{"id":20533,"date":"2026-09-24T12:38:18","date_gmt":"2026-09-24T12:38:18","guid":{"rendered":"https:\/\/interspacemusic.com\/blog\/la-societe-de-gestion-des-droits-dauteur-du-chili-a-collecte-259-milliards-de-pesos-via-le-streaming-la-ligne-des-artistes-interpretes-a-percu-9-millions\/"},"modified":"2026-09-24T12:38:18","modified_gmt":"2026-09-24T12:38:18","slug":"la-societe-de-gestion-des-droits-dauteur-du-chili-a-collecte-259-milliards-de-pesos-via-le-streaming-la-ligne-des-artistes-interpretes-a-percu-9-millions","status":"publish","type":"post","link":"https:\/\/interspacemusic.com\/blog\/fr\/la-societe-de-gestion-des-droits-dauteur-du-chili-a-collecte-259-milliards-de-pesos-via-le-streaming-la-ligne-des-artistes-interpretes-a-percu-9-millions\/","title":{"rendered":"La soci\u00e9t\u00e9 de gestion des droits d&#8217;auteur du Chili a collect\u00e9 25,9 milliards de pesos via le streaming. La ligne des artistes-interpr\u00e8tes a per\u00e7u 9 millions."},"content":{"rendered":"<p>La soci\u00e9t\u00e9 chilienne de gestion des droits musicaux, SCD, a collect\u00e9 25,9 milliards de pesos aupr\u00e8s du streaming et des plateformes num\u00e9riques en 2025, mais seulement 9 millions de pesos ont atterri dans la colonne qui couvre les droits des artistes interpr\u00e8tes.<\/p>\n<p>Cet \u00e9cart correspond au fonctionnement actuel de la loi chilienne, et un projet de loi appel\u00e9 Ley Tommy Rey tente d&#8217;y rem\u00e9dier. Voici le m\u00e9canisme, et ce qu&#8217;il implique pour la fa\u00e7on dont vous signez et enregistrez un enregistrement chilien.<\/p>\n<h2>Ce que r\u00e9v\u00e8lent les chiffres 2025 de SCD<\/h2>\n<p>SCD signifie Sociedad Chilena del Derecho de Autor, la soci\u00e9t\u00e9 de gestion qui conc\u00e8de des licences d&#8217;utilisation de musique au Chili pour les auteurs-compositeurs et, s\u00e9par\u00e9ment, pour les artistes interpr\u00e8tes. Son <a href=\"https:\/\/scd.cl\/sitio\/wp-content\/uploads\/2026\/06\/MEMORIA-SCD_2025_rev20.pdf\" target=\"_blank\" rel=\"noopener\">rapport annuel 2025<\/a>, <a href=\"https:\/\/scd.cl\/sitio\/2026\/06\/12\/memoria-scd-2025-un-ano-en-que-nos-hicimos-mas-fuertes\/\" target=\"_blank\" rel=\"noopener\">publi\u00e9 en juin 2026<\/a>, r\u00e9partit chaque ligne de revenus entre droits d&#8217;auteur et droits voisins. Les droits voisins (derechos conexos) appartiennent aux personnes et entreprises pr\u00e9sentes sur l&#8217;enregistrement, et non \u00e0 la chanson.<\/p>\n<ul>\n<li><strong>Total collect\u00e9 :<\/strong> 51,65 milliards CLP.<\/li>\n<li><strong>Plateformes num\u00e9riques :<\/strong> 25,89 milliards CLP, soit un peu plus de la moiti\u00e9 de l&#8217;ensemble.<\/li>\n<li><strong>Num\u00e9rique, droits voisins :<\/strong> 8,99 millions CLP, environ 0,03 % de la ligne num\u00e9rique.<\/li>\n<li><strong>Radio :<\/strong> 803 millions CLP pour les auteurs, 400 millions CLP en droits voisins.<\/li>\n<\/ul>\n<p>Sur la radio, la t\u00e9l\u00e9vision, le cin\u00e9ma et les licences de salles, la colonne des droits voisins repr\u00e9sente environ la moiti\u00e9 de celle des auteurs. Sur le streaming, elle est proche de z\u00e9ro.<\/p>\n<h2>Pourquoi le streaming contourne l&#8217;interpr\u00e8te<\/h2>\n<p>Au titre de la loi chilienne sur la propri\u00e9t\u00e9 intellectuelle 17.336, les artistes interpr\u00e8tes d\u00e9tiennent d\u00e9j\u00e0 un droit g\u00e9r\u00e9 collectivement d&#8217;\u00eatre r\u00e9mun\u00e9r\u00e9s lorsque leurs enregistrements sont diffus\u00e9s ou jou\u00e9s en public. C&#8217;est de l\u00e0 que proviennent les 400 millions de pesos de la ligne radio.<\/p>\n<p>Le streaming \u00e0 la demande n&#8217;a pas d&#8217;\u00e9quivalent. Les plateformes r\u00e9mun\u00e8rent les auteurs-compositeurs via SCD et le d\u00e9tenteur du master dans le cadre de sa licence de label ou de distributeur. Comme <a href=\"https:\/\/www.latercera.com\/culto\/noticia\/camara-aprueba-ley-tommy-rey-reconoce-a-los-interpretes-un-derecho-de-pago-por-reproduccion-en-plataformas-digitales\/\" target=\"_blank\" rel=\"noopener\">l&#8217;a rapport\u00e9 Crist\u00f3bal Palacios dans La Tercera<\/a>, les plateformes n&#8217;ont jusqu&#8217;\u00e0 pr\u00e9sent pay\u00e9 que les droits d&#8217;auteur. Un interpr\u00e8te qui ne poss\u00e8de pas le master per\u00e7oit ce que pr\u00e9voit son contrat d&#8217;enregistrement, et rien de plus.<\/p>\n<h2>Ce que changerait la Ley Tommy Rey<\/h2>\n<p>Le projet de loi, Bolet\u00edn 17.499-24, porte le nom du chanteur de cumbia Patricio Z\u00fa\u00f1iga, connu sous le nom de Tommy Rey, d\u00e9c\u00e9d\u00e9 en mars 2025. Il a \u00e9t\u00e9 adopt\u00e9 par la Chambre des d\u00e9put\u00e9s le 3 novembre 2025, par 124 voix contre aucune lors du vote article par article, et <a href=\"https:\/\/www.senado.cl\/comunicaciones\/noticias\/llega-al-senado-la-llamada-ley-tommy-rey\" target=\"_blank\" rel=\"noopener\">est parvenu au S\u00e9nat<\/a> le 12 novembre 2025.<\/p>\n<h3>Les trois m\u00e9canismes<\/h3>\n<ul>\n<li><strong>Cession pr\u00e9sum\u00e9e, r\u00e9mun\u00e9ration conserv\u00e9e.<\/strong> Un interpr\u00e8te qui signe un contrat d&#8217;enregistrement est pr\u00e9sum\u00e9 avoir c\u00e9d\u00e9 le droit de mise \u00e0 disposition au producteur, mais conserve un droit inali\u00e9nable et non transf\u00e9rable \u00e0 une r\u00e9mun\u00e9ration \u00e9quitable.<\/li>\n<li><strong>La plateforme paie.<\/strong> Celui qui met l&#8217;enregistrement \u00e0 disposition doit l&#8217;argent, pas le label.<\/li>\n<li><strong>Reporting national.<\/strong> Sur demande, les plateformes doivent communiquer aux interpr\u00e8tes le nombre mensuel de lectures de chaque enregistrement au Chili.<\/li>\n<\/ul>\n<p>La commission de la culture du S\u00e9nat a ouvert son examen le 11 mai 2026 sans vote, selon un <a href=\"https:\/\/parlamento.ai\/r\/ley-tommy-rey-chile-2026\" target=\"_blank\" rel=\"noopener\">r\u00e9sum\u00e9 de s\u00e9ance de Parlamento.ai<\/a>. L&#8217;IFPI Chile et DiMA ont qualifi\u00e9 le sujet de probl\u00e8me de r\u00e9partition entre label et artiste, et ont point\u00e9 l&#8217;Uruguay, o\u00f9 une loi similaire s&#8217;est conclue par un <a href=\"https:\/\/interspacemusic.com\/blog\/uruguay-nearly-lost-spotify-royalty-law-decree-sent-bill-to-the-label\/\">d\u00e9cret qui a renvoy\u00e9 la facture au label<\/a>.<\/p>\n<h2>La radio a d\u00e9j\u00e0 un plancher, et un cr\u00e9neau pour les nouveaut\u00e9s<\/h2>\n<p>La loi 20.810 de 2015 impose aux stations de radio de diffuser au moins 20 % de musique chilienne, dont au moins un quart doit \u00eatre constitu\u00e9 d&#8217;\u0153uvres \u00e9mergentes enregistr\u00e9es au cours des trois derni\u00e8res ann\u00e9es ou de mat\u00e9riel r\u00e9gional, <a href=\"https:\/\/www.t13.cl\/noticia\/tendencias\/cultura\/que-significa-que-la-musica-chilena-sea-obligatoria-en-las-radios\" target=\"_blank\" rel=\"noopener\">comme l&#8217;a r\u00e9sum\u00e9 T13<\/a>. Le suivi 2025 de SCD a \u00e9tabli la moyenne nationale \u00e0 24,9 %, mais seulement 60,5 % des stations respectaient le minimum.<\/p>\n<h2>Que faire d&#8217;un catalogue chilien maintenant<\/h2>\n<ul>\n<li><strong>Consid\u00e9rez votre r\u00e9partition master comme votre seul revenu de streaming.<\/strong> Tant que le projet de loi n&#8217;est pas adopt\u00e9, un interpr\u00e8te principal ou de s\u00e9ance ne tire des streams chiliens que ce que verse l&#8217;accord master. Obtenez ce pourcentage par \u00e9crit.<\/li>\n<li><strong>Ne c\u00e9dez pas la r\u00e9mun\u00e9ration statutaire.<\/strong> Rayez les clauses qui attribuent au label les futurs droits \u00e0 r\u00e9mun\u00e9ration \u00e9quitable.<\/li>\n<li><strong>Inscrivez-vous comme interpr\u00e8te aupr\u00e8s de SCD.<\/strong> Les droits voisins ont vers\u00e9 2,06 milliards CLP aux artistes chiliens en 2025. SCD surveille 423 stations via le syst\u00e8me Vericast de BMAT, alors corrigez vos ISRC. ISRC signifie International Standard Recording Code, l&#8217;identifiant qui relie un enregistrement \u00e0 ses interpr\u00e8tes cr\u00e9dit\u00e9s.<\/li>\n<li><strong>Faites la promotion radio dans la fen\u00eatre de trois ans.<\/strong> Une nouvelle sortie compte dans le sous-quota \u00e9mergent ; un single de 2019, non.<\/li>\n<li><strong>Demandez les comptages de streams au niveau du Chili.<\/strong> Toute r\u00e9clamation au titre du nouveau droit s&#8217;appuiera sur les lectures dans le pays.<\/li>\n<\/ul>\n<p>Ce dernier point rel\u00e8ve du distributeur. Le reporting de redevances d&#8217;InterSpace Distribution d\u00e9taille les revenus par territoire et par plateforme, ce qui constitue le point de d\u00e9part d&#8217;une r\u00e9clamation d&#8217;interpr\u00e8te chilien. Pour une vision plus large du march\u00e9, consultez nos analyses du <a href=\"https:\/\/interspacemusic.com\/blog\/chiles-music-market-hit-119-8m-and-runs-on-urbano-the-hits-break-on-tiktok-and-cash-out-abroad\/\">march\u00e9 de l&#8217;enregistrement chilien \u00e0 119,8 millions de dollars<\/a> et de <a href=\"https:\/\/interspacemusic.com\/blog\/chilean-music-made-36m-on-spotify-in-2025-up-12-more-than-60-of-it-came-from-abroad\/\">l&#8217;origine de l&#8217;argent chilien sur Spotify<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"La SCD chilienne a collect\u00e9 25,9 milliards de CLP sur le streaming en 2025, alors que seulement 9 millions de CLP figuraient dans la colonne des droits des artistes interpr\u00e8tes. Comment la loi chilienne ignore les interpr\u00e8tes sur les streams, ce que changerait le projet de loi Ley Tommy Rey, et ce qu&#8217;il faut corriger d\u00e8s maintenant dans vos contrats et vos ISRC.","protected":false},"author":7,"featured_media":20531,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"csco_display_header_overlay":false,"csco_singular_sidebar":"","csco_page_header_type":"","csco_page_load_nextpost":"","csco_post_video_location":[],"csco_post_video_location_hash":"","csco_post_video_url":"","csco_post_video_bg_start_time":0,"csco_post_video_bg_end_time":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[6828],"tags":[18486,17890,47582,29813,47585,6672],"class_list":["post-20533","post","type-post","status-publish","format-standard","has-post-thumbnail","category-policy-legal-fr","tag-latin-america-fr","tag-chile-fr","tag-performer-rights-fr","tag-musique","tag-scd-fr","tag-spotify-en-fr","cs-entry","cs-video-wrap"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>La soci\u00e9t\u00e9 de gestion des droits d&#039;auteur du Chili a collect\u00e9 25,9 milliards de pesos via le streaming. La ligne des artistes-interpr\u00e8tes a per\u00e7u 9 millions.<\/title>\n<meta name=\"description\" content=\"La soci\u00e9t\u00e9 chilienne de gestion des droits musicaux, SCD, a collect\u00e9 25,9 milliards de pesos aupr\u00e8s du streaming et des plateformes num\u00e9riques en 2025, mais seulement 9 millions de pesos ont atterri dans la colonne qui couvre les droits des artistes interpr\u00e8tes.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/interspacemusic.com\/blog\/fr\/la-societe-de-gestion-des-droits-dauteur-du-chili-a-collecte-259-milliards-de-pesos-via-le-streaming-la-ligne-des-artistes-interpretes-a-percu-9-millions\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La soci\u00e9t\u00e9 de gestion des droits d&#039;auteur du Chili a collect\u00e9 25,9 milliards de pesos via le streaming. La ligne des artistes-interpr\u00e8tes a per\u00e7u 9 millions.\" \/>\n<meta property=\"og:description\" content=\"La soci\u00e9t\u00e9 chilienne de gestion des droits musicaux, SCD, a collect\u00e9 25,9 milliards de pesos aupr\u00e8s du streaming et des plateformes num\u00e9riques en 2025, mais seulement 9 millions de pesos ont atterri dans la colonne qui couvre les droits des artistes interpr\u00e8tes.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/interspacemusic.com\/blog\/fr\/la-societe-de-gestion-des-droits-dauteur-du-chili-a-collecte-259-milliards-de-pesos-via-le-streaming-la-ligne-des-artistes-interpretes-a-percu-9-millions\/\" \/>\n<meta property=\"og:site_name\" content=\"The InterSpace Daily.\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/facebook.com\/interspacemusic\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-09-24T12:38:18+00:00\" \/>\n<meta name=\"author\" content=\"Daniel Obembe\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@interspacegroup\" \/>\n<meta name=\"twitter:site\" content=\"@interspacegroup\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Daniel Obembe\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":[\"Article\",\"BlogPosting\"],\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/la-societe-de-gestion-des-droits-dauteur-du-chili-a-collecte-259-milliards-de-pesos-via-le-streaming-la-ligne-des-artistes-interpretes-a-percu-9-millions\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/la-societe-de-gestion-des-droits-dauteur-du-chili-a-collecte-259-milliards-de-pesos-via-le-streaming-la-ligne-des-artistes-interpretes-a-percu-9-millions\\\/\"},\"author\":{\"name\":\"Daniel Obembe\",\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/#\\\/schema\\\/person\\\/dfda45c52f01072dd0d297096b799422\"},\"headline\":\"La soci\u00e9t\u00e9 de gestion des droits d&#8217;auteur du Chili a collect\u00e9 25,9 milliards de pesos via le streaming. 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