{"id":24587,"date":"2026-10-29T18:55:27","date_gmt":"2026-10-29T18:55:27","guid":{"rendered":"https:\/\/interspacemusic.com\/blog\/aimi-labs-revele-des-discordances-de-metadonnees-dans-des-albums-parmi-les-plus-vendus\/"},"modified":"2026-10-29T18:55:27","modified_gmt":"2026-10-29T18:55:27","slug":"aimi-labs-revele-des-discordances-de-metadonnees-dans-des-albums-parmi-les-plus-vendus","status":"publish","type":"post","link":"https:\/\/interspacemusic.com\/blog\/fr\/aimi-labs-revele-des-discordances-de-metadonnees-dans-des-albums-parmi-les-plus-vendus\/","title":{"rendered":"AIMi Labs r\u00e9v\u00e8le des discordances de m\u00e9tadonn\u00e9es dans des albums parmi les plus vendus"},"content":{"rendered":"<p>Une \u00e9tude portant sur certains des albums les plus vendus de tous les temps a r\u00e9v\u00e9l\u00e9 que des enregistrements \u00e9taient associ\u00e9s \u00e0 plusieurs fiches d\u2019\u0153uvres musicales, notamment \u00e0 des fiches correspondant \u00e0 des chansons sans rapport. Ces discordances soul\u00e8vent des questions sur la r\u00e9partition des redevances de composition, m\u00eame si l\u2019\u00e9tude n\u2019a pas pu \u00e9tablir si des paiements avaient \u00e9t\u00e9 affect\u00e9s.<\/p>\n<h2>R\u00e9sultats de l\u2019\u00e9tude<\/h2>\n<p><strong>AIMi Labs<\/strong> a utilis\u00e9 un outil de recherche sur les droits musicaux fond\u00e9 sur l\u2019intelligence artificielle (AI) pour examiner les donn\u00e9es publiques de la <strong><a href=\"https:\/\/www.themlc.com\">Mechanical Licensing Collective (MLC)<\/a><\/strong>. Son livre blanc, <em>Who&#8217;s Eating Your Lunch?<\/em>, a \u00e9valu\u00e9 des titres de dix albums, dont <em>Thriller<\/em>, <em>Rumours<\/em> et <em>Hotel California<\/em>.<\/p>\n<ul>\n<li>Les <strong>111 titres<\/strong> examin\u00e9s \u00e9taient tous enregistr\u00e9s.<\/li>\n<li>La couverture moyenne des parts de propri\u00e9t\u00e9 enregistr\u00e9es \u00e9tait de <strong>99.3%<\/strong>.<\/li>\n<li><strong>56 titres, soit 50.5%<\/strong>, \u00e9taient associ\u00e9s \u00e0 plusieurs fiches d\u2019\u0153uvres musicales justifiant des recherches suppl\u00e9mentaires.<\/li>\n<\/ul>\n<p>La pr\u00e9sence de plusieurs fiches n\u2019indique pas n\u00e9cessairement une erreur : les remixes, adaptations et versions alternatives peuvent faire l\u2019objet d\u2019enregistrements l\u00e9gitimes. Les chercheurs ont \u00e9galement rep\u00e9r\u00e9 des liens vers diff\u00e9rentes compositions. Des enregistrements de \u00ab Don&#8217;t Stop \u00bb de <strong>Fleetwood Mac<\/strong> \u00e9taient associ\u00e9s \u00e0 la composition de Christine McVie, \u00e0 \u00ab Don&#8217;t Stop Me Now \u00bb de Queen et \u00e0 \u00ab Don&#8217;t Stop Believin&#8217; \u00bb de Journey.<\/p>\n<p>\u00ab Dreams \u00bb de Fleetwood Mac \u00e9tait associ\u00e9 \u00e0 huit fiches d\u2019\u0153uvres suppl\u00e9mentaires, en plus de la composition correctement enregistr\u00e9e de Stevie Nicks. \u00ab The Lady in My Life \u00bb de <strong><a href=\"https:\/\/www.michaeljackson.com\">Michael Jackson<\/a><\/strong> \u00e9tait li\u00e9 \u00e0 \u00ab Thriller \u00bb, une autre composition \u00e9crite par Rod Temperton.<\/p>\n<h2>Limites et prochaines \u00e9tapes<\/h2>\n<p>L\u2019\u00e9tude n\u2019a pas pu d\u00e9terminer si ces liens avaient entra\u00een\u00e9 des versements de redevances incorrects ni calculer les sommes concern\u00e9es. Les donn\u00e9es publiques de la MLC ne montrent pas les transactions individuelles de redevances.<\/p>\n<p>Le document souligne \u00e9galement que l\u2019absence d\u2019enregistrement est pr\u00e9occupante pour les cr\u00e9ateurs qui ne b\u00e9n\u00e9ficient pas d\u2019une administration professionnelle de l\u2019\u00e9dition musicale. Ses conclusions montrent qu\u2019un enregistrement peut pr\u00e9senter des parts de propri\u00e9t\u00e9 apparemment compl\u00e8tes tout en restant associ\u00e9 \u00e0 la mauvaise composition.<\/p>\n<p>La plateforme d\u2019AIMi a examin\u00e9 des dizaines de milliers d\u2019\u0153uvres musicales, signalant des donn\u00e9es contradictoires sur les droits pour v\u00e9rification humaine. Un service gratuit d\u2019audit de catalogue destin\u00e9 aux auteurs-compositeurs devrait \u00eatre lanc\u00e9 d\u2019ici la fin de 2026. <strong>Pete Whelan<\/strong>, fondateur de Program Music et d\u2019AIMi, est associ\u00e9 \u00e0 l\u2019\u00e9tude. AIMi appelle les autres soci\u00e9t\u00e9s de gestion collective \u00e0 rendre leurs donn\u00e9es accessibles \u00e0 un examen ind\u00e9pendant, comme l\u2019a fait la MLC.<\/p>\n","protected":false},"excerpt":{"rendered":"AIMi Labs a constat\u00e9 que des enregistrements issus de certains des albums les plus vendus de tous les temps \u00e9taient associ\u00e9s \u00e0 plusieurs fiches d\u2019\u0153uvres musicales, notamment \u00e0 des fiches correspondant \u00e0 des chansons sans rapport.","protected":false},"author":6,"featured_media":24578,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"csco_display_header_overlay":false,"csco_singular_sidebar":"","csco_page_header_type":"","csco_page_load_nextpost":"","csco_post_video_location":[],"csco_post_video_location_hash":"","csco_post_video_url":"","csco_post_video_bg_start_time":0,"csco_post_video_bg_end_time":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[6982],"tags":[],"class_list":["post-24587","post","type-post","status-publish","format-standard","has-post-thumbnail","category-tech-innovation-fr","cs-entry","cs-video-wrap"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin 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