{"id":11861,"date":"2026-08-05T18:48:57","date_gmt":"2026-08-05T18:48:57","guid":{"rendered":"https:\/\/interspacemusic.com\/blog\/lep-salam-et-le-visuel-el-film-del-mehdi-revendiquent-lidentite-queer-marocaine\/"},"modified":"2026-08-05T18:50:28","modified_gmt":"2026-08-05T18:50:28","slug":"lep-salam-et-le-visuel-el-film-del-mehdi-revendiquent-lidentite-queer-marocaine","status":"publish","type":"post","link":"https:\/\/interspacemusic.com\/blog\/fr\/lep-salam-et-le-visuel-el-film-del-mehdi-revendiquent-lidentite-queer-marocaine\/","title":{"rendered":"L’EP ‘Salam’ et le visuel ‘El Film’ d’El Mehdi revendiquent l’identit\u00e9 queer marocaine"},"content":{"rendered":"

Un nouveau projet visuel de l’artiste d’origine marocaine bas\u00e9 au Canada El Mehdi<\/strong> transforme les rituels du th\u00e9, les v\u00eatements traditionnels et la symbolique amazighe<\/a> en une d\u00e9claration audacieuse sur l’identit\u00e9 queer. Son premier EP<\/a> ‘Salam’<\/strong> et le court-m\u00e9trage qui l’accompagne ‘El Film’<\/strong> s’inspirent du patrimoine marocain pour remettre en question les r\u00e9cits autour de la culture, de la sensualit\u00e9 et de l’auto-repr\u00e9sentation.<\/p>\n

Un voyage visuel \u00e0 travers le rituel et le symbole<\/h2>\n

Dans ‘El Film’, des hommes en gandouras blanches se versent du th\u00e9 d’un verre \u00e0 l’autre \u00e0 l’int\u00e9rieur d’un riad marocain, un geste familier pour beaucoup comme moyen de refroidir la boisson. La cam\u00e9ra longe des murs carrel\u00e9s bleus et orange jusqu’\u00e0 une cour, o\u00f9 El Mehdi est assis sur une fontaine en caftan blanc, tenant un plateau en argent poli. Il chante “El kass hlou”, la coupe est douce, tandis que sa voix se superpose en un paysage sonore envo\u00fbtant sur une percussion simple.<\/p>\n

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Une autre sc\u00e8ne le place dans une pi\u00e8ce rouge, envelopp\u00e9 de tissu noir, coiff\u00e9 d’un tarbouche avec une longue queue de cheval, dansant avec deux th\u00e9i\u00e8res en argent. De retour dans la cour, il ramasse les verres vides des hommes sur son plateau, puis s’agenouille tandis que du th\u00e9 \u00e0 la menthe chaud est vers\u00e9 dans sa bouche. “You wanted me in hell”, dit-il en anglais, avant de passer au fran\u00e7ais et au darija : “Je suis seulement all\u00e9 chauffer le th\u00e9.”<\/p>\n

R\u00e9interpr\u00e9ter un classique censur\u00e9<\/h2>\n

Le motif du th\u00e9 fait r\u00e9f\u00e9rence \u00e0 “El Kass Hlou”<\/strong>, une chanson des ann\u00e9es 1930 de Houcine Slaoui<\/a><\/strong>. Les recherches d’El Mehdi ont r\u00e9v\u00e9l\u00e9 que les paroles originales d\u00e9crivaient une coupe d’alcool, bien que les versions ult\u00e9rieures l’aient remplac\u00e9e par du th\u00e9. “C’est int\u00e9ressant de voir comment cela a \u00e9t\u00e9 censur\u00e9. Une chanson \u00e9crite il y a cent ans parlait de choses que nous ne consid\u00e9rons plus comme faisant partie de notre soci\u00e9t\u00e9 aujourd’hui”, a-t-il d\u00e9clar\u00e9. “J’ai donc d\u00e9cid\u00e9 de r\u00e9interpr\u00e9ter la version de Slaoui.”<\/p>\n

Dans le visuel, le plateau en argent d’El Mehdi est incassable, contrairement aux verres \u00e0 th\u00e9 des hommes. Il l’utilise pour rassembler et r\u00e9unir les verres, un geste qui, selon lui, rejette l’individualisme. Lorsqu’il parle pendant qu’on lui verse du th\u00e9 dans la bouche, il signifie que la transmission culturelle n’est pas passive : il peut boire la culture et dire ce qu’il veut.<\/p>\n

Sensualit\u00e9, tradition et accusations d’orientalisme<\/h2>\n

El Mehdi montre sa peau \u00e0 la fois physiquement dans ‘El Film’ et soniquement sur le dernier morceau de l’EP. Portant une version \u00e0 plateforme des balghas<\/strong>, les babouches en cuir jaune, il affirme qu’il est possible de grandir tout en restant ancr\u00e9 dans la culture. Ce jeu entre sensualit\u00e9 et tradition lui a valu des accusations d’auto-orientalisme.<\/p>\n

“D\u00e8s qu’on combine tradition et culture avec la sensualit\u00e9, les gens ont tendance \u00e0 parler d’orientalisme. Mais comment pouvons-nous revendiquer l’autonomie sur nos corps et nos sexualit\u00e9s et cr\u00e9er des repr\u00e9sentations plus nuanc\u00e9es si nos expressions sont toujours encadr\u00e9es par des questions de pudeur, de religion ou de colonialisme ?”, a-t-il demand\u00e9. “Si nous continuons \u00e0 laisser le colonialisme guider notre auto-repr\u00e9sentation et notre libert\u00e9, quand reprendrons-nous r\u00e9ellement le pouvoir ? Ne serai-je jamais libre de faire ce que je veux avec mon propre corps parce qu’il a \u00e9t\u00e9 autrefois sexualis\u00e9 ? Ou devrais-je abandonner des symboles culturels que d’innombrables artistes marocains<\/a> continuent d’utiliser, simplement parce qu’ils sont suppos\u00e9s incompatibles avec ma forme d’expression ?”<\/p>\n

Racines amazighes et reconnexion artistique<\/h2>\n

Le parcours d’El Mehdi vers ce projet a dur\u00e9 des ann\u00e9es, m\u00ealant dessin, sculpture, photographie et jeu d’acteur. “J’\u00e9crivais des chansons quand j’\u00e9tais jeune, mais je n’ai jamais eu la confiance pour les chanter”, a-t-il dit. “Le dessin est intime, mais quand tu chantes, tu es entendu, et tu es vu.” Une fois cette barri\u00e8re franchie, ses m\u00e9diums ont fusionn\u00e9 : une image devient une chanson, un mot inspire une vid\u00e9o.<\/p>\n

Les visuels de l’EP revendiquent \u00e9galement une partie de son identit\u00e9 qui n’a pas \u00e9t\u00e9 pleinement transmise. “Mon p\u00e8re est amazigh, mais la langue et la culture n’ont jamais \u00e9t\u00e9 transmises. Je n’ai jamais pu communiquer avec la famille de mon p\u00e8re parce qu’ils parlaient shilha et moi darija.” Adulte, il a renou\u00e9 avec ses cousins en anglais et s’est senti proche de leur culture. “Il y a moins de religion et plus de connexion \u00e0 la nature, \u00e0 eux-m\u00eames et aux autres. Nous avons \u00e9t\u00e9 colonis\u00e9s par l’Europe, mais il y a aussi eu la colonisation arabe et l’islamisation avant cela. On a l’impression que quelque chose nous a \u00e9t\u00e9 enlev\u00e9 parce que, en grandissant, la culture arabe \u00e9tait consid\u00e9r\u00e9e comme sup\u00e9rieure. Ce n’est que ces derni\u00e8res ann\u00e9es que cela a chang\u00e9.”<\/p>\n

Le tournage du clip de “Encore”, quatri\u00e8me morceau de l’EP, a \u00e9t\u00e9 l’occasion pour El Mehdi d’en apprendre davantage sur son h\u00e9ritage. Coinc\u00e9 sur le toit d’une forteresse aux murs blancs immacul\u00e9s, il porte des bijoux amazighs traditionnels de la tribu A\u00eft Atta dont il descend, emprunt\u00e9s au Mus\u00e9e Pierre Berg\u00e9 des Arts Berb\u00e8res<\/a> \u00e0 Marrakech.<\/p>\n","protected":false},"excerpt":{"rendered":"Le premier EP d’El Mehdi, ‘Salam’, et son visuel ‘El Film’ utilisent des symboles culturels marocains pour explorer l’identit\u00e9 queer, la tradition et la r\u00e9appropriation.","protected":false},"author":7,"featured_media":7338,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"csco_display_header_overlay":false,"csco_singular_sidebar":"","csco_page_header_type":"","csco_page_load_nextpost":"","csco_post_video_location":[],"csco_post_video_location_hash":"","csco_post_video_url":"","csco_post_video_bg_start_time":0,"csco_post_video_bg_end_time":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[6874],"tags":[22064,22067,22070,22073,22076,22079],"class_list":["post-11861","post","type-post","status-publish","format-standard","has-post-thumbnail","category-culture-lifestyle-fr","tag-amazigh-heritage-fr","tag-el-film-fr","tag-el-mehdi-fr","tag-moroccan-music-fr","tag-queer-art-fr","tag-salam-ep-fr","cs-entry","cs-video-wrap"],"yoast_head":"\nL'EP 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