{"id":24782,"date":"2026-10-30T08:55:34","date_gmt":"2026-10-30T08:55:34","guid":{"rendered":"https:\/\/interspacemusic.com\/blog\/la-repartition-des-royalties-dacinpro-en-colombie-50-50-et-reclamations-gelees\/"},"modified":"2026-10-30T09:03:44","modified_gmt":"2026-10-30T09:03:44","slug":"la-repartition-des-royalties-dacinpro-en-colombie-50-50-et-reclamations-gelees","status":"publish","type":"post","link":"https:\/\/interspacemusic.com\/blog\/fr\/la-repartition-des-royalties-dacinpro-en-colombie-50-50-et-reclamations-gelees\/","title":{"rendered":"La r\u00e9partition des royalties d\u2019ACINPRO en Colombie : 50\/50 et r\u00e9clamations gel\u00e9es"},"content":{"rendered":"<p>Les royalties colombiennes li\u00e9es \u00e0 l\u2019utilisation des enregistrements ne suivent pas la m\u00eame r\u00e9partition que le relev\u00e9 de streaming d\u2019un label. Selon le <a href=\"https:\/\/acinpro.org.co\/docs\/estatutos-reglamentos\/Regl-acred-distrib.pdf\">r\u00e8glement de r\u00e9partition d\u2019ACINPRO<\/a>, le montant approuv\u00e9 pour la distribution est divis\u00e9 \u00e0 parts \u00e9gales entre les producteurs de phonogrammes et les interpr\u00e8tes. La moiti\u00e9 de la part des interpr\u00e8tes est ensuite attribu\u00e9e en fonction du statut d\u2019affiliation, et non du nombre de passages individuels.<\/p>\n<p>Pour un label ind\u00e9pendant, la question utile est donc plus pr\u00e9cise que \u00ab Le titre a-t-il \u00e9t\u00e9 diffus\u00e9 ? \u00bb : l\u2019enregistrement, les interpr\u00e8tes et le producteur ont-ils \u00e9t\u00e9 correctement accr\u00e9dit\u00e9s avant la cl\u00f4ture de la distribution concern\u00e9e ?<\/p>\n<h2>Le test des 100 pesos<\/h2>\n<p>ACINPRO signifie Association colombienne des interpr\u00e8tes et des producteurs de phonogrammes. Elle g\u00e8re les droits voisins, c\u2019est-\u00e0-dire la r\u00e9mun\u00e9ration li\u00e9e \u00e0 la communication au public de musique enregistr\u00e9e. Les auteurs et compositeurs colombiens disposent d\u2019une soci\u00e9t\u00e9 distincte, SAYCO ; cette distinction est importante, car <a href=\"https:\/\/interspacemusic.com\/blog\/colombia-sayco-2025-collection-9966-registered-rightsholders\/\">enregistrer une composition aupr\u00e8s de SAYCO<\/a> ne documente ni le master ni ses interpr\u00e8tes aupr\u00e8s d\u2019ACINPRO.<\/p>\n<p>Imaginons 100 pesos d\u00e9j\u00e0 approuv\u00e9s pour la distribution apr\u00e8s les d\u00e9ductions applicables. Les <a href=\"https:\/\/acinpro.org.co\/docs\/estatutos-reglamentos\/Regl-acred-distrib.pdf\">r\u00e8gles d\u2019ACINPRO<\/a> attribuent 50 pesos aux producteurs et 50 aux interpr\u00e8tes. Sur ces 50 pesos destin\u00e9s aux interpr\u00e8tes, 25 vont \u00e0 l\u2019avantage li\u00e9 \u00e0 l\u2019affiliation pour les membres admissibles et 25 \u00e0 l\u2019avantage incitatif li\u00e9 \u00e0 une utilisation publique document\u00e9e. Il s\u2019agit d\u2019un mod\u00e8le de la r\u00e8gle de r\u00e9partition, et non de la promesse qu\u2019un enregistrement donn\u00e9 rapportera 100 pesos.<\/p>\n<p>La moiti\u00e9 destin\u00e9e aux producteurs d\u00e9pend enti\u00e8rement de l\u2019utilisation. Pour chaque source, ACINPRO divise les sommes attribu\u00e9es \u00e0 cette source par le nombre de passages valides dans son \u00e9chantillon, puis multiplie ce montant par le nombre d\u2019apparitions d\u2019un enregistrement. Un passage doit figurer dans un relev\u00e9 d\u2019utilisateur ou un \u00e9chantillon de suivi, l\u2019enregistrement doit \u00eatre correctement accr\u00e9dit\u00e9 et l\u2019utilisateur doit avoir pay\u00e9. <a href=\"https:\/\/acinpro.org.co\/preguntas-frecuentes\/\">ACINPRO pr\u00e9cise ces trois conditions<\/a> pour qu\u2019un passage soit \u00ab r\u00e9el et effectif \u00bb.<\/p>\n<h2>Deux calendriers de paiement pour un m\u00eame enregistrement<\/h2>\n<p>Les interpr\u00e8tes sont pay\u00e9s deux fois par an : la p\u00e9riode de janvier \u00e0 juin donne lieu \u00e0 un paiement pr\u00e9vu au plus tard la premi\u00e8re semaine d\u2019ao\u00fbt, et celle de juillet \u00e0 d\u00e9cembre, au plus tard la premi\u00e8re semaine de f\u00e9vrier suivante. Les producteurs re\u00e7oivent trois distributions, couvrant janvier-avril, mai-ao\u00fbt et septembre-d\u00e9cembre, avec des paiements pr\u00e9vus respectivement en juin, octobre et f\u00e9vrier. Ce sont les <a href=\"https:\/\/acinpro.org.co\/preguntas-frecuentes\/\">calendriers publi\u00e9s par ACINPRO<\/a> ; un label et un interpr\u00e8te invit\u00e9 ne doivent donc pas s\u2019attendre \u00e0 recevoir leurs relev\u00e9s aux m\u00eames dates.<\/p>\n<p>ACINPRO fixe \u00e9galement des dates limites pour l\u2019accr\u00e9ditation, les contre-r\u00e9clamations et les changements de coordonn\u00e9es bancaires. Une \u00e9quipe ind\u00e9pendante devrait tenir un registre avec l\u2019identifiant de l\u2019enregistrement, le producteur propri\u00e9taire, les cr\u00e9dits des interpr\u00e8tes, la date d\u2019accr\u00e9ditation et la p\u00e9riode de paiement pr\u00e9vue. ISRC signifie International Standard Recording Code ; <a href=\"https:\/\/isrc.ifpi.org\/why-use-isrc\/when-not-to-assign\">IFPI explique qu\u2019il identifie l\u2019enregistrement<\/a>, et non la composition sous-jacente. Cet identifiant aide \u00e0 rapprocher un master entre sa livraison et les r\u00e9clamations, mais n\u2019\u00e9tablit pas \u00e0 lui seul la propri\u00e9t\u00e9.<\/p>\n<h2>Quand les revendications en double bloquent les paiements<\/h2>\n<p>ACINPRO d\u00e9finit une contre-r\u00e9clamation num\u00e9rique comme le cas o\u00f9 deux producteurs accr\u00e9ditent des enregistrements ayant la m\u00eame empreinte audio, m\u00eame si les titres ou les noms d\u2019artistes diff\u00e8rent. Son <a href=\"https:\/\/acinpro.org.co\/docs\/estatutos-reglamentos\/Regl-acred-distrib.pdf\">r\u00e8glement<\/a> pr\u00e9voit un mois apr\u00e8s le premier avis pour parvenir \u00e0 un accord directement. Apr\u00e8s un deuxi\u00e8me avis, les producteurs disposent de deux mois pour fournir des preuves de propri\u00e9t\u00e9, notamment un enregistrement colombien, un cr\u00e9dit sur la pochette, des m\u00e9tadonn\u00e9es de plateforme ou le contrat de cession concern\u00e9.<\/p>\n<p>Si aucune des parties ne documente son titre de propri\u00e9t\u00e9, ACINPRO conserve les sommes contest\u00e9es. Si les deux parties le documentent mais restent en d\u00e9saccord, le paiement reste bloqu\u00e9 jusqu\u2019\u00e0 ce qu\u2019elles trouvent un accord directement ou par une proc\u00e9dure judiciaire. Un chargement DSP conforme ne peut donc pas r\u00e9soudre une revendication de droits contradictoire. Pour l\u2019audit, il faut comparer le producteur indiqu\u00e9 dans les m\u00e9tadonn\u00e9es du distributeur avec l\u2019entit\u00e9 mentionn\u00e9e dans l\u2019accr\u00e9ditation d\u2019ACINPRO et dans le contrat de master sign\u00e9.<\/p>\n<h2>Que faire avant le prochain cycle<\/h2>\n<p>Demandez \u00e0 chaque interpr\u00e8te de confirmer son r\u00f4le sur l\u2019enregistrement et conservez les cr\u00e9dits ou les preuves de participation. ACINPRO exige des interpr\u00e8tes un formulaire d\u2019accr\u00e9ditation, une preuve de participation et le fichier audio ; les producteurs doivent identifier leurs enregistrements et \u00eatre en mesure de justifier leur titre de propri\u00e9t\u00e9. Int\u00e9grez ces fichiers au dossier de livraison, avec les r\u00e9partitions de royalties visibles dans les relev\u00e9s de votre distributeur.<\/p>\n<p>Les <a href=\"https:\/\/www.latingrammy.com\/en\/news\/the-latin-recording-academy-announces-new-eligibility-guidelines-for-the-27th-annual-latin-grammy-awards-set-to-take-place-on-nov-12\/\">Latin Grammys du 12 novembre<\/a> pourraient remettre les catalogues en circulation. La t\u00e2che de fond reste la m\u00eame \u00e0 chaque saison : prouver qui poss\u00e8de l\u2019enregistrement et qui y a interpr\u00e9t\u00e9 avant qu\u2019un passage ne doive \u00eatre rapproch\u00e9. Les <a href=\"https:\/\/interspacemusic.com\/blog\/colombia-music-law-ley-2615-vat-software-distribution-non-mainstream-artists\/\">incitations de la l\u00e9gislation musicale colombienne<\/a> ne remplacent pas ces documents.<\/p>\n","protected":false},"excerpt":{"rendered":"En Colombie, la r\u00e9partition des royalties d\u2019ACINPRO attribue la moiti\u00e9 des recettes distribuables li\u00e9es \u00e0 l\u2019utilisation des enregistrements aux producteurs et l\u2019autre moiti\u00e9 aux interpr\u00e8tes, mais les deux groupes suivent des calendriers de paiement diff\u00e9rents. Voici comment l\u2019accr\u00e9ditation, les relev\u00e9s de diffusion et les revendications de propri\u00e9t\u00e9 en double d\u00e9terminent si un label ind\u00e9pendant ou un artiste est pay\u00e9.","protected":false},"author":9,"featured_media":24811,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"csco_display_header_overlay":false,"csco_singular_sidebar":"","csco_page_header_type":"","csco_page_load_nextpost":"","csco_post_video_location":[],"csco_post_video_location_hash":"","csco_post_video_url":"","csco_post_video_bg_start_time":0,"csco_post_video_bg_end_time":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[29763],"tags":[],"class_list":["post-24782","post","type-post","status-publish","format-standard","has-post-thumbnail","category-bonnes-pratiques","cs-entry","cs-video-wrap"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin 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