{"id":25579,"date":"2026-11-02T12:40:36","date_gmt":"2026-11-02T12:40:36","guid":{"rendered":"https:\/\/interspacemusic.com\/blog\/la-thailande-conserve-les-redevances-de-chansons-non-rapprochees-pendant-deux-ans-avant-leur-reattribution\/"},"modified":"2026-11-02T12:40:36","modified_gmt":"2026-11-02T12:40:36","slug":"la-thailande-conserve-les-redevances-de-chansons-non-rapprochees-pendant-deux-ans-avant-leur-reattribution","status":"publish","type":"post","link":"https:\/\/interspacemusic.com\/blog\/fr\/la-thailande-conserve-les-redevances-de-chansons-non-rapprochees-pendant-deux-ans-avant-leur-reattribution\/","title":{"rendered":"La Tha\u00eflande conserve les redevances de chansons non rapproch\u00e9es pendant deux ans avant leur r\u00e9attribution"},"content":{"rendered":"<p><strong>En Tha\u00eflande, les redevances de compositions non rapproch\u00e9es peuvent rester en attente pendant deux ans avant leur r\u00e9attribution.<\/strong> C&#8217;est la r\u00e8gle pour une \u0153uvre musicale sans documentation exploitable, m\u00eame lorsqu&#8217;aucun rapprochement n&#8217;est possible avec une soci\u00e9t\u00e9 internationale. Il s&#8217;agit d&#8217;une \u00e9ch\u00e9ance concr\u00e8te pour les auteurs et les \u00e9diteurs qui supposent que les m\u00e9tadonn\u00e9es d&#8217;enregistrement fournies par un distributeur enregistrent aussi leur chanson.<\/p>\n<p>Cette distinction compte, car Music Copyright (Thailand), ou MCT, administre les droits sur l&#8217;<em>\u0153uvre musicale<\/em> : la composition et les paroles. Sa <a href=\"https:\/\/www.mct.in.th\/about_us.php?language=EN&amp;page=about_us\">propre pr\u00e9sentation<\/a> indique qu&#8217;elle repr\u00e9sente les compositeurs et les auteurs, tandis que sa <a href=\"https:\/\/mct.in.th\/faq.php?language=EN&amp;page=faq\">FAQ<\/a> distingue les droits sur les \u0153uvres de MCT des droits sur les enregistrements sonores de Phonorights. Un enregistrement livr\u00e9 \u00e0 un service num\u00e9rique rel\u00e8ve donc d&#8217;une revendication diff\u00e9rente de la part d&#8217;un auteur-compositeur sur les revenus de repr\u00e9sentation publique ou de reproduction.<\/p>\n<h2>Trois types de sommes non vers\u00e9es<\/h2>\n<p>Les <a href=\"https:\/\/www.mct.in.th\/syncfile\/iframe-distribution-rules\/Distribution%20Rules_SEP2024_EN.pdf\">r\u00e8gles de r\u00e9partition de septembre 2024<\/a> de MCT distinguent un non-membre connu, une part contest\u00e9e et une \u0153uvre non identifiable. Regrouper les trois dans une m\u00eame r\u00e9serve de \u00ab redevances non r\u00e9clam\u00e9es \u00bb masque les d\u00e9marches n\u00e9cessaires pour d\u00e9bloquer chacune d&#8217;elles.<\/p>\n<p>Pour une \u0153uvre dont MCT est \u00e0 l&#8217;origine et dont l&#8217;ayant droit est identifiable mais n&#8217;est pas membre, l&#8217;article 10.1 indique que la part concern\u00e9e est vers\u00e9e sur un compte sp\u00e9cial r\u00e9serv\u00e9 aux non-membres. MCT la conserve jusqu&#8217;\u00e0 ce que cette personne devienne membre, puis verse le montant retenu lors de la p\u00e9riode de r\u00e9partition suivante ou dans le d\u00e9lai indiqu\u00e9. La r\u00e8gle des deux ans n&#8217;est pas pr\u00e9vue pour ce compte.<\/p>\n<p>Une part contest\u00e9e suit une proc\u00e9dure distincte. Les r\u00e8gles de MCT autorisent une notification \u00e9crite de contestation \u00e0 placer cette part en attente ; les conditions de r\u00e8glement d\u00e9terminent sa r\u00e9partition ult\u00e9rieure. L&#8217;absence d&#8217;adh\u00e9sion d&#8217;un coauteur et un d\u00e9saccord sur la r\u00e9partition entre coauteurs sont donc deux probl\u00e8mes diff\u00e9rents. Le premier n\u00e9cessite une <a href=\"https:\/\/interspacemusic.com\/blog\/malaysia-macp-nonmember-cowriter-royalties-three-years\/\">v\u00e9rification de l&#8217;adh\u00e9sion et des informations sur l&#8217;\u0153uvre<\/a> ; le second exige des \u00e9l\u00e9ments prouvant la r\u00e9partition convenue.<\/p>\n<p>Le d\u00e9lai de deux ans s&#8217;applique \u00e0 la troisi\u00e8me cat\u00e9gorie. L&#8217;article 10.3 indique que les redevances sans documentation, pour lesquelles la Warsaw Rule de CISAC ne permet pas d&#8217;identifier une soci\u00e9t\u00e9 affili\u00e9e, restent pendant deux ans sur un compte non distribuable. CISAC d\u00e9signe la Conf\u00e9d\u00e9ration internationale des soci\u00e9t\u00e9s d&#8217;auteurs et compositeurs. MCT peut effectuer des paiements r\u00e9troactifs apr\u00e8s v\u00e9rification pendant cette p\u00e9riode ; les soldes non justifi\u00e9s sont ensuite r\u00e9int\u00e9gr\u00e9s au syst\u00e8me de r\u00e9partition lors du cycle d&#8217;attribution suivant. Cette r\u00e8gle concerne les revenus de droits sur des \u0153uvres non rapproch\u00e9es, et ne fixe pas une date d&#8217;expiration g\u00e9n\u00e9rale pour toutes les redevances tha\u00eflandaises.<\/p>\n<h2>D\u00e9clarez l&#8217;\u0153uvre avant de recevoir le relev\u00e9<\/h2>\n<p>MCT demande aux auteurs-compositeurs et aux \u00e9diteurs membres de la pr\u00e9venir lorsqu&#8217;une \u0153uvre est cr\u00e9\u00e9e ou publi\u00e9e. Ses r\u00e8gles fixent une date limite de d\u00e9claration \u00e0 la fin septembre, communiqu\u00e9e aux membres au d\u00e9but de chaque ann\u00e9e civile, pour les \u0153uvres cr\u00e9\u00e9es l&#8217;ann\u00e9e pr\u00e9c\u00e9dente. Les d\u00e9clarations tardives sont exclues de la r\u00e9partition en cours et int\u00e9gr\u00e9es par un ajustement lors de la suivante. Consultez l&#8217;avis de la soci\u00e9t\u00e9 pour conna\u00eetre la date limite de l&#8217;ann\u00e9e concern\u00e9e au lieu de supposer qu&#8217;un t\u00e9l\u00e9versement \u00e0 la date de sortie a suffi.<\/p>\n<p>Constituez un dossier pour chaque composition : titre et titres alternatifs, compositeurs, paroliers, \u00e9diteur, part convenue de chaque ayant droit et identifiant d&#8217;enregistrement utile au rapprochement des utilisations. Conservez \u00e0 c\u00f4t\u00e9 l&#8217;accord de r\u00e9partition sign\u00e9. L&#8217;identifiant aide \u00e0 relier un enregistrement \u00e0 une \u0153uvre ; il ne remplace pas la d\u00e9claration de l&#8217;\u0153uvre et ne permet pas d&#8217;\u00e9tablir qui a \u00e9crit la chanson.<\/p>\n<p>Comparez ensuite le relev\u00e9 de MCT aux utilisations que vous pouvez documenter : dates de diffusion, listes des titres interpr\u00e9t\u00e9s dans les salles et rapports des plateformes. MCT indique que l&#8217;analyse des diffusions \u00e0 la radio et \u00e0 la t\u00e9l\u00e9vision repose sur les rapports d&#8217;utilisation et l&#8217;empreinte musicale, tandis que certaines cat\u00e9gories d&#8217;utilisation publique font appel \u00e0 des r\u00e9partitions de substitution lorsque les rapports directs ne sont pas disponibles. Une ligne manquante peut donc signaler un probl\u00e8me de d\u00e9claration ou de rapprochement, sans prouver qu&#8217;une salle ou un service n&#8217;a rien pay\u00e9.<\/p>\n<h2>Interpr\u00e9tez correctement le cycle de versement<\/h2>\n<p>MCT indique effectuer des r\u00e9partitions quatre fois par an, en mars, juin, septembre et d\u00e9cembre, au titre des redevances per\u00e7ues pendant l&#8217;ann\u00e9e civile pr\u00e9c\u00e9dente, de janvier \u00e0 d\u00e9cembre. Un paiement apr\u00e8s un ajustement r\u00e9ussi n&#8217;appara\u00eet pas n\u00e9cessairement au m\u00eame trimestre que l&#8217;\u00e9coute en streaming ou la repr\u00e9sentation. Ses codes de r\u00e9partition distinguent \u00e9galement les redevances locales de repr\u00e9sentation, les redevances de repr\u00e9sentation \u00e0 l&#8217;\u00e9tranger, les redevances m\u00e9caniques et les frais de synchronisation.<\/p>\n<p>Pour un label ind\u00e9pendant tha\u00eflandais, le principe est simple : rapprocher le relev\u00e9 du master fourni par le distributeur du relev\u00e9 de composition fourni par l&#8217;organisme de gestion des droits concern\u00e9. Si l&#8217;artiste est aussi l&#8217;auteur de la chanson, les deux comptes sont importants. Un distributeur qui fournit des m\u00e9tadonn\u00e9es d&#8217;enregistrement claires et une d\u00e9claration transparente des r\u00e9partitions facilite cette comparaison, mais l&#8217;auteur-compositeur doit toujours enregistrer correctement l&#8217;\u0153uvre et disposer d&#8217;une d\u00e9marche pour <a href=\"https:\/\/interspacemusic.com\/blog\/indonesia-rp70-billion-unclaimed-music-royalties-two-million-song-uses-no-owner\/\">r\u00e9clamer les revenus non rapproch\u00e9s<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"Les redevances de chansons non rapproch\u00e9es en Tha\u00eflande peuvent \u00eatre conserv\u00e9es pendant deux ans avant leur r\u00e9attribution selon les r\u00e8gles de r\u00e9partition de MCT. D\u00e9couvrez en quoi les parts des non-membres, contest\u00e9es et sans justificatifs diff\u00e8rent, pourquoi les d\u00e9clarations tardives manquent un cycle et ce que les auteurs-compositeurs tha\u00eflandais doivent v\u00e9rifier avant le prochain versement.","protected":false},"author":9,"featured_media":25567,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"csco_display_header_overlay":false,"csco_singular_sidebar":"","csco_page_header_type":"","csco_page_load_nextpost":"","csco_post_video_location":[],"csco_post_video_location_hash":"","csco_post_video_url":"","csco_post_video_bg_start_time":0,"csco_post_video_bg_end_time":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[29763],"tags":[],"class_list":["post-25579","post","type-post","status-publish","format-standard","has-post-thumbnail","category-bonnes-pratiques","cs-entry","cs-video-wrap"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin 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