{"id":23873,"date":"2026-10-27T15:11:30","date_gmt":"2026-10-27T15:11:30","guid":{"rendered":"https:\/\/interspacemusic.com\/blog\/les-chansons-non-associees-ne-rapportent-rien-machines-karaoke-comptes-en-suspens-et-publications-sponsorisees\/"},"modified":"2026-10-27T15:11:30","modified_gmt":"2026-10-27T15:11:30","slug":"les-chansons-non-associees-ne-rapportent-rien-machines-karaoke-comptes-en-suspens-et-publications-sponsorisees","status":"publish","type":"post","link":"https:\/\/interspacemusic.com\/blog\/fr\/les-chansons-non-associees-ne-rapportent-rien-machines-karaoke-comptes-en-suspens-et-publications-sponsorisees\/","title":{"rendered":"Les chansons non associ\u00e9es ne rapportent rien : machines karaok\u00e9, comptes en suspens et publications sponsoris\u00e9es"},"content":{"rendered":"<p>Une machine karaok\u00e9 ta\u00efwanaise est sous licence gr\u00e2ce \u00e0 une redevance commune de 9,400 dollars ta\u00efwanais, et <a href=\"https:\/\/interspacemusic.com\/blog\/taiwan-karaoke-royalties-songs-loaded-not-sung\/\">31 pour cent des chansons de la machine la plus populaire n&#8217;appartiennent \u00e0 aucune soci\u00e9t\u00e9 et ne rapportent rien<\/a>. En Afrique du Sud, <a href=\"https:\/\/interspacemusic.com\/blog\/capasso-south-africa-mechanical-royalties-streaming-three-year-suspense\/\">les flux non identifi\u00e9s restent sur un compte en suspens pendant trois ans avant de r\u00e9mun\u00e9rer d&#8217;autres auteurs<\/a>. Dans les deux syst\u00e8mes, c&#8217;est le rattachement d&#8217;une chanson \u00e0 un ayant droit, et non le nombre de lectures, qui d\u00e9termine qui est pay\u00e9.<\/p>\n<h2>La tarification du karaok\u00e9 compte les chansons, pas les lectures<\/h2>\n<p>Ta\u00efwan ne comptabilise pas les lectures karaok\u00e9. <a href=\"https:\/\/interspacemusic.com\/blog\/taiwan-karaoke-royalties-songs-loaded-not-sung\/\">Les redevances sont calcul\u00e9es selon le nombre de chansons d&#8217;une soci\u00e9t\u00e9 charg\u00e9es dans chaque machine<\/a>. La redevance commune de 9,400 dollars ta\u00efwanais <a href=\"https:\/\/interspacemusic.com\/blog\/taiwan-karaoke-royalties-songs-loaded-not-sung\/\">se r\u00e9partit selon le ratio 5:2:2,4 entre M\u00dcST, ACMA et TMCA<\/a>. Selon ce ratio, M\u00dcST per\u00e7oit 5,000, ACMA per\u00e7oit 2,000 et TMCA per\u00e7oit 2,400.<\/p>\n<p>La cons\u00e9quence pour un auteur est structurelle. Une chanson ne contribue \u00e0 la part d&#8217;une soci\u00e9t\u00e9 que si celle-ci la revendique. Les 31 pour cent des chansons de la machine la plus populaire qui n&#8217;ont aucune soci\u00e9t\u00e9 derri\u00e8re elles n&#8217;ont aucun acc\u00e8s \u00e0 l&#8217;une des trois parts. Un titre tr\u00e8s chant\u00e9 sur cette machine peut ne rien rapporter \u00e0 son auteur, parce qu&#8217;aucune soci\u00e9t\u00e9 ne le comptabilise et que personne n&#8217;a droit \u00e0 sa portion.<\/p>\n<p>Pour un auteur ind\u00e9pendant, la question n&#8217;est pas le nombre de fois o\u00f9 la chanson est chant\u00e9e. Il s&#8217;agit de savoir si elle figure dans le r\u00e9pertoire d&#8217;une soci\u00e9t\u00e9 que les exploitants ta\u00efwanais paient effectivement.<\/p>\n<h2>Le compte en suspens de CAPASSO fonctionne avec une horloge<\/h2>\n<p>Les revenus du streaming en Afrique du Sud se divisent en deux paiements. <a href=\"https:\/\/interspacemusic.com\/blog\/capasso-south-africa-mechanical-royalties-streaming-three-year-suspense\/\">Les droits m\u00e9caniques CAPASSO constituent un paiement distinct du streaming, qu&#8217;un distributeur ne per\u00e7oit jamais<\/a>. Un distributeur livre l&#8217;enregistrement aux fournisseurs de services num\u00e9riques (DSP) et per\u00e7oit les revenus de l&#8217;enregistrement. Les revenus m\u00e9caniques c\u00f4t\u00e9 composition transitent par la soci\u00e9t\u00e9.<\/p>\n<p>Le montant est suffisamment important pour compter : <a href=\"https:\/\/interspacemusic.com\/blog\/capasso-south-africa-mechanical-royalties-streaming-three-year-suspense\/\">CAPASSO a per\u00e7u R269 million en une ann\u00e9e<\/a>. Les m\u00e9canismes qui d\u00e9terminent la part qui vous parvient sont pr\u00e9cis :<\/p>\n<ul>\n<li><strong>Frais :<\/strong> <a href=\"https:\/\/interspacemusic.com\/blog\/capasso-south-africa-mechanical-royalties-streaming-three-year-suspense\/\">CAPASSO pr\u00e9l\u00e8ve 12,5 pour cent<\/a>. Sur R1,000 per\u00e7us pour vos \u0153uvres, R125 sont d\u00e9duits et R875 sont distribu\u00e9s.<\/li>\n<li><strong>Calendrier :<\/strong> <a href=\"https:\/\/interspacemusic.com\/blog\/capasso-south-africa-mechanical-royalties-streaming-three-year-suspense\/\">les paiements des DSP \u00e0 CAPASSO arrivent chaque trimestre<\/a>, si bien que l&#8217;argent correspondant \u00e0 un flux n&#8217;est pas disponible au moment de ce flux.<\/li>\n<li><strong>Sommes non rattach\u00e9es :<\/strong> les flux d&#8217;\u0153uvres non enregistr\u00e9es vont sur un compte en suspens. <a href=\"https:\/\/interspacemusic.com\/blog\/capasso-south-africa-mechanical-royalties-streaming-three-year-suspense\/\">Au bout de trois ans, elles r\u00e9mun\u00e8rent d&#8217;autres auteurs<\/a>, et non l&#8217;auteur qui n&#8217;a pas proc\u00e9d\u00e9 \u00e0 l&#8217;enregistrement.<\/li>\n<li><strong>\u00c9ch\u00e9ance :<\/strong> <a href=\"https:\/\/interspacemusic.com\/blog\/capasso-south-africa-mechanical-royalties-streaming-three-year-suspense\/\">les auteurs doivent s&#8217;enregistrer avant la r\u00e9partition de d\u00e9cembre de CAPASSO<\/a> pour que leurs \u0153uvres y soient incluses.<\/li>\n<\/ul>\n<p>La limite de trois ans est le chiffre \u00e0 garder en t\u00eate. Les revenus d&#8217;une \u0153uvre enregistr\u00e9e la deuxi\u00e8me ann\u00e9e peuvent encore \u00eatre r\u00e9clam\u00e9s. Les revenus d&#8217;une \u0153uvre enregistr\u00e9e apr\u00e8s la troisi\u00e8me ann\u00e9e ne peuvent \u00eatre r\u00e9clam\u00e9s que dans la mesure o\u00f9 ils n&#8217;ont pas d\u00e9j\u00e0 \u00e9t\u00e9 redistribu\u00e9s \u00e0 d&#8217;autres auteurs.<\/p>\n<h2>Les publications sponsoris\u00e9es d\u00e9placent la r\u00e9clamation vers la concession de licence<\/h2>\n<p>Une troisi\u00e8me voie fonctionne diff\u00e9remment, et elle n&#8217;est pas collective. <a href=\"https:\/\/interspacemusic.com\/blog\/es\/las-marcas-enfrentan-demandas-por-derechos-de-autor-musicales-por-publicaciones-en-redes-sociales-2\/\">Des grandes maisons de musique ont poursuivi des d\u00e9taillants, des \u00e9tablissements de restauration et un programme sportif universitaire pour une utilisation pr\u00e9sum\u00e9e de musique non autoris\u00e9e dans des contenus publi\u00e9s sur les r\u00e9seaux sociaux et dans des contenus d&#8217;influenceurs<\/a>. Les d\u00e9fendeurs sont des marques, pas des artistes, et l&#8217;utilisation en cause est un titre diffus\u00e9 sous une publication.<\/p>\n<p>Ce revenu ne passe ni par le d\u00e9compte du r\u00e9pertoire d&#8217;une soci\u00e9t\u00e9 ni par un compte en suspens. Il d\u00e9pend d&#8217;une licence accord\u00e9e par celui qui contr\u00f4le les droits. Une marque qui veut utiliser un titre dans une publication a besoin d&#8217;une personne ou d&#8217;une entreprise capable de dire oui, de fixer les conditions et de facturer. Un catalogue dont personne ne peut r\u00e9pondre \u00e0 cette question n&#8217;a aucun moyen de transformer cet usage en revenu, ni aucun fondement pour une r\u00e9clamation lorsque l&#8217;usage a lieu sans autorisation.<\/p>\n<h2>Que faire d&#8217;un catalogue<\/h2>\n<p>Les trois syst\u00e8mes partagent un m\u00eame point de d\u00e9faillance : une chanson qui ne peut \u00eatre rattach\u00e9e \u00e0 un propri\u00e9taire. Un audit pratique couvre quatre points :<\/p>\n<ul>\n<li><strong>Appartenance \u00e0 une soci\u00e9t\u00e9 par territoire.<\/strong> Pour chaque march\u00e9 o\u00f9 vos chansons sont chant\u00e9es, diffus\u00e9es en streaming ou utilis\u00e9es, v\u00e9rifiez que l&#8217;auteur et l&#8217;\u00e9diteur sont enregistr\u00e9s aupr\u00e8s de la soci\u00e9t\u00e9 qui per\u00e7oit sur ce territoire. \u00c0 Ta\u00efwan, cela signifie \u00eatre revendiqu\u00e9 par l&#8217;une des trois soci\u00e9t\u00e9s qui se partagent la redevance commune. En Afrique du Sud, cela signifie enregistrer les \u0153uvres aupr\u00e8s de CAPASSO.<\/li>\n<li><strong>Enregistrement \u0153uvre par \u0153uvre.<\/strong> L&#8217;appartenance \u00e0 une soci\u00e9t\u00e9 ne suffit pas \u00e0 placer les \u0153uvres individuellement. Listez chaque chanson et v\u00e9rifiez qu&#8217;elle est enregistr\u00e9e avec les bons auteurs et les bonnes r\u00e9partitions.<\/li>\n<li><strong>Anciennet\u00e9 de l&#8217;\u00e9cart.<\/strong> Pour l&#8217;Afrique du Sud, classez les \u0153uvres non enregistr\u00e9es selon la date \u00e0 laquelle elles ont commenc\u00e9 \u00e0 \u00eatre diffus\u00e9es en streaming. Celles qui approchent les trois ans doivent \u00eatre enregistr\u00e9es en premier, car ce sont les revenus les plus proches d&#8217;une redistribution.<\/li>\n<li><strong>Un contact de licence identifi\u00e9.<\/strong> D\u00e9signez la personne qui r\u00e9pond \u00e0 une marque souhaitant utiliser un titre dans une publication, et d\u00e9finissez les conditions g\u00e9n\u00e9rales. Sans cela, vous n&#8217;avez ni revenu ni levier lorsqu&#8217;une utilisation non autoris\u00e9e appara\u00eet.<\/li>\n<\/ul>\n<h2>Calculez \u00e0 partir de vos propres \u0153uvres<\/h2>\n<p>Comptez le nombre de chansons de votre catalogue et d\u00e9terminez combien sont enregistr\u00e9es aupr\u00e8s d&#8217;une soci\u00e9t\u00e9 dans chaque territoire o\u00f9 vous attendez des revenus. Le reliquat non enregistr\u00e9 repr\u00e9sente votre exposition. Pour les flux sud-africains, multipliez les revenus trimestriels visibles par 87,5 pour cent afin d&#8217;estimer ce qu&#8217;une \u0153uvre enregistr\u00e9e rapporte apr\u00e8s les frais CAPASSO. Pour Ta\u00efwan, le chiffre de 31 pour cent non revendiqu\u00e9s montre qu&#8217;une part m\u00eame du contenu d&#8217;une machine la plus populaire ne rapporte rien. La d\u00e9cision d&#8217;enregistrer ou de perdre ses droits co\u00fbte moins cher \u00e0 prendre maintenant qu&#8217;apr\u00e8s qu&#8217;une r\u00e9partition a \u00e9t\u00e9 vers\u00e9e \u00e0 d&#8217;autres auteurs.<\/p>\n","protected":false},"excerpt":{"rendered":"La redevance karaok\u00e9 de Ta\u00efwan laisse 31 pour cent des chansons de la machine la plus populaire non r\u00e9mun\u00e9r\u00e9es, et CAPASSO verse apr\u00e8s trois ans les flux non enregistr\u00e9s \u00e0 d&#8217;autres auteurs. Dans les deux cas, c&#8217;est le statut d&#8217;enregistrement, et non le nombre de lectures, qui compte.","protected":false},"author":1,"featured_media":23685,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"csco_display_header_overlay":false,"csco_singular_sidebar":"","csco_page_header_type":"","csco_page_load_nextpost":"","csco_post_video_location":[],"csco_post_video_location_hash":"","csco_post_video_url":"","csco_post_video_bg_start_time":0,"csco_post_video_bg_end_time":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[6828],"tags":[],"class_list":["post-23873","post","type-post","status-publish","format-standard","has-post-thumbnail","category-policy-legal-fr","cs-entry","cs-video-wrap"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Les chansons non associ\u00e9es ne rapportent rien : machines karaok\u00e9, comptes en suspens et publications sponsoris\u00e9es<\/title>\n<meta name=\"description\" content=\"Une machine karaok\u00e9 ta\u00efwanaise est sous licence gr\u00e2ce \u00e0 une redevance commune de 9,400 dollars ta\u00efwanais, et 31 pour cent des chansons de la machine la plus populaire n&#039;appartiennent \u00e0 aucune soci\u00e9t\u00e9 et ne rapportent rien.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/interspacemusic.com\/blog\/fr\/les-chansons-non-associees-ne-rapportent-rien-machines-karaoke-comptes-en-suspens-et-publications-sponsorisees\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Les chansons non associ\u00e9es ne rapportent rien : machines karaok\u00e9, comptes en suspens et publications sponsoris\u00e9es\" \/>\n<meta property=\"og:description\" content=\"Une machine karaok\u00e9 ta\u00efwanaise est sous licence gr\u00e2ce \u00e0 une redevance commune de 9,400 dollars ta\u00efwanais, et 31 pour cent des chansons de la machine la plus populaire n&#039;appartiennent \u00e0 aucune soci\u00e9t\u00e9 et ne rapportent rien.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/interspacemusic.com\/blog\/fr\/les-chansons-non-associees-ne-rapportent-rien-machines-karaoke-comptes-en-suspens-et-publications-sponsorisees\/\" \/>\n<meta property=\"og:site_name\" content=\"The InterSpace Daily.\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/facebook.com\/interspacemusic\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-10-27T15:11:30+00:00\" \/>\n<meta name=\"author\" content=\"Dave Ayodeji\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta 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