8217;ordre compte, et la plupart des catalogues font l&#8217;inverse.<\/p>\n<p>Mesures pratiques pour un artiste ou un label ind\u00e9pendant qui cible ce march\u00e9 :<\/p>\n<ul>\n<li>\u00c9tiquetez le genre avec pr\u00e9cision. Le piseiro n&#8217;est pas le forr\u00f3, et le sertanejo universitario n&#8217;est pas le sertanejo raiz. Les \u00e9quipes \u00e9ditoriales filtrent sur cette base.<\/li>\n<li>Localisez les m\u00e9tadonn\u00e9es et les noms d&#8217;artistes en portugais, y compris les cr\u00e9dits des artistes en featuring que la recherche br\u00e9silienne utilise r\u00e9ellement.<\/li>\n<li>Distribuez sur l&#8217;ensemble des surfaces nationales, Deezer inclus, pas seulement les deux plateformes mondiales.<\/li>\n<li>G\u00e9rez les r\u00e9partitions de droits de mani\u00e8re transparente, car les collaborations br\u00e9siliennes sont tr\u00e8s riches en featurings et le calcul des paiements devient vite complexe.<\/li>\n<\/ul>\n<p>C&#8217;est l\u00e0 que l&#8217;infrastructure de livraison cesse d&#8217;\u00eatre une formalit\u00e9. InterSpace Distribution fonctionne avec une livraison native DDEX, le format de m\u00e9tadonn\u00e9es standard de l&#8217;industrie, et g\u00e8re des r\u00e9partitions transparentes par collaborateur. Pour un march\u00e9 o\u00f9 un seul morceau de funk peut comporter quatre artistes cr\u00e9dit\u00e9s et 100 millions de lectures, le registre des r\u00e9partitions n&#8217;est pas de la paperasse. C&#8217;est le paiement.<\/p>\n<p>Le Br\u00e9sil diffuse d\u00e9j\u00e0 comme un g\u00e9ant. La question de distribution est de savoir si votre catalogue est con\u00e7u pour collecter sur la totalit\u00e9 de ces 195 milliards de lectures, ou seulement sur le quart import\u00e9.<\/p>\n","protected":false},"excerpt":{"rendered":"Le Br\u00e9sil est d\u00e9sormais le huiti\u00e8me march\u00e9 musical mondial et enregistre 195 milliards de streams par an, mais 75 % des \u00e9coutes sur Spotify Br\u00e9sil vont \u00e0 des artistes nationaux. Pourquoi gagner le Br\u00e9sil est d&#8217;abord un jeu de distribution sur le march\u00e9 int\u00e9rieur, et ensuite seulement un jeu d&#8217;exportation, pour les labels ind\u00e9pendants et les artistes.","protected":false},"author":6,"featured_media":7456,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"csco_display_header_overlay":false,"csco_singular_sidebar":"","csco_page_header_type":"","csco_page_load_nextpost":"","csco_post_video_location":[],"csco_post_video_location_hash":"","csco_post_video_url":"","csco_post_video_bg_start_time":0,"csco_post_video_bg_end_time":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[6952],"tags":[8315,15687,6666,15695,6672,9676],"class_list":["post-11775","post","type-post","status-publish","format-standard","has-post-thumbnail","category-industry-trends-fr","tag-brazil-fr","tag-funk-fr","tag-music-en-fr","tag-sertanejo-fr","tag-spotify-en-fr","tag-tiktok-fr","cs-entry","cs-video-wrap"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Le Br\u00e9sil est le 8e march\u00e9 musical mondial et enregistre 195 milliards de streams. 75 % sont des titres nationaux.<\/title>\n<meta name=\"description\" content=\"Le Br\u00e9sil vient de grimper. La F\u00e9d\u00e9ration internationale de l&#039;industrie phonographique, l&#039;organisation professionnelle connue sous le nom d&#039;IFPI, rapporte que les revenus de la musique enregistr\u00e9e au Br\u00e9sil ont augment\u00e9 de 14,1 % en 2025, hissant le pays au huiti\u00e8me rang\u2026\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/interspacemusic.com\/blog\/fr\/le-bresil-est-le-8e-marche-musical-mondial-et-enregistre-195-milliards-de-streams-75-sont-des-titres-nationaux\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Le Br\u00e9sil est le 8e march\u00e9 musical mondial et enregistre 195 milliards de streams. 75 % sont des titres nationaux.\" \/>\n<meta property=\"og:description\" content=\"Le Br\u00e9sil vient de grimper. La F\u00e9d\u00e9ration internationale de l&#039;industrie phonographique, l&#039;organisation professionnelle connue sous le nom d&#039;IFPI, rapporte que les revenus de la musique enregistr\u00e9e au Br\u00e9sil ont augment\u00e9 de 14,1 % en 2025, hissant le pays au huiti\u00e8me rang\u2026\" \/>\n<meta property=\"og:url\" content=\"https:\/\/interspacemusic.com\/blog\/fr\/le-bresil-est-le-8e-marche-musical-mondial-et-enregistre-195-milliards-de-streams-75-sont-des-titres-nationaux\/\" \/>\n<meta property=\"og:site_name\" content=\"The InterSpace Daily.\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/facebook.com\/interspacemusic\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-08-05T18:33:45+00:00\" \/>\n<meta name=\"author\" content=\"Grace Wangeci\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@interspacegroup\" \/>\n<meta name=\"twitter:site\" content=\"@interspacegroup\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Grace Wangeci\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":[\"Article\",\"BlogPosting\"],\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/le-bresil-est-le-8e-marche-musical-mondial-et-enregistre-195-milliards-de-streams-75-sont-des-titres-nationaux\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/le-bresil-est-le-8e-marche-musical-mondial-et-enregistre-195-milliards-de-streams-75-sont-des-titres-nationaux\\\/\"},\"author\":{\"name\":\"Grace Wangeci\",\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/#\\\/schema\\\/person\\\/e932964055c2dfc2484af1bafae3e7b0\"},\"headline\":\"Le Br\u00e9sil est le 8e march\u00e9 musical mondial et enregistre 195 milliards de streams. 75 % sont des titres nationaux.\",\"datePublished\":\"2026-08-05T18:33:45+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/le-bresil-est-le-8e-marche-musical-mondial-et-enregistre-195-milliards-de-streams-75-sont-des-titres-nationaux\\\/\"},\"wordCount\":874,\"publisher\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/le-bresil-est-le-8e-marche-musical-mondial-et-enregistre-195-milliards-de-streams-75-sont-des-titres-nationaux\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/i0.wp.com\\\/d2n07ae9429qri.cloudfront.net\\\/wp-content\\\/uploads\\\/2026\\\/07\\\/14150505\\\/3028465058_2b983ddf6e_b-1.jpg?fit=1024%2C768&ssl=1\",\"keywords\":[\"Brazil\",\"funk\",\"Music\",\"sertanejo\",\"Spotify\",\"TikTok\"],\"articleSection\":[\"Industry Trends\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/le-bresil-est-le-8e-marche-musical-mondial-et-enregistre-195-milliards-de-streams-75-sont-des-titres-nationaux\\\/\",\"url\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/le-bresil-est-le-8e-marche-musical-mondial-et-enregistre-195-milliards-de-streams-75-sont-des-titres-nationaux\\\/\",\"name\":\"Le Br\u00e9sil est le 8e march\u00e9 musical mondial et enregistre 195 milliards de streams. 75 % sont des titres nationaux.\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/le-bresil-est-le-8e-marche-musical-mondial-et-enregistre-195-milliards-de-streams-75-sont-des-titres-nationaux\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/le-bresil-est-le-8e-marche-musical-mondial-et-enregistre-195-milliards-de-streams-75-sont-des-titres-nationaux\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/i0.wp.com\\\/d2n07ae9429qri.cloudfront.net\\\/wp-content\\\/uploads\\\/2026\\\/07\\\/14150505\\\/3028465058_2b983ddf6e_b-1.jpg?fit=1024%2C768&ssl=1\",\"datePublished\":\"2026-08-05T18:33:45+00:00\",\"description\":\"Le Br\u00e9sil vient de grimper. 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