{"id":21616,"date":"2026-10-12T16:27:11","date_gmt":"2026-10-12T16:27:11","guid":{"rendered":"https:\/\/interspacemusic.com\/blog\/lindonesie-a-transfere-au-promoteur-la-facture-des-redevances-de-concert-lautorisation-de-lauteur-reste-a-obtenir\/"},"modified":"2026-10-12T16:27:11","modified_gmt":"2026-10-12T16:27:11","slug":"lindonesie-a-transfere-au-promoteur-la-facture-des-redevances-de-concert-lautorisation-de-lauteur-reste-a-obtenir","status":"publish","type":"post","link":"https:\/\/interspacemusic.com\/blog\/fr\/lindonesie-a-transfere-au-promoteur-la-facture-des-redevances-de-concert-lautorisation-de-lauteur-reste-a-obtenir\/","title":{"rendered":"L\u2019Indon\u00e9sie a transf\u00e9r\u00e9 au promoteur la facture des redevances de concert. L\u2019autorisation de l\u2019auteur reste \u00e0 obtenir."},"content":{"rendered":"

Depuis le 17 d\u00e9cembre 2025, la partie redevable des droits musicaux pour un spectacle commercial en Indon\u00e9sie est l\u2019organisateur de l\u2019\u00e9v\u00e9nement, et non l\u2019artiste sur sc\u00e8ne. La d\u00e9cision 28\/PUU-XXIII\/2025 de la Cour constitutionnelle a \u00e9tabli que l\u2019expression “Setiap Orang” figurant \u00e0 l\u2019Article 23(5) de la 2014 Copyright Law n\u2019a aucune force obligatoire \u00e0 moins d\u2019\u00eatre interpr\u00e9t\u00e9e comme “termasuk penyelenggara pertunjukan secara komersial”, ce qui signifie qu\u2019elle inclut les organisateurs de spectacles commerciaux.<\/p>\n

Le recours a \u00e9t\u00e9 d\u00e9pos\u00e9 le 7 mars 2025 par 29 musiciens, parmi lesquels Armand Maulana, Nazril Irham et Raisa Andriana, et a \u00e9t\u00e9 partiellement accueilli. Le texte de la d\u00e9cision<\/a> est public.<\/p>\n

Trois formulations ont chang\u00e9, rien d\u2019autre<\/h2>\n

L\u2019Article 23(5) d\u00e9signe d\u00e9sormais l\u2019organisateur comme la partie tenue de payer. L\u2019Article 87(1), relatif \u00e0 “imbalan yang wajar”, soit une r\u00e9mun\u00e9ration raisonnable, doit \u00eatre interpr\u00e9t\u00e9 comme une r\u00e9mun\u00e9ration fix\u00e9e “sesuai dengan mekanisme dan tarif berdasarkan peraturan perundang-undangan”. En Indon\u00e9sie, un diff\u00e9rend sur le montant \u00e0 payer porte donc d\u00e9sormais sur le tarif r\u00e9glementaire.<\/p>\n

L\u2019Article 113(2)(f) impose de tenter une d\u00e9marche de justice restaurative avant de recourir aux sanctions p\u00e9nales, qui peuvent atteindre trois ans d\u2019emprisonnement et une amende de Rp500 millions. Moch. Dani Pratama Huzaini a d\u00e9taill\u00e9 ces trois interpr\u00e9tations pour Hukumonline<\/a>.<\/p>\n

Toutes les autres demandes ont \u00e9t\u00e9 rejet\u00e9es. L\u2019Article 9(3), qui interdit l\u2019utilisation commerciale d\u2019une \u0153uvre sans l\u2019autorisation de son auteur, demeure inchang\u00e9. Le paiement du tarif ne dispense pas d\u2019obtenir l\u2019autorisation d\u2019utiliser la chanson.<\/p>\n

La Cour a d\u00e9fini qui doit payer<\/h2>\n

La d\u00e9cision d\u00e9crit le penyelenggara, l\u2019organisateur, comme la partie qui con\u00e7oit, g\u00e8re et m\u00e8ne un spectacle de bout en bout : concept, budget, logistique, sponsors et prestataires. Le pelaku pertunjukan, l\u2019interpr\u00e8te, est la personne qui pr\u00e9sente l\u2019\u0153uvre au public.<\/p>\n

La raison pratique, comme l\u2019a rapport\u00e9 CNN Indonesia<\/a> le jour m\u00eame : l\u2019organisateur est la partie qui conna\u00eet pr\u00e9cis\u00e9ment les recettes de billetterie dont d\u00e9pend un spectacle commercial.<\/p>\n

La voie de la licence directe figure d\u00e9sormais dans la d\u00e9cision<\/h2>\n

LMKN signifie Lembaga Manajemen Kolektif Nasional, l\u2019organisme national qui collecte les droits d\u2019ex\u00e9cution aupr\u00e8s des utilisateurs commerciaux.<\/p>\n

La Cour a indiqu\u00e9 qu\u2019un titulaire de droits qui n\u2019adh\u00e8re pas \u00e0 un LMK n\u2019est pas li\u00e9 par la formulation “kecuali diperjanjikan lain” et peut percevoir ses droits dans le cadre d\u2019un accord direct avec l\u2019utilisateur, un dispositif que la d\u00e9cision d\u00e9signe comme un syst\u00e8me de licence directe. Un membre d\u2019une soci\u00e9t\u00e9 de gestion collective peut toujours se r\u00e9server une partie de ce droit par contrat, en vertu de l\u2019Article 81.<\/p>\n

Pour un \u00e9diteur qui n\u2019adh\u00e8re pas aux soci\u00e9t\u00e9s de gestion collective indon\u00e9siennes, c\u2019est la phrase \u00e0 retenir : la facture peut \u00eatre adress\u00e9e au promoteur dans le cadre d\u2019un contrat, au lieu d\u2019alimenter la collecte collective.<\/p>\n

Quel est le tarif applicable ?<\/h2>\n

En vertu de Government Regulation 56 of 2021, les utilisateurs paient via LMKN imm\u00e9diatement apr\u00e8s l\u2019utilisation commerciale, qu\u2019un accord de licence existe ou non (Article 10), et l\u2019organisme collecte les droits aussi bien pour les membres que pour les non-membres (Article 12), selon Klinik Hukumonline<\/a>.<\/p>\n

Les tarifs des concerts restent fond\u00e9s sur le d\u00e9cret minist\u00e9riel HKI.2.OT.03.01-02 de 2016 : 2 pour cent des recettes brutes de billetterie, auxquels s\u2019ajoute 1 pour cent au titre des billets gratuits, et 2 pour cent du co\u00fbt de production lorsqu\u2019un spectacle ne comporte pas de billetterie. Rohin Pujari, de Rouse, les a d\u00e9taill\u00e9s pour World Trademark Review, dans un article republi\u00e9 par Conventus Law<\/a>.<\/p>\n

Permenkum 27 of 2025, publi\u00e9 le 7 ao\u00fbt 2025, impose \u00e0 l\u2019utilisateur de demander une licence et de d\u00e9clarer les utilisations via SILM, le syst\u00e8me d\u2019information du minist\u00e8re consacr\u00e9 aux chansons et \u00e0 la musique.<\/p>\n

Ce qu\u2019un label peut en faire<\/h2>\n

Le fait qu\u2019un promoteur r\u00e8gle les 2 pour cent ne signifie pas qu\u2019un titulaire de droits est r\u00e9mun\u00e9r\u00e9. L\u2019Indon\u00e9sie d\u00e9tient d\u00e9j\u00e0 Rp70 milliards de redevances que personne n\u2019a r\u00e9clam\u00e9es<\/a>, et ses r\u00e8gles fixent une date d\u2019expiration aux catalogues qui ne sont pas enregistr\u00e9s<\/a>.<\/p>\n

La distribution permet de mettre un enregistrement sur Spotify Indonesia et Joox. Elle n\u2019enregistre pas la composition aupr\u00e8s d\u2019un LMK et ne renseigne pas les parts des auteurs dans SILM. Seule cette seconde d\u00e9marche permet de percevoir les droits lorsqu\u2019un promoteur paie le tarif applicable au spectacle.<\/p>\n

Deux clauses justifient d\u00e9sormais le temps consacr\u00e9 \u00e0 leur r\u00e9daction dans un contrat de spectacle en Indon\u00e9sie : qui obtient l\u2019autorisation d\u2019utiliser la composition au titre de l\u2019Article 9(3), et par quelle voie passe le paiement pr\u00e9vu \u00e0 l\u2019Article 23(5).<\/p>\n

L\u2019historique des d\u00e9cisions en mati\u00e8re de responsabilit\u00e9 montre pourquoi. Le tribunal de commerce de Jakarta Pusat a condamn\u00e9 un interpr\u00e8te \u00e0 payer Rp1,5 milliard le 30 janvier 2025, \u00e0 raison de Rp500 millions pour chacun des trois spectacles. La Cour supr\u00eame a ensuite accueilli le pourvoi en cassation dans l\u2019affaire 825 K\/Pdt.Sus-HKI\/2025<\/a> le 11 ao\u00fbt 2025 et annul\u00e9 la condamnation. L\u2019auteur-compositeur a ensuite d\u00e9clar\u00e9 \u00e0 detikPop<\/a>, le 19 ao\u00fbt 2025, qu\u2019il modifierait sa plainte aupr\u00e8s de la police pour viser les organisateurs.<\/p>\n

Contrairement au Laos, dont les redevances num\u00e9riques sont toujours collect\u00e9es \u00e0 Bangkok<\/a>, la question en Indon\u00e9sie n\u2019est plus de savoir qui collecte. Elle est de savoir si votre nom figure sur l\u2019\u0153uvre lorsque l\u2019organisateur paie.<\/p>\n","protected":false},"excerpt":{"rendered":"Le 17 d\u00e9cembre 2025, la Cour constitutionnelle indon\u00e9sienne a jug\u00e9 que les redevances musicales des spectacles commerciaux doivent \u00eatre vers\u00e9es par l\u2019organisateur de l\u2019\u00e9v\u00e9nement, et non par l\u2019artiste sur sc\u00e8ne, via LMKN. Voici ce que la d\u00e9cision 28\/PUU-XXIII\/2025 a chang\u00e9, le tarif de 2 pour cent applicable aux concerts et la voie de la licence directe qu\u2019elle a laiss\u00e9e ouverte.","protected":false},"author":10,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"csco_display_header_overlay":false,"csco_singular_sidebar":"","csco_page_header_type":"","csco_page_load_nextpost":"","csco_post_video_location":[],"csco_post_video_location_hash":"","csco_post_video_url":"","csco_post_video_bg_start_time":0,"csco_post_video_bg_end_time":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[6828],"tags":[],"class_list":["post-21616","post","type-post","status-publish","format-standard","category-policy-legal-fr","cs-entry","cs-video-wrap"],"yoast_head":"\nL\u2019Indon\u00e9sie a transf\u00e9r\u00e9 au promoteur la facture des redevances de concert. 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