{"id":23197,"date":"2026-10-22T18:40:52","date_gmt":"2026-10-22T18:40:52","guid":{"rendered":"https:\/\/interspacemusic.com\/blog\/sgae-alerte-sur-le-remplacement-des-createurs-humains-par-la-musique-issue-de-lai-et-appelle-a-une-reglementation\/"},"modified":"2026-10-22T18:40:52","modified_gmt":"2026-10-22T18:40:52","slug":"sgae-alerte-sur-le-remplacement-des-createurs-humains-par-la-musique-issue-de-lai-et-appelle-a-une-reglementation","status":"publish","type":"post","link":"https:\/\/interspacemusic.com\/blog\/fr\/sgae-alerte-sur-le-remplacement-des-createurs-humains-par-la-musique-issue-de-lai-et-appelle-a-une-reglementation\/","title":{"rendered":"SGAE alerte sur le remplacement des cr\u00e9ateurs humains par la musique issue de l\u2019AI et appelle \u00e0 une r\u00e9glementation"},"content":{"rendered":"<p><strong>SGAE<\/strong>, la General Society of Authors and Publishers espagnole, a appel\u00e9 \u00e0 <a href=\"https:\/\/interspacemusic.com\/blog\/icmp-warns-australia-against-easing-copyright-rules-for-ai\/\">renforcer la r\u00e9glementation de l\u2019intelligence artificielle (AI)<\/a>, avertissant que la musique de synth\u00e8se remplace les cr\u00e9ateurs humains. La Director general <strong>Cristina Perpi\u00f1\u00e1-Robert<\/strong> a fait part de cette inqui\u00e9tude lors d\u2019une table ronde \u00e0 Miami le 20 octobre, estimant que les licences ne suffiraient pas \u00e0 prot\u00e9ger les moyens de subsistance des cr\u00e9ateurs.<\/p>\n<p>Perpi\u00f1\u00e1-Robert a d\u00e9clar\u00e9 que l\u2019organisation \u00e9tait \u00ab tr\u00e8s pr\u00e9occup\u00e9e de constater que la r\u00e9glementation est insuffisante \u00bb, alors que les cr\u00e9ateurs et les auteurs sont \u00ab compl\u00e8tement exclus du mod\u00e8le \u00e9conomique \u00bb.<\/p>\n<blockquote><p>\u00ab Notre principale pr\u00e9occupation concerne moins les licences que le fait que les contenus g\u00e9n\u00e9r\u00e9s par l\u2019AI remplacent compl\u00e8tement les cr\u00e9ateurs humains. C\u2019est ce qui nous pr\u00e9occupe. Il ne s\u2019agit donc pas seulement de savoir comment accorder une licence au mod\u00e8le, mais aussi comment \u00e9viter que l\u2019on cesse de faire appel aux cr\u00e9ateurs parce qu\u2019il suffit d\u2019utiliser de la musique de synth\u00e8se \u00e0 leur place. \u00bb<\/p><\/blockquote>\n<h2>Une \u00e9tude \u00e9value les risques pour les revenus issus du droit d\u2019auteur<\/h2>\n<p>Perpi\u00f1\u00e1-Robert a cit\u00e9 une \u00e9tude pr\u00e9sent\u00e9e par SGAE en septembre 2025, intitul\u00e9e <em>L\u2019impact \u00e9conomique et social de l\u2019intelligence artificielle sur la cr\u00e9ation musicale et ses effets sur les autres domaines de la culture<\/em>. R\u00e9alis\u00e9e par le cabinet de conseil <strong>Know Media<\/strong> avec <strong><a href=\"https:\/\/www.uc3m.es\/\">Carlos III University<\/a><\/strong>, elle s\u2019appuyait sur une enqu\u00eate men\u00e9e aupr\u00e8s de 1.257 auteurs.<\/p>\n<p>L\u2019\u00e9tude anticipait les <a href=\"https:\/\/interspacemusic.com\/blog\/goldman-sachs-raises-music-forecast-flags-ai-risks-for-labels\/\">effets potentiels de l\u2019AI g\u00e9n\u00e9rative<\/a> suivants :<\/p>\n<ul>\n<li>Jusqu\u2019\u00e0 <strong>28%<\/strong> des revenus issus du droit d\u2019auteur musical menac\u00e9s en 2028, soit environ <strong>100 million euros<\/strong> cette ann\u00e9e-l\u00e0.<\/li>\n<li>Un impact cumul\u00e9 de <strong>160 to 180 million euros<\/strong> entre 2025 et 2028.<\/li>\n<li>Des sc\u00e9narios allant de <strong>20% to 31%<\/strong>, le chiffre de 28% \u00e9tant consid\u00e9r\u00e9 comme l\u2019issue probable.<\/li>\n<\/ul>\n<p>L\u2019enqu\u00eate a \u00e9galement r\u00e9v\u00e9l\u00e9 que <strong>34%<\/strong> des personnes interrog\u00e9es avaient d\u00e9j\u00e0 utilis\u00e9 des outils d\u2019AI. Perpi\u00f1\u00e1-Robert a pr\u00e9sent\u00e9 cet usage de mani\u00e8re positive, affirmant que ces cr\u00e9ateurs \u00ab sont tr\u00e8s heureux de l\u2019utiliser, et c\u2019est quelque chose de tout \u00e0 fait normal \u00bb.<\/p>\n<p>SGAE fait la distinction entre l\u2019AI utilis\u00e9e comme outil par les auteurs et la musique de synth\u00e8se compos\u00e9e et interpr\u00e9t\u00e9e enti\u00e8rement \u00e0 l\u2019aide de l\u2019AI g\u00e9n\u00e9rative.<\/p>\n<h2>Une compensation pour les contenus g\u00e9n\u00e9r\u00e9s par l\u2019AI<\/h2>\n<p>Les organismes europ\u00e9ens de gestion collective, dont SGAE, r\u00e9clament une compensation financi\u00e8re pour les contenus g\u00e9n\u00e9r\u00e9s par l\u2019AI, qui s\u2019appuient souvent sur des \u0153uvres humaines existantes.<\/p>\n<p>Perpi\u00f1\u00e1-Robert a expliqu\u00e9 que l\u2019objectif \u00e9tait de \u00ab maintenir l\u2019incitation pour les cr\u00e9ateurs \u00e0 poursuivre leur travail, mais aussi de dissuader les utilisateurs de recourir \u00e0 la musique de synth\u00e8se \u00bb. Si les utilisateurs doivent de toute fa\u00e7on payer pour cette musique, a-t-elle ajout\u00e9, \u00ab alors peut-\u00eatre choisiront-ils d\u2019acheter des contenus cr\u00e9atifs originaux produits par des auteurs humains \u00bb.<\/p>\n<p>Elle a \u00e9galement averti que les mod\u00e8les d\u2019AI ont tendance \u00e0 favoriser les vastes catalogues de musique commerciale. Elle a estim\u00e9 qu\u2019\u00ab il doit exister une forme de r\u00e9glementation pour garantir que ces r\u00e9pertoires de niche, moins commerciaux que le r\u00e9pertoire anglo-am\u00e9ricain, continuent d\u2019\u00eatre soutenus \u00bb, faisant r\u00e9f\u00e9rence aux r\u00e9pertoires davantage pr\u00e9sents en Europe.<\/p>\n<h2>La cr\u00e9ativit\u00e9 humaine reste une condition d\u2019enregistrement<\/h2>\n<p>Concernant les \u0153uvres r\u00e9alis\u00e9es avec l\u2019assistance de l\u2019AI, Perpi\u00f1\u00e1-Robert a d\u00e9clar\u00e9 : \u00ab S\u2019il s\u2019agit d\u2019une \u0153uvre cr\u00e9\u00e9e avec l\u2019aide de l\u2019AI, elle est prot\u00e9g\u00e9e et peut \u00eatre enregistr\u00e9e \u00bb, \u00e0 condition qu\u2019une cr\u00e9ativit\u00e9 humaine intervienne. SGAE utilise des technologies permettant de d\u00e9tecter des caract\u00e9ristiques r\u00e9v\u00e9latrices de l\u2019utilisation de l\u2019AI dans les \u0153uvres soumises \u00e0 l\u2019enregistrement.<\/p>\n<p>Ses propos interviennent alors que des \u00e9lections anticip\u00e9es en Espagne ont laiss\u00e9 en suspens les principaux textes r\u00e9glementaires en mati\u00e8re culturelle.<\/p>\n","protected":false},"excerpt":{"rendered":"La director general de SGAE, Cristina Perpi\u00f1\u00e1-Robert, a appel\u00e9 \u00e0 renforcer la r\u00e9glementation de l\u2019AI, avertissant que la musique de synth\u00e8se remplace les cr\u00e9ateurs humains et menace leurs revenus.","protected":false},"author":7,"featured_media":23176,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"csco_display_header_overlay":false,"csco_singular_sidebar":"","csco_page_header_type":"","csco_page_load_nextpost":"","csco_post_video_location":[],"csco_post_video_location_hash":"","csco_post_video_url":"","csco_post_video_bg_start_time":0,"csco_post_video_bg_end_time":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[6545],"tags":[],"class_list":["post-23197","post","type-post","status-publish","format-standard","has-post-thumbnail","category-industry-news-fr","cs-entry","cs-video-wrap"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin 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