{"id":25695,"date":"2026-11-03T08:40:36","date_gmt":"2026-11-03T08:40:36","guid":{"rendered":"https:\/\/interspacemusic.com\/blog\/la-repartition-50-25-25-des-droits-musicaux-en-indonesie-ne-fixe-pas-le-prix-dun-stream-spotify\/"},"modified":"2026-11-03T08:40:36","modified_gmt":"2026-11-03T08:40:36","slug":"la-repartition-50-25-25-des-droits-musicaux-en-indonesie-ne-fixe-pas-le-prix-dun-stream-spotify","status":"publish","type":"post","link":"https:\/\/interspacemusic.com\/blog\/fr\/la-repartition-50-25-25-des-droits-musicaux-en-indonesie-ne-fixe-pas-le-prix-dun-stream-spotify\/","title":{"rendered":"La r\u00e9partition 50\/25\/25 des droits musicaux en Indon\u00e9sie ne fixe pas le prix d\u2019un stream Spotify"},"content":{"rendered":"<p>La r\u00e9partition 50\/25\/25 des droits musicaux en Indon\u00e9sie, souvent cit\u00e9e, d\u00e9crit les ayants droit dans une cha\u00eene de licences collectives, pas le tarif qu\u2019un artiste re\u00e7oit pour un stream sur Spotify. Un label qui \u00e9tablit le budget d\u2019une sortie doit tenir trois comptes : l\u2019enregistrement, l\u2019\u0153uvre et l\u2019utilisation publique de cet enregistrement.<\/p>\n<h2>Ce que couvre r\u00e9ellement le chiffre 50\/25\/25<\/h2>\n<p><a href=\"https:\/\/www.prisindo.com\/faq\">La FAQ publi\u00e9e par PRISINDO<\/a> d\u00e9crit les sommes collect\u00e9es aupr\u00e8s des utilisateurs commerciaux par l\u2019organisme national indon\u00e9sien de gestion collective, LMKN. Ses exemples incluent les karaok\u00e9s, les entreprises du secteur de l\u2019h\u00f4tellerie et les centres commerciaux. Dans la part des redevances qu\u2019elle d\u00e9crit, 50% sont attribu\u00e9s aux cr\u00e9ateurs de chansons, 25% aux producteurs de phonogrammes et 25% aux artistes interpr\u00e8tes.<\/p>\n<p>Il s\u2019agit d\u2019une r\u00e9partition entre cat\u00e9gories de droits dans le dispositif pr\u00e9sent\u00e9 par PRISINDO. Cela ne garantit pas que chaque rupiah vers\u00e9 par un \u00e9tablissement parvienne \u00e0 ces trois parties dans ces proportions : la m\u00eame FAQ d\u00e9crit s\u00e9par\u00e9ment les affectations aux frais de fonctionnement et une part non r\u00e9clam\u00e9e. La page ne d\u00e9finit pas non plus un tarif universel pour chaque service num\u00e9rique ou contrat de licence.<\/p>\n<p>Pour un label indon\u00e9sien, la question pratique n\u2019est donc pas simplement : \u00ab Quel est mon pourcentage ? \u00bb Demandez quel usage a g\u00e9n\u00e9r\u00e9 l\u2019argent, qui l\u2019a conc\u00e9d\u00e9 sous licence, quelle cat\u00e9gorie de droits a re\u00e7u une part et quelle organisation est cens\u00e9e payer l\u2019ayant droit identifi\u00e9. Un relev\u00e9 de distribution li\u00e9 \u00e0 l\u2019enregistrement ne peut pas r\u00e9pondre \u00e0 ces quatre questions.<\/p>\n<h2>Un stream suit un calcul diff\u00e9rent<\/h2>\n<p><a href=\"https:\/\/loudandclear.byspotify.com\/faqs\/how-do-artists-and-songwriters-get-paid\/\">Spotify explique<\/a> que la plateforme regroupe les revenus des abonnements et de la publicit\u00e9, r\u00e9partit les redevances selon la part des \u00e9coutes et paie les ayants droit, qui r\u00e9mun\u00e8rent ensuite les artistes ou les auteurs selon leurs contrats. Il n\u2019existe pas de tarif fixe par stream sur Spotify auquel appliquer directement la r\u00e9partition indon\u00e9sienne pour les lieux accueillant du public.<\/p>\n<p>Wahana Musik Indonesia, ou WAMI, est un organisme de gestion collective pour les cr\u00e9ateurs et les titulaires de droits d\u2019auteur. Son <a href=\"https:\/\/www.wami.id\/hak-cipta\">guide sur les droits<\/a> indique qu\u2019elle g\u00e8re les droits d\u2019ex\u00e9cution publique des chansons et compositions de ses membres. WAMI <a href=\"https:\/\/www.wami.id\/en\/tarif-lisensi\">r\u00e9pertorie aussi les licences num\u00e9riques<\/a> s\u00e9par\u00e9ment des \u00e9v\u00e9nements en direct et des usages commerciaux g\u00e9n\u00e9raux. Cette distinction justifie \u00e9galement de d\u00e9terminer la licence et la cat\u00e9gorie d\u2019usage avant d\u2019estimer un paiement.<\/p>\n<p>Si un titre g\u00e9n\u00e8re des revenus sur un service de streaming, le label a besoin du relev\u00e9 li\u00e9 au master fourni par son distributeur et d\u2019informations distinctes sur le circuit de collecte de la composition sous-jacente. Si le m\u00eame enregistrement est diffus\u00e9 dans un caf\u00e9 ou par un syst\u00e8me public sous licence, une revendication au titre de l\u2019utilisation collective peut concerner les auteurs, les producteurs et les artistes interpr\u00e8tes. Une exploitation peut g\u00e9n\u00e9rer plusieurs revendications, et un tableau de bord repr\u00e9sente rarement tous les ayants droit.<\/p>\n<h2>Permettre d\u2019identifier chaque ayant droit<\/h2>\n<p>Commencez par l\u2019International Standard Recording Code (ISRC), l\u2019identifiant d\u2019un enregistrement sonore particulier. <a href=\"https:\/\/isrc.ifpi.org\/why-use-isrc\/when-not-to-assign\">L\u2019agence ISRC d\u2019IFPI<\/a> le pr\u00e9cise clairement : un ISRC n\u2019identifie ni une composition ni ses paroles. R\u00e9utiliser un enregistrement dans plusieurs sorties n\u00e9cessite de conserver son code existant ; un enregistrement diff\u00e9rent doit avoir son propre code.<\/p>\n<p>Conservez une fiche distincte pour l\u2019\u0153uvre avec son titre, ses auteurs, les parts de l\u2019\u00e9diteur et les r\u00e9partitions convenues. Notez ensuite le titulaire du master et les artistes qui y ont jou\u00e9, y compris les musiciens de session. Harmonisez l\u2019orthographe des noms et les titres des versions dans les informations du distributeur, de l\u2019\u00e9diteur et des organismes collectifs concern\u00e9s. Il s\u2019agit d\u2019une liste de contr\u00f4le op\u00e9rationnelle, et non de l\u2019affirmation qu\u2019une soci\u00e9t\u00e9 accepte tous les champs dans le m\u00eame formulaire.<\/p>\n<p>La <a href=\"https:\/\/www.wami.id\/en\/daftar-jadi-anggota\">page d\u2019adh\u00e9sion de WAMI<\/a> indique qu\u2019un auteur doit avoir au moins une chanson publi\u00e9e et ne doit pas d\u00e9j\u00e0 appartenir \u00e0 un autre organisme de gestion collective des droits d\u2019ex\u00e9cution publique ; l\u2019adh\u00e9sion est gratuite. PRISINDO indique distribuer les redevances des artistes interpr\u00e8tes \u00e0 partir des relev\u00e9s d\u2019utilisation et, lorsque les usages ne sont pas consign\u00e9s, selon une m\u00e9thode de r\u00e9partition. Pour un artiste qui a aussi \u00e9crit et interpr\u00e9t\u00e9 la chanson, il s\u2019agit de deux questions distinctes concernant l\u2019inscription et les justificatifs.<\/p>\n<p>Avant la sortie, demandez \u00e0 votre distributeur les identifiants de l\u2019enregistrement et un relev\u00e9 du master exportable. Demandez \u00e0 votre repr\u00e9sentant \u00e9ditorial ou collectif comment l\u2019\u0153uvre et ses parts sont enregistr\u00e9es. Demandez au producteur et aux artistes interpr\u00e8tes quel organisme g\u00e8re leurs revendications li\u00e9es \u00e0 l\u2019utilisation publique. Les relev\u00e9s de redevances d\u2019InterSpace Distribution peuvent clarifier le compte li\u00e9 \u00e0 l\u2019enregistrement, mais une comptabilit\u00e9 claire commence aussi par nommer les autres comptes. Pour comprendre le principe g\u00e9n\u00e9ral, consultez nos guides sur <a href=\"https:\/\/interspacemusic.com\/blog\/indonesia-live-royalty-promoter-organiser-mk-28-puu-2025\/\">le payeur des redevances li\u00e9es aux concerts en Indon\u00e9sie<\/a> et sur <a href=\"https:\/\/interspacemusic.com\/blog\/three-metadata-failures-that-block-music-royalties\/\">les erreurs de m\u00e9tadonn\u00e9es qui bloquent les redevances<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"Les droits musicaux en Indon\u00e9sie couvrent des revendications distinctes li\u00e9es \u00e0 l\u2019enregistrement, \u00e0 l\u2019\u00e9criture et \u00e0 l\u2019interpr\u00e9tation. La r\u00e9partition 50\/25\/25 de PRISINDO pour les usages publics n\u2019est pas un tarif par stream sur Spotify. D\u00e9couvrez comment WAMI, les distributeurs et les soci\u00e9t\u00e9s de gestion des artistes traitent ces diff\u00e9rents comptes, et quelles m\u00e9tadonn\u00e9es v\u00e9rifier avant la sortie.","protected":false},"author":9,"featured_media":25682,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"csco_display_header_overlay":false,"csco_singular_sidebar":"","csco_page_header_type":"","csco_page_load_nextpost":"","csco_post_video_location":[],"csco_post_video_location_hash":"","csco_post_video_url":"","csco_post_video_bg_start_time":0,"csco_post_video_bg_end_time":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[6952],"tags":[],"class_list":["post-25695","post","type-post","status-publish","format-standard","has-post-thumbnail","category-industry-trends-fr","cs-entry","cs-video-wrap"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin 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