{"id":26214,"date":"2026-11-05T08:25:42","date_gmt":"2026-11-05T08:25:42","guid":{"rendered":"https:\/\/interspacemusic.com\/blog\/royalties-du-live-en-uruguay-deposez-la-setlist-aupres-dagadu-dans-les-30-jours\/"},"modified":"2026-11-05T08:25:42","modified_gmt":"2026-11-05T08:25:42","slug":"royalties-du-live-en-uruguay-deposez-la-setlist-aupres-dagadu-dans-les-30-jours","status":"publish","type":"post","link":"https:\/\/interspacemusic.com\/blog\/fr\/royalties-du-live-en-uruguay-deposez-la-setlist-aupres-dagadu-dans-les-30-jours\/","title":{"rendered":"Royalties du live en Uruguay : d\u00e9posez la setlist aupr\u00e8s d\u2019AGADU dans les 30 jours"},"content":{"rendered":"<p><strong>En Uruguay, les royalties d\u2019auteur li\u00e9es aux concerts commencent par une setlist, et non par le relev\u00e9 de streams d\u2019un distributeur.<\/strong> La Asociaci\u00f3n General de Autores del Uruguay (AGADU) accorde aux artistes 30 jours apr\u00e8s un concert pour d\u00e9poser une d\u00e9claration num\u00e9rique de repr\u00e9sentation. Son <a href=\"https:\/\/www.agadu.org\/yo_creo_cultura_calendario_pagos.php\">calendrier des paiements 2026<\/a> traite ensuite les concerts, les autres repr\u00e9sentations publiques et les plateformes num\u00e9riques comme des flux de royalties distincts.<\/p>\n<p>Cette distinction compte pour un groupe ind\u00e9pendant qui joue \u00e0 Montevideo tout en sortant les m\u00eames chansons dans le monde entier. Un distributeur peut rendre compte des enregistrements livr\u00e9s aux services de streaming. La demande de royalties de l\u2019auteur pour une repr\u00e9sentation live passe par la soci\u00e9t\u00e9 de gestion collective et d\u00e9pend des \u0153uvres effectivement d\u00e9clar\u00e9es.<\/p>\n<h2>D\u00e9clarez les chansons dans les 30 jours<\/h2>\n<p>La <a href=\"https:\/\/www.agadu.org\/yo_creo_cultura_planillar_actuaciones_vivo.php\">page de d\u00e9claration des concerts d\u2019AGADU<\/a> indique que la setlist num\u00e9rique doit \u00eatre d\u00e9pos\u00e9e dans les 30 jours suivant la repr\u00e9sentation. Sa FAQ d\u00e9crit aussi d\u2019anciennes proc\u00e9dures en ligne et en agence, assorties de d\u00e9lais diff\u00e9rents. L\u2019artiste qui utilise le formulaire num\u00e9rique doit donc suivre l\u2019instruction pr\u00e9cise des 30 jours et conserver un accus\u00e9 de d\u00e9p\u00f4t dat\u00e9.<\/p>\n<p>Avant le concert, pr\u00e9parez une setlist de travail avec le titre enregistr\u00e9, chaque auteur et les \u00e9ventuelles reprises. Apr\u00e8s le concert, corrigez-la pour qu\u2019elle corresponde aux morceaux jou\u00e9s. L\u2019affiche du promoteur, un relev\u00e9 de billetterie et un t\u00e9l\u00e9versement sur un DSP ne remplacent pas une d\u00e9claration de repr\u00e9sentation d\u00e9taill\u00e9e, chanson par chanson.<\/p>\n<p>AGADU indique que ses membres peuvent <a href=\"https:\/\/www.agadu.org\/yo_creo_cultura_registro_obras_pequeno_derecho.php\">enregistrer leurs \u0153uvres musicales en ligne<\/a> depuis leur compte, en joignant les formulaires sign\u00e9s et l\u2019enregistrement audio commercial. La soci\u00e9t\u00e9 demande aux personnes qui enregistrent une \u0153uvre de v\u00e9rifier les informations sur les coauteurs avant l\u2019envoi. Si les parts d\u2019une co\u00e9criture sont incorrectes, rectifiez aussi bien l\u2019enregistrement de l\u2019\u0153uvre que la d\u00e9claration du concert : la setlist ne peut pas, \u00e0 elle seule, identifier une part manquante.<\/p>\n<h2>La date de paiement d\u00e9pend de l\u2019utilisation<\/h2>\n<p>Le calendrier comporte une ligne sp\u00e9cifique pour les concerts. Par exemple, il pr\u00e9voit le paiement de la p\u00e9riode des concerts d\u2019octobre 2026 le 12 November 2026, tandis que sa ligne g\u00e9n\u00e9rale sur les repr\u00e9sentations publiques regroupe juillet \u00e0 septembre 2026 pour un paiement le 15 December. Ce sont des dates inscrites au calendrier de la soci\u00e9t\u00e9, et non la garantie que chaque concert donnera lieu \u00e0 un paiement ce jour-l\u00e0.<\/p>\n<p>La pr\u00e9cision est explicite : AGADU d\u00e9crit la p\u00e9riode des concerts comme couvrant les \u00e9v\u00e9nements pay\u00e9s par l\u2019organisateur avant la fin du mois, et la p\u00e9riode g\u00e9n\u00e9rale des repr\u00e9sentations publiques comme couvrant les \u00e9v\u00e9nements pay\u00e9s par l\u2019organisateur pendant le trimestre concern\u00e9. L\u2019artiste devrait donc demander \u00e0 la salle ou au promoteur si la repr\u00e9sentation a \u00e9t\u00e9 autoris\u00e9e et pay\u00e9e, puis comparer la setlist d\u00e9clar\u00e9e au relev\u00e9 re\u00e7u par la suite.<\/p>\n<p>Les plateformes num\u00e9riques figurent sur une autre ligne : AGADU mentionne LATINAUTOR et indique qu\u2019elle cr\u00e9dite ces fonds \u00e0 r\u00e9ception du transfert correspondant. Cette ligne ne pr\u00e9voit pas de date fixe de paiement num\u00e9rique. Pr\u00e9voir un paiement d\u2019auteur Spotify en fonction de la prochaine date de concert revient \u00e0 confondre deux circuits de collecte et donne une pr\u00e9vision de tr\u00e9sorerie trompeuse.<\/p>\n<h2>Tenez deux registres pour une m\u00eame chanson<\/h2>\n<p>Pour un auteur qui sort ses titres lui-m\u00eame, l\u2019enregistrement et la composition peuvent faire l\u2019objet de relev\u00e9s distincts. Conservez l\u2019identifiant de l\u2019enregistrement fourni par le distributeur et les relev\u00e9s de r\u00e9partition avec l\u2019enregistrement de l\u2019\u0153uvre aupr\u00e8s d\u2019AGADU, la setlist du concert, les coordonn\u00e9es de l\u2019organisateur et les relev\u00e9s de la soci\u00e9t\u00e9. La question pratique pour l\u2019audit n\u2019est pas seulement de savoir si le titre a g\u00e9n\u00e9r\u00e9 des revenus, mais aussi quelle utilisation les a g\u00e9n\u00e9r\u00e9s et quelle organisation doit en rendre compte.<\/p>\n<p>Si le paiement d\u2019un concert manque, commencez par v\u00e9rifier la date du concert, l\u2019accus\u00e9 de d\u00e9p\u00f4t num\u00e9rique, les titres des \u0153uvres enregistr\u00e9es et le statut de paiement de l\u2019organisateur. Si les revenus de composition li\u00e9s au streaming manquent, renseignez-vous plut\u00f4t sur le rapprochement des \u0153uvres et le transfert de LATINAUTOR. Ce sont deux d\u00e9marches diff\u00e9rentes, m\u00eame lorsque le r\u00e9pertoire est identique.<\/p>\n<p>La distinction op\u00e9r\u00e9e en Uruguay constitue un avertissement utile pour l\u2019ensemble de la r\u00e9gion. <a href=\"https:\/\/interspacemusic.com\/blog\/chile-scd-club-music-royalties-sample-streaming-quarterly\/\">Au Chili, SCD s\u00e9pare \u00e9galement la r\u00e9partition li\u00e9e aux clubs de celle du streaming<\/a>, tandis qu\u2019une pr\u00e9c\u00e9dente <a href=\"https:\/\/interspacemusic.com\/blog\/uruguay-nearly-lost-spotify-royalty-law-decree-sent-bill-to-the-label\/\">analyse des droits en Uruguay<\/a> explique pourquoi le volet de l\u2019enregistrement comporte ses propres obligations de paiement. Choisissez des syst\u00e8mes de distribution et de d\u00e9claration qui pr\u00e9servent des parts d\u2019enregistrement clairement d\u00e9finies, puis faites appara\u00eetre la demande de royalties de composition li\u00e9e aux concerts dans un calendrier distinct des droits.<\/p>\n","protected":false},"excerpt":{"rendered":"En Uruguay, les royalties du live d\u00e9pendent du d\u00e9p\u00f4t d\u2019une setlist aupr\u00e8s d\u2019AGADU dans les 30 jours. Son calendrier 2026 pr\u00e9voit des modalit\u00e9s diff\u00e9rentes pour les concerts, les repr\u00e9sentations publiques et les revenus des plateformes num\u00e9riques. Voici comment un artiste ind\u00e9pendant peut d\u00e9clarer ses \u0153uvres, suivre les paiements des organisateurs et v\u00e9rifier les deux circuits de royalties.","protected":false},"author":6,"featured_media":26209,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"csco_display_header_overlay":false,"csco_singular_sidebar":"","csco_page_header_type":"","csco_page_load_nextpost":"","csco_post_video_location":[],"csco_post_video_location_hash":"","csco_post_video_url":"","csco_post_video_bg_start_time":0,"csco_post_video_bg_end_time":0,"_jetpack_hide_featured_image":false,"_jetpack_featured_image_duplicate_dismissed":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[29763],"tags":[],"class_list":["post-26214","post","type-post","status-publish","format-standard","has-post-thumbnail","category-bonnes-pratiques","cs-entry","cs-video-wrap"],"yoast_head":"<!-- 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