{"id":15402,"date":"2026-08-07T13:43:32","date_gmt":"2026-08-07T13:43:32","guid":{"rendered":"https:\/\/interspacemusic.com\/blog\/le-bresil-facture-le-streaming-comme-une-execution-publique-son-versement-daout-paie-les-lectures-de-janvier\/"},"modified":"2026-08-07T13:46:29","modified_gmt":"2026-08-07T13:46:29","slug":"le-bresil-facture-le-streaming-comme-une-execution-publique-son-versement-daout-paie-les-lectures-de-janvier","status":"publish","type":"post","link":"https:\/\/interspacemusic.com\/blog\/fr\/le-bresil-facture-le-streaming-comme-une-execution-publique-son-versement-daout-paie-les-lectures-de-janvier\/","title":{"rendered":"Le Br\u00e9sil facture le streaming comme une ex\u00e9cution publique. Son versement d&#8217;ao\u00fbt paie les lectures de janvier."},"content":{"rendered":"<p>Le Br\u00e9sil est l&#8217;un des rares march\u00e9s o\u00f9 un stream est l\u00e9galement une ex\u00e9cution publique. Ce seul fait ajoute un deuxi\u00e8me circuit de versement \u00e0 chaque sortie br\u00e9silienne.<\/p>\n<p>Ce circuit paie ce mois-ci. L&#8217;argent du streaming circulant par l&#8217;organisme collecteur br\u00e9silien en ao\u00fbt 2026 concerne les lectures qui ont eu lieu en janvier, f\u00e9vrier et mars.<\/p>\n<h2>La jurisprudence de 2017 qui a cr\u00e9\u00e9 une deuxi\u00e8me redevance br\u00e9silienne<\/h2>\n<p>ECAD signifie Escrit\u00f3rio Central de Arrecada\u00e7\u00e3o e Distribui\u00e7\u00e3o, le bureau central qui collecte et distribue les redevances d&#8217;ex\u00e9cution publique pour les sept associations musicales du Br\u00e9sil.<\/p>\n<p>En f\u00e9vrier 2017, le Superior Tribunal de Justi\u00e7a a tranch\u00e9 l&#8217;affaire REsp 1.559.264\/RJ et a jug\u00e9 que l&#8217;offre de musique par streaming constitue une ex\u00e9cution publique, ce qui cr\u00e9e un nouveau fait g\u00e9n\u00e9rateur pour la collecte de droits d&#8217;auteur. Le simulcasting a \u00e9t\u00e9 trait\u00e9 comme un usage autonome plut\u00f4t que comme une extension d&#8217;une diffusion. Le <a href=\"https:\/\/www.machadomeyer.com.br\/pt\/boletim\/servicos-de-streaming-e-o-criterio-de-execucao-publica-para-cobranca-de-direito-autoral-pelo-ecad\">r\u00e9sum\u00e9 des crit\u00e8res<\/a> de Machado Meyer est la lecture la plus claire de ce que la cour a test\u00e9.<\/p>\n<p>Le r\u00e9sultat pratique est qu&#8217;une lecture Spotify ou YouTube au Br\u00e9sil g\u00e9n\u00e8re l&#8217;argent des enregistrements et des publications que votre distributeur signale, et s\u00e9par\u00e9ment une revendication de performance publique que l&#8217;ECAD facture \u00e0 la plateforme elle-m\u00eame.<\/p>\n<h2>Le num\u00e9rique est maintenant le plus grand \u00e9l\u00e9ment que l&#8217;ECAD collecte<\/h2>\n<p>Les chiffres de 2025, selon <a href=\"https:\/\/mundodamusicamm.com.br\/ecad-relatorio-2025\/\">la ventilation du rapport annuel de l&#8217;ECAD par Mundo da M\u00fasica<\/a> et <a href=\"https:\/\/musicaemercado.org\/ecad-17-bilhao-direitos-autorais-2025\/\">M\u00fasica &#038; Mercado<\/a> :<\/p>\n<ul>\n<li>1,7 milliard R$ collect\u00e9s, en hausse de 15 pour cent. 1,7 milliard R$ distribu\u00e9s, en hausse de 10 pour cent.<\/li>\n<li>Les services num\u00e9riques repr\u00e9sentaient 33,6 pour cent des collections et ont grandi de 47,2 pour cent, le plus rapide de tous les segments. La t\u00e9l\u00e9vision a suivi \u00e0 20,4 pour cent, les spectacles en direct \u00e0 19,5 pour cent, la radio \u00e0 7,1 pour cent.<\/li>\n<li>Plus de 345 000 d\u00e9tenteurs de droits ont \u00e9t\u00e9 r\u00e9mun\u00e9r\u00e9s, en moyenne environ 4 600 R$ chacun pour l&#8217;ann\u00e9e.<\/li>\n<li>78 pour cent du total distribu\u00e9 est all\u00e9 aux d\u00e9tenteurs br\u00e9siliens.<\/li>\n<li>L&#8217;ECAD dit avoir identifi\u00e9 5,8 billions d&#8217;ex\u00e9cutions sur les plateformes num\u00e9riques.<\/li>\n<\/ul>\n<p>La premi\u00e8re moiti\u00e9 de 2026 a maintenu la courbe. L&#8217;ECAD a <a href=\"https:\/\/mundodamusicamm.com.br\/ecad-primeiro-semestre-2026\/\">distribu\u00e9 plus d&#8217;un milliard de R$ au S1<\/a>, en hausse de 16,5 pour cent d&#8217;une ann\u00e9e \u00e0 l&#8217;autre, \u00e0 plus de 312 000 d\u00e9tenteurs. Les spectacles en direct seuls ont vers\u00e9 151 millions R$, en hausse de 25,4 pour cent, ce qui compte avant un septembre qui ram\u00e8ne le Rock in Rio \u00e0 Rio de Janeiro.<\/p>\n<h2>Pourquoi ao\u00fbt paie pour janvier<\/h2>\n<p>La rubrique du streaming est trimestrielle et d\u00e9cal\u00e9e. Selon le <a href=\"https:\/\/www.abramus.org.br\/noticias\/14652\/guia-definitivo-do-calendario-de-distribuicao-e-rubricas\/\">calendrier de distribution d&#8217;Abramus<\/a> :<\/p>\n<ul>\n<li>Les versements arrivent en f\u00e9vrier, mai, ao\u00fbt et novembre.<\/li>\n<li>La s\u00e9rie d&#8217;ao\u00fbt couvre les ex\u00e9cutions de janvier \u00e0 mars. Novembre couvre avril \u00e0 juin.<\/li>\n<li>La distribution est construite \u00e0 partir des listes de lecture que les plateformes envoient, mises en correspondance automatiquement avec les \u0153uvres et phonogrammes enregistr\u00e9s.<\/li>\n<li>Sur ce que collecte l&#8217;ECAD, <a href=\"https:\/\/www4.ecad.org.br\/faq\/como-e-feita-a-distribuicao-dos-direitos-autorais-aos-compositores-interpretes-e-musicos\/\">85 pour cent est vers\u00e9 aux associations<\/a> pour leurs membres, 5 pour cent finance les associations et 10 pour cent reste \u00e0 l&#8217;ECAD.<\/li>\n<li>Du c\u00f4t\u00e9 des droits voisins, la cat\u00e9gorie des interpr\u00e8tes et la cat\u00e9gorie des producteurs de phonogrammes partagent leur portion 50-50.<\/li>\n<\/ul>\n<p>Ainsi, une piste qui a connu son apog\u00e9e au Br\u00e9sil en janvier voit son argent de la performance publique en ao\u00fbt, cinq \u00e0 sept mois plus tard, apr\u00e8s une d\u00e9duction administrative de 15 pour cent.<\/p>\n<h2>Ce qu&#8217;une sortie ind\u00e9pendante devrait r\u00e9ellement faire<\/h2>\n<p>L&#8217;\u00e9cueil dans lequel tombent la plupart des artistes auto-\u00e9dit\u00e9s est de supposer qu&#8217;un distributeur collecte ceci. Ce n&#8217;est pas le cas. L&#8217;ECAD verse aux associations, et les associations versent \u00e0 leurs membres enregistr\u00e9s.<\/p>\n<ul>\n<li>Enregistrez l&#8217;\u0153uvre et le phonogramme aupr\u00e8s d&#8217;une association telle qu&#8217;Abramus, UBC ou Socinpro. Un phonogramme non enregistr\u00e9 avec des m\u00e9tadonn\u00e9es de distributeur parfaites \u00e9choue quand m\u00eame \u00e0 la correspondance ECAD.<\/li>\n<li>Enregistrez les deux r\u00f4les. Le cr\u00e9dit du compositeur et le cr\u00e9dit de l&#8217;interpr\u00e8te sont des revendications distinctes, et la revendication du producteur est \u00e9galement distincte.<\/li>\n<li>Gardez l&#8217;ISRC de la sortie identique \u00e0 celui enregistr\u00e9 aupr\u00e8s de l&#8217;association. ISRC signifie Code international de normalisation des enregistrements, l&#8217;identifiant unique par enregistrement.<\/li>\n<li>Planifiez les flux de tr\u00e9sorerie en tenant compte du d\u00e9calage. Les redevances d&#8217;enregistrement de votre distributeur arrivent mensuellement. Cette couche arrive quatre fois par an, antidat\u00e9e.<\/li>\n<li>Envoyez les setlists de chaque spectacle payant. L&#8217;ECAD cr\u00e9dite l&#8217;automatisation des spectacles pour la hausse de 25,4 pour cent dans les distributions en direct.<\/li>\n<\/ul>\n<p>Pour contextualiser l&#8217;ampleur : le march\u00e9 br\u00e9silien de la musique enregistr\u00e9e a atteint 3,958 milliards R$ en 2025, en hausse de 14,1 pour cent, avec le streaming \u00e0 3,4 milliards R$, selon les chiffres de Pr\u00f3-M\u00fasica Brasil <a href=\"https:\/\/agenciabrasil.ebc.com.br\/cultura\/noticia\/2026-03\/faturamento-do-mercado-fonografico-brasileiro-cresce-14-em-2025\">rapport\u00e9s par Ag\u00eancia Brasil<\/a>. Les 1,7 milliard R$ de l&#8217;ECAD se situent \u00e0 c\u00f4t\u00e9 de cela, non dedans.<\/p>\n<p>Deux tuyauteries, deux horloges, deux ensembles de paperasse. Bien faire le c\u00f4t\u00e9 enregistrement avec un distributeur qui d\u00e9pose des m\u00e9tadonn\u00e9es DDEX propres, o\u00f9 DDEX signifie Digital Data Exchange, est ce qui rend le c\u00f4t\u00e9 collectif correspondable du tout. Plus sur le march\u00e9 sous-jacent \u00e0 ceci : <a href=\"https:\/\/interspacemusic.com\/blog\/brazil-became-worlds-no-8-music-market-up-14-1-streaming-is-86-percent\/\">Le Br\u00e9sil au n\u00b0 8 au niveau mondial<\/a>, et <a href=\"https:\/\/interspacemusic.com\/blog\/sertanejo-owns-10-of-brazils-top-15-almost-none-of-its-money-comes-from-abroad\/\">pourquoi l&#8217;argent du sertanejo reste \u00e0 la maison<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"Les redevances de streaming br\u00e9siliennes fonctionnent sur deux circuits : votre distributeur paie le c\u00f4t\u00e9 enregistrement mensuellement, tandis que l&#8217;ECAD facture les plateformes pour la performance publique et verse en f\u00e9vrier, mai, ao\u00fbt et novembre. L&#8217;ECAD a distribu\u00e9 1,7 milliard R$ en 2025. Voici qui les collecte et quand.","protected":false},"author":3,"featured_media":15399,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"csco_display_header_overlay":false,"csco_singular_sidebar":"","csco_page_header_type":"","csco_page_load_nextpost":"","csco_post_video_location":[],"csco_post_video_location_hash":"","csco_post_video_url":"","csco_post_video_bg_start_time":0,"csco_post_video_bg_end_time":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[6828],"tags":[8315,26886,6666,6669,6672,7151],"class_list":["post-15402","post","type-post","status-publish","format-standard","has-post-thumbnail","category-policy-legal-fr","tag-brazil-fr","tag-ecad-fr","tag-music-en-fr","tag-royalties-en-fr","tag-spotify-en-fr","tag-streaming-fr","cs-entry","cs-video-wrap"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Le Br\u00e9sil facture le streaming comme une ex\u00e9cution publique. 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L&#039;argent du streaming circulant par l&#039;organisme collecteur br\u00e9silien en ao\u00fbt\u2026\" \/>\n<meta property=\"og:url\" content=\"https:\/\/interspacemusic.com\/blog\/fr\/le-bresil-facture-le-streaming-comme-une-execution-publique-son-versement-daout-paie-les-lectures-de-janvier\/\" \/>\n<meta property=\"og:site_name\" content=\"The InterSpace Daily.\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/facebook.com\/interspacemusic\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-08-07T13:43:32+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-08-07T13:46:29+00:00\" \/>\n<meta name=\"author\" content=\"Patrick Ofe\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@interspacegroup\" \/>\n<meta name=\"twitter:site\" content=\"@interspacegroup\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Patrick Ofe\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":[\"Article\",\"BlogPosting\"],\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/le-bresil-facture-le-streaming-comme-une-execution-publique-son-versement-daout-paie-les-lectures-de-janvier\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/le-bresil-facture-le-streaming-comme-une-execution-publique-son-versement-daout-paie-les-lectures-de-janvier\\\/\"},\"author\":{\"name\":\"Patrick Ofe\",\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/#\\\/schema\\\/person\\\/0103434e4fa9a8a051cb480bd1427264\"},\"headline\":\"Le Br\u00e9sil facture le streaming comme une ex\u00e9cution publique. 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