{"id":19422,"date":"2026-08-24T16:06:17","date_gmt":"2026-08-24T16:06:17","guid":{"rendered":"https:\/\/interspacemusic.com\/blog\/la-coree-fixe-sa-repartition-du-streaming-par-approbation-ministerielle-votre-part-de-master-est-fixee-a-4825-pour-cent\/"},"modified":"2026-08-24T16:06:17","modified_gmt":"2026-08-24T16:06:17","slug":"la-coree-fixe-sa-repartition-du-streaming-par-approbation-ministerielle-votre-part-de-master-est-fixee-a-4825-pour-cent","status":"publish","type":"post","link":"https:\/\/interspacemusic.com\/blog\/fr\/la-coree-fixe-sa-repartition-du-streaming-par-approbation-ministerielle-votre-part-de-master-est-fixee-a-4825-pour-cent\/","title":{"rendered":"La Cor\u00e9e fixe sa r\u00e9partition du streaming par approbation minist\u00e9rielle. Votre part de master est fix\u00e9e \u00e0 48,25 pour cent."},"content":{"rendered":"<p>La Cor\u00e9e du Sud fixe sa r\u00e9partition de redevances de streaming par approbation gouvernementale plut\u00f4t que par n\u00e9gociation, et la grille tarifaire actuelle attribue 65 pour cent aux ayants droit et 35 pour cent \u00e0 la plateforme.<\/p>\n<p>DSP d\u00e9signe un fournisseur de services num\u00e9riques : en Cor\u00e9e, Melon, Genie, FLO, Bugs et VIBE, aux c\u00f4t\u00e9s de Spotify et Apple Music qui op\u00e8rent localement.<\/p>\n<p>La r\u00e9partition figure dans le r\u00e8glement de collecte des frais d&#8217;utilisation de transmission musicale. Le minist\u00e8re de la Culture, des Sports et du Tourisme <a href=\"https:\/\/www.mcst.go.kr\/kor\/s_notice\/press\/pressView.jsp?pSeq=16742\">a approuv\u00e9 la r\u00e9vision le 20 juin 2018<\/a>, effective au 1er janvier 2019, portant la part des ayants droit de 60 \u00e0 65 pour cent.<\/p>\n<h2>La grille tarifaire, ligne par ligne<\/h2>\n<p>Au sein de ces 65 pour cent, les parts sont fix\u00e9es par la m\u00eame approbation :<\/p>\n<ul>\n<li>Producteur phonographique, c&#8217;est-\u00e0-dire le d\u00e9tenteur du master : 48,25 pour cent<\/li>\n<li>Compositeurs et paroliers : 10,5 pour cent<\/li>\n<li>Interpr\u00e8tes, c&#8217;est-\u00e0-dire les chanteurs et musiciens de session : 6,25 pour cent<\/li>\n<li>Plateforme : 35 pour cent<\/li>\n<\/ul>\n<p>Les t\u00e9l\u00e9chargements sont rest\u00e9s \u00e0 70:30, fix\u00e9s en 2015. La m\u00eame approbation a supprim\u00e9 la remise sur les t\u00e9l\u00e9chargements group\u00e9s, qui avait atteint 65 pour cent, via des coefficients d&#8217;ajustement de 1,2 en 2019, 1,6 en 2020 et 2,0 en 2021.<\/p>\n<h2>Combien vaut r\u00e9ellement une \u00e9coute<\/h2>\n<p>Asia Business Daily a \u00e9valu\u00e9 le montant national \u00e0 environ 7 wons par \u00e9coute dans un <a href=\"https:\/\/view.asiae.co.kr\/en\/article\/2025120911233163366\">rapport de d\u00e9cembre 2025<\/a> : environ 2,5 wons pour la plateforme et 4,5 wons pour les ayants droit. Cela repr\u00e9sente \u00e0 peu pr\u00e8s 3,5 wons pour le producteur, 0,7 won pour le parolier et 0,4 won pour l&#8217;interpr\u00e8te. Le compositeur Yoon Il-sang a d\u00e9clar\u00e9 au journal que la part du cr\u00e9ateur en Cor\u00e9e est inf\u00e9rieure \u00e0 celle des march\u00e9s \u00e9trangers comparables.<\/p>\n<p>Le bassin est \u00e9galement r\u00e9parti au prorata plut\u00f4t que par utilisateur. Comme Park Ji-won l&#8217;a rapport\u00e9 <a href=\"https:\/\/www.koreatimes.co.kr\/entertainment\/k-pop\/20200326\/music-streaming-services-tackling-unfair-royalty-payments-as-spotify-entry-looms\">pour le Korea Times en mars 2020<\/a>, Melon et Genie divisent les 65 pour cent selon la part de chaque titre dans le total des flux, de sorte que la valeur par \u00e9coute diminue \u00e0 mesure que le d\u00e9nominateur augmente. VIBE faisait figure d&#8217;exception en passant \u00e0 un calcul centr\u00e9 sur l&#8217;utilisateur.<\/p>\n<h2>Quatre soci\u00e9t\u00e9s, et votre distributeur n&#8217;appartient \u00e0 aucune d&#8217;entre elles<\/h2>\n<p>Le minist\u00e8re approuve conjointement les r\u00e8glements de frais de quatre organismes de gestion musicale : la Recording Industry Association of Korea, la Federation of Korean Music Performers, KOMCA et KOSCAP.<\/p>\n<p>Votre distributeur livre le master et collecte sur la ligne des 48,25 pour cent. Les 10,5 et les 6,25 proviennent d&#8217;organismes dont votre distributeur n&#8217;est pas membre. Pour les ayants droit \u00e9trangers, la part d&#8217;auteur arrive via l&#8217;accord de r\u00e9ciprocit\u00e9 de votre soci\u00e9t\u00e9 d&#8217;origine avec KOMCA, et la part d&#8217;interpr\u00e8te via la f\u00e9d\u00e9ration des interpr\u00e8tes. CMO d\u00e9signe une organisation de gestion collective, le terme g\u00e9n\u00e9rique pour les quatre.<\/p>\n<p>Choi Song-hee a rapport\u00e9 <a href=\"https:\/\/www.ajunews.com\/view\/20251116143309328\">pour Aju Business Daily en novembre 2025<\/a> que le Global Collections Report 2025 de la CISAC classait la Cor\u00e9e au 11e rang mondial pour 2024 avec 276 millions d&#8217;euros, soit environ 465,3 milliards de wons cor\u00e9ens. KOMCA repr\u00e9sentait environ 436,5 milliards de wons de ce total, soit pr\u00e8s de 94 pour cent du total national. La transmission num\u00e9rique repr\u00e9sentait 48,1 pour cent des collectes et a progress\u00e9 de 12,2 pour cent d&#8217;une ann\u00e9e sur l&#8217;autre. Le m\u00eame rapport signalait environ 150 milliards de wons encore non collect\u00e9s aupr\u00e8s des plateformes OTT et des diffuseurs.<\/p>\n<h2>La ligne de diffusion est la prochaine \u00e0 bouger<\/h2>\n<p>KOMCA a ouvert une r\u00e9vision de son r\u00e8glement de frais d&#8217;utilisation de la diffusion fin 2025. Kwon Hye-mi a rapport\u00e9 <a href=\"https:\/\/www.etnews.com\/20251031000324\">pour Electronic Times le 2 novembre 2025<\/a> que la proposition rebaserait les frais sur 100 pour cent des revenus de programme, 90 pour cent des revenus publicitaires et 60 pour cent des revenus de vente de programmes, avec des coefficients d&#8217;ajustement convergeant vers 1,0. Les fournisseurs de programmes l&#8217;ont qualifi\u00e9e d&#8217;augmentation unilat\u00e9rale ; les estimations situent les hausses potentielles pr\u00e8s de 2,5 fois pour les op\u00e9rateurs IPTV.<\/p>\n<h2>Que faire de tout cela<\/h2>\n<p>Consid\u00e9rez la Cor\u00e9e comme trois lignes de revenus, pas une seule. L&#8217;argent du master, de l&#8217;auteur et de l&#8217;interpr\u00e8te arrive s\u00e9par\u00e9ment, selon des calendriers distincts, d&#8217;organismes distincts, et une seule de ces lignes passe par votre distributeur.<\/p>\n<p>Gardez des identifiants coh\u00e9rents. ISRC d\u00e9signe le code international d&#8217;enregistrement des \u0153uvres, ISWC d\u00e9signe le code international normalis\u00e9 des \u0153uvres musicales, et un master livr\u00e9 avec des cr\u00e9dits d&#8217;\u00e9criture propres est ce qui permet \u00e0 l&#8217;enregistrement d&#8217;\u00e9dition de correspondre en aval plut\u00f4t que de s&#8217;accumuler en revenus de bo\u00eete noire.<\/p>\n<p>Ensuite, livrez aux services nationaux. Melon, Genie, FLO, Bugs et VIBE sont l\u00e0 o\u00f9 le bassin au prorata est g\u00e9n\u00e9r\u00e9 en premier lieu. Un distributeur qui n&#8217;atteint que Spotify et Apple Music en Cor\u00e9e livre votre catalogue dans la moiti\u00e9 la plus r\u00e9duite d&#8217;une grille tarifaire que vous ne pouvez pas ren\u00e9gocier.<\/p>\n<p>\u00c0 lire \u00e9galement : <a href=\"https:\/\/interspacemusic.com\/blog\/what-is-komca\/\">KOMCA : la Korea Music Copyright Association et les redevances de la K-pop, expliqu\u00e9es<\/a>, <a href=\"https:\/\/interspacemusic.com\/blog\/youtube-music-passed-melon-korea-kpop-home-market-dsps-distributors-skip\/\">YouTube Music vient de d\u00e9passer Melon en Cor\u00e9e<\/a>, et <a href=\"https:\/\/interspacemusic.com\/blog\/jasrac-paid-568990-foreign-creators-none-through-distributor\/\">JASRAC a r\u00e9mun\u00e9r\u00e9 568 990 cr\u00e9ateurs \u00e9trangers l&#8217;an dernier<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"La Cor\u00e9e du Sud fixe la r\u00e9partition de ses redevances de streaming par approbation gouvernementale, et non par n\u00e9gociation : 65 pour cent aux ayants droit, 35 pour cent \u00e0 la plateforme. Dans cette part, 48,25 pour cent revient au d\u00e9tenteur du master, 10,5 pour cent aux auteurs-compositeurs et 6,25 pour cent aux interpr\u00e8tes. Ce que le bar\u00e8me fixe de la Cor\u00e9e du Sud signifie pour le catalogue ind\u00e9pendant.","protected":false},"author":3,"featured_media":19420,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"csco_display_header_overlay":false,"csco_singular_sidebar":"","csco_page_header_type":"","csco_page_load_nextpost":"","csco_post_video_location":[],"csco_post_video_location_hash":"","csco_post_video_url":"","csco_post_video_bg_start_time":0,"csco_post_video_bg_end_time":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[6952],"tags":[13903,19775,8715,42712,29813,39325,6672],"class_list":["post-19422","post","type-post","status-publish","format-standard","has-post-thumbnail","category-industry-trends-fr","tag-apple-music-fr","tag-korea-fr","tag-k-pop-fr","tag-melon-fr","tag-musique","tag-royalties-fr","tag-spotify-en-fr","cs-entry","cs-video-wrap"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>La Cor\u00e9e fixe sa r\u00e9partition du streaming par approbation minist\u00e9rielle. 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