{"id":24899,"date":"2026-10-30T16:40:34","date_gmt":"2026-10-30T16:40:34","guid":{"rendered":"https:\/\/interspacemusic.com\/blog\/le-maroc-a-trois-revendications-de-droits-musicaux-un-seul-isrc-identifie-lenregistrement\/"},"modified":"2026-10-30T16:44:28","modified_gmt":"2026-10-30T16:44:28","slug":"le-maroc-a-trois-revendications-de-droits-musicaux-un-seul-isrc-identifie-lenregistrement","status":"publish","type":"post","link":"https:\/\/interspacemusic.com\/blog\/fr\/le-maroc-a-trois-revendications-de-droits-musicaux-un-seul-isrc-identifie-lenregistrement\/","title":{"rendered":"Le Maroc a trois revendications de droits musicaux. Un seul ISRC identifie l\u2019enregistrement."},"content":{"rendered":"

Un artiste marocain qui \u00e9crit, chante et finance un enregistrement peut avoir trois revendications distinctes pour une m\u00eame sortie. La r\u00e8gle pratique est simple : enregistrer l\u2019\u0153uvre, l\u2019interpr\u00e9tation et le master sous les bons noms. Le fait de t\u00e9l\u00e9verser l\u2019audio chez un distributeur ne documente qu\u2019une partie de cette cha\u00eene.<\/p>\n

Le Bureau Marocain des Droits d’Auteur et Droits Voisins (BMDAV), l\u2019organisme marocain de gestion collective des droits, rend cette distinction visible dans ses propres documents. Il propose une d\u00e9claration d\u2019\u0153uvre musicale pour les auteurs<\/a> et des dossiers distincts au titre des droits voisins pour les interpr\u00e8tes et les producteurs d\u2019enregistrements sonores<\/a>. Un chanteur qui a aussi \u00e9crit la topline et poss\u00e8de l\u2019enregistrement doit v\u00e9rifier ces trois r\u00f4les.<\/p>\n

Une sortie, trois revendications distinctes<\/h2>\n

La composition comprend la m\u00e9lodie et les paroles. Son dossier doit indiquer les auteurs et leurs parts convenues ; l\u2019enregistrement ne suffit pas \u00e0 \u00e9tablir qui a \u00e9crit la chanson. Les documents de BMDAV destin\u00e9s aux auteurs comprennent une d\u00e9claration sp\u00e9cifique pour une \u0153uvre musicale, et non un d\u00e9p\u00f4t g\u00e9n\u00e9rique d\u2019enregistrement.<\/p>\n

L\u2019interpr\u00e9tation correspond \u00e0 la contribution du chanteur ou de l\u2019instrumentiste \u00e0 un enregistrement. BMDAV r\u00e9pertorie des justificatifs distincts pour les chanteurs, les musiciens et les choristes, et sa page de discographie<\/a> distingue le catalogue de l\u2019artiste interpr\u00e8te de celui du producteur du phonogramme. Une voix invit\u00e9e et un musicien de session r\u00e9mun\u00e9r\u00e9 ont donc besoin de cr\u00e9dits qui pr\u00e9cisent leurs r\u00f4les r\u00e9els, et non d\u2019un champ \u00ab artiste \u00bb passe-partout.<\/p>\n

Le phonogramme est le master enregistr\u00e9. Dans ce contexte de droits, son producteur est la personne ou l\u2019entreprise qui revendique le droit sur l\u2019enregistrement sonore ; il peut s\u2019agir d\u2019un artiste qui sort sa musique lui-m\u00eame ou d\u2019un label. La liste des pi\u00e8ces \u00e0 fournir de BMDAV pour les droits voisins distingue m\u00eame le producteur d\u2019enregistrements sonores personne physique de l\u2019entreprise. Le nom indiqu\u00e9 dans la revendication doit donc correspondre \u00e0 l\u2019entit\u00e9 qui poss\u00e8de le master.<\/p>\n

Pourquoi l\u2019ISRC ne suffit pas<\/h2>\n

ISRC signifie International Standard Recording Code. L\u2019agence ISRC d\u2019IFPI indique<\/a> qu\u2019il identifie un enregistrement sonore, et non sa composition ou ses paroles. Un ISRC peut faciliter le rapprochement du master entre diff\u00e9rentes sorties et diff\u00e9rents services, mais il ne constitue pas une d\u00e9claration d\u2019auteur et ne prouve pas qu\u2019un musicien de session a \u00e9t\u00e9 cr\u00e9dit\u00e9.<\/p>\n

Cette distinction compte, car Spotify d\u00e9crit les redevances d\u2019enregistrement et d\u2019\u00e9dition comme des flux distincts<\/a>. L\u2019explication du service est g\u00e9n\u00e9rale et ne d\u00e9crit pas les accords de licence individuels de BMDAV. Pour un catalogue marocain, il faut comparer un relev\u00e9 clair du distributeur aux inscriptions au titre des droits d\u2019auteur et des droits voisins, sans confondre ce relev\u00e9 avec l\u2019une ou l\u2019autre.<\/p>\n

BMDAV indique recevoir des dossiers d\u2019affiliation et des d\u00e9clarations pour les \u0153uvres et les interpr\u00e9tations, et repr\u00e9senter les droits marocains dans le cadre d\u2019accords avec des soci\u00e9t\u00e9s \u00e9trang\u00e8res. Il s\u2019agit du mandat d\u00e9clar\u00e9 par la soci\u00e9t\u00e9, et non d\u2019une garantie que chaque \u00e9coute \u00e0 l\u2019\u00e9tranger sera identifi\u00e9e ou r\u00e9mun\u00e9r\u00e9e. Une revendication de droits d\u00e9pend toujours de donn\u00e9es de r\u00e9pertoire exactes et des accords qui couvrent l\u2019utilisation.<\/p>\n

\u00c9tablir un tableau de rapprochement avant la sortie<\/h2>\n

Pr\u00e9voyez une ligne par piste avec son titre, son ISRC, le propri\u00e9taire du master, les noms des auteurs et leurs parts convenues, les cr\u00e9dits des interpr\u00e8tes et le d\u00e9p\u00f4t ou l\u2019accus\u00e9 de r\u00e9ception correspondant de BMDAV pour chaque r\u00f4le concern\u00e9. Conservez les contrats de production et les accords de session \u00e0 c\u00f4t\u00e9. BMDAV publie des attestations pour les chanteurs, les studios et les producteurs<\/a>, ce qui rappelle utilement qu\u2019un litige sur les cr\u00e9dits peut n\u00e9cessiter des preuves allant au-del\u00e0 d\u2019un profil sur une plateforme.<\/p>\n

V\u00e9rifiez ensuite chaque ligne \u00e0 l\u2019aide de trois questions : qui a \u00e9crit l\u2019\u0153uvre ? Qui a interpr\u00e9t\u00e9 le master ? \u00c0 qui appartient l\u2019enregistrement sonore ? Si une r\u00e9ponse manque, interrogez le collaborateur concern\u00e9 avant la livraison, tant que les documents sont encore faciles \u00e0 corriger. Un label qui a des dizaines de sorties devrait int\u00e9grer cette v\u00e9rification \u00e0 la r\u00e9ception des projets, au m\u00eame titre que le contr\u00f4le de l\u2019audio et des visuels.<\/p>\n

Nous avons d\u00e9j\u00e0 pr\u00e9sent\u00e9 la r\u00e9forme du droit d\u2019auteur au Maroc et la distinction entre les revenus d\u2019enregistrement<\/a>, ainsi que la r\u00e9partition du march\u00e9 entre les auditeurs marocains et ceux de l\u2019\u00e9tranger<\/a>. La le\u00e7on op\u00e9rationnelle est plus cibl\u00e9e : la distribution r\u00e9gionale met le master \u00e0 disposition des services, tandis que des dossiers de droits complets offrent \u00e0 chaque contributeur une voie plus claire vers les revenus li\u00e9s \u00e0 cette utilisation. Demandez \u00e0 tout distributeur comment son tableau de bord relie les revenus d\u2019enregistrement au propri\u00e9taire et comment il conserve les cr\u00e9dits n\u00e9cessaires aux autres revendications.<\/p>\n","protected":false},"excerpt":{"rendered":"Les droits musicaux au Maroc n\u00e9cessitent plus d\u2019un d\u00e9p\u00f4t. BMDAV tient des registres distincts pour l\u2019\u0153uvre, les interpr\u00e8tes et le producteur du phonogramme ; un ISRC identifie uniquement l\u2019enregistrement. Ce guide explique aux artistes et aux labels marocains comment rapprocher ces trois revendications avant la sortie.","protected":false},"author":7,"featured_media":24905,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"csco_display_header_overlay":false,"csco_singular_sidebar":"","csco_page_header_type":"","csco_page_load_nextpost":"","csco_post_video_location":[],"csco_post_video_location_hash":"","csco_post_video_url":"","csco_post_video_bg_start_time":0,"csco_post_video_bg_end_time":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[29763],"tags":[],"class_list":["post-24899","post","type-post","status-publish","format-standard","has-post-thumbnail","category-bonnes-pratiques","cs-entry","cs-video-wrap"],"yoast_head":"\nLe Maroc a trois revendications de droits musicaux. 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