{"id":18703,"date":"2026-08-15T18:12:25","date_gmt":"2026-08-15T18:12:25","guid":{"rendered":"https:\/\/interspacemusic.com\/blog\/la-societe-de-gestion-des-droits-dauteur-du-guatemala-preleve-30-pour-ses-frais-son-top-20-spotify-ne-compte-aucun-artiste-guatemalteque\/"},"modified":"2026-08-15T18:23:47","modified_gmt":"2026-08-15T18:23:47","slug":"la-societe-de-gestion-des-droits-dauteur-du-guatemala-preleve-30-pour-ses-frais-son-top-20-spotify-ne-compte-aucun-artiste-guatemalteque","status":"publish","type":"post","link":"https:\/\/interspacemusic.com\/blog\/fr\/la-societe-de-gestion-des-droits-dauteur-du-guatemala-preleve-30-pour-ses-frais-son-top-20-spotify-ne-compte-aucun-artiste-guatemalteque\/","title":{"rendered":"La soci\u00e9t\u00e9 de gestion des droits d&#8217;auteur du Guatemala pr\u00e9l\u00e8ve 30 % pour ses frais. Son Top 20 Spotify ne compte aucun artiste guat\u00e9malt\u00e8que."},"content":{"rendered":"<p>AEI-Guatemala, la soci\u00e9t\u00e9 qui conc\u00e8de des licences musicales au nom des auteurs, \u00e9diteurs et interpr\u00e8tes guat\u00e9malt\u00e8ques, distribue 60 pour cent de ce qu&#8217;elle collecte aux auteurs-compositeurs, r\u00e9serve 10 pour cent \u00e0 l&#8217;assistance sociale et \u00e0 la promotion culturelle, et conserve 30 pour cent pour les frais administratifs, <a href=\"https:\/\/www.aeiguatemala.org\/preguntas-frecuentes\">selon sa propre FAQ publi\u00e9e<\/a>. La m\u00eame semaine, le Top 20 quotidien Spotify du Guatemala ne contenait pas un seul artiste guat\u00e9malt\u00e8que.<\/p>\n<p>CMO d\u00e9signe une organisation de gestion collective : l&#8217;organisme qui conc\u00e8de des licences d&#8217;ex\u00e9cution publique de musique dans les bars, les commerces, la radio et la t\u00e9l\u00e9vision, puis r\u00e9partit l&#8217;argent collect\u00e9.<\/p>\n<h2>Ce qu&#8217;AEI collecte, et aupr\u00e8s de qui<\/h2>\n<ul>\n<li>Diffuseurs : stations de radio, cha\u00eenes de t\u00e9l\u00e9vision et op\u00e9rateurs du c\u00e2ble.<\/li>\n<li>Lieux diffusant de la musique enregistr\u00e9e : restaurants, discoth\u00e8ques, h\u00f4tels et commerces de d\u00e9tail.<\/li>\n<li>Les tarifs sont autoris\u00e9s par les auteurs eux-m\u00eames en vertu de l&#8217;article 126 du <a href=\"https:\/\/mcd.gob.gt\/wp-content\/uploads\/2013\/07\/ley_derechos_de_autor_conexos_01.pdf\">d\u00e9cret 33-98, la loi sur le droit d&#8217;auteur et les droits voisins<\/a>.<\/li>\n<li>Le non-paiement n&#8217;est pas seulement une affaire civile. L&#8217;article 274 du code p\u00e9nal, tel que modifi\u00e9 par le d\u00e9cret 56-2000, pr\u00e9voit de un \u00e0 six ans d&#8217;emprisonnement et des amendes allant jusqu&#8217;\u00e0 750 000 quetzals.<\/li>\n<\/ul>\n<p>Le statut a \u00e9t\u00e9 modifi\u00e9 depuis, de mani\u00e8re plus substantielle par le <a href=\"https:\/\/garciabodan.com\/en\/amendments-to-law-of-copyright-and-related-rights-in-guatemala\/\">d\u00e9cret 21-2018<\/a>. L&#8217;architecture qui l&#8217;entoure n&#8217;a pas boug\u00e9 : une licence vendue localement, une d\u00e9duction op\u00e9r\u00e9e localement, et une distribution qui suit le r\u00e9pertoire hors du pays.<\/p>\n<h2>Le classement indique que l&#8217;argent sort du pays<\/h2>\n<p>Le <a href=\"https:\/\/kworb.net\/spotify\/country\/gt_daily.html\">classement quotidien Spotify Guatemala du 14 ao\u00fbt 2026<\/a> \u00e9tait domin\u00e9 par Los Dos de Tamaulipas, Peso Pluma avec Tito Double P, Neton Vega et Fuerza Regida. Aitana, Danny Ocean, J Balvin avec Bad Bunny et BTS occupaient la majeure partie du reste.<\/p>\n<p>La musique r\u00e9gionale mexicaine est le visage de l&#8217;\u00e9coute guat\u00e9malt\u00e8que en ce moment, le m\u00eame corridor que nous avons trait\u00e9 lorsque <a href=\"https:\/\/interspacemusic.com\/blog\/mexico-10th-biggest-music-market-ten-states-narcocorrido-bans\/\">le Mexique est devenu le 10e plus grand march\u00e9 musical du monde<\/a>.<\/p>\n<p>Pour une CMO, cette composition est tout le probl\u00e8me. L&#8217;argent issu des licences d&#8217;un restaurant de Guatemala City se rattache \u00e9crasante\u00adment \u00e0 un r\u00e9pertoire \u00e9tranger et sort via des accords de r\u00e9ciprocit\u00e9 apr\u00e8s la d\u00e9duction nationale. Les auteurs-compositeurs guat\u00e9malt\u00e8ques sont des cr\u00e9anciers minoritaires sur la cagnotte d&#8217;ex\u00e9cution publique de leur propre march\u00e9.<\/p>\n<h2>Les deux plus grands noms guat\u00e9malt\u00e8ques encaissent d\u00e9j\u00e0 \u00e0 l&#8217;\u00e9tranger<\/h2>\n<p>Ricardo Arjona a donn\u00e9 une r\u00e9sidence de 23 concerts au Guatemala entre octobre et d\u00e9cembre 2025, pr\u00e9sent\u00e9e \u00e0 l&#8217;annonce comme la premi\u00e8re du genre pour un artiste guat\u00e9malt\u00e8que. Sa tourn\u00e9e 2026 n&#8217;est pas nationale : <a href=\"https:\/\/pechangaarenasd.com\/ricardo-arjona-announces-lo-que-el-seco-no-dijo-tour-across-more-than-30-u-s-cities\/\">plus de 30 villes am\u00e9ricaines et Porto Rico<\/a>, de Chicago le 30 janvier \u00e0 Atlantic City le 17 avril, avec deux dates cons\u00e9cutives au Madison Square Garden vendues en quelques heures.<\/p>\n<p>Gaby Moreno a remport\u00e9 le Grammy du meilleur album pop latin le 4 f\u00e9vrier 2024 pour <a href=\"https:\/\/lahora.gt\/lh-bienestar\/diego\/2024\/02\/04\/gaby-moreno-hace-historia-al-ganar-grammy-por-mejor-album-pop-latino\/\">X M\u00ed (Vol. 1)<\/a>, un album sorti via Cosmica Artists, un label bas\u00e9 \u00e0 Los Angeles.<\/p>\n<p>Tous deux sont sans ambigu\u00eft\u00e9 guat\u00e9malt\u00e8ques. Le compte de r\u00e9sultat de ni l&#8217;un ni l&#8217;autre n&#8217;est principalement une question de collecte guat\u00e9malt\u00e8que.<\/p>\n<h2>Le manque \u00e9ditorial que les auteurs ind\u00e9pendants subissent r\u00e9ellement<\/h2>\n<p>Songtrust <a href=\"https:\/\/www.songtrust.com\/collection-society-database\/guatemala\">recense AEI-Guatemala<\/a> comme collectant \u00e0 la fois les redevances d&#8217;ex\u00e9cution et m\u00e9caniques, tout en pr\u00e9cisant qu&#8217;elle ne d\u00e9tient aucun accord direct avec la soci\u00e9t\u00e9 et fonctionne via un partage de donn\u00e9es r\u00e9ciproque, ce qui, pr\u00e9vient-elle, peut entra\u00eener des d\u00e9lais de correspondance ou des probl\u00e8mes de donn\u00e9es.<\/p>\n<p>C&#8217;est le manque. Voici les \u00e9tapes concr\u00e8tes pour un auteur-compositeur guat\u00e9malt\u00e8que ou un petit label :<\/p>\n<ul>\n<li>Enregistrer les \u0153uvres directement aupr\u00e8s d&#8217;AEI si vous \u00eates r\u00e9sident, plut\u00f4t que de supposer qu&#8217;un circuit d&#8217;administration \u00e0 l&#8217;\u00e9tranger y parvient sans accroc.<\/li>\n<li>Conserver les noms d&#8217;auteurs, les num\u00e9ros IPI et les pourcentages de r\u00e9partition identiques \u00e0 l&#8217;octet pr\u00e8s sur chaque enregistrement. Les circuits uniquement r\u00e9ciproques correspondent sur des cha\u00eenes de m\u00e9tadonn\u00e9es, pas sur l&#8217;intention.<\/li>\n<li>S\u00e9parer les deux canaux dans votre comptabilit\u00e9 : les redevances d&#8217;enregistrement arrivent de votre distributeur via les DSP, les redevances d&#8217;ex\u00e9cution et m\u00e9caniques arrivent de la soci\u00e9t\u00e9 et de votre administrateur d&#8217;\u00e9dition.<\/li>\n<li>Viser le corridor mexicain et latino-am\u00e9ricain des \u00c9tats-Unis, pas seulement le Guatemala. C&#8217;est l\u00e0 que se trouve r\u00e9ellement l&#8217;audience du r\u00e9pertoire guat\u00e9malt\u00e8que.<\/li>\n<\/ul>\n<h2>Ce que cela change pour une sortie en 2026<\/h2>\n<p>DDEX signifie Digital Data Exchange, la norme de m\u00e9tadonn\u00e9es que les DSP utilisent pour ing\u00e9rer les sorties. Les cr\u00e9dits de compositeurs, les ISRC et les r\u00e9partitions livr\u00e9s proprement \u00e0 cette couche sont ce qui permet \u00e0 la revendication d&#8217;un auteur-compositeur guat\u00e9malt\u00e8que de survivre \u00e0 un transfert r\u00e9ciproque entre deux soci\u00e9t\u00e9s plus tard.<\/p>\n<p>C&#8217;est le m\u00eame sch\u00e9ma d&#8217;\u00e9chec que nous avons identifi\u00e9 lorsque <a href=\"https:\/\/interspacemusic.com\/blog\/ten-costa-rican-councils-dropped-music-licence-songwriters-225-million-of-1-5-billion\/\">dix conseils municipaux costariciens ont abandonn\u00e9 leur licence musicale<\/a> et lorsque <a href=\"https:\/\/interspacemusic.com\/blog\/puerto-rico-has-3-2-million-people-and-owns-a-third-of-latin-americas-charts-its-money-lives-abroad\/\">la puissance des classements de Porto Rico n&#8217;a pas suffi \u00e0 garder son argent au pays<\/a>. Les petits march\u00e9s d&#8217;Am\u00e9rique centrale ne perdent pas les redevances au moment de la licence. Ils les perdent au moment du transfert.<\/p>\n<p>InterSpace Distribution est con\u00e7u pour ce transfert : livraison native DDEX, r\u00e9partitions multi-niveaux et reporting par territoire dans le tableau de bord des redevances artistes, afin qu&#8217;une sortie guat\u00e9malt\u00e8que se lise ligne par ligne plut\u00f4t que comme un seul chiffre net en fin de trimestre.<\/p>\n","protected":false},"excerpt":{"rendered":"Les redevances musicales du Guatemala transitent par AEI-Guatemala, qui verse 60 % aux auteurs-compositeurs et en conserve 30 % pour l&#8217;administration, pourtant le Top 20 Spotify du pays du 14 ao\u00fbt 2026 ne comptait aucun artiste guat\u00e9malt\u00e8que. O\u00f9 l&#8217;argent atterrit r\u00e9ellement, et ce que les auteurs-compositeurs ind\u00e9pendants devraient corriger en priorit\u00e9.","protected":false},"author":7,"featured_media":18724,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"csco_display_header_overlay":false,"csco_singular_sidebar":"","csco_page_header_type":"","csco_page_load_nextpost":"","csco_post_video_location":[],"csco_post_video_location_hash":"","csco_post_video_url":"","csco_post_video_bg_start_time":0,"csco_post_video_bg_end_time":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[6828],"tags":[32775,7157,32778,29813,6669,6672],"class_list":["post-18703","post","type-post","status-publish","format-standard","has-post-thumbnail","category-policy-legal-fr","tag-central-america-fr","tag-collective-management-fr","tag-guatemala-fr","tag-musique","tag-royalties-en-fr","tag-spotify-en-fr","cs-entry","cs-video-wrap"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>La soci\u00e9t\u00e9 de gestion des droits d&#039;auteur du Guatemala pr\u00e9l\u00e8ve 30 % pour ses frais. Son Top 20 Spotify ne compte aucun artiste guat\u00e9malt\u00e8que.<\/title>\n<meta name=\"description\" content=\"AEI-Guatemala, la soci\u00e9t\u00e9 qui conc\u00e8de des licences musicales au nom des auteurs, \u00e9diteurs et interpr\u00e8tes guat\u00e9malt\u00e8ques, distribue 60 pour cent de ce qu&#039;elle collecte aux auteurs-compositeurs, r\u00e9serve 10 pour cent \u00e0 l&#039;assistance sociale et \u00e0 la promotion culturelle, et conserve\u2026\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/interspacemusic.com\/blog\/fr\/la-societe-de-gestion-des-droits-dauteur-du-guatemala-preleve-30-pour-ses-frais-son-top-20-spotify-ne-compte-aucun-artiste-guatemalteque\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La soci\u00e9t\u00e9 de gestion des droits d&#039;auteur du Guatemala pr\u00e9l\u00e8ve 30 % pour ses frais. 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