{"id":25453,"date":"2026-11-01T12:55:29","date_gmt":"2026-11-01T12:55:29","guid":{"rendered":"https:\/\/interspacemusic.com\/blog\/les-ecoutes-sur-audiomack-avant-lactivation-damp-ne-donnent-pas-droit-a-un-rattrapage-retroactif\/"},"modified":"2026-11-01T12:57:00","modified_gmt":"2026-11-01T12:57:00","slug":"les-ecoutes-sur-audiomack-avant-lactivation-damp-ne-donnent-pas-droit-a-un-rattrapage-retroactif","status":"publish","type":"post","link":"https:\/\/interspacemusic.com\/blog\/fr\/les-ecoutes-sur-audiomack-avant-lactivation-damp-ne-donnent-pas-droit-a-un-rattrapage-retroactif\/","title":{"rendered":"Les \u00e9coutes sur Audiomack avant l\u2019activation d\u2019AMP ne donnent pas droit \u00e0 un rattrapage r\u00e9troactif"},"content":{"rendered":"<p>Un compteur d\u2019\u00e9coutes n\u2019est pas un relev\u00e9 de redevances. Pour un artiste qui met ses titres en ligne directement sur Audiomack, la plateforme indique que les revenus de l\u2019Audiomack Monetization Program (AMP) commencent uniquement apr\u00e8s son inscription \u00e0 AMP <em>et<\/em> l\u2019activation de la mon\u00e9tisation du titre mis en ligne. Les \u00e9coutes obtenues avant ces \u00e9tapes ne donnent pas droit \u00e0 un rattrapage r\u00e9troactif. La date d\u2019activation compte donc autant que la date de mise en ligne dans le calendrier de sortie.<\/p>\n<h2>L\u2019authentification pr\u00e9c\u00e8de le signe dollar orange<\/h2>\n<p>Selon la <a href=\"https:\/\/creators.audiomack.com\/monetization\/faq\">FAQ sur la mon\u00e9tisation d\u2019Audiomack<\/a>, les cr\u00e9ateurs qui mettent leurs titres en ligne directement doivent \u00eatre authentifi\u00e9s et r\u00e9sider dans un pays \u00e9ligible. Pour demander l\u2019authentification, un cr\u00e9ateur doit avoir mis en ligne au moins deux titres, avoir 25 abonn\u00e9s et totaliser 1,000 \u00e9coutes, ainsi que disposer d\u2019une photo de profil et d\u2019un compte Instagram ou X authentifi\u00e9. Ces crit\u00e8res permettent de d\u00e9poser une demande, mais n\u2019activent pas \u00e0 eux seuls les revenus.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\">\n<div class=\"wp-block-embed__wrapper\"><\/div>\n<\/figure>\n<p>Cette s\u00e9quence compte pour un nouvel artiste nig\u00e9rian ou ghan\u00e9en qui pr\u00e9pare sa premi\u00e8re campagne. Si le titre obtient ses 1,000 premi\u00e8res \u00e9coutes avant que le compte remplisse les crit\u00e8res, celles-ci peuvent contribuer \u00e0 atteindre le seuil d\u2019authentification, mais elles ne deviennent pas des revenus AMP r\u00e9troactifs. Consid\u00e9rez ce premier public comme une donn\u00e9e de d\u00e9couverte, et non comme un solde impay\u00e9 qui appara\u00eetra plus tard.<\/p>\n<p>Audiomack indique que les anciens titres mis en ligne directement peuvent \u00eatre activ\u00e9s dans le Creator Dashboard : un signe dollar gris indique qu\u2019un contenu n\u2019est pas mon\u00e9tis\u00e9, tandis qu\u2019un signe orange indique que la mon\u00e9tisation est activ\u00e9e. L\u2019artiste saisit l\u2019International Standard Recording Code (ISRC) de l\u2019enregistrement et, le cas \u00e9ch\u00e9ant, son Universal Product Code (UPC). L\u2019<a href=\"https:\/\/isrc.ifpi.org\/why-use-isrc\">International Federation of the Phonographic Industry<\/a> explique qu\u2019un ISRC identifie un enregistrement pr\u00e9cis : utilisez donc le code associ\u00e9 au master concern\u00e9, et non celui d\u2019un remix ou d\u2019une vid\u00e9o.<\/p>\n<h2>Le d\u00e9lai de paiement commence apr\u00e8s la p\u00e9riode de g\u00e9n\u00e9ration des revenus<\/h2>\n<p>Pour les titres mis en ligne sur AMP, Audiomack d\u00e9crit un calcul mensuel variable du revenu par \u00e9coute, fond\u00e9 sur les recettes publicitaires et les abonnements, auquel s\u2019ajoute une part de 50 % pour les cr\u00e9ateurs AMP. La plateforme pr\u00e9cise qu\u2019il n\u2019existe pas de tarif fixe par \u00e9coute : le pays de l\u2019auditeur, le nombre total d\u2019\u00e9coutes sur la plateforme et les revenus peuvent faire varier le montant. Un pr\u00e9visionnel fond\u00e9 sur un tarif universel du type \u00ab Audiomack paie X pour mille \u00e9coutes \u00bb constitue donc une base budg\u00e9taire fragile.<\/p>\n<p>La plateforme indique qu\u2019AMP paie selon un d\u00e9lai net de 90 jours : les revenus de janvier, par exemple, sont vers\u00e9s au plus tard \u00e0 la fin du mois d\u2019avril. Une fois le compte AMP approvisionn\u00e9, le cr\u00e9ateur peut demander un retrait si le solde d\u00e9passe les frais de transaction ; Audiomack indique que l\u2019approbation peut prendre jusqu\u2019\u00e0 quatre jours ouvr\u00e9s, puis que le traitement prend encore deux \u00e0 trois jours. Il s\u2019agit d\u2019\u00e9tapes distinctes : un titre disponible, un titre mon\u00e9tis\u00e9, un compte approvisionn\u00e9 et des fonds re\u00e7us sont quatre situations diff\u00e9rentes.<\/p>\n<h2>D\u00e9terminez qui encaisse avant de diriger le public vers le titre<\/h2>\n<p>La mon\u00e9tisation directe sur AMP et la distribution cr\u00e9ent des circuits de d\u00e9claration diff\u00e9rents. Audiomack indique que les revenus des Supporters sont regroup\u00e9s avec les paiements AMP, mais que, lorsqu\u2019une sortie passe par un distributeur, ces revenus lui sont vers\u00e9s. Un label devrait confirmer qui encaisse et selon quel calendrier les relev\u00e9s sont \u00e9tablis avant de payer pour attirer des fans sur la page Audiomack. La plateforme indique \u00e9galement qu\u2019un distributeur connect\u00e9 \u00e0 Audiomack peut activer les Supporters pour une sortie.<\/p>\n<p>Cr\u00e9ez un registre des sorties d\u2019une page : titre du master, ISRC, UPC, titulaire des droits, circuit de distribution, URL Audiomack, statut AMP et date d\u2019activation de la mon\u00e9tisation. V\u00e9rifiez le signe dollar dans le tableau de bord apr\u00e8s chaque mise en ligne directe, et rapprochez les \u00e9coutes des sorties distribu\u00e9es avec le relev\u00e9 du distributeur par plateforme, au lieu de supposer qu\u2019elles appara\u00eetront comme des revenus AMP directs. Si deux \u00e9quipes pensent encaisser pour le m\u00eame master, r\u00e9glez la question avant que les d\u00e9penses marketing ne compliquent la comptabilit\u00e9.<\/p>\n<p>Voil\u00e0 la distinction pratique qui sous-tend <a href=\"https:\/\/interspacemusic.com\/blog\/how-nigerian-artists-get-paid-a-2026-guide-to-music-royalties-and-distribution\/\">notre guide des redevances pour les artistes nig\u00e9rians<\/a> et <a href=\"https:\/\/interspacemusic.com\/blog\/crack-the-code-how-to-grow-fast-on-audiomack-in-2025\/\">notre guide pour se faire d\u00e9couvrir sur Audiomack<\/a> : la d\u00e9couverte et l\u2019encaissement n\u00e9cessitent chacun leurs propres v\u00e9rifications. InterSpace Distribution distribue les titres sur Audiomack et d\u00e9taille les revenus des plateformes par titre et par pays ; un artiste qui choisit ce circuit peut donc consulter ces relev\u00e9s avec ceux du reste de son catalogue. Quel que soit le circuit choisi, posez-vous une question avant le jour de sortie : qui re\u00e7oit le revenu de la premi\u00e8re \u00e9coute mon\u00e9tis\u00e9e ?<\/p>\n","protected":false},"excerpt":{"rendered":"AMP sur Audiomack ne verse pas de revenus r\u00e9troactifs pour les \u00e9coutes ant\u00e9rieures \u00e0 l\u2019inscription et \u00e0 l\u2019activation de la mon\u00e9tisation d\u2019un titre. D\u00e9couvrez les deux conditions, le calcul du partage des revenus \u00e0 50 %, le d\u00e9lai net de 90 jours et les diff\u00e9rences entre les mises en ligne directes et les sorties distribu\u00e9es, afin que votre label sache pr\u00e9cis\u00e9ment \u00e0 partir de quand les \u00e9coutes rapportent.","protected":false},"author":7,"featured_media":25425,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"csco_display_header_overlay":false,"csco_singular_sidebar":"","csco_page_header_type":"","csco_page_load_nextpost":"","csco_post_video_location":[],"csco_post_video_location_hash":"","csco_post_video_url":"","csco_post_video_bg_start_time":0,"csco_post_video_bg_end_time":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[29763],"tags":[],"class_list":["post-25453","post","type-post","status-publish","format-standard","has-post-thumbnail","category-bonnes-pratiques","cs-entry","cs-video-wrap"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Les \u00e9coutes sur Audiomack avant l\u2019activation d\u2019AMP ne donnent pas droit \u00e0 un rattrapage r\u00e9troactif<\/title>\n<meta name=\"description\" content=\"Un compteur d\u2019\u00e9coutes n\u2019est pas un relev\u00e9 de redevances. Pour un artiste qui met ses titres en ligne directement sur Audiomack, la plateforme indique que les revenus de l\u2019Audiomack Monetization Program (AMP) commencent uniquement apr\u00e8s son inscription \u00e0 AMP et l\u2019activation de la\u2026\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/interspacemusic.com\/blog\/fr\/les-ecoutes-sur-audiomack-avant-lactivation-damp-ne-donnent-pas-droit-a-un-rattrapage-retroactif\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Les \u00e9coutes sur Audiomack avant l\u2019activation d\u2019AMP ne donnent pas droit \u00e0 un rattrapage r\u00e9troactif\" \/>\n<meta property=\"og:description\" content=\"Un compteur d\u2019\u00e9coutes n\u2019est pas un relev\u00e9 de redevances. Pour un artiste qui met ses titres en ligne directement sur Audiomack, la plateforme indique que les revenus de l\u2019Audiomack Monetization Program (AMP) commencent uniquement apr\u00e8s son inscription \u00e0 AMP et l\u2019activation de la\u2026\" \/>\n<meta property=\"og:url\" content=\"https:\/\/interspacemusic.com\/blog\/fr\/les-ecoutes-sur-audiomack-avant-lactivation-damp-ne-donnent-pas-droit-a-un-rattrapage-retroactif\/\" \/>\n<meta property=\"og:site_name\" content=\"The InterSpace Daily.\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/facebook.com\/interspacemusic\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-11-01T12:55:29+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-11-01T12:57:00+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i0.wp.com\/d2n07ae9429qri.cloudfront.net\/wp-content\/uploads\/2026\/11\/01121706\/Cover_of_Best_Media_Practices_for_Multi-institutional_Science_Collaborations_28ann21003a29.jpg?fit=850%2C1100&ssl=1\" \/>\n\t<meta property=\"og:image:width\" content=\"850\" \/>\n\t<meta property=\"og:image:height\" content=\"1100\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Daniel Obembe\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@InterSpaceDaily\" \/>\n<meta name=\"twitter:site\" content=\"@InterSpaceDaily\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Daniel Obembe\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":[\"Article\",\"BlogPosting\"],\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/les-ecoutes-sur-audiomack-avant-lactivation-damp-ne-donnent-pas-droit-a-un-rattrapage-retroactif\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/les-ecoutes-sur-audiomack-avant-lactivation-damp-ne-donnent-pas-droit-a-un-rattrapage-retroactif\\\/\"},\"author\":{\"name\":\"Daniel Obembe\",\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/#\\\/schema\\\/person\\\/dfda45c52f01072dd0d297096b799422\"},\"headline\":\"Les \u00e9coutes sur Audiomack avant l\u2019activation d\u2019AMP ne donnent pas droit \u00e0 un rattrapage r\u00e9troactif\",\"datePublished\":\"2026-11-01T12:55:29+00:00\",\"dateModified\":\"2026-11-01T12:57:00+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/les-ecoutes-sur-audiomack-avant-lactivation-damp-ne-donnent-pas-droit-a-un-rattrapage-retroactif\\\/\"},\"wordCount\":894,\"publisher\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/les-ecoutes-sur-audiomack-avant-lactivation-damp-ne-donnent-pas-droit-a-un-rattrapage-retroactif\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/i0.wp.com\\\/d2n07ae9429qri.cloudfront.net\\\/wp-content\\\/uploads\\\/2026\\\/11\\\/01121706\\\/Cover_of_Best_Media_Practices_for_Multi-institutional_Science_Collaborations_28ann21003a29.jpg?fit=850%2C1100&ssl=1\",\"articleSection\":[\"Bonnes pratiques\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/les-ecoutes-sur-audiomack-avant-lactivation-damp-ne-donnent-pas-droit-a-un-rattrapage-retroactif\\\/\",\"url\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/les-ecoutes-sur-audiomack-avant-lactivation-damp-ne-donnent-pas-droit-a-un-rattrapage-retroactif\\\/\",\"name\":\"Les \u00e9coutes sur Audiomack avant l\u2019activation d\u2019AMP ne donnent pas droit \u00e0 un rattrapage r\u00e9troactif\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/les-ecoutes-sur-audiomack-avant-lactivation-damp-ne-donnent-pas-droit-a-un-rattrapage-retroactif\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/les-ecoutes-sur-audiomack-avant-lactivation-damp-ne-donnent-pas-droit-a-un-rattrapage-retroactif\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/i0.wp.com\\\/d2n07ae9429qri.cloudfront.net\\\/wp-content\\\/uploads\\\/2026\\\/11\\\/01121706\\\/Cover_of_Best_Media_Practices_for_Multi-institutional_Science_Collaborations_28ann21003a29.jpg?fit=850%2C1100&ssl=1\",\"datePublished\":\"2026-11-01T12:55:29+00:00\",\"dateModified\":\"2026-11-01T12:57:00+00:00\",\"description\":\"Un compteur d\u2019\u00e9coutes n\u2019est pas un relev\u00e9 de redevances. 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