{"id":25460,"date":"2026-11-01T16:25:33","date_gmt":"2026-11-01T16:25:33","guid":{"rendered":"https:\/\/interspacemusic.com\/blog\/le-japon-repartit-les-redevances-des-chansons-a-85-15-pour-le-streaming-et-a-35-65-pour-les-telechargements\/"},"modified":"2026-11-01T16:25:33","modified_gmt":"2026-11-01T16:25:33","slug":"le-japon-repartit-les-redevances-des-chansons-a-85-15-pour-le-streaming-et-a-35-65-pour-les-telechargements","status":"publish","type":"post","link":"https:\/\/interspacemusic.com\/blog\/fr\/le-japon-repartit-les-redevances-des-chansons-a-85-15-pour-le-streaming-et-a-35-65-pour-les-telechargements\/","title":{"rendered":"Le Japon r\u00e9partit les redevances des chansons \u00e0 85\/15 pour le streaming et \u00e0 35\/65 pour les t\u00e9l\u00e9chargements"},"content":{"rendered":"<p>Au Japon, un stream et un t\u00e9l\u00e9chargement d\u2019une m\u00eame chanson ne r\u00e9partissent pas les redevances de composition de la m\u00eame mani\u00e8re. The Japanese Society for Rights of Authors, Composers and Publishers (JASRAC) attribue 85% des droits de composition r\u00e9partissables d\u2019un stream aux droits de transmission au public et 15% aux droits de reproduction. Pour un t\u00e9l\u00e9chargement, la proportion s\u2019inverse : 35% pour la transmission et 65% pour la reproduction. Ces pourcentages d\u00e9terminent le compte de droits auquel l\u2019argent est vers\u00e9, et non la part d\u2019un abonnement qui revient \u00e0 un artiste.<\/p>\n<p>Pour un label qui v\u00e9rifie ses revenus au Japon, la premi\u00e8re question est donc plus pr\u00e9cise que \u00ab Combien d\u2019\u00e9coutes ? \u00bb. Demandez quel produit a g\u00e9n\u00e9r\u00e9 l\u2019utilisation, quelle composition a \u00e9t\u00e9 identifi\u00e9e et qui contr\u00f4le chaque droit. JASRAC pr\u00e9sente les deux ratios dans son <a href=\"https:\/\/www.jasrac.or.jp\/aboutus\/detail\/interactive.html\">explicatif sur la r\u00e9partition des droits pour les services interactifs<\/a>.<\/p>\n<h2>Un enregistrement, deux r\u00e9partitions des droits de composition<\/h2>\n<p>Le streaming et le t\u00e9l\u00e9chargement utilisent tous deux une \u0153uvre musicale, mais de fa\u00e7ons diff\u00e9rentes. JASRAC indique qu\u2019un t\u00e9l\u00e9chargement place une copie chez l\u2019auditeur, tandis qu\u2019un stream transmet principalement l\u2019\u0153uvre \u00e0 la demande. Ses <a href=\"https:\/\/www.jasrac.or.jp\/en\/about\/facts-figures\/pdf\/distribution.pdf\">r\u00e8gles de r\u00e9partition, Article 53<\/a> refl\u00e8tent cette diff\u00e9rence en divisant les droits de composition de chaque format entre les fonds de reproduction et de transmission.<\/p>\n<p>Une troisi\u00e8me ligne pr\u00e9c\u00e8de les deux r\u00e9partitions : 0.5% des droits sont vers\u00e9s \u00e0 un fonds de compensation de r\u00e9partition pour les \u0153uvres qui devront \u00eatre identifi\u00e9es ult\u00e9rieurement. Prenons l\u2019exemple hypoth\u00e9tique de droits de composition de \u00a510,000 pour un service et une p\u00e9riode comptable donn\u00e9s. Apr\u00e8s cette r\u00e9serve, il reste \u00a59,950. Un fonds de streaming affecterait \u00a51,492.50 \u00e0 la reproduction et \u00a58,457.50 \u00e0 la transmission ; un fonds de t\u00e9l\u00e9chargements affecterait respectivement \u00a56,467.50 et \u00a53,482.50. Il s\u2019agit de r\u00e9partitions entre fonds, et non d\u2019une promesse qu\u2019une chanson rapporte ces montants.<\/p>\n<p>Cette distinction compte lorsque le contrat d\u2019\u00e9dition de l\u2019auteur traite diff\u00e9remment les droits m\u00e9caniques et les droits d\u2019ex\u00e9cution ou de transmission. JASRAC explique qu\u2019un \u00e9diteur peut parfois recevoir l\u2019int\u00e9gralit\u00e9 de la part de reproduction d\u2019une \u0153uvre en vertu de son contrat, puis rendre des comptes directement \u00e0 l\u2019auteur-compositeur. Un auteur-compositeur sans contrat de gestion directe avec JASRAC peut \u00e9galement recevoir les deux parts par l\u2019interm\u00e9diaire de l\u2019\u00e9diteur. Consultez ensemble le contrat et le relev\u00e9 de la soci\u00e9t\u00e9 de gestion avant de conclure qu\u2019un paiement direct manquant est impay\u00e9.<\/p>\n<h2>L\u2019identification pr\u00e9c\u00e8de l\u2019application des pourcentages<\/h2>\n<p>JASRAC utilise les relev\u00e9s d\u2019utilisation du service pour identifier l\u2019\u0153uvre et r\u00e9partir les droits selon les demandes. Son <a href=\"https:\/\/www.jasrac.or.jp\/aboutus\/distribution\/arrives.html\">guide de paiement<\/a> en japonais indique que l\u2019enregistrement de l\u2019\u0153uvre \u00e9tablit les ayants droit et leurs parts ; le relev\u00e9 du service identifie l\u2019\u0153uvre utilis\u00e9e. Un identifiant de master correct ne suffit pas \u00e0 r\u00e9soudre une erreur dans le titre de la composition, le nom d\u2019un coauteur ou la d\u00e9claration d\u2019un \u00e9diteur.<\/p>\n<p>Pour un catalogue \u00e9tranger, v\u00e9rifiez que l\u2019\u0153uvre est repr\u00e9sent\u00e9e au Japon par l\u2019interm\u00e9diaire de la soci\u00e9t\u00e9 de gestion de l\u2019auteur ou de l\u2019\u00e9diteur, puis comparez la fiche de l\u2019\u0153uvre au Japon avec les m\u00e9tadonn\u00e9es des auteurs-compositeurs de la sortie. Notre pr\u00e9c\u00e9dent <a href=\"https:\/\/interspacemusic.com\/blog\/jasrac-paid-568990-foreign-creators-none-through-distributor\/\">guide de JASRAC pour les auteurs \u00e9trangers<\/a> explique pourquoi le paiement li\u00e9 \u00e0 la composition ne transite pas par un distributeur d\u2019enregistrements. Conservez l\u2019International Standard Recording Code (ISRC), l\u2019identifiant de l\u2019enregistrement, \u00e0 c\u00f4t\u00e9 de l\u2019enregistrement de la composition dans votre feuille d\u2019audit, sans confondre ces deux fiches et une seule d\u00e9claration.<\/p>\n<h2>Comment lire les d\u00e9lais et les montants<\/h2>\n<p>JASRAC effectue des r\u00e9partitions quatre fois par an, en mars, juin, septembre et d\u00e9cembre. L\u2019Article 53 rattache g\u00e9n\u00e9ralement les droits per\u00e7us au cours d\u2019un trimestre civil \u00e0 la p\u00e9riode de r\u00e9partition suivante. Son explicatif indique que le paiement intervient trois mois apr\u00e8s le trimestre au cours duquel un service a pay\u00e9 JASRAC, une fois l\u2019\u0153uvre identifi\u00e9e. Il s\u2019agit du calendrier de la soci\u00e9t\u00e9 de gestion apr\u00e8s encaissement, et non d\u2019un r\u00e8glement imm\u00e9diat au moment o\u00f9 un auditeur appuie sur lecture.<\/p>\n<p>L\u2019ampleur des montants justifie le rapprochement. Le <a href=\"https:\/\/www.jasrac.or.jp\/information\/260323.pdf\">tableau des r\u00e9partitions de l\u2019exercice fiscal 2025<\/a> de JASRAC recense \u00a559.4 billion pour les transmissions interactives, une cat\u00e9gorie qui englobe des usages num\u00e9riques au-del\u00e0 des streams d\u2019un artiste donn\u00e9. Il ne publie aucun tarif universel par stream. Avant de diviser les sommes par le nombre d\u2019\u00e9coutes, un label doit rapprocher le service, le territoire, la p\u00e9riode d\u2019utilisation et le type de droit.<\/p>\n<p>Structurez l\u2019audit autour de quatre colonnes : enregistrement et ISRC ; composition et code d\u2019\u0153uvre JASRAC ; format streaming ou t\u00e9l\u00e9chargement ; et partie ayant droit \u00e0 chaque part de reproduction et de transmission. InterSpace Distribution peut aider \u00e0 livrer l\u2019enregistrement sur les services r\u00e9gionaux et \u00e0 en assurer le suivi comptable. L\u2019auteur-compositeur et l\u2019\u00e9diteur doivent tout de m\u00eame veiller \u00e0 l\u2019exactitude de la d\u00e9claration de la composition. Le <a href=\"https:\/\/interspacemusic.com\/blog\/japan-record-performance-right-bgm-royalties-labels-performers\/\">droit li\u00e9 aux enregistrements et \u00e0 leur diffusion<\/a>, qui \u00e9merge au Japon, constitue une autre ligne distincte : le registre complet d\u2019un catalogue ne doit donc jamais fusionner tous les revenus japonais sous l\u2019intitul\u00e9 \u00ab redevances de streaming \u00bb.<\/p>\n","protected":false},"excerpt":{"rendered":"Au Japon, les redevances de streaming r\u00e9partissent les droits de composition d\u2019une chanson \u00e0 85\/15 entre transmission et reproduction ; pour les t\u00e9l\u00e9chargements, la proportion s\u2019inverse \u00e0 35\/65. JASRAC r\u00e9serve aussi 0.5% aux r\u00e9clamations ult\u00e9rieures. Voici comment labels et auteurs peuvent rapprocher ces deux droits, v\u00e9rifier les m\u00e9tadonn\u00e9es et rep\u00e9rer les revenus manquants.","protected":false},"author":9,"featured_media":25458,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"csco_display_header_overlay":false,"csco_singular_sidebar":"","csco_page_header_type":"","csco_page_load_nextpost":"","csco_post_video_location":[],"csco_post_video_location_hash":"","csco_post_video_url":"","csco_post_video_bg_start_time":0,"csco_post_video_bg_end_time":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[29763],"tags":[],"class_list":["post-25460","post","type-post","status-publish","format-standard","has-post-thumbnail","category-bonnes-pratiques","cs-entry","cs-video-wrap"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Le Japon r\u00e9partit les redevances des chansons \u00e0 85\/15 pour le streaming et \u00e0 35\/65 pour les t\u00e9l\u00e9chargements<\/title>\n<meta name=\"description\" content=\"Au Japon, un stream et un t\u00e9l\u00e9chargement d\u2019une m\u00eame chanson ne r\u00e9partissent pas les redevances de composition de la m\u00eame mani\u00e8re.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/interspacemusic.com\/blog\/fr\/le-japon-repartit-les-redevances-des-chansons-a-85-15-pour-le-streaming-et-a-35-65-pour-les-telechargements\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Le Japon r\u00e9partit les redevances des chansons \u00e0 85\/15 pour le streaming et \u00e0 35\/65 pour les t\u00e9l\u00e9chargements\" \/>\n<meta property=\"og:description\" content=\"Au Japon, un stream et un t\u00e9l\u00e9chargement d\u2019une m\u00eame chanson ne r\u00e9partissent pas les redevances de composition de la m\u00eame mani\u00e8re.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/interspacemusic.com\/blog\/fr\/le-japon-repartit-les-redevances-des-chansons-a-85-15-pour-le-streaming-et-a-35-65-pour-les-telechargements\/\" \/>\n<meta property=\"og:site_name\" content=\"The InterSpace Daily.\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/facebook.com\/interspacemusic\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-11-01T16:25:33+00:00\" \/>\n<meta name=\"author\" content=\"Chisom Enyindah\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@InterSpaceDaily\" \/>\n<meta name=\"twitter:site\" content=\"@InterSpaceDaily\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Chisom Enyindah\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":[\"Article\",\"BlogPosting\"],\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/le-japon-repartit-les-redevances-des-chansons-a-85-15-pour-le-streaming-et-a-35-65-pour-les-telechargements\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/le-japon-repartit-les-redevances-des-chansons-a-85-15-pour-le-streaming-et-a-35-65-pour-les-telechargements\\\/\"},\"author\":{\"name\":\"Chisom Enyindah\",\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/#\\\/schema\\\/person\\\/a7115dae218293fc24751e092699e42d\"},\"headline\":\"Le Japon r\u00e9partit les redevances des chansons \u00e0 85\\\/15 pour le streaming et \u00e0 35\\\/65 pour les t\u00e9l\u00e9chargements\",\"datePublished\":\"2026-11-01T16:25:33+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/le-japon-repartit-les-redevances-des-chansons-a-85-15-pour-le-streaming-et-a-35-65-pour-les-telechargements\\\/\"},\"wordCount\":951,\"publisher\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/le-japon-repartit-les-redevances-des-chansons-a-85-15-pour-le-streaming-et-a-35-65-pour-les-telechargements\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/i0.wp.com\\\/d2n07ae9429qri.cloudfront.net\\\/wp-content\\\/uploads\\\/2026\\\/11\\\/01161532\\\/1280px-CFAY_MWR_Hosts_Steak_Night_28984804829-1.jpg?fit=1280%2C853&ssl=1\",\"articleSection\":[\"Bonnes pratiques\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/le-japon-repartit-les-redevances-des-chansons-a-85-15-pour-le-streaming-et-a-35-65-pour-les-telechargements\\\/\",\"url\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/le-japon-repartit-les-redevances-des-chansons-a-85-15-pour-le-streaming-et-a-35-65-pour-les-telechargements\\\/\",\"name\":\"Le Japon r\u00e9partit les redevances des chansons \u00e0 85\\\/15 pour le streaming et \u00e0 35\\\/65 pour les t\u00e9l\u00e9chargements\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/le-japon-repartit-les-redevances-des-chansons-a-85-15-pour-le-streaming-et-a-35-65-pour-les-telechargements\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/le-japon-repartit-les-redevances-des-chansons-a-85-15-pour-le-streaming-et-a-35-65-pour-les-telechargements\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/i0.wp.com\\\/d2n07ae9429qri.cloudfront.net\\\/wp-content\\\/uploads\\\/2026\\\/11\\\/01161532\\\/1280px-CFAY_MWR_Hosts_Steak_Night_28984804829-1.jpg?fit=1280%2C853&ssl=1\",\"datePublished\":\"2026-11-01T16:25:33+00:00\",\"description\":\"Au Japon, un stream et un t\u00e9l\u00e9chargement d\u2019une m\u00eame chanson ne r\u00e9partissent pas les redevances de composition de la m\u00eame mani\u00e8re.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/le-japon-repartit-les-redevances-des-chansons-a-85-15-pour-le-streaming-et-a-35-65-pour-les-telechargements\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/le-japon-repartit-les-redevances-des-chansons-a-85-15-pour-le-streaming-et-a-35-65-pour-les-telechargements\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/le-japon-repartit-les-redevances-des-chansons-a-85-15-pour-le-streaming-et-a-35-65-pour-les-telechargements\\\/#primaryimage\",\"url\":\"https:\\\/\\\/i0.wp.com\\\/d2n07ae9429qri.cloudfront.net\\\/wp-content\\\/uploads\\\/2026\\\/11\\\/01161532\\\/1280px-CFAY_MWR_Hosts_Steak_Night_28984804829-1.jpg?fit=1280%2C853&ssl=1\",\"contentUrl\":\"https:\\\/\\\/i0.wp.com\\\/d2n07ae9429qri.cloudfront.net\\\/wp-content\\\/uploads\\\/2026\\\/11\\\/01161532\\\/1280px-CFAY_MWR_Hosts_Steak_Night_28984804829-1.jpg?fit=1280%2C853&ssl=1\",\"width\":1280,\"height\":853,\"caption\":\"Japan Splits Song Royalties 85\\\/15 on Streams, 35\\\/65 on Downloads\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/le-japon-repartit-les-redevances-des-chansons-a-85-15-pour-le-streaming-et-a-35-65-pour-les-telechargements\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Le Japon r\u00e9partit les redevances des chansons \u00e0 85\\\/15 pour le streaming et \u00e0 35\\\/65 pour les t\u00e9l\u00e9chargements\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/#website\",\"url\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/\",\"name\":\"The InterSpace Daily.\",\"description\":\"Nigeria&#039;s leading music tech blog\",\"publisher\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/#organization\"},\"alternateName\":\"InterSpace Daily\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/#organization\",\"name\":\"The InterSpace Daily.\",\"alternateName\":\"InterSpace Distribution\",\"url\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/i0.wp.com\\\/interspacemusic.com\\\/blog\\\/wp-content\\\/uploads\\\/2025\\\/03\\\/DP1.png?fit=90%2C90&ssl=1\",\"contentUrl\":\"https:\\\/\\\/i0.wp.com\\\/interspacemusic.com\\\/blog\\\/wp-content\\\/uploads\\\/2025\\\/03\\\/DP1.png?fit=90%2C90&ssl=1\",\"width\":90,\"height\":90,\"caption\":\"The InterSpace Daily.\"},\"image\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/facebook.com\\\/interspacemusic\\\/\",\"https:\\\/\\\/x.com\\\/InterSpaceDaily\",\"https:\\\/\\\/instagram.com\\\/interspace.daily\",\"https:\\\/\\\/youtube.com\\\/@interspacedistro\"],\"description\":\"Nigeria's leading music tech blog \u2014 streaming, distribution, royalties, AI and the business of music, covered from Lagos for artists and labels worldwide.\",\"knowsAbout\":[\"music technology\",\"music distribution\",\"music streaming\",\"music royalties\",\"Nigerian music industry\",\"Afrobeats\",\"YouTube MCNs\",\"DDEX\",\"AI in music\"],\"parentOrganization\":{\"@type\":\"Organization\",\"name\":\"The InterSpace Group\",\"url\":\"https:\\\/\\\/business.interspacemusic.com\\\/\",\"description\":\"The independent side of the global music industry \u2014 distribution, publishing, rights, and technology built for independent artists and labels.\"},\"areaServed\":[\"Nigeria\",\"Africa\",\"Worldwide\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/#\\\/schema\\\/person\\\/a7115dae218293fc24751e092699e42d\",\"name\":\"Chisom Enyindah\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/api.dicebear.com\\\/9.x\\\/notionists\\\/svg?seed=chi3om&size=96&backgroundColor=ff6a1a,f7a072,ffd5bd,ffb38a&backgroundType=solid\",\"url\":\"https:\\\/\\\/api.dicebear.com\\\/9.x\\\/notionists\\\/svg?seed=chi3om&size=96&backgroundColor=ff6a1a,f7a072,ffd5bd,ffb38a&backgroundType=solid\",\"contentUrl\":\"https:\\\/\\\/api.dicebear.com\\\/9.x\\\/notionists\\\/svg?seed=chi3om&size=96&backgroundColor=ff6a1a,f7a072,ffd5bd,ffb38a&backgroundType=solid\",\"caption\":\"Chisom Enyindah\"},\"url\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/author\\\/chi3om\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Le Japon r\u00e9partit les redevances des chansons \u00e0 85\/15 pour le streaming et \u00e0 35\/65 pour les t\u00e9l\u00e9chargements","description":"Au Japon, un stream et un t\u00e9l\u00e9chargement d\u2019une m\u00eame chanson ne r\u00e9partissent pas les redevances de composition de la m\u00eame mani\u00e8re.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/interspacemusic.com\/blog\/fr\/le-japon-repartit-les-redevances-des-chansons-a-85-15-pour-le-streaming-et-a-35-65-pour-les-telechargements\/","og_locale":"en_US","og_type":"article","og_title":"Le Japon r\u00e9partit les redevances des chansons \u00e0 85\/15 pour le streaming et \u00e0 35\/65 pour les t\u00e9l\u00e9chargements","og_description":"Au Japon, un stream et un t\u00e9l\u00e9chargement d\u2019une m\u00eame chanson ne r\u00e9partissent pas les redevances de composition de la m\u00eame mani\u00e8re.","og_url":"https:\/\/interspacemusic.com\/blog\/fr\/le-japon-repartit-les-redevances-des-chansons-a-85-15-pour-le-streaming-et-a-35-65-pour-les-telechargements\/","og_site_name":"The InterSpace Daily.","article_publisher":"https:\/\/facebook.com\/interspacemusic\/","article_published_time":"2026-11-01T16:25:33+00:00","author":"Chisom Enyindah","twitter_card":"summary_large_image","twitter_creator":"@InterSpaceDaily","twitter_site":"@InterSpaceDaily","twitter_misc":{"Written by":"Chisom Enyindah","Est. reading time":"5 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":["Article","BlogPosting"],"@id":"https:\/\/interspacemusic.com\/blog\/fr\/le-japon-repartit-les-redevances-des-chansons-a-85-15-pour-le-streaming-et-a-35-65-pour-les-telechargements\/#article","isPartOf":{"@id":"https:\/\/interspacemusic.com\/blog\/fr\/le-japon-repartit-les-redevances-des-chansons-a-85-15-pour-le-streaming-et-a-35-65-pour-les-telechargements\/"},"author":{"name":"Chisom Enyindah","@id":"https:\/\/interspacemusic.com\/blog\/#\/schema\/person\/a7115dae218293fc24751e092699e42d"},"headline":"Le Japon r\u00e9partit les redevances des chansons \u00e0 85\/15 pour le streaming et \u00e0 35\/65 pour les t\u00e9l\u00e9chargements","datePublished":"2026-11-01T16:25:33+00:00","mainEntityOfPage":{"@id":"https:\/\/interspacemusic.com\/blog\/fr\/le-japon-repartit-les-redevances-des-chansons-a-85-15-pour-le-streaming-et-a-35-65-pour-les-telechargements\/"},"wordCount":951,"publisher":{"@id":"https:\/\/interspacemusic.com\/blog\/#organization"},"image":{"@id":"https:\/\/interspacemusic.com\/blog\/fr\/le-japon-repartit-les-redevances-des-chansons-a-85-15-pour-le-streaming-et-a-35-65-pour-les-telechargements\/#primaryimage"},"thumbnailUrl":"https:\/\/i0.wp.com\/d2n07ae9429qri.cloudfront.net\/wp-content\/uploads\/2026\/11\/01161532\/1280px-CFAY_MWR_Hosts_Steak_Night_28984804829-1.jpg?fit=1280%2C853&ssl=1","articleSection":["Bonnes pratiques"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/interspacemusic.com\/blog\/fr\/le-japon-repartit-les-redevances-des-chansons-a-85-15-pour-le-streaming-et-a-35-65-pour-les-telechargements\/","url":"https:\/\/interspacemusic.com\/blog\/fr\/le-japon-repartit-les-redevances-des-chansons-a-85-15-pour-le-streaming-et-a-35-65-pour-les-telechargements\/","name":"Le Japon r\u00e9partit les redevances des chansons \u00e0 85\/15 pour le streaming et \u00e0 35\/65 pour les t\u00e9l\u00e9chargements","isPartOf":{"@id":"https:\/\/interspacemusic.com\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/interspacemusic.com\/blog\/fr\/le-japon-repartit-les-redevances-des-chansons-a-85-15-pour-le-streaming-et-a-35-65-pour-les-telechargements\/#primaryimage"},"image":{"@id":"https:\/\/interspacemusic.com\/blog\/fr\/le-japon-repartit-les-redevances-des-chansons-a-85-15-pour-le-streaming-et-a-35-65-pour-les-telechargements\/#primaryimage"},"thumbnailUrl":"https:\/\/i0.wp.com\/d2n07ae9429qri.cloudfront.net\/wp-content\/uploads\/2026\/11\/01161532\/1280px-CFAY_MWR_Hosts_Steak_Night_28984804829-1.jpg?fit=1280%2C853&ssl=1","datePublished":"2026-11-01T16:25:33+00:00","description":"Au Japon, un stream et un t\u00e9l\u00e9chargement d\u2019une m\u00eame chanson ne r\u00e9partissent pas les redevances de composition de la m\u00eame mani\u00e8re.","breadcrumb":{"@id":"https:\/\/interspacemusic.com\/blog\/fr\/le-japon-repartit-les-redevances-des-chansons-a-85-15-pour-le-streaming-et-a-35-65-pour-les-telechargements\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/interspacemusic.com\/blog\/fr\/le-japon-repartit-les-redevances-des-chansons-a-85-15-pour-le-streaming-et-a-35-65-pour-les-telechargements\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/interspacemusic.com\/blog\/fr\/le-japon-repartit-les-redevances-des-chansons-a-85-15-pour-le-streaming-et-a-35-65-pour-les-telechargements\/#primaryimage","url":"https:\/\/i0.wp.com\/d2n07ae9429qri.cloudfront.net\/wp-content\/uploads\/2026\/11\/01161532\/1280px-CFAY_MWR_Hosts_Steak_Night_28984804829-1.jpg?fit=1280%2C853&ssl=1","contentUrl":"https:\/\/i0.wp.com\/d2n07ae9429qri.cloudfront.net\/wp-content\/uploads\/2026\/11\/01161532\/1280px-CFAY_MWR_Hosts_Steak_Night_28984804829-1.jpg?fit=1280%2C853&ssl=1","width":1280,"height":853,"caption":"Japan Splits Song Royalties 85\/15 on Streams, 35\/65 on Downloads"},{"@type":"BreadcrumbList","@id":"https:\/\/interspacemusic.com\/blog\/fr\/le-japon-repartit-les-redevances-des-chansons-a-85-15-pour-le-streaming-et-a-35-65-pour-les-telechargements\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/interspacemusic.com\/blog\/"},{"@type":"ListItem","position":2,"name":"Le Japon r\u00e9partit les redevances des chansons \u00e0 85\/15 pour le streaming et \u00e0 35\/65 pour les t\u00e9l\u00e9chargements"}]},{"@type":"WebSite","@id":"https:\/\/interspacemusic.com\/blog\/#website","url":"https:\/\/interspacemusic.com\/blog\/","name":"The InterSpace Daily.","description":"Nigeria&#039;s leading music tech blog","publisher":{"@id":"https:\/\/interspacemusic.com\/blog\/#organization"},"alternateName":"InterSpace Daily","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/interspacemusic.com\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/interspacemusic.com\/blog\/#organization","name":"The InterSpace Daily.","alternateName":"InterSpace Distribution","url":"https:\/\/interspacemusic.com\/blog\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/interspacemusic.com\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/i0.wp.com\/interspacemusic.com\/blog\/wp-content\/uploads\/2025\/03\/DP1.png?fit=90%2C90&ssl=1","contentUrl":"https:\/\/i0.wp.com\/interspacemusic.com\/blog\/wp-content\/uploads\/2025\/03\/DP1.png?fit=90%2C90&ssl=1","width":90,"height":90,"caption":"The InterSpace Daily."},"image":{"@id":"https:\/\/interspacemusic.com\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/facebook.com\/interspacemusic\/","https:\/\/x.com\/InterSpaceDaily","https:\/\/instagram.com\/interspace.daily","https:\/\/youtube.com\/@interspacedistro"],"description":"Nigeria's leading music tech blog \u2014 streaming, distribution, royalties, AI and the business of music, covered from Lagos for artists and labels worldwide.","knowsAbout":["music technology","music distribution","music streaming","music royalties","Nigerian music industry","Afrobeats","YouTube MCNs","DDEX","AI in music"],"parentOrganization":{"@type":"Organization","name":"The InterSpace Group","url":"https:\/\/business.interspacemusic.com\/","description":"The independent side of the global music industry \u2014 distribution, publishing, rights, and technology built for independent artists and labels."},"areaServed":["Nigeria","Africa","Worldwide"]},{"@type":"Person","@id":"https:\/\/interspacemusic.com\/blog\/#\/schema\/person\/a7115dae218293fc24751e092699e42d","name":"Chisom Enyindah","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/api.dicebear.com\/9.x\/notionists\/svg?seed=chi3om&size=96&backgroundColor=ff6a1a,f7a072,ffd5bd,ffb38a&backgroundType=solid","url":"https:\/\/api.dicebear.com\/9.x\/notionists\/svg?seed=chi3om&size=96&backgroundColor=ff6a1a,f7a072,ffd5bd,ffb38a&backgroundType=solid","contentUrl":"https:\/\/api.dicebear.com\/9.x\/notionists\/svg?seed=chi3om&size=96&backgroundColor=ff6a1a,f7a072,ffd5bd,ffb38a&backgroundType=solid","caption":"Chisom Enyindah"},"url":"https:\/\/interspacemusic.com\/blog\/author\/chi3om\/"}]}},"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/i0.wp.com\/d2n07ae9429qri.cloudfront.net\/wp-content\/uploads\/2026\/11\/01161532\/1280px-CFAY_MWR_Hosts_Steak_Night_28984804829-1.jpg?fit=1280%2C853&ssl=1","_links":{"self":[{"href":"https:\/\/interspacemusic.com\/blog\/wp-json\/wp\/v2\/posts\/25460","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/interspacemusic.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/interspacemusic.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/interspacemusic.com\/blog\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/interspacemusic.com\/blog\/wp-json\/wp\/v2\/comments?post=25460"}],"version-history":[{"count":0,"href":"https:\/\/interspacemusic.com\/blog\/wp-json\/wp\/v2\/posts\/25460\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/interspacemusic.com\/blog\/wp-json\/wp\/v2\/media\/25458"}],"wp:attachment":[{"href":"https:\/\/interspacemusic.com\/blog\/wp-json\/wp\/v2\/media?parent=25460"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/interspacemusic.com\/blog\/wp-json\/wp\/v2\/categories?post=25460"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/interspacemusic.com\/blog\/wp-json\/wp\/v2\/tags?post=25460"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}