{"id":25692,"date":"2026-11-03T08:40:29","date_gmt":"2026-11-03T08:40:29","guid":{"rendered":"https:\/\/interspacemusic.com\/blog\/la-division-de-regalias-musicales-50-25-25-de-indonesia-no-determina-cuanto-paga-spotify-por-reproduccion\/"},"modified":"2026-11-03T08:40:29","modified_gmt":"2026-11-03T08:40:29","slug":"la-division-de-regalias-musicales-50-25-25-de-indonesia-no-determina-cuanto-paga-spotify-por-reproduccion","status":"publish","type":"post","link":"https:\/\/interspacemusic.com\/blog\/es\/la-division-de-regalias-musicales-50-25-25-de-indonesia-no-determina-cuanto-paga-spotify-por-reproduccion\/","title":{"rendered":"La divisi\u00f3n de regal\u00edas musicales 50\/25\/25 de Indonesia no determina cu\u00e1nto paga Spotify por reproducci\u00f3n"},"content":{"rendered":"<p>La divisi\u00f3n de regal\u00edas musicales 50\/25\/25 que suele citarse en Indonesia describe a los titulares de derechos dentro de una cadena de licencias colectivas, no la tarifa que recibe un artista por una reproducci\u00f3n en Spotify. Un sello que prepara el presupuesto de un lanzamiento deber\u00eda llevar tres cuentas: la grabaci\u00f3n, la composici\u00f3n y el uso p\u00fablico de esa grabaci\u00f3n.<\/p>\n<h2>Qu\u00e9 abarca realmente la cifra 50\/25\/25<\/h2>\n<p>El <a href=\"https:\/\/www.prisindo.com\/faq\">FAQ publicado por PRISINDO<\/a> describe el dinero recaudado de usuarios comerciales a trav\u00e9s del organismo nacional de gesti\u00f3n colectiva de Indonesia, LMKN. Sus ejemplos incluyen karaokes, negocios de hoteler\u00eda y centros comerciales. Dentro de la parte de regal\u00edas que describe, el 50% se asigna a los creadores de canciones, el 25% a los productores de fonogramas y el 25% a los int\u00e9rpretes.<\/p>\n<p>Se trata de una distribuci\u00f3n entre clases de derechos dentro del esquema que explica PRISINDO. No es una promesa de que cada rupia pagada por un establecimiento llegue a esas tres partes en esas proporciones: el mismo FAQ describe por separado asignaciones operativas y una parte no reclamada. Tampoco establece una tarifa universal para cada servicio digital o contrato de licencia.<\/p>\n<p>Por eso, la pregunta pr\u00e1ctica para un sello indonesio no es simplemente: \u00ab\u00bfQu\u00e9 porcentaje me corresponde?\u00bb. Pregunta qu\u00e9 uso gener\u00f3 el dinero, qui\u00e9n lo licenci\u00f3, qu\u00e9 clase de derechos recibi\u00f3 una asignaci\u00f3n y qu\u00e9 organizaci\u00f3n deber\u00eda pagar al titular identificado. Un estado de distribuci\u00f3n correspondiente a la grabaci\u00f3n no puede responder las cuatro preguntas.<\/p>\n<h2>La reproducci\u00f3n sigue otro c\u00e1lculo<\/h2>\n<p><a href=\"https:\/\/loudandclear.byspotify.com\/faqs\/how-do-artists-and-songwriters-get-paid\/\">Spotify explica<\/a> que re\u00fane los ingresos por suscripciones y publicidad, asigna regal\u00edas seg\u00fan la participaci\u00f3n en reproducciones y paga a los titulares de derechos, quienes luego pagan a los artistas o autores conforme a sus acuerdos. No existe una tarifa fija de Spotify por reproducci\u00f3n a la que simplemente se pueda aplicar la divisi\u00f3n de Indonesia para establecimientos.<\/p>\n<p>Wahana Musik Indonesia, o WAMI, es una organizaci\u00f3n de gesti\u00f3n colectiva para creadores y titulares de derechos de autor. Su <a href=\"https:\/\/www.wami.id\/hak-cipta\">explicaci\u00f3n de derechos<\/a> indica que administra los derechos de ejecuci\u00f3n p\u00fablica de las canciones y composiciones de sus miembros. WAMI tambi\u00e9n <a href=\"https:\/\/www.wami.id\/en\/tarif-lisensi\">presenta las licencias digitales<\/a> por separado de los eventos en vivo y el uso comercial general. Esa distinci\u00f3n es otra raz\u00f3n para determinar la licencia y la categor\u00eda de uso antes de estimar un pago.<\/p>\n<p>Si una pista genera ingresos en un servicio de streaming, el sello necesita el estado de cuenta correspondiente al m\u00e1ster de su distribuidor y un registro separado de la v\u00eda de recaudaci\u00f3n de la composici\u00f3n subyacente. Si la misma grabaci\u00f3n suena en una cafeter\u00eda o en un sistema p\u00fablico con licencia, una reclamaci\u00f3n por uso colectivo puede incluir los intereses de autores, productores e int\u00e9rpretes. Una explotaci\u00f3n puede generar varias reclamaciones; un solo panel rara vez representa a todos los titulares.<\/p>\n<h2>Permite identificar a cada titular<\/h2>\n<p>Empieza por el International Standard Recording Code (ISRC), el identificador de una grabaci\u00f3n de sonido espec\u00edfica. <a href=\"https:\/\/isrc.ifpi.org\/why-use-isrc\/when-not-to-assign\">La agencia ISRC de IFPI<\/a> lo deja claro: un ISRC no identifica una composici\u00f3n ni su letra. Si reutilizas una grabaci\u00f3n en distintos lanzamientos, debes usar su c\u00f3digo existente; una grabaci\u00f3n diferente necesita su propio c\u00f3digo.<\/p>\n<p>Lleva un registro separado de la obra que incluya el t\u00edtulo de la canci\u00f3n, los autores, los intereses editoriales y las participaciones acordadas. Luego registra qui\u00e9n es due\u00f1o del m\u00e1ster y qui\u00e9n particip\u00f3 en la interpretaci\u00f3n, incluidos los m\u00fasicos de sesi\u00f3n. Mant\u00e9n uniformes la ortograf\u00eda de los nombres y los t\u00edtulos de las versiones en los registros del distribuidor, la editorial y las entidades colectivas pertinentes. Esta es una lista de verificaci\u00f3n operativa, no una afirmaci\u00f3n de que una sola sociedad acepte todos los campos mediante el mismo formulario.<\/p>\n<p>La <a href=\"https:\/\/www.wami.id\/en\/daftar-jadi-anggota\">p\u00e1gina de afiliaci\u00f3n de WAMI<\/a> indica que un autor debe tener al menos una canci\u00f3n publicada y no pertenecer ya a otra entidad de gesti\u00f3n colectiva de derechos de ejecuci\u00f3n p\u00fablica; la afiliaci\u00f3n es gratuita. PRISINDO dice que distribuye regal\u00edas a int\u00e9rpretes usando registros de uso y, cuando no hay registros, un m\u00e9todo de asignaci\u00f3n. Para un artista que tambi\u00e9n escribi\u00f3 e interpret\u00f3 la canci\u00f3n, se trata de dos preguntas distintas sobre registro y evidencia.<\/p>\n<p>Antes del lanzamiento, pide a tu distribuidor los identificadores de la grabaci\u00f3n y un estado de cuenta del m\u00e1ster que puedas exportar. Pregunta a tu representante editorial o colectivo c\u00f3mo se registran la obra y sus participaciones. Consulta al productor y a los int\u00e9rpretes qu\u00e9 entidad gestiona sus reclamaciones por uso p\u00fablico. Los informes de regal\u00edas de InterSpace Distribution pueden aclarar la cuenta correspondiente a la grabaci\u00f3n, pero la contabilidad m\u00e1s clara empieza por identificar tambi\u00e9n las dem\u00e1s cuentas. Para conocer el principio general, consulta nuestras gu\u00edas sobre <a href=\"https:\/\/interspacemusic.com\/blog\/indonesia-live-royalty-promoter-organiser-mk-28-puu-2025\/\">qui\u00e9n paga regal\u00edas por m\u00fasica en vivo en Indonesia<\/a> y <a href=\"https:\/\/interspacemusic.com\/blog\/three-metadata-failures-that-block-music-royalties\/\">los errores de metadatos que bloquean las regal\u00edas<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"Las regal\u00edas musicales en Indonesia contemplan derechos distintos para grabaciones, composiciones e int\u00e9rpretes. La divisi\u00f3n 50\/25\/25 de PRISINDO para el uso p\u00fablico no es una tarifa por reproducci\u00f3n en Spotify. Conoce c\u00f3mo WAMI, los distribuidores y las sociedades de int\u00e9rpretes gestionan cuentas distintas, y qu\u00e9 metadatos revisar antes del lanzamiento.","protected":false},"author":9,"featured_media":25682,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"csco_display_header_overlay":false,"csco_singular_sidebar":"","csco_page_header_type":"","csco_page_load_nextpost":"","csco_post_video_location":[],"csco_post_video_location_hash":"","csco_post_video_url":"","csco_post_video_bg_start_time":0,"csco_post_video_bg_end_time":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[7464],"tags":[],"class_list":["post-25692","post","type-post","status-publish","format-standard","has-post-thumbnail","category-industry-trends-es","cs-entry","cs-video-wrap"],"yoast_head":"<!-- This site is optimized with the Yoast SEO 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50\/25\/25 de Indonesia no determina cu\u00e1nto paga Spotify por reproducci\u00f3n\" \/>\n<meta property=\"og:description\" content=\"La divisi\u00f3n de regal\u00edas musicales 50\/25\/25 que suele citarse en Indonesia describe a los titulares de derechos dentro de una cadena de licencias colectivas, no la tarifa que recibe un artista por una reproducci\u00f3n en Spotify.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/interspacemusic.com\/blog\/es\/la-division-de-regalias-musicales-50-25-25-de-indonesia-no-determina-cuanto-paga-spotify-por-reproduccion\/\" \/>\n<meta property=\"og:site_name\" content=\"The InterSpace Daily.\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/facebook.com\/interspacemusic\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-11-03T08:40:29+00:00\" \/>\n<meta name=\"author\" content=\"Chisom Enyindah\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" 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