{"id":25907,"date":"2026-11-04T01:10:48","date_gmt":"2026-11-04T01:10:48","guid":{"rendered":"https:\/\/interspacemusic.com\/blog\/le-canada-accorde-quatre-ans-aux-proprietaires-de-masters-pour-reclamer-les-redevances-radio-les-artistes-interpretes-ont-six-ans\/"},"modified":"2026-11-04T01:10:48","modified_gmt":"2026-11-04T01:10:48","slug":"le-canada-accorde-quatre-ans-aux-proprietaires-de-masters-pour-reclamer-les-redevances-radio-les-artistes-interpretes-ont-six-ans","status":"publish","type":"post","link":"https:\/\/interspacemusic.com\/blog\/fr\/le-canada-accorde-quatre-ans-aux-proprietaires-de-masters-pour-reclamer-les-redevances-radio-les-artistes-interpretes-ont-six-ans\/","title":{"rendered":"Le Canada accorde quatre ans aux propri\u00e9taires de masters pour r\u00e9clamer les redevances radio. Les artistes interpr\u00e8tes ont six ans."},"content":{"rendered":"<p>Les redevances radio canadiennes peuvent passer \u00e0 la trappe m\u00eame lorsqu\u2019un titre a \u00e9t\u00e9 correctement distribu\u00e9. Re:Sound, l\u2019organisme de gestion des droits li\u00e9s \u00e0 la prestation publique pour les enregistrements, exige que le propri\u00e9taire du master et les artistes interpr\u00e8tes soumettent des d\u00e9clarations de r\u00e9pertoire distinctes. Son <a href=\"https:\/\/www.resound.ca\/music-creators\/schedule\/\">calendrier publi\u00e9<\/a> accorde aux producteurs jusqu\u2019au 1er septembre de la quatri\u00e8me ann\u00e9e suivant une ann\u00e9e de redevances, mais aux artistes interpr\u00e8tes jusqu\u2019au 1er septembre de la sixi\u00e8me. Un artiste qui s\u2019autoproduit, contr\u00f4le le master et y joue a deux d\u00e9clarations \u00e0 d\u00e9poser, soumises \u00e0 deux d\u00e9lais diff\u00e9rents.<\/p>\n<h2>Un enregistrement, deux comptes de redevances<\/h2>\n<p>Re:Sound d\u00e9signe le propri\u00e9taire du master comme le \u00ab maker \u00bb. L\u2019organisme collecte les droits voisins, c\u2019est-\u00e0-dire les sommes dues aux artistes interpr\u00e8tes et aux producteurs lorsqu\u2019un enregistrement admissible est diffus\u00e9 ou jou\u00e9 en public. Les <a href=\"https:\/\/www.resound.ca\/wp-content\/uploads\/2020\/08\/Distribution-Rules.pdf\">r\u00e8gles de r\u00e9partition<\/a> divisent cette cagnotte \u00e0 parts \u00e9gales : 50% aux artistes interpr\u00e8tes et 50% aux producteurs. Il s\u2019agit d\u2019une r\u00e9partition des redevances d\u2019enregistrement que Re:Sound peut distribuer, et non d\u2019une part promise des revenus d\u2019une station de radio.<\/p>\n<p>Dans la part des artistes interpr\u00e8tes, la r\u00e9partition par d\u00e9faut de Re:Sound pour la musique populaire accorde 80% aux artistes principaux et 20% aux musiciens de studio ou d\u2019accompagnement. Les participants peuvent convenir d\u2019une autre r\u00e9partition. Un artiste solo propri\u00e9taire du master peut donc avoir droit aux deux parts, tandis qu\u2019un musicien de studio peut d\u00e9poser une d\u00e9claration en tant qu\u2019artiste interpr\u00e8te m\u00eame sans poss\u00e9der le master. L\u2019admissibilit\u00e9 d\u00e9pend toutefois de l\u2019enregistrement et des droits applicables : aucune inscription ne garantit donc un paiement. Les <a href=\"https:\/\/www.resound.ca\/wp-content\/uploads\/2020\/08\/Distribution-Rules.pdf\">r\u00e8gles de Re:Sound<\/a> d\u00e9taillent la r\u00e9partition et les conditions.<\/p>\n<p>Les auteurs-compositeurs ont un droit distinct \u00e0 faire valoir. La <a href=\"https:\/\/www.resound.ca\/faq\/\">FAQ<\/a> de Re:Sound indique que SOCAN collecte les droits d\u2019ex\u00e9cution publique li\u00e9s \u00e0 la composition. Livrer un master \u00e0 un distributeur, adh\u00e9rer \u00e0 SOCAN et d\u00e9poser une d\u00e9claration aupr\u00e8s de Re:Sound concernent des droits diff\u00e9rents : aucune de ces d\u00e9marches ne remplace les autres. Cette distinction est famili\u00e8re aux lecteurs de notre <a href=\"https:\/\/interspacemusic.com\/blog\/dutch-sena-radio-royalties-session-musician-points\/\">guide des redevances des artistes interpr\u00e8tes aux Pays-Bas<\/a>, mais les d\u00e9lais canadiens n\u00e9cessitent leur propre calendrier.<\/p>\n<h2>Calculer le d\u00e9lai \u00e0 partir de l\u2019ann\u00e9e d\u2019utilisation<\/h2>\n<p>Le d\u00e9lai d\u00e9pend de l\u2019ann\u00e9e au titre de laquelle les redevances ont \u00e9t\u00e9 collect\u00e9es, et non de la date de sortie du disque. Pour les redevances de 2023, la date limite pr\u00e9vue pour l\u2019inscription et la d\u00e9claration de r\u00e9pertoire du producteur est le 1er septembre 2027 ; celle de l\u2019artiste interpr\u00e8te est le 1er septembre 2029. Ces deux dates d\u00e9coulent directement du <a href=\"https:\/\/www.resound.ca\/music-creators\/schedule\/\">calendrier actuel de Re:Sound<\/a> pour les ann\u00e9es de redevances 2020 et suivantes. Inscrivez-les toutes les deux au calendrier du catalogue au lieu de cr\u00e9er une t\u00e2che g\u00e9n\u00e9rique \u00ab Canada \u00bb.<\/p>\n<p>L\u2019inscription n\u2019est que la moiti\u00e9 du travail. Re:Sound pr\u00e9cise que le producteur ou l\u2019artiste interpr\u00e8te doit aussi soumettre les renseignements complets sur le r\u00e9pertoire avant la date limite applicable. Un compte existant satisfait \u00e0 l\u2019exigence d\u2019inscription, mais l\u2019enregistrement concern\u00e9 doit quand m\u00eame \u00eatre d\u00e9clar\u00e9. Les artistes interpr\u00e8tes peuvent passer par ACTRA RACS, Artisti ou directement par Re:Sound ; les producteurs peuvent passer par Panorama ou directement par Re:Sound, selon le m\u00eame <a href=\"https:\/\/www.resound.ca\/music-creators\/schedule\/\">calendrier<\/a>.<\/p>\n<p>L\u2019exemple de 2023 illustre une p\u00e9riode de d\u00e9p\u00f4t, et non une estimation des revenus d\u2019un titre donn\u00e9. Re:Sound indique que les r\u00e9partitions se fondent sur les diffusions d\u00e9clar\u00e9es, les tarifs de prestation publique \u00e9tant actuellement calcul\u00e9s \u00e0 partir des relev\u00e9s des radios commerciales. Sa <a href=\"https:\/\/www.resound.ca\/music-creators\/database\/\">base de donn\u00e9es consultable<\/a> pr\u00e9sente les enregistrements figurant dans les relev\u00e9s des diffuseurs ou des utilisateurs, mais l\u2019absence d\u2019un r\u00e9sultat n\u2019exclut pas un droit \u00e0 redevances. Consultez la base pour v\u00e9rifier, puis d\u00e9clarez le r\u00e9pertoire m\u00eame si le titre n\u2019y appara\u00eet pas.<\/p>\n<h2>Int\u00e9grer la d\u00e9claration aux op\u00e9rations de sortie<\/h2>\n<p>Pour chaque master, rassemblez le titre de l\u2019enregistrement, les noms des artistes, le premier producteur, le pays d\u2019enregistrement, les d\u00e9tails de sortie et le code International Standard Recording Code (ISRC). Le <a href=\"https:\/\/panorama.mu\/files\/uploads\/Declare-your-repertoire-2025.pdf\">guide de d\u00e9claration de r\u00e9pertoire<\/a> de Panorama demande aux propri\u00e9taires de masters ce type d\u2019identifiants et de renseignements sur les droits. Conservez le m\u00eame ISRC dans les dossiers des distributeurs et des soci\u00e9t\u00e9s de gestion ; ce code identifie un enregistrement, mais ne prouve pas \u00e0 lui seul qu\u2019une partie poss\u00e8de le master.<\/p>\n<p>Avant la sortie, documentez les artistes principaux et les musiciens de studio, puis consignez qui d\u00e9posera chaque d\u00e9claration. Si un label change de distributeur, v\u00e9rifiez s\u00e9par\u00e9ment sa repr\u00e9sentation aupr\u00e8s de Re:Sound et son r\u00e9pertoire, ind\u00e9pendamment du transfert de livraison. Un tableau de bord de redevances peut afficher les recettes DSP, mais il ne peut pas r\u00e9gler une d\u00e9claration radio canadienne manquante. Cette distinction compte aussi dans le <a href=\"https:\/\/interspacemusic.com\/blog\/philippines-prm-neighbouring-rights-featured-session-performers\/\">syst\u00e8me philippin des droits li\u00e9s aux enregistrements<\/a>, o\u00f9 la classification des artistes interpr\u00e8tes modifie \u00e9galement les paiements.<\/p>\n<p>Enfin, n\u2019appliquez pas ces d\u00e9lais de quatre et six ans \u00e0 chaque \u00e9coute sur Spotify. La <a href=\"https:\/\/www.resound.ca\/faq\/\">FAQ<\/a> de Re:Sound distingue les services \u00e0 la demande conc\u00e9d\u00e9s directement par les labels de ses tarifs au titre des droits voisins. Demandez \u00e0 votre distributeur des relev\u00e9s d\u00e9taill\u00e9s des masters et un registre clair des r\u00e9partitions, puis suivez s\u00e9par\u00e9ment une liste de contr\u00f4le Re:Sound pour les diffusions et usages publics admissibles au Canada. C\u2019est ainsi qu\u2019un catalogue per\u00e7oit \u00e0 la fois les revenus de livraison et les redevances auxquelles il a effectivement droit.<\/p>\n","protected":false},"excerpt":{"rendered":"Au Canada, les redevances de Re:Sound sont soumises \u00e0 deux d\u00e9lais de d\u00e9claration : les propri\u00e9taires de masters ont jusqu\u2019au 1er septembre de la quatri\u00e8me ann\u00e9e suivant l\u2019ann\u00e9e de redevances, et les artistes interpr\u00e8tes jusqu\u2019\u00e0 la sixi\u00e8me. D\u00e9couvrez comment r\u00e9clamer les deux parts d\u2019un enregistrement, v\u00e9rifier les diffusions admissibles et distinguer les revenus des distributeurs des droits voisins.","protected":false},"author":6,"featured_media":25794,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"csco_display_header_overlay":false,"csco_singular_sidebar":"","csco_page_header_type":"","csco_page_load_nextpost":"","csco_post_video_location":[],"csco_post_video_location_hash":"","csco_post_video_url":"","csco_post_video_bg_start_time":0,"csco_post_video_bg_end_time":0,"_jetpack_hide_featured_image":false,"_jetpack_featured_image_duplicate_dismissed":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[29763],"tags":[],"class_list":["post-25907","post","type-post","status-publish","format-standard","has-post-thumbnail","category-bonnes-pratiques","cs-entry","cs-video-wrap"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Le Canada accorde quatre ans aux propri\u00e9taires de masters pour r\u00e9clamer les redevances radio. Les artistes interpr\u00e8tes ont six ans.<\/title>\n<meta name=\"description\" content=\"Les redevances radio canadiennes peuvent passer \u00e0 la trappe m\u00eame lorsqu\u2019un titre a \u00e9t\u00e9 correctement distribu\u00e9. Re:Sound, l\u2019organisme de gestion des droits li\u00e9s \u00e0 la prestation publique pour les enregistrements, exige que le propri\u00e9taire du master et les artistes interpr\u00e8tes\u2026\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/interspacemusic.com\/blog\/fr\/le-canada-accorde-quatre-ans-aux-proprietaires-de-masters-pour-reclamer-les-redevances-radio-les-artistes-interpretes-ont-six-ans\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Le Canada accorde quatre ans aux propri\u00e9taires de masters pour r\u00e9clamer les redevances radio. 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Re:Sound, l\u2019organisme de gestion des droits li\u00e9s \u00e0 la prestation publique pour les enregistrements, exige que le propri\u00e9taire du master et les artistes interpr\u00e8tes\u2026\" \/>\n<meta property=\"og:url\" content=\"https:\/\/interspacemusic.com\/blog\/fr\/le-canada-accorde-quatre-ans-aux-proprietaires-de-masters-pour-reclamer-les-redevances-radio-les-artistes-interpretes-ont-six-ans\/\" \/>\n<meta property=\"og:site_name\" content=\"The InterSpace Daily.\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/facebook.com\/interspacemusic\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-11-04T01:10:48+00:00\" \/>\n<meta name=\"author\" content=\"Grace Wangeci\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@InterSpaceDaily\" \/>\n<meta name=\"twitter:site\" content=\"@InterSpaceDaily\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Grace Wangeci\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":[\"Article\",\"BlogPosting\"],\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/le-canada-accorde-quatre-ans-aux-proprietaires-de-masters-pour-reclamer-les-redevances-radio-les-artistes-interpretes-ont-six-ans\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/le-canada-accorde-quatre-ans-aux-proprietaires-de-masters-pour-reclamer-les-redevances-radio-les-artistes-interpretes-ont-six-ans\\\/\"},\"author\":{\"name\":\"Grace Wangeci\",\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/#\\\/schema\\\/person\\\/e932964055c2dfc2484af1bafae3e7b0\"},\"headline\":\"Le Canada accorde quatre ans aux propri\u00e9taires de masters pour r\u00e9clamer les redevances radio. Les artistes interpr\u00e8tes ont six ans.\",\"datePublished\":\"2026-11-04T01:10:48+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/le-canada-accorde-quatre-ans-aux-proprietaires-de-masters-pour-reclamer-les-redevances-radio-les-artistes-interpretes-ont-six-ans\\\/\"},\"wordCount\":1042,\"publisher\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/le-canada-accorde-quatre-ans-aux-proprietaires-de-masters-pour-reclamer-les-redevances-radio-les-artistes-interpretes-ont-six-ans\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/i0.wp.com\\\/d2n07ae9429qri.cloudfront.net\\\/wp-content\\\/uploads\\\/2026\\\/11\\\/03161654\\\/1280px-The_Canadian_Brass_Master_Class_283231168299029.jpg?fit=1280%2C854&ssl=1\",\"articleSection\":[\"Bonnes pratiques\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/le-canada-accorde-quatre-ans-aux-proprietaires-de-masters-pour-reclamer-les-redevances-radio-les-artistes-interpretes-ont-six-ans\\\/\",\"url\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/le-canada-accorde-quatre-ans-aux-proprietaires-de-masters-pour-reclamer-les-redevances-radio-les-artistes-interpretes-ont-six-ans\\\/\",\"name\":\"Le Canada accorde quatre ans aux propri\u00e9taires de masters pour r\u00e9clamer les redevances radio. 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