{"id":25464,"date":"2026-11-01T16:26:37","date_gmt":"2026-11-01T16:26:37","guid":{"rendered":"https:\/\/interspacemusic.com\/blog\/japon-divide-las-regalias-de-canciones-85-15-en-streaming-y-35-65-en-descargas\/"},"modified":"2026-11-01T16:26:37","modified_gmt":"2026-11-01T16:26:37","slug":"japon-divide-las-regalias-de-canciones-85-15-en-streaming-y-35-65-en-descargas","status":"publish","type":"post","link":"https:\/\/interspacemusic.com\/blog\/es\/japon-divide-las-regalias-de-canciones-85-15-en-streaming-y-35-65-en-descargas\/","title":{"rendered":"Jap\u00f3n divide las regal\u00edas de canciones 85\/15 en streaming y 35\/65 en descargas"},"content":{"rendered":"<p>Un streaming y una descarga de una misma canci\u00f3n no distribuyen las regal\u00edas de composici\u00f3n de la misma manera en Jap\u00f3n. The Japanese Society for Rights of Authors, Composers and Publishers (JASRAC) asigna 85% del pago de composici\u00f3n distribuible de un streaming a los derechos de transmisi\u00f3n p\u00fablica y 15% a los derechos de reproducci\u00f3n. En una descarga, la proporci\u00f3n se invierte: 35% para transmisi\u00f3n y 65% para reproducci\u00f3n. Esos porcentajes determinan qu\u00e9 cuenta de derechos recibe el dinero, no qu\u00e9 porcentaje de una suscripci\u00f3n le corresponde a un artista.<\/p>\n<p>Por eso, para una disquera que revisa ingresos de Jap\u00f3n, la primera pregunta es m\u00e1s precisa que \u00ab\u00bfCu\u00e1ntas reproducciones?\u00bb. Pregunta qu\u00e9 producto gener\u00f3 el uso, qu\u00e9 composici\u00f3n se identific\u00f3 y qui\u00e9n controla cada derecho. JASRAC detalla ambas proporciones en su <a href=\"https:\/\/www.jasrac.or.jp\/aboutus\/detail\/interactive.html\">explicaci\u00f3n interactiva sobre distribuci\u00f3n<\/a>.<\/p>\n<h2>Una grabaci\u00f3n, dos distribuciones de composici\u00f3n<\/h2>\n<p>Tanto el streaming como las descargas utilizan una obra musical, pero de distintas maneras. JASRAC se\u00f1ala que una descarga deja una copia con quien escucha, mientras que un streaming transmite principalmente la obra a pedido. Sus <a href=\"https:\/\/www.jasrac.or.jp\/en\/about\/facts-figures\/pdf\/distribution.pdf\">reglas de distribuci\u00f3n, Article 53<\/a> reflejan esa diferencia al dividir el pago de composici\u00f3n de cada formato entre los fondos de reproducci\u00f3n y transmisi\u00f3n.<\/p>\n<p>Antes de cualquiera de las dos divisiones hay un tercer rengl\u00f3n: 0.5% del pago va a un fondo de compensaci\u00f3n para la distribuci\u00f3n de obras que necesiten identificarse posteriormente. Tomemos como ejemplo hipot\u00e9tico un pago de composici\u00f3n de \u00a510,000 para un servicio y per\u00edodo contable determinados. Despu\u00e9s de esa reserva, quedan \u00a59,950. Un fondo de streaming asignar\u00eda \u00a51,492.50 a reproducci\u00f3n y \u00a58,457.50 a transmisi\u00f3n; un fondo de descargas asignar\u00eda \u00a56,467.50 y \u00a53,482.50, respectivamente. Son distribuciones del fondo, no una promesa de que una canci\u00f3n genere esos montos.<\/p>\n<p>La distinci\u00f3n importa cuando el contrato editorial del compositor trata de manera diferente los derechos mec\u00e1nicos y los de ejecuci\u00f3n o transmisi\u00f3n. JASRAC explica que, en algunos casos, una editorial puede recibir toda la parte de reproducci\u00f3n de una obra seg\u00fan su contrato y luego rendir cuentas directamente al compositor. Un compositor que no tenga un mandato directo con JASRAC tambi\u00e9n puede recibir ambas partidas a trav\u00e9s de la editorial. Lee el contrato junto con el estado de cuenta de la sociedad antes de considerar impago un pago directo que no aparece.<\/p>\n<h2>La identificaci\u00f3n va antes del porcentaje<\/h2>\n<p>JASRAC utiliza los informes de uso del servicio para identificar la obra y distribuir el pago seg\u00fan las solicitudes. Su <a href=\"https:\/\/www.jasrac.or.jp\/aboutus\/distribution\/arrives.html\">gu\u00eda de pagos<\/a> en japon\u00e9s indica que el registro de la obra establece qui\u00e9nes son las partes interesadas y qu\u00e9 participaciones tienen; el informe del usuario indica qu\u00e9 obra se utiliz\u00f3. Un identificador correcto del m\u00e1ster por s\u00ed solo no puede resolver un t\u00edtulo de composici\u00f3n, coautor o reclamo editorial incorrectos.<\/p>\n<p>Para un cat\u00e1logo extranjero, confirma que la obra est\u00e9 representada en Jap\u00f3n a trav\u00e9s de la sociedad del compositor o de la editorial y compara despu\u00e9s el registro japon\u00e9s de la obra con los metadatos de compositores del lanzamiento. Nuestra <a href=\"https:\/\/interspacemusic.com\/blog\/jasrac-paid-568990-foreign-creators-none-through-distributor\/\">gu\u00eda anterior sobre JASRAC y compositores extranjeros<\/a> explica por qu\u00e9 el pago de composici\u00f3n no llega a trav\u00e9s de un distribuidor de grabaciones. Incluye el International Standard Recording Code (ISRC), el identificador de la grabaci\u00f3n, junto al registro de composici\u00f3n en tu hoja de auditor\u00eda, pero no confundas ambos registros como si fueran un mismo reclamo.<\/p>\n<h2>C\u00f3mo leer los plazos y los totales<\/h2>\n<p>JASRAC distribuye cuatro veces al a\u00f1o, en marzo, junio, septiembre y diciembre. Article 53 generalmente vincula los pagos recaudados en un trimestre calendario con el siguiente per\u00edodo de distribuci\u00f3n. Su explicaci\u00f3n indica que el pago se realiza tres meses despu\u00e9s del trimestre en que un servicio pag\u00f3 a JASRAC, una vez identificada la obra. Ese es el calendario de la sociedad despu\u00e9s de recaudar el dinero, no una liquidaci\u00f3n instant\u00e1nea cuando alguien reproduce una canci\u00f3n.<\/p>\n<p>La escala hace que valga la pena conciliar las cuentas. La <a href=\"https:\/\/www.jasrac.or.jp\/information\/260323.pdf\">tabla de distribuci\u00f3n del a\u00f1o fiscal 2025 de JASRAC<\/a> registra \u00a559.4 mil millones para transmisiones interactivas, una categor\u00eda que incluye usos digitales m\u00e1s all\u00e1 del streaming de un artista en particular. No publica una tarifa universal por streaming. Antes de dividir el dinero entre las reproducciones, una disquera debe conciliar el servicio, el territorio, el per\u00edodo de uso y el tipo de derecho.<\/p>\n<p>Organiza la auditor\u00eda en torno a cuatro columnas: grabaci\u00f3n e ISRC; composici\u00f3n y c\u00f3digo de obra de JASRAC; formato de streaming o descarga; y la parte que tiene derecho a cada participaci\u00f3n de reproducci\u00f3n y transmisi\u00f3n. InterSpace Distribution puede ayudar a entregar y contabilizar la parte de grabaci\u00f3n en servicios regionales. El compositor y la editorial deben mantener preciso el reclamo de composici\u00f3n. El emergente <a href=\"https:\/\/interspacemusic.com\/blog\/japan-record-performance-right-bgm-royalties-labels-performers\/\">derecho de interpretaci\u00f3n de grabaciones<\/a> de Jap\u00f3n es otra partida separada, por lo que un libro contable completo del cat\u00e1logo nunca debe reducir todos los ingresos japoneses a \u00abregal\u00edas de streaming\u00bb.<\/p>\n","protected":false},"excerpt":{"rendered":"En Jap\u00f3n, las regal\u00edas de streaming dividen el pago de composici\u00f3n de una canci\u00f3n en 85\/15 entre transmisi\u00f3n y reproducci\u00f3n; en las descargas, la proporci\u00f3n se invierte a 35\/65. JASRAC tambi\u00e9n reserva 0.5% para reclamos posteriores. As\u00ed pueden las disqueras y los compositores conciliar ambos derechos, cotejar metadatos y detectar ingresos faltantes.","protected":false},"author":9,"featured_media":25458,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"csco_display_header_overlay":false,"csco_singular_sidebar":"","csco_page_header_type":"","csco_page_load_nextpost":"","csco_post_video_location":[],"csco_post_video_location_hash":"","csco_post_video_url":"","csco_post_video_bg_start_time":0,"csco_post_video_bg_end_time":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[15702],"tags":[],"class_list":["post-25464","post","type-post","status-publish","format-standard","has-post-thumbnail","category-best-practices-es","cs-entry","cs-video-wrap"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin 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