{"id":19496,"date":"2026-08-26T17:02:20","date_gmt":"2026-08-26T17:02:20","guid":{"rendered":"https:\/\/interspacemusic.com\/blog\/recit-de-lastuce-discrete-de-dolly-parton-lors-dune-balance-a-dollywood\/"},"modified":"2026-08-27T01:17:03","modified_gmt":"2026-08-27T01:17:03","slug":"recit-de-lastuce-discrete-de-dolly-parton-lors-dune-balance-a-dollywood","status":"publish","type":"post","link":"https:\/\/interspacemusic.com\/blog\/fr\/recit-de-lastuce-discrete-de-dolly-parton-lors-dune-balance-a-dollywood\/","title":{"rendered":"R\u00e9cit de l’astuce discr\u00e8te de Dolly Parton lors d’une balance \u00e0 Dollywood"},"content":{"rendered":"

Dolly Parton<\/strong><\/a>, d\u00e9c\u00e9d\u00e9e mardi 25 ao\u00fbt, a g\u00e9r\u00e9 une balance audio d\u00e9faillante \u00e0 Dollywood<\/strong> en 2018 en demandant discr\u00e8tement \u00e0 l’ing\u00e9nieur du son fa\u00e7ade de s’\u00e9carter, selon le r\u00e9cit de l’agent de r\u00e9servation de Orleans<\/strong>.<\/p>\n

L’incident s’est produit lors de la balance audio pour la journ\u00e9e m\u00e9dias de pr\u00e9-saison 2018 de Dollywood, dans le th\u00e9\u00e2tre de Parton situ\u00e9 dans son parc d’attractions de l’est du Tennessee. Orleans, connu pour les tubes “Dance With Me” et “Still the One”, avait \u00e9t\u00e9 engag\u00e9 pour accompagner Parton sur “Still the One” et “Peace Train” de Cat Stevens. Parton aimait particuli\u00e8rement “Still the One” et souhaitait l’interpr\u00e9ter ainsi que “Peace Train” avec Orleans comme groupe d’accompagnement, a d\u00e9clar\u00e9 l’agent. Parton a fait venir le groupe par avion et les a bien r\u00e9mun\u00e9r\u00e9s.<\/p>\n

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<\/div>\n<\/figure>\n

Lorsque Parton et le groupe ont commenc\u00e9 la balance, le son fa\u00e7ade \u00e9tait brouill\u00e9 et le mix des retours \u00e9tait ex\u00e9crable. L’agent, qui repr\u00e9sente des artistes en tourn\u00e9e nationale depuis 35 ans, a d\u00e9clar\u00e9 avoir vu de nombreuses r\u00e9actions face \u00e0 un mauvais mix, allant des commentaires passifs-agressifs sur sc\u00e8ne \u00e0 l’humiliation publique des techniciens du son.<\/p>\n

Un ajustement en priv\u00e9 \u00e0 la r\u00e9gie<\/h2>\n

Parton a d’abord tent\u00e9 de r\u00e9soudre les probl\u00e8mes diplomatiquement, a indiqu\u00e9 l’agent. Le mix ne s’am\u00e9liorant pas, elle a quitt\u00e9 la sc\u00e8ne et s’est dirig\u00e9e vers la r\u00e9gie fa\u00e7ade. L’agent, qui se tenait pr\u00e8s de la r\u00e9gie, l’a entendue parler \u00e0 voix basse au technicien.<\/p>\n

“Mon ch\u00e9ri, tu es un beau jeune homme, mais \u00e7a ne fonctionne pas vraiment pour moi, alors est-ce que je peux laisser le technicien son d’Orleans faire le mix ?”<\/p><\/blockquote>\n

Elle a recul\u00e9 et fait un signe de t\u00eate au nouvel ing\u00e9nieur pour prendre le relais. En une ou deux minutes, le son \u00e9tait impeccable. L’agent a pr\u00e9cis\u00e9 que Parton s’est assur\u00e9e que personne d’autre dans la salle n’ait entendu la remarque adress\u00e9e au technicien, prot\u00e9geant ainsi sa dignit\u00e9 tout en corrigeant la performance.<\/p>\n

R\u00e9putation et production<\/h2>\n

L’agent a d\u00e9clar\u00e9 que la fa\u00e7on dont un artiste traite le personnel et l’\u00e9quipe technique peut susciter de la m\u00e9fiance, perturber l’\u00e9lan de production et influencer la long\u00e9vit\u00e9 d’un artiste. Il a expliqu\u00e9 que le talent brut peut permettre de d\u00e9crocher des dates, mais que le bouche-\u00e0-oreille circule vite parmi les \u00e9quipes des salles, les directeurs de production, les programmateurs et les agents.<\/p>\n

Aborder les probl\u00e8mes techniques avec une autorit\u00e9 discr\u00e8te donne des r\u00e9sultats plus rapides, pr\u00e9serve les relations et forge une r\u00e9putation durable, a-t-il affirm\u00e9. Il a ajout\u00e9 que la r\u00e9putation d’un artiste d\u00e9pend autant de la gestion d’une mauvaise balance que de la capacit\u00e9 \u00e0 atteindre les notes aigu\u00ebs, que les t\u00eates d’affiche r\u00e8glent les probl\u00e8mes de mani\u00e8re professionnelle et priv\u00e9e, et que le sang-froid sous pression produit un meilleur spectacle qu’une crise publique.<\/p>\n","protected":false},"excerpt":{"rendered":"Dolly Parton a demand\u00e9 en priv\u00e9 \u00e0 un ing\u00e9nieur du son de fa\u00e7ade de s’\u00e9carter lors d’une balance du son en 2018 \u00e0 Dollywood, selon le booker d’Orleans.","protected":false},"author":3,"featured_media":19493,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"csco_display_header_overlay":false,"csco_singular_sidebar":"","csco_page_header_type":"","csco_page_load_nextpost":"","csco_post_video_location":[],"csco_post_video_location_hash":"","csco_post_video_url":"","csco_post_video_bg_start_time":0,"csco_post_video_bg_end_time":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[6982],"tags":[44179,44182,6974,44185,22225,12364],"class_list":["post-19496","post","type-post","status-publish","format-standard","has-post-thumbnail","category-tech-innovation-fr","tag-dolly-parton-fr","tag-dollywood-fr","tag-music-industry-fr","tag-orleans-fr","tag-live-sound-fr","tag-touring-fr","cs-entry","cs-video-wrap"],"yoast_head":"\nR\u00e9cit 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