{"id":26708,"date":"2026-11-07T12:25:47","date_gmt":"2026-11-07T12:25:47","guid":{"rendered":"https:\/\/interspacemusic.com\/blog\/droits-voisins-des-masters-en-malaisie-ppm-a-besoin-dun-mandat-et-dun-enregistrement\/"},"modified":"2026-11-08T03:40:35","modified_gmt":"2026-11-08T03:40:35","slug":"droits-voisins-des-masters-en-malaisie-ppm-a-besoin-dun-mandat-et-dun-enregistrement","status":"publish","type":"post","link":"https:\/\/interspacemusic.com\/blog\/fr\/droits-voisins-des-masters-en-malaisie-ppm-a-besoin-dun-mandat-et-dun-enregistrement\/","title":{"rendered":"Droits voisins des masters en Malaisie : PPM a besoin d\u2019un mandat et d\u2019un enregistrement"},"content":{"rendered":"<p><strong>Un enregistrement malaisien peut \u00eatre disponible sur les services de streaming tout en \u00e9tant absent du processus local de r\u00e9clamation des droits sur les enregistrements.<\/strong> Public Performance Malaysia (PPM) indique qu\u2019un membre doit disposer d\u2019un mandat \u00e9crit pour l\u2019ann\u00e9e de collecte et inscrire les enregistrements admissibles dans sa Music Recording Database (MRD). Pour un label, ces d\u00e9marches sont distinctes de la livraison d\u2019une sortie \u00e0 un fournisseur de services num\u00e9riques (DSP).<\/p>\n<p>Cette distinction est particuli\u00e8rement importante lorsqu\u2019un catalogue a chang\u00e9 de mains, qu\u2019un distributeur ne g\u00e8re que la livraison ou qu\u2019une diffusion radio est consign\u00e9e sous un titre approximatif. Les <a href=\"https:\/\/ppm.my\/documents\/Distribution_Policies_Rules.pdf\">r\u00e8gles de distribution<\/a> de PPM d\u00e9crivent les d\u00e9marches que le titulaire de l\u2019enregistrement doit effectuer avant qu\u2019un rapport d\u2019utilisation puisse donner lieu \u00e0 une r\u00e9clamation.<\/p>\n<h2>Deux conditions \u00e0 remplir avant le versement<\/h2>\n<p>PPM collecte des droits pour les maisons de disques au titre de l\u2019ex\u00e9cution publique, de la communication au public, de la reproduction et de la location commerciale d\u2019enregistrements. Le bureau de la propri\u00e9t\u00e9 intellectuelle de Malaisie, <a href=\"https:\/\/www.myipo.gov.my\/collective-management-organization\/\">MyIPO<\/a>, r\u00e9pertorie PPM pour les maisons de disques, Music Authors&#8217; Copyright Protection (MACP) pour les auteurs-compositeurs et les \u00e9diteurs, et Recording Performers Malaysia (RPM) pour les artistes-interpr\u00e8tes. Une r\u00e9clamation sur un master aupr\u00e8s de PPM ne remplace donc pas une r\u00e9clamation au titre de la composition ou de l\u2019interpr\u00e9tation.<\/p>\n<p>La premi\u00e8re condition est l\u2019autorisation. Le guide de PPM indique que les membres doivent fournir un mandat \u00e9crit au plus tard le <strong>31 d\u00e9cembre de la m\u00eame ann\u00e9e<\/strong> pour avoir droit aux redevances de cette ann\u00e9e-l\u00e0. L\u2019autorisation est \u00e9galement limit\u00e9e aux droits que le membre d\u00e9tient ou contr\u00f4le r\u00e9ellement. Un contrat de distribution qui n\u2019accorde que la livraison et la promotion n\u2019\u00e9tablit pas, \u00e0 lui seul, les droits exclusifs sur l\u2019enregistrement n\u00e9cessaires \u00e0 une r\u00e9clamation dans la MRD ; v\u00e9rifiez les clauses du contrat relatives \u00e0 la collecte avant d\u2019en confier la t\u00e2che \u00e0 qui que ce soit.<\/p>\n<p>La seconde condition est l\u2019identification. Les membres doivent t\u00e9l\u00e9charger dans la MRD les m\u00e9tadonn\u00e9es et le contenu num\u00e9rique des enregistrements qu\u2019ils d\u00e9tiennent ou exploitent sous licence exclusive. PPM transmet les m\u00e9tadonn\u00e9es et les empreintes audio obtenues \u00e0 sa soci\u00e9t\u00e9 de surveillance afin de rapprocher les diffusions radio et t\u00e9l\u00e9vis\u00e9es. Si un titre figure dans le tableau de bord des sorties d\u2019un distributeur, mais pas dans la MRD, sa disponibilit\u00e9 en boutique ne remplace pas son inscription aupr\u00e8s de PPM.<\/p>\n<h2>Que se passe-t-il lorsqu\u2019une diffusion ne peut pas \u00eatre rapproch\u00e9e ?<\/h2>\n<p>PPM indique \u00e9tablir une liste de titres non identifi\u00e9s apr\u00e8s le traitement des rapports d\u2019utilisation, puis l\u2019envoyer aux membres admissibles afin qu\u2019ils identifient les enregistrements. Les membres peuvent consulter les utilisations, mais PPM peut rejeter une r\u00e9clamation invalide et sanctionner les r\u00e9clamations manifestement abusives. Ses r\u00e8gles pr\u00e9cisent aussi que les r\u00e9clamations tardives et les inscriptions tardives dans la MRD, selon les d\u00e9lais fix\u00e9s par PPM, ne seront ni trait\u00e9es ni pay\u00e9es. En pratique, il faut consulter la liste des titres non identifi\u00e9s pendant la p\u00e9riode de r\u00e9clamation, et non apr\u00e8s r\u00e9ception du relev\u00e9 annuel.<\/p>\n<p>Un titre correspondant ne suffit pas \u00e0 r\u00e9gler un litige de propri\u00e9t\u00e9. En cas de r\u00e9clamations concurrentes concernant un enregistrement sonore, PPM privil\u00e9gie comme preuve l\u2019enregistrement, le contrat de cession ou le contrat de licence exclusive qui accorde les droits de collecte concern\u00e9s ; un encart d\u2019enregistrement sonore ou une copie du label peut \u00e9galement \u00e9tayer une r\u00e9clamation. Un encart de vid\u00e9oclip ne constitue pas une preuve suffisante pour une r\u00e9clamation portant sur l\u2019enregistrement sonore. PPM conserve les montants contest\u00e9s en attente de r\u00e9solution.<\/p>\n<p>C\u2019est pourquoi l\u2019International Standard Recording Code (ISRC), l\u2019identifiant d\u2019un enregistrement donn\u00e9, doit accompagner un document attestant les droits. Les <a href=\"https:\/\/isrc.ifpi.org\/why-use-isrc\/using-isrc\">consignes de IFPI relatives \u00e0 l\u2019ISRC<\/a> pr\u00e9conisent de conserver, avec le code, le titre, la version, l\u2019artiste et la dur\u00e9e de l\u2019enregistrement. Le code aide \u00e0 identifier le contenu, mais <a href=\"https:\/\/isrc.ifpi.org\/why-use-isrc\/\">IFPI pr\u00e9cise<\/a> qu\u2019il ne prouve pas \u00e0 lui seul la propri\u00e9t\u00e9.<\/p>\n<h2>Constituer un dossier de r\u00e9clamation avant le prochain relev\u00e9<\/h2>\n<p>Pour chaque master malaisien, consignez dans une ligne l\u2019ISRC, le titre exact de l\u2019enregistrement et de sa version, le propri\u00e9taire, le territoire et la dur\u00e9e de la licence exclusive, le statut du mandat PPM, le statut de l\u2019inscription dans la MRD et le contrat \u00e0 l\u2019appui de la r\u00e9clamation. Comparez ces informations aux m\u00e9tadonn\u00e9es livr\u00e9es au DSP. Si un label change de distributeur, conservez le m\u00eame identifiant d\u2019enregistrement tout en mettant \u00e0 jour les droits et les informations de collecte ; un nouveau partenaire de distribution ne modifie pas la cha\u00eene de propri\u00e9t\u00e9 du master.<\/p>\n<p>Pr\u00e9voyez des v\u00e9rifications distinctes pour les auteurs-compositeurs et les artistes-interpr\u00e8tes. Notre <a href=\"https:\/\/interspacemusic.com\/blog\/fr\/la-societe-des-auteurs-compositeurs-de-malaisie-accepte-desormais-une-chanson-avec-1-000-streams-trois-organismes-distincts-conservent-toujours-les-fonds\/\">guide des trois organismes de collecte en Malaisie<\/a> explique pourquoi une m\u00eame sortie peut donner lieu \u00e0 des r\u00e9clamations distinctes, tandis que notre <a href=\"https:\/\/interspacemusic.com\/blog\/fr\/la-malaisie-accorde-trois-ans-aux-coauteurs-non-membres-pour-reclamer-leurs-redevances\/\">guide sur les coauteurs aupr\u00e8s de MACP<\/a> traite d\u2019un autre d\u00e9lai applicable aux compositions. Aucun des deux ne remplace une inscription manquante du master aupr\u00e8s de PPM.<\/p>\n<p>Pour un label ind\u00e9pendant, la question \u00e0 poser au distributeur est pr\u00e9cise : qui v\u00e9rifie la couverture dans la MRD, qui d\u00e9tient le mandat PPM et qui peut fournir le contrat de droits exclusifs en cas de litige sur un titre ? Des registres de catalogue transparents et des relev\u00e9s de redevances permettent de v\u00e9rifier la r\u00e9ponse. La mise en ligne de la sortie n\u2019est que le d\u00e9but du processus de collecte.<\/p>\n","protected":false},"excerpt":{"rendered":"En Malaisie, les enregistrements doivent remplir d\u2019autres conditions que leur mise en ligne sur un DSP pour g\u00e9n\u00e9rer des droits. PPM exige un mandat \u00e9crit et l\u2019inscription des enregistrements admissibles dans la Music Recording Database (MRD) pour les r\u00e9clamations sur les masters. Voici une liste de v\u00e9rification des droits et des m\u00e9tadonn\u00e9es qui aide les labels \u00e0 rep\u00e9rer les diffusions non rapproch\u00e9es avant qu\u2019un versement ne soit manqu\u00e9.","protected":false},"author":6,"featured_media":26700,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"csco_display_header_overlay":false,"csco_singular_sidebar":"","csco_page_header_type":"","csco_page_load_nextpost":"","csco_post_video_location":[],"csco_post_video_location_hash":"","csco_post_video_url":"","csco_post_video_bg_start_time":0,"csco_post_video_bg_end_time":0,"_jetpack_hide_featured_image":false,"_jetpack_featured_image_duplicate_dismissed":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[6952],"tags":[],"class_list":["post-26708","post","type-post","status-publish","format-standard","has-post-thumbnail","category-industry-trends-fr","cs-entry","cs-video-wrap"],"yoast_head":"<!-- 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