{"id":25715,"date":"2026-11-03T12:25:28","date_gmt":"2026-11-03T12:25:28","guid":{"rendered":"https:\/\/interspacemusic.com\/blog\/royalties-du-spectacle-vivant-en-allemagne-deposer-la-setlist-a-gema-dans-les-six-semaines\/"},"modified":"2026-11-03T12:25:28","modified_gmt":"2026-11-03T12:25:28","slug":"royalties-du-spectacle-vivant-en-allemagne-deposer-la-setlist-a-gema-dans-les-six-semaines","status":"publish","type":"post","link":"https:\/\/interspacemusic.com\/blog\/fr\/royalties-du-spectacle-vivant-en-allemagne-deposer-la-setlist-a-gema-dans-les-six-semaines\/","title":{"rendered":"Royalties du spectacle vivant en Allemagne : d\u00e9poser la setlist \u00e0 GEMA dans les six semaines"},"content":{"rendered":"<p>La convention <a href=\"https:\/\/mwm-berlin.de\/convention\/\">Most Wanted: Music<\/a> de Berlin se tient cette semaine, mais la question pratique de la musique live se pose bien au-del\u00e0 de toute conf\u00e9rence : qui d\u00e9clare les morceaux jou\u00e9s sur sc\u00e8ne ? En Allemagne, une licence de concert ne suffit pas \u00e0 identifier les auteurs \u00e0 r\u00e9mun\u00e9rer. <a href=\"https:\/\/www.gema.de\/en\/music-creators\/royalties\/live-reproduction\">GEMA indique<\/a> que l\u2019\u00e9v\u00e9nement, la facture, la setlist et les \u0153uvres enregistr\u00e9es doivent tous correspondre avant qu\u2019une prestation puisse \u00eatre prise en compte dans sa r\u00e9partition des droits du spectacle vivant.<\/p>\n<p>Pour un auteur ou un label ind\u00e9pendant, la r\u00e8gle pratique est simple : r\u00e9cup\u00e9rer la setlist au concert, v\u00e9rifier qu\u2019elle est parvenue \u00e0 GEMA dans les six semaines, puis rapprocher le paiement de la r\u00e9partition principale de l\u2019ann\u00e9e suivante. Le relev\u00e9 de streaming d\u2019un distributeur constitue un document distinct ; il ne remplacera pas une setlist de concert manquante.<\/p>\n<h2>Le d\u00e9lai de six semaines incombe \u00e0 l\u2019organisateur<\/h2>\n<p><a href=\"https:\/\/www.gema.de\/en\/w\/help\/users\/use-music\/setlist\/when-do-i-need-to-submit-a-setlist-playlist\">GEMA exige le d\u00e9p\u00f4t d\u2019une setlist au plus tard six semaines<\/a> apr\u00e8s un concert, un festival ou tout autre \u00e9v\u00e9nement de musique live. Ses <a href=\"https:\/\/www.gema.de\/en\/music-creators\/online-services-for-gema-members\/my-setlists\">conseils My setlists<\/a> attribuent cette obligation \u00e0 l\u2019organisateur, qui peut d\u00e9l\u00e9guer la t\u00e2che au groupe par le biais d\u2019un lien vers le portail. Cette d\u00e9l\u00e9gation est utile, mais l\u2019artiste doit tout de m\u00eame obtenir une preuve de d\u00e9p\u00f4t.<\/p>\n<p>Cette distinction compte lors d\u2019une affiche r\u00e9unissant plusieurs artistes. Le promoteur a peut-\u00eatre pay\u00e9 la licence de la salle sans que personne ne transmette le r\u00e9pertoire r\u00e9ellement jou\u00e9. GEMA indique qu\u2019elle utilise la setlist pour identifier les compositeurs, les paroliers et les \u00e9diteurs qui doivent recevoir les revenus des prestations live. Un re\u00e7u de billetterie ou un enregistrement du concert peut aider \u00e0 reconstituer ce qui s\u2019est pass\u00e9, mais aucun des deux ne constitue la setlist que GEMA demande \u00e0 l\u2019organisateur de d\u00e9poser.<\/p>\n<h2>Enregistrez l\u2019\u0153uvre avant de chercher \u00e0 faire correspondre le concert<\/h2>\n<p>La setlist doit renvoyer \u00e0 la bonne composition, et pas seulement au titre d\u2019un enregistrement. <a href=\"https:\/\/www.gema.de\/en\/music-creators\/royalties\/claim\/types-of-use\/live-performances-and-playbacks\">La liste de contr\u00f4le des r\u00e9clamations de GEMA<\/a> demande la date et l\u2019heure de l\u2019\u00e9v\u00e9nement, les adresses de l\u2019organisateur et de la salle, l\u2019artiste, les \u0153uvres jou\u00e9es, les num\u00e9ros ou versions des \u0153uvres lorsqu\u2019ils sont connus, ainsi que les noms des compositeurs. Conservez une copie de ces informations dans le dossier de r\u00e8glement de la tourn\u00e9e tant que les personnes qui les connaissent sont joignables.<\/p>\n<p>Pour la r\u00e9partition annuelle des droits du spectacle vivant de GEMA, les \u0153uvres utilis\u00e9es au cours d\u2019une ann\u00e9e civile doivent normalement \u00eatre enregistr\u00e9es ou corrig\u00e9es avant le <a href=\"https:\/\/www.gema.de\/en\/music-creators\/royalties\/distribution-dates-periods-deadlines\">31 janvier de l\u2019ann\u00e9e suivante<\/a>. GEMA indique le 31 mars comme date limite de d\u00e9p\u00f4t des d\u00e9clarations d\u2019utilisation live de l\u2019ann\u00e9e pr\u00e9c\u00e9dente, et pr\u00e9voit une r\u00e9partition principale des droits live au plus tard le 1er juin. Ces \u00e9ch\u00e9ances annuelles sont des \u00e9tapes comptables ; elles ne remplacent pas l\u2019obligation faite \u00e0 l\u2019organisateur de d\u00e9poser la setlist dans les six semaines suivant chaque concert.<\/p>\n<p>Une v\u00e9rification interne utile consiste \u00e0 comparer les parts des auteurs et des \u00e9diteurs de la composition au r\u00e9pertoire interpr\u00e9t\u00e9 avant le d\u00e9but de la tourn\u00e9e. Si un titre existe en plusieurs versions, identifiez celle qui a \u00e9t\u00e9 jou\u00e9e. Cette petite d\u00e9marche administrative permet \u00e0 la soci\u00e9t\u00e9 de gestion collective de faire une correspondance plus pr\u00e9cise et donne \u00e0 votre label un document \u00e0 contr\u00f4ler par la suite. Les relev\u00e9s d\u2019InterSpace Distribution concernant les enregistrements peuvent compl\u00e9ter ce document, mais la d\u00e9claration relative \u00e0 la composition rel\u00e8ve toujours du processus de gestion des droits concern\u00e9.<\/p>\n<h2>Paiement manquant : utilisez le d\u00e9lai de r\u00e9clamation<\/h2>\n<p>Si le relev\u00e9 des droits live ne mentionne pas un concert, v\u00e9rifiez d\u2019abord si la setlist et l\u2019enregistrement de l\u2019\u0153uvre ont bien \u00e9t\u00e9 re\u00e7us. <a href=\"https:\/\/www.gema.de\/en\/music-creators\/royalties\/claim\/types-of-use\/live-performances-and-playbacks\">GEMA indique \u00e0 ses membres<\/a> de transmettre la setlist manquante via My setlists, puis d\u2019utiliser sa proc\u00e9dure de r\u00e9clamation avec les identifiants de l\u2019\u00e9v\u00e9nement et le r\u00e9pertoire. Le d\u00e9lai annonc\u00e9 pour r\u00e9clamer des royalties manquantes li\u00e9es \u00e0 une prestation live est de neuf mois \u00e0 compter de la date de la r\u00e9partition principale.<\/p>\n<p>Les dates permettent de concr\u00e9tiser le contr\u00f4le. La r\u00e9partition principale de GEMA du 1er juin 2026 pour les utilisations de 2025 s\u2019accompagne d\u2019une <a href=\"https:\/\/www.gema.de\/en\/music-creators\/royalties\/distribution-dates-periods-deadlines\">date limite de r\u00e9clamation fix\u00e9e au 1er mars 2027<\/a>. Ne consid\u00e9rez pas cette \u00e9ch\u00e9ance comme une r\u00e8gle universelle pour tous les relev\u00e9s \u00e0 venir ; inscrivez dans votre calendrier la date effective de r\u00e9partition et la date limite de r\u00e9clamation applicable \u00e0 la r\u00e9ception du relev\u00e9.<\/p>\n<p>Pour les concerts hors d\u2019Allemagne, <a href=\"https:\/\/www.gema.de\/en\/music-creators\/online-services-for-gema-members\/my-setlists\">les membres de GEMA peuvent d\u00e9poser leurs setlists<\/a> sur le m\u00eame portail afin qu\u2019elles soient transmises aux soci\u00e9t\u00e9s s\u0153urs, tandis que la soci\u00e9t\u00e9 locale g\u00e8re sa propre collecte et ses r\u00e8gles. Le principe g\u00e9n\u00e9ral s\u2019applique ailleurs aussi : <a href=\"https:\/\/interspacemusic.com\/blog\/australia-apra-amcos-performance-reports-live-royalties-setlists\/\">les d\u00e9clarations de prestations live en Australie<\/a> et <a href=\"https:\/\/interspacemusic.com\/blog\/brazil-ecad-concert-royalties-setlist-roteiro-musical\/\">les setlists de concert au Br\u00e9sil<\/a> montrent pourquoi une tourn\u00e9e a besoin d\u2019un registre des droits en plus d\u2019un registre des billets. Int\u00e9grez le d\u00e9p\u00f4t \u00e0 chaque r\u00e8glement de concert, puis v\u00e9rifiez ce qui a effectivement \u00e9t\u00e9 pay\u00e9.<\/p>\n","protected":false},"excerpt":{"rendered":"Les royalties du spectacle vivant en Allemagne d\u00e9pendent du d\u00e9p\u00f4t d\u2019une setlist aupr\u00e8s de GEMA, de l\u2019enregistrement des \u0153uvres et du paiement d\u2019une licence \u00e9v\u00e9nementielle. Voici la r\u00e8gle des six semaines, le calendrier annuel de r\u00e9partition et le d\u00e9lai de r\u00e9clamation de neuf mois que les artistes et les labels doivent suivre apr\u00e8s chaque concert et le r\u00e8glement de chaque tourn\u00e9e.","protected":false},"author":9,"featured_media":25713,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"csco_display_header_overlay":false,"csco_singular_sidebar":"","csco_page_header_type":"","csco_page_load_nextpost":"","csco_post_video_location":[],"csco_post_video_location_hash":"","csco_post_video_url":"","csco_post_video_bg_start_time":0,"csco_post_video_bg_end_time":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[29763],"tags":[],"class_list":["post-25715","post","type-post","status-publish","format-standard","has-post-thumbnail","category-bonnes-pratiques","cs-entry","cs-video-wrap"],"yoast_head":"<!-- This site is optimized with the Yoast SEO 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