{"id":23099,"date":"2026-10-22T12:56:10","date_gmt":"2026-10-22T12:56:10","guid":{"rendered":"https:\/\/interspacemusic.com\/blog\/largentine-a-supprime-sa-repartition-67-33-des-redevances-sur-les-enregistrements-les-22-pour-cent-des-musiciens-de-studio-dependent-desormais-du-reglement-dune-societe\/"},"modified":"2026-10-22T13:03:25","modified_gmt":"2026-10-22T13:03:25","slug":"largentine-a-supprime-sa-repartition-67-33-des-redevances-sur-les-enregistrements-les-22-pour-cent-des-musiciens-de-studio-dependent-desormais-du-reglement-dune-societe","status":"publish","type":"post","link":"https:\/\/interspacemusic.com\/blog\/fr\/largentine-a-supprime-sa-repartition-67-33-des-redevances-sur-les-enregistrements-les-22-pour-cent-des-musiciens-de-studio-dependent-desormais-du-reglement-dune-societe\/","title":{"rendered":"L\u2019Argentine a supprim\u00e9 sa r\u00e9partition 67\/33 des redevances sur les enregistrements. Les 22 pour cent des musiciens de studio d\u00e9pendent d\u00e9sormais du r\u00e8glement d\u2019une soci\u00e9t\u00e9."},"content":{"rendered":"<p>En Argentine, les redevances sur les enregistrements diffus\u00e9s \u00e0 la radio, \u00e0 la TV et dans les lieux publics \u00e9taient auparavant r\u00e9parties par d\u00e9cret : 67 pour cent aux interpr\u00e8tes, 33 pour cent au label, et 22 pour cent de chaque peso r\u00e9serv\u00e9s aux musiciens de studio. Decreto 143\/2025, publi\u00e9 le 28 f\u00e9vrier 2025, a supprim\u00e9 cette formule.<\/p>\n<p>Les droits voisins d\u00e9signent les redevances dues aux interpr\u00e8tes et aux propri\u00e9taires des enregistrements, et non aux auteurs-compositeurs, lorsqu\u2019un enregistrement est radiodiffus\u00e9 ou diffus\u00e9 en public. En Argentine, ils reposent sur l\u2019article 56 de Ley 11.723.<\/p>\n<h2>Ce que garantissait le d\u00e9cret de 1974<\/h2>\n<p>Dans sa version initiale, <a href=\"https:\/\/www.argentina.gob.ar\/normativa\/nacional\/norma-85132\/texto\">Decreto 1671\/74<\/a> fixait la r\u00e9partition \u00e0 l\u2019article 5. Les utilisateurs payaient une redevance unique, r\u00e9partie comme suit :<\/p>\n<ul>\n<li>67 pour cent aux interpr\u00e8tes, distribu\u00e9s par AADI, l\u2019Asociaci\u00f3n Argentina de Int\u00e9rpretes.<\/li>\n<li>Sur cette part, 67 pour cent aux interpr\u00e8tes principaux et 33 pour cent aux interpr\u00e8tes secondaires, ce que le d\u00e9cret pr\u00e9cisait comme repr\u00e9sentant respectivement 45 et 22 pour cent du montant total pay\u00e9 par l\u2019utilisateur.<\/li>\n<li>33 pour cent au producteur de phonogrammes, vers\u00e9s par CAPIF, la chambre des producteurs de disques.<\/li>\n<\/ul>\n<p>L\u2019article 7 imposait une perception par une entit\u00e9 unique constitu\u00e9e par AADI et CAPIF. L\u2019article 6 affectait au Fondo Nacional de las Artes les sommes provenant des enregistrements \u00e9trangers sans sortie ni accord de distribution en Argentine.<\/p>\n<h2>Ce que Decreto 143\/2025 a chang\u00e9<\/h2>\n<p>Le <a href=\"https:\/\/www.argentina.gob.ar\/normativa\/nacional\/norma-85132\/actualizacion\">texte actuel de Decreto 1671\/74<\/a> indique que la redevance est r\u00e9partie \u00ab conform\u00e9ment aux dispositions des statuts de chaque soci\u00e9t\u00e9 \u00bb, dans les limites des plafonds fix\u00e9s par une r\u00e9solution du Ministry of Justice. Les chiffres 67\/33 et 45\/22 ne figurent plus dans la loi.<\/p>\n<ul>\n<li>Les articles 6 et 7 sont abrog\u00e9s : le d\u00e9cret ne d\u00e9signe donc plus d\u2019organisme commun de perception ni de destination pour les sommes issues du r\u00e9pertoire \u00e9tranger non publi\u00e9 en Argentine.<\/li>\n<li>Les interpr\u00e8tes et les producteurs \u00ab pourront choisir \u00bb une soci\u00e9t\u00e9 de gestion collective. L\u2019adh\u00e9sion rel\u00e8ve d\u2019un choix et ne s\u2019applique pas par d\u00e9faut.<\/li>\n<li>Les uns comme les autres peuvent signer des accords directs avec les utilisateurs, et une soci\u00e9t\u00e9 agr\u00e9\u00e9e ne peut pas facturer les utilisations couvertes par ces accords.<\/li>\n<li>Les soci\u00e9t\u00e9s ont obtenu 180 jours pour r\u00e9\u00e9crire leurs statuts, et AADI et CAPIF poursuivent leurs activit\u00e9s, <a href=\"https:\/\/aldiaargentina.microjuris.com\/2025\/02\/28\/legislacion-se-modifica-el-regimen-de-representatividad-de-los-directores-artistas-interpretes-actores-y-bailarines\/\">a rapport\u00e9 Microjuris<\/a> le jour de la publication.<\/li>\n<\/ul>\n<h2>Deux soci\u00e9t\u00e9s inscrites au registre, dont une repr\u00e9sente les deux parties<\/h2>\n<p><a href=\"https:\/\/www.argentina.gob.ar\/normativa\/nacional\/norma-422452\/texto\">Disposici\u00f3n 1\/2026<\/a>, sign\u00e9e le 15 janvier 2026, a autoris\u00e9 CAPIF \u00e0 g\u00e9rer les droits des producteurs de phonogrammes et ceux des interpr\u00e8tes. La chambre des producteurs peut d\u00e9sormais elle-m\u00eame d\u00e9tenir le mandat d\u2019un musicien de studio. AADI dispose de sa propre inscription distincte, comme l\u2019a montr\u00e9 <a href=\"https:\/\/interspacemusic.com\/blog\/argentina-ended-sadaic-royalty-monopoly-registry-incumbents\/\">notre article sur le registre de SADAIC<\/a>.<\/p>\n<p>Les r\u00e8gles de contr\u00f4le figurent dans <a href=\"https:\/\/www.argentina.gob.ar\/normativa\/nacional\/416484\/texto\">Resoluci\u00f3n 536\/2025<\/a>, qui a cr\u00e9\u00e9 le registre :<\/p>\n<ul>\n<li>Les projets de modification des statuts ou du r\u00e8glement int\u00e9rieur d\u2019une soci\u00e9t\u00e9 doivent \u00eatre transmis \u00e0 l\u2019office du droit d\u2019auteur (DNDA) au moins 20 jours ouvr\u00e9s avant le vote des membres.<\/li>\n<li>Le bilan annuel doit \u00eatre publi\u00e9 dans les 30 jours suivant son approbation.<\/li>\n<li>Apr\u00e8s une mise en demeure accordant 90 jours pour rem\u00e9dier aux manquements, la DNDA peut demander au Minister of Justice de suspendre ou de r\u00e9voquer un agr\u00e9ment, comme <a href=\"https:\/\/www.marval.com\/Publicacion\/se-fortalece-marco-juridico-argentino-de-gestion-colectiva-17407?lang=es\">l\u2019a r\u00e9sum\u00e9 Marval<\/a> en d\u00e9cembre 2025.<\/li>\n<\/ul>\n<p>Disposici\u00f3n 1\/2026 oblige \u00e9galement CAPIF \u00e0 rendre son r\u00e9pertoire consultable gratuitement en ligne par le public. C\u2019est votre outil de v\u00e9rification.<\/p>\n<h2>Que faire avec un catalogue argentin<\/h2>\n<h3>Si vous poss\u00e9dez vos masters<\/h3>\n<p>Un artiste qui publie lui-m\u00eame ses enregistrements est \u00e0 la fois producteur et interpr\u00e8te principal : chaque diffusion ouvre donc deux droits \u00e0 r\u00e9mun\u00e9ration. Un mandat ne couvre pas l\u2019autre, alors d\u00e9posez les deux.<\/p>\n<h3>Si vous jouez sur les disques d\u2019autres artistes<\/h3>\n<p>La part de 22 pour cent destin\u00e9e aux musiciens de studio d\u00e9pend d\u00e9sormais des r\u00e8gles de r\u00e9partition d\u2019une soci\u00e9t\u00e9, et non d\u2019un d\u00e9cret. Avant de signer un mandat, demandez \u00e0 AADI et \u00e0 CAPIF leurs r\u00e8gles actuelles et comparez ce que re\u00e7oivent les interpr\u00e8tes secondaires.<\/p>\n<h3>Si vous accordez directement des licences aux utilisateurs<\/h3>\n<ul>\n<li>Un accord direct avec une cha\u00eene de salles de sport ou un diffuseur exclut les utilisations concern\u00e9es de la facturation de la soci\u00e9t\u00e9.<\/li>\n<li>Cette d\u00e9marche n\u2019est rentable que si vous pouvez suivre les diffusions et assurer vous-m\u00eame la facturation, ce que la plupart des ind\u00e9pendants ne peuvent pas faire.<\/li>\n<\/ul>\n<h3>Sans cr\u00e9dits, pas de r\u00e9mun\u00e9ration<\/h3>\n<p>Une soci\u00e9t\u00e9 ne peut r\u00e9mun\u00e9rer un musicien de studio que si elle sait qu\u2019il a jou\u00e9 sur le titre. DDEX signifie Digital Data Exchange, le format standard utilis\u00e9 par les distributeurs pour livrer les sorties musicales, qui renseigne les r\u00f4les des contributeurs pour chaque titre.<\/p>\n<p>Les cr\u00e9dits int\u00e9gr\u00e9s \u00e0 la livraison au moment de la sortie constituent la preuve la moins co\u00fbteuse dont un musicien pourra jamais disposer. Un distributeur qui utilise nativement DDEX, comme InterSpace Distribution, les transmet d\u00e8s le premier jour, ce qui \u00e9vite au label de devoir reconstituer la liste des participants des ann\u00e9es plus tard.<\/p>\n<p>\u00c0 lire \u00e9galement : <a href=\"https:\/\/interspacemusic.com\/blog\/argentina-inamu-ama-public-music-distributor-15-percent-library-loops\/\">le distributeur public argentin conserve 15 pour cent<\/a>, <a href=\"https:\/\/interspacemusic.com\/blog\/chile-royalty-society-25-9-billion-pesos-streaming-performer-line-9-million\/\">au Chili, la part des interpr\u00e8tes a atteint 9 millions de pesos<\/a>, et <a href=\"https:\/\/interspacemusic.com\/blog\/korea-neighbouring-rights-royalties-fkmp-kpia-reciprocity\/\">comment la soci\u00e9t\u00e9 de gestion des interpr\u00e8tes en Cor\u00e9e r\u00e9mun\u00e8re les artistes \u00e9trangers<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"Les droits voisins en Argentine ont chang\u00e9 lorsque Decreto 143\/2025 a supprim\u00e9 la r\u00e9partition fixe 67\/33 entre interpr\u00e8tes et labels ainsi que la part de 22 pour cent destin\u00e9e aux musiciens de studio. Voici comment AADI et CAPIF r\u00e9partissent d\u00e9sormais les redevances sur les enregistrements, et ce que les artistes et les labels doivent d\u00e9clarer.","protected":false},"author":7,"featured_media":23110,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"csco_display_header_overlay":false,"csco_singular_sidebar":"","csco_page_header_type":"","csco_page_load_nextpost":"","csco_post_video_location":[],"csco_post_video_location_hash":"","csco_post_video_url":"","csco_post_video_bg_start_time":0,"csco_post_video_bg_end_time":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[6828],"tags":[],"class_list":["post-23099","post","type-post","status-publish","format-standard","has-post-thumbnail","category-policy-legal-fr","cs-entry","cs-video-wrap"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>L\u2019Argentine a supprim\u00e9 sa r\u00e9partition 67\/33 des redevances sur les enregistrements. Les 22 pour cent des musiciens de studio d\u00e9pendent d\u00e9sormais du r\u00e8glement d\u2019une soci\u00e9t\u00e9.<\/title>\n<meta name=\"description\" content=\"En Argentine, les redevances sur les enregistrements diffus\u00e9s \u00e0 la radio, \u00e0 la TV et dans les lieux publics \u00e9taient auparavant r\u00e9parties par d\u00e9cret : 67 pour cent aux interpr\u00e8tes, 33 pour cent au label, et 22 pour cent de chaque peso r\u00e9serv\u00e9s aux musiciens de studio.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/interspacemusic.com\/blog\/fr\/largentine-a-supprime-sa-repartition-67-33-des-redevances-sur-les-enregistrements-les-22-pour-cent-des-musiciens-de-studio-dependent-desormais-du-reglement-dune-societe\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"L\u2019Argentine a supprim\u00e9 sa r\u00e9partition 67\/33 des redevances sur les enregistrements. Les 22 pour cent des musiciens de studio d\u00e9pendent d\u00e9sormais du r\u00e8glement d\u2019une soci\u00e9t\u00e9.\" \/>\n<meta property=\"og:description\" content=\"En Argentine, les redevances sur les enregistrements diffus\u00e9s \u00e0 la radio, \u00e0 la TV et dans les lieux publics \u00e9taient auparavant r\u00e9parties par d\u00e9cret : 67 pour cent aux interpr\u00e8tes, 33 pour cent au label, et 22 pour cent de chaque peso r\u00e9serv\u00e9s aux musiciens de studio.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/interspacemusic.com\/blog\/fr\/largentine-a-supprime-sa-repartition-67-33-des-redevances-sur-les-enregistrements-les-22-pour-cent-des-musiciens-de-studio-dependent-desormais-du-reglement-dune-societe\/\" \/>\n<meta property=\"og:site_name\" content=\"The InterSpace Daily.\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/facebook.com\/interspacemusic\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-10-22T12:56:10+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-10-22T13:03:25+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i0.wp.com\/d2n07ae9429qri.cloudfront.net\/wp-content\/uploads\/2026\/10\/22130304\/1280px-Drum_set_ready_for_practice_in_a_music_studio_with_microphone_and_cymbals.jpg?fit=1280%2C853&ssl=1\" \/>\n\t<meta property=\"og:image:width\" content=\"1280\" \/>\n\t<meta property=\"og:image:height\" content=\"853\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Daniel Obembe\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@interspacegroup\" \/>\n<meta name=\"twitter:site\" content=\"@interspacegroup\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Daniel Obembe\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":[\"Article\",\"BlogPosting\"],\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/largentine-a-supprime-sa-repartition-67-33-des-redevances-sur-les-enregistrements-les-22-pour-cent-des-musiciens-de-studio-dependent-desormais-du-reglement-dune-societe\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/largentine-a-supprime-sa-repartition-67-33-des-redevances-sur-les-enregistrements-les-22-pour-cent-des-musiciens-de-studio-dependent-desormais-du-reglement-dune-societe\\\/\"},\"author\":{\"name\":\"Daniel Obembe\",\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/#\\\/schema\\\/person\\\/dfda45c52f01072dd0d297096b799422\"},\"headline\":\"L\u2019Argentine a supprim\u00e9 sa r\u00e9partition 67\\\/33 des redevances sur les enregistrements. Les 22 pour cent des musiciens de studio d\u00e9pendent d\u00e9sormais du r\u00e8glement d\u2019une soci\u00e9t\u00e9.\",\"datePublished\":\"2026-10-22T12:56:10+00:00\",\"dateModified\":\"2026-10-22T13:03:25+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/largentine-a-supprime-sa-repartition-67-33-des-redevances-sur-les-enregistrements-les-22-pour-cent-des-musiciens-de-studio-dependent-desormais-du-reglement-dune-societe\\\/\"},\"wordCount\":962,\"publisher\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/largentine-a-supprime-sa-repartition-67-33-des-redevances-sur-les-enregistrements-les-22-pour-cent-des-musiciens-de-studio-dependent-desormais-du-reglement-dune-societe\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/i0.wp.com\\\/d2n07ae9429qri.cloudfront.net\\\/wp-content\\\/uploads\\\/2026\\\/10\\\/22130304\\\/1280px-Drum_set_ready_for_practice_in_a_music_studio_with_microphone_and_cymbals.jpg?fit=1280%2C853&ssl=1\",\"articleSection\":[\"Politique et Juridique\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/largentine-a-supprime-sa-repartition-67-33-des-redevances-sur-les-enregistrements-les-22-pour-cent-des-musiciens-de-studio-dependent-desormais-du-reglement-dune-societe\\\/\",\"url\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/largentine-a-supprime-sa-repartition-67-33-des-redevances-sur-les-enregistrements-les-22-pour-cent-des-musiciens-de-studio-dependent-desormais-du-reglement-dune-societe\\\/\",\"name\":\"L\u2019Argentine a supprim\u00e9 sa r\u00e9partition 67\\\/33 des redevances sur les enregistrements. Les 22 pour cent des musiciens de studio d\u00e9pendent d\u00e9sormais du r\u00e8glement d\u2019une soci\u00e9t\u00e9.\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/largentine-a-supprime-sa-repartition-67-33-des-redevances-sur-les-enregistrements-les-22-pour-cent-des-musiciens-de-studio-dependent-desormais-du-reglement-dune-societe\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/largentine-a-supprime-sa-repartition-67-33-des-redevances-sur-les-enregistrements-les-22-pour-cent-des-musiciens-de-studio-dependent-desormais-du-reglement-dune-societe\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/i0.wp.com\\\/d2n07ae9429qri.cloudfront.net\\\/wp-content\\\/uploads\\\/2026\\\/10\\\/22130304\\\/1280px-Drum_set_ready_for_practice_in_a_music_studio_with_microphone_and_cymbals.jpg?fit=1280%2C853&ssl=1\",\"datePublished\":\"2026-10-22T12:56:10+00:00\",\"dateModified\":\"2026-10-22T13:03:25+00:00\",\"description\":\"En Argentine, les redevances sur les enregistrements diffus\u00e9s \u00e0 la radio, \u00e0 la TV et dans les lieux publics \u00e9taient auparavant r\u00e9parties par d\u00e9cret : 67 pour cent aux interpr\u00e8tes, 33 pour cent au label, et 22 pour cent de chaque peso r\u00e9serv\u00e9s aux musiciens de studio.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/largentine-a-supprime-sa-repartition-67-33-des-redevances-sur-les-enregistrements-les-22-pour-cent-des-musiciens-de-studio-dependent-desormais-du-reglement-dune-societe\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/largentine-a-supprime-sa-repartition-67-33-des-redevances-sur-les-enregistrements-les-22-pour-cent-des-musiciens-de-studio-dependent-desormais-du-reglement-dune-societe\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/largentine-a-supprime-sa-repartition-67-33-des-redevances-sur-les-enregistrements-les-22-pour-cent-des-musiciens-de-studio-dependent-desormais-du-reglement-dune-societe\\\/#primaryimage\",\"url\":\"https:\\\/\\\/i0.wp.com\\\/d2n07ae9429qri.cloudfront.net\\\/wp-content\\\/uploads\\\/2026\\\/10\\\/22130304\\\/1280px-Drum_set_ready_for_practice_in_a_music_studio_with_microphone_and_cymbals.jpg?fit=1280%2C853&ssl=1\",\"contentUrl\":\"https:\\\/\\\/i0.wp.com\\\/d2n07ae9429qri.cloudfront.net\\\/wp-content\\\/uploads\\\/2026\\\/10\\\/22130304\\\/1280px-Drum_set_ready_for_practice_in_a_music_studio_with_microphone_and_cymbals.jpg?fit=1280%2C853&ssl=1\",\"width\":1280,\"height\":853,\"caption\":\"L\u2019Argentine a supprim\u00e9 sa r\u00e9partition 67\\\/33 des redevances sur les enregistrements. Les 22 pour cent des musiciens de studio d\u00e9pendent d\u00e9sormais du r\u00e8glement d\u2019une soci\u00e9t\u00e9.\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/largentine-a-supprime-sa-repartition-67-33-des-redevances-sur-les-enregistrements-les-22-pour-cent-des-musiciens-de-studio-dependent-desormais-du-reglement-dune-societe\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"L\u2019Argentine a supprim\u00e9 sa r\u00e9partition 67\\\/33 des redevances sur les enregistrements. Les 22 pour cent des musiciens de studio d\u00e9pendent d\u00e9sormais du r\u00e8glement d\u2019une soci\u00e9t\u00e9.\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/#website\",\"url\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/\",\"name\":\"The InterSpace Daily.\",\"description\":\"Nigeria&#039;s leading music tech blog\",\"publisher\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/#organization\"},\"alternateName\":\"InterSpace Daily\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/#organization\",\"name\":\"The InterSpace Daily.\",\"alternateName\":\"InterSpace Distribution\",\"url\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/i0.wp.com\\\/interspacemusic.com\\\/blog\\\/wp-content\\\/uploads\\\/2025\\\/03\\\/DP1.png?fit=90%2C90&ssl=1\",\"contentUrl\":\"https:\\\/\\\/i0.wp.com\\\/interspacemusic.com\\\/blog\\\/wp-content\\\/uploads\\\/2025\\\/03\\\/DP1.png?fit=90%2C90&ssl=1\",\"width\":90,\"height\":90,\"caption\":\"The InterSpace Daily.\"},\"image\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/facebook.com\\\/interspacemusic\\\/\",\"https:\\\/\\\/x.com\\\/interspacegroup\",\"https:\\\/\\\/instagram.com\\\/interspace.africa\",\"https:\\\/\\\/youtube.com\\\/@interspacedistro\"],\"description\":\"Nigeria's leading music tech blog \u2014 streaming, distribution, royalties, AI and the business of music, covered from Lagos for artists and labels worldwide.\",\"knowsAbout\":[\"music technology\",\"music distribution\",\"music streaming\",\"music royalties\",\"Nigerian music industry\",\"Afrobeats\",\"YouTube MCNs\",\"DDEX\",\"AI in music\"],\"parentOrganization\":{\"@type\":\"Organization\",\"name\":\"The InterSpace Group\",\"url\":\"https:\\\/\\\/business.interspacemusic.com\\\/\",\"description\":\"The independent side of the global music industry \u2014 distribution, publishing, rights, and technology built for independent artists and labels.\"},\"areaServed\":[\"Nigeria\",\"Africa\",\"Worldwide\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/#\\\/schema\\\/person\\\/dfda45c52f01072dd0d297096b799422\",\"name\":\"Daniel Obembe\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/api.dicebear.com\\\/9.x\\\/notionists\\\/svg?seed=daniel&size=96&backgroundColor=ff6a1a,f7a072,ffd5bd,ffb38a&backgroundType=solid\",\"url\":\"https:\\\/\\\/api.dicebear.com\\\/9.x\\\/notionists\\\/svg?seed=daniel&size=96&backgroundColor=ff6a1a,f7a072,ffd5bd,ffb38a&backgroundType=solid\",\"contentUrl\":\"https:\\\/\\\/api.dicebear.com\\\/9.x\\\/notionists\\\/svg?seed=daniel&size=96&backgroundColor=ff6a1a,f7a072,ffd5bd,ffb38a&backgroundType=solid\",\"caption\":\"Daniel Obembe\"},\"description\":\"Daniel Obembe covers music technology, distribution, and the publishing side of the industry for InterSpace Daily.\",\"url\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/author\\\/daniel\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"L\u2019Argentine a supprim\u00e9 sa r\u00e9partition 67\/33 des redevances sur les enregistrements. Les 22 pour cent des musiciens de studio d\u00e9pendent d\u00e9sormais du r\u00e8glement d\u2019une soci\u00e9t\u00e9.","description":"En Argentine, les redevances sur les enregistrements diffus\u00e9s \u00e0 la radio, \u00e0 la TV et dans les lieux publics \u00e9taient auparavant r\u00e9parties par d\u00e9cret : 67 pour cent aux interpr\u00e8tes, 33 pour cent au label, et 22 pour cent de chaque peso r\u00e9serv\u00e9s aux musiciens de studio.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/interspacemusic.com\/blog\/fr\/largentine-a-supprime-sa-repartition-67-33-des-redevances-sur-les-enregistrements-les-22-pour-cent-des-musiciens-de-studio-dependent-desormais-du-reglement-dune-societe\/","og_locale":"en_US","og_type":"article","og_title":"L\u2019Argentine a supprim\u00e9 sa r\u00e9partition 67\/33 des redevances sur les enregistrements. Les 22 pour cent des musiciens de studio d\u00e9pendent d\u00e9sormais du r\u00e8glement d\u2019une soci\u00e9t\u00e9.","og_description":"En Argentine, les redevances sur les enregistrements diffus\u00e9s \u00e0 la radio, \u00e0 la TV et dans les lieux publics \u00e9taient auparavant r\u00e9parties par d\u00e9cret : 67 pour cent aux interpr\u00e8tes, 33 pour cent au label, et 22 pour cent de chaque peso r\u00e9serv\u00e9s aux musiciens de studio.","og_url":"https:\/\/interspacemusic.com\/blog\/fr\/largentine-a-supprime-sa-repartition-67-33-des-redevances-sur-les-enregistrements-les-22-pour-cent-des-musiciens-de-studio-dependent-desormais-du-reglement-dune-societe\/","og_site_name":"The InterSpace Daily.","article_publisher":"https:\/\/facebook.com\/interspacemusic\/","article_published_time":"2026-10-22T12:56:10+00:00","article_modified_time":"2026-10-22T13:03:25+00:00","og_image":[{"width":1280,"height":853,"url":"https:\/\/i0.wp.com\/d2n07ae9429qri.cloudfront.net\/wp-content\/uploads\/2026\/10\/22130304\/1280px-Drum_set_ready_for_practice_in_a_music_studio_with_microphone_and_cymbals.jpg?fit=1280%2C853&ssl=1","type":"image\/jpeg"}],"author":"Daniel Obembe","twitter_card":"summary_large_image","twitter_creator":"@interspacegroup","twitter_site":"@interspacegroup","twitter_misc":{"Written by":"Daniel Obembe","Est. reading time":"5 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":["Article","BlogPosting"],"@id":"https:\/\/interspacemusic.com\/blog\/fr\/largentine-a-supprime-sa-repartition-67-33-des-redevances-sur-les-enregistrements-les-22-pour-cent-des-musiciens-de-studio-dependent-desormais-du-reglement-dune-societe\/#article","isPartOf":{"@id":"https:\/\/interspacemusic.com\/blog\/fr\/largentine-a-supprime-sa-repartition-67-33-des-redevances-sur-les-enregistrements-les-22-pour-cent-des-musiciens-de-studio-dependent-desormais-du-reglement-dune-societe\/"},"author":{"name":"Daniel Obembe","@id":"https:\/\/interspacemusic.com\/blog\/#\/schema\/person\/dfda45c52f01072dd0d297096b799422"},"headline":"L\u2019Argentine a supprim\u00e9 sa r\u00e9partition 67\/33 des redevances sur les enregistrements. Les 22 pour cent des musiciens de studio d\u00e9pendent d\u00e9sormais du r\u00e8glement d\u2019une soci\u00e9t\u00e9.","datePublished":"2026-10-22T12:56:10+00:00","dateModified":"2026-10-22T13:03:25+00:00","mainEntityOfPage":{"@id":"https:\/\/interspacemusic.com\/blog\/fr\/largentine-a-supprime-sa-repartition-67-33-des-redevances-sur-les-enregistrements-les-22-pour-cent-des-musiciens-de-studio-dependent-desormais-du-reglement-dune-societe\/"},"wordCount":962,"publisher":{"@id":"https:\/\/interspacemusic.com\/blog\/#organization"},"image":{"@id":"https:\/\/interspacemusic.com\/blog\/fr\/largentine-a-supprime-sa-repartition-67-33-des-redevances-sur-les-enregistrements-les-22-pour-cent-des-musiciens-de-studio-dependent-desormais-du-reglement-dune-societe\/#primaryimage"},"thumbnailUrl":"https:\/\/i0.wp.com\/d2n07ae9429qri.cloudfront.net\/wp-content\/uploads\/2026\/10\/22130304\/1280px-Drum_set_ready_for_practice_in_a_music_studio_with_microphone_and_cymbals.jpg?fit=1280%2C853&ssl=1","articleSection":["Politique et Juridique"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/interspacemusic.com\/blog\/fr\/largentine-a-supprime-sa-repartition-67-33-des-redevances-sur-les-enregistrements-les-22-pour-cent-des-musiciens-de-studio-dependent-desormais-du-reglement-dune-societe\/","url":"https:\/\/interspacemusic.com\/blog\/fr\/largentine-a-supprime-sa-repartition-67-33-des-redevances-sur-les-enregistrements-les-22-pour-cent-des-musiciens-de-studio-dependent-desormais-du-reglement-dune-societe\/","name":"L\u2019Argentine a supprim\u00e9 sa r\u00e9partition 67\/33 des redevances sur les enregistrements. Les 22 pour cent des musiciens de studio d\u00e9pendent d\u00e9sormais du r\u00e8glement d\u2019une soci\u00e9t\u00e9.","isPartOf":{"@id":"https:\/\/interspacemusic.com\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/interspacemusic.com\/blog\/fr\/largentine-a-supprime-sa-repartition-67-33-des-redevances-sur-les-enregistrements-les-22-pour-cent-des-musiciens-de-studio-dependent-desormais-du-reglement-dune-societe\/#primaryimage"},"image":{"@id":"https:\/\/interspacemusic.com\/blog\/fr\/largentine-a-supprime-sa-repartition-67-33-des-redevances-sur-les-enregistrements-les-22-pour-cent-des-musiciens-de-studio-dependent-desormais-du-reglement-dune-societe\/#primaryimage"},"thumbnailUrl":"https:\/\/i0.wp.com\/d2n07ae9429qri.cloudfront.net\/wp-content\/uploads\/2026\/10\/22130304\/1280px-Drum_set_ready_for_practice_in_a_music_studio_with_microphone_and_cymbals.jpg?fit=1280%2C853&ssl=1","datePublished":"2026-10-22T12:56:10+00:00","dateModified":"2026-10-22T13:03:25+00:00","description":"En Argentine, les redevances sur les enregistrements diffus\u00e9s \u00e0 la radio, \u00e0 la TV et dans les lieux publics \u00e9taient auparavant r\u00e9parties par d\u00e9cret : 67 pour cent aux interpr\u00e8tes, 33 pour cent au label, et 22 pour cent de chaque peso r\u00e9serv\u00e9s aux musiciens de studio.","breadcrumb":{"@id":"https:\/\/interspacemusic.com\/blog\/fr\/largentine-a-supprime-sa-repartition-67-33-des-redevances-sur-les-enregistrements-les-22-pour-cent-des-musiciens-de-studio-dependent-desormais-du-reglement-dune-societe\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/interspacemusic.com\/blog\/fr\/largentine-a-supprime-sa-repartition-67-33-des-redevances-sur-les-enregistrements-les-22-pour-cent-des-musiciens-de-studio-dependent-desormais-du-reglement-dune-societe\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/interspacemusic.com\/blog\/fr\/largentine-a-supprime-sa-repartition-67-33-des-redevances-sur-les-enregistrements-les-22-pour-cent-des-musiciens-de-studio-dependent-desormais-du-reglement-dune-societe\/#primaryimage","url":"https:\/\/i0.wp.com\/d2n07ae9429qri.cloudfront.net\/wp-content\/uploads\/2026\/10\/22130304\/1280px-Drum_set_ready_for_practice_in_a_music_studio_with_microphone_and_cymbals.jpg?fit=1280%2C853&ssl=1","contentUrl":"https:\/\/i0.wp.com\/d2n07ae9429qri.cloudfront.net\/wp-content\/uploads\/2026\/10\/22130304\/1280px-Drum_set_ready_for_practice_in_a_music_studio_with_microphone_and_cymbals.jpg?fit=1280%2C853&ssl=1","width":1280,"height":853,"caption":"L\u2019Argentine a supprim\u00e9 sa r\u00e9partition 67\/33 des redevances sur les enregistrements. Les 22 pour cent des musiciens de studio d\u00e9pendent d\u00e9sormais du r\u00e8glement d\u2019une soci\u00e9t\u00e9."},{"@type":"BreadcrumbList","@id":"https:\/\/interspacemusic.com\/blog\/fr\/largentine-a-supprime-sa-repartition-67-33-des-redevances-sur-les-enregistrements-les-22-pour-cent-des-musiciens-de-studio-dependent-desormais-du-reglement-dune-societe\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/interspacemusic.com\/blog\/"},{"@type":"ListItem","position":2,"name":"L\u2019Argentine a supprim\u00e9 sa r\u00e9partition 67\/33 des redevances sur les enregistrements. Les 22 pour cent des musiciens de studio d\u00e9pendent d\u00e9sormais du r\u00e8glement d\u2019une soci\u00e9t\u00e9."}]},{"@type":"WebSite","@id":"https:\/\/interspacemusic.com\/blog\/#website","url":"https:\/\/interspacemusic.com\/blog\/","name":"The InterSpace Daily.","description":"Nigeria&#039;s leading music tech blog","publisher":{"@id":"https:\/\/interspacemusic.com\/blog\/#organization"},"alternateName":"InterSpace Daily","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/interspacemusic.com\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/interspacemusic.com\/blog\/#organization","name":"The InterSpace Daily.","alternateName":"InterSpace Distribution","url":"https:\/\/interspacemusic.com\/blog\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/interspacemusic.com\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/i0.wp.com\/interspacemusic.com\/blog\/wp-content\/uploads\/2025\/03\/DP1.png?fit=90%2C90&ssl=1","contentUrl":"https:\/\/i0.wp.com\/interspacemusic.com\/blog\/wp-content\/uploads\/2025\/03\/DP1.png?fit=90%2C90&ssl=1","width":90,"height":90,"caption":"The InterSpace Daily."},"image":{"@id":"https:\/\/interspacemusic.com\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/facebook.com\/interspacemusic\/","https:\/\/x.com\/interspacegroup","https:\/\/instagram.com\/interspace.africa","https:\/\/youtube.com\/@interspacedistro"],"description":"Nigeria's leading music tech blog \u2014 streaming, distribution, royalties, AI and the business of music, covered from Lagos for artists and labels worldwide.","knowsAbout":["music technology","music distribution","music streaming","music royalties","Nigerian music industry","Afrobeats","YouTube MCNs","DDEX","AI in music"],"parentOrganization":{"@type":"Organization","name":"The InterSpace Group","url":"https:\/\/business.interspacemusic.com\/","description":"The independent side of the global music industry \u2014 distribution, publishing, rights, and technology built for independent artists and labels."},"areaServed":["Nigeria","Africa","Worldwide"]},{"@type":"Person","@id":"https:\/\/interspacemusic.com\/blog\/#\/schema\/person\/dfda45c52f01072dd0d297096b799422","name":"Daniel Obembe","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/api.dicebear.com\/9.x\/notionists\/svg?seed=daniel&size=96&backgroundColor=ff6a1a,f7a072,ffd5bd,ffb38a&backgroundType=solid","url":"https:\/\/api.dicebear.com\/9.x\/notionists\/svg?seed=daniel&size=96&backgroundColor=ff6a1a,f7a072,ffd5bd,ffb38a&backgroundType=solid","contentUrl":"https:\/\/api.dicebear.com\/9.x\/notionists\/svg?seed=daniel&size=96&backgroundColor=ff6a1a,f7a072,ffd5bd,ffb38a&backgroundType=solid","caption":"Daniel Obembe"},"description":"Daniel Obembe covers music technology, distribution, and the publishing side of the industry for InterSpace Daily.","url":"https:\/\/interspacemusic.com\/blog\/author\/daniel\/"}]}},"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/i0.wp.com\/d2n07ae9429qri.cloudfront.net\/wp-content\/uploads\/2026\/10\/22130304\/1280px-Drum_set_ready_for_practice_in_a_music_studio_with_microphone_and_cymbals.jpg?fit=1280%2C853&ssl=1","_links":{"self":[{"href":"https:\/\/interspacemusic.com\/blog\/wp-json\/wp\/v2\/posts\/23099","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/interspacemusic.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/interspacemusic.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/interspacemusic.com\/blog\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/interspacemusic.com\/blog\/wp-json\/wp\/v2\/comments?post=23099"}],"version-history":[{"count":1,"href":"https:\/\/interspacemusic.com\/blog\/wp-json\/wp\/v2\/posts\/23099\/revisions"}],"predecessor-version":[{"id":23111,"href":"https:\/\/interspacemusic.com\/blog\/wp-json\/wp\/v2\/posts\/23099\/revisions\/23111"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/interspacemusic.com\/blog\/wp-json\/wp\/v2\/media\/23110"}],"wp:attachment":[{"href":"https:\/\/interspacemusic.com\/blog\/wp-json\/wp\/v2\/media?parent=23099"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/interspacemusic.com\/blog\/wp-json\/wp\/v2\/categories?post=23099"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/interspacemusic.com\/blog\/wp-json\/wp\/v2\/tags?post=23099"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}