{"id":26741,"date":"2026-11-07T16:25:47","date_gmt":"2026-11-07T16:25:47","guid":{"rendered":"https:\/\/interspacemusic.com\/blog\/redevances-musicales-aux-philippines-les-trois-delais-de-reclamation-de-filscap\/"},"modified":"2026-11-07T16:25:47","modified_gmt":"2026-11-07T16:25:47","slug":"redevances-musicales-aux-philippines-les-trois-delais-de-reclamation-de-filscap","status":"publish","type":"post","link":"https:\/\/interspacemusic.com\/blog\/fr\/redevances-musicales-aux-philippines-les-trois-delais-de-reclamation-de-filscap\/","title":{"rendered":"Redevances musicales aux Philippines : les trois d\u00e9lais de r\u00e9clamation de FILSCAP"},"content":{"rendered":"<p><strong>Pour un auteur-compositeur philippin, les r\u00e9clamations de redevances sont soumises \u00e0 plusieurs d\u00e9lais.<\/strong> En vertu des <a href=\"https:\/\/filscap.org\/wp-content\/uploads\/2025\/08\/Amended-Distribution-Rules-as-of-July-31-2025.pdf\">r\u00e8gles de r\u00e9partition modifi\u00e9es le 31 juillet 2025<\/a> de la Filipino Society of Composers, Authors and Publishers (FILSCAP), la part d\u2019un auteur local mise en attente dans l\u2019attente de son adh\u00e9sion peut \u00eatre redistribu\u00e9e apr\u00e8s un an. Une \u0153uvre non identifi\u00e9e doit \u00eatre identifi\u00e9e dans un d\u00e9lai de trois ans. Un membre qui demande une rectification doit d\u00e9poser une r\u00e9clamation \u00e9crite dans les deux ans suivant la r\u00e9partition concern\u00e9e. Ces d\u00e9lais commencent \u00e0 des moments diff\u00e9rents. Les traiter comme un seul et m\u00eame d\u00e9lai peut co\u00fbter de l\u2019argent \u00e0 un catalogue.<\/p>\n<h2>Commencez par identifier le compte qui d\u00e9tient la part<\/h2>\n<p>FILSCAP d\u00e9signe la Filipino Society of Composers, Authors and Publishers. Elle administre les droits des auteurs-compositeurs et des \u00e9diteurs, distincts des revenus de l\u2019enregistrement master vers\u00e9s par un distributeur. La livraison d\u2019un titre \u00e0 un fournisseur de services num\u00e9riques (DSP) ne suffit donc pas, \u00e0 elle seule, \u00e0 \u00e9tablir qui doit recevoir les redevances de composition.<\/p>\n<p>Les r\u00e8gles de la soci\u00e9t\u00e9 distinguent une <em>part mise en attente temporaire<\/em> sur une \u0153uvre locale d\u2019une <em>\u0153uvre non identifi\u00e9e<\/em>. Dans le premier cas, l\u2019auteur local, son ayant droit, le titulaire du droit d\u2019auteur ou l\u2019\u00e9diteur est connu, mais la partie concern\u00e9e n\u2019est pas devenue membre de FILSCAP. Dans le second, les informations sur les parties int\u00e9ress\u00e9es par l\u2019\u0153uvre font d\u00e9faut. Les <a href=\"https:\/\/filscap.org\/wp-content\/uploads\/2025\/08\/Amended-Distribution-Rules-as-of-July-31-2025.pdf\">r\u00e8gles attribuent des comptes sp\u00e9ciaux diff\u00e9rents<\/a> \u00e0 ces situations.<\/p>\n<p>Pour les parts mises en attente temporaire, FILSCAP conserve les redevances d\u2019ex\u00e9cution jusqu\u2019\u00e0 ce que la partie concern\u00e9e adh\u00e8re \u00e0 la soci\u00e9t\u00e9. Si ce n\u2019est pas fait dans l\u2019ann\u00e9e suivant l\u2019attribution, le montant est r\u00e9int\u00e9gr\u00e9 aux recettes \u00e0 r\u00e9partir, puis partag\u00e9 au prorata entre les parts des membres lors de la r\u00e9partition g\u00e9n\u00e9rale suivante. C\u2019est le d\u00e9lai le plus court ici, et il court \u00e0 partir de l\u2019<em>attribution<\/em>, pas de la date de sortie du morceau.<\/p>\n<h2>Trois ans pour identifier une \u0153uvre, deux ans pour corriger une r\u00e9partition<\/h2>\n<p>Lorsqu\u2019aucune information sur les parties int\u00e9ress\u00e9es ne permet d\u2019identifier une \u0153uvre, le compte sp\u00e9cial des \u0153uvres non identifi\u00e9es conserve la somme attribu\u00e9e pendant trois ans \u00e0 compter de son attribution. Si l\u2019\u0153uvre reste non identifi\u00e9e, les sommes sont ajout\u00e9es aux recettes \u00e0 r\u00e9partir lors de la r\u00e9partition g\u00e9n\u00e9rale suivante. Un litige sur les parts est encore diff\u00e9rent : FILSCAP conserve les redevances contest\u00e9es jusqu\u2019\u00e0 ce que toutes les parties communiquent un accord d\u00e9finitif ou qu\u2019une autorit\u00e9 comp\u00e9tente rende un jugement d\u00e9finitif. Les r\u00e8gles n\u2019imposent pas \u00e0 ce compte de litiges le m\u00eame d\u00e9lai fixe de trois ans.<\/p>\n<p>Apr\u00e8s une r\u00e9partition, les membres et les soci\u00e9t\u00e9s \u00e9trang\u00e8res peuvent demander une rectification pour des \u0153uvres ou des parties int\u00e9ress\u00e9es mal identifi\u00e9es. La <a href=\"https:\/\/filscap.org\/wp-content\/uploads\/2025\/08\/Amended-Distribution-Rules-as-of-July-31-2025.pdf\">r\u00e9clamation \u00e9crite doit parvenir \u00e0 FILSCAP dans les deux ans<\/a> suivant la r\u00e9partition concern\u00e9e. Cette proc\u00e9dure permet de corriger une r\u00e9partition. Elle ne remplace pas l\u2019adh\u00e9sion avant la redistribution d\u2019une part mise en attente temporaire.<\/p>\n<p>Une section du PDF de FILSCAP indique des d\u00e9lais contradictoires en toutes lettres et en chiffres pour les parts <em>incompl\u00e8tes<\/em>, lorsque le total des pourcentages des parties n\u2019atteint pas 100%. Ne d\u00e9duisez pas de cette ligne un d\u00e9lai d\u2019un ou de trois ans. Demandez \u00e0 la soci\u00e9t\u00e9 de confirmer la r\u00e8gle applicable et corrigez imm\u00e9diatement la r\u00e9partition.<\/p>\n<h2>Constituez le dossier de r\u00e9clamation avant la sortie<\/h2>\n<p>Inscrivez chaque auteur-compositeur, parolier et \u00e9diteur dans un registre des \u0153uvres, avec ses noms l\u00e9gaux, ses r\u00f4les, les pourcentages convenus et la partie charg\u00e9e de l\u2019inscription aupr\u00e8s de la soci\u00e9t\u00e9. Le <a href=\"https:\/\/filscap.org\/wp-content\/uploads\/2018\/02\/Declaration-of-Works-Sample.pdf\">mod\u00e8le de Declaration of Works<\/a> de FILSCAP demande explicitement les parties int\u00e9ress\u00e9es et des parts dont le total atteint 100%. Conservez l\u2019accord de r\u00e9partition sign\u00e9 avec cette d\u00e9claration et consignez toute cession ult\u00e9rieure \u00e0 un \u00e9diteur.<\/p>\n<p>Ajoutez ensuite au m\u00eame dossier de r\u00e9clamation l\u2019identifiant de l\u2019enregistrement, la date de sortie, les liens DSP, les variantes du titre de l\u2019\u0153uvre et les \u00e9changes avec la soci\u00e9t\u00e9. Comparez chaque relev\u00e9 de FILSCAP au rapport du distributeur sur les revenus de l\u2019enregistrement master. Les deux relev\u00e9s peuvent avoir des dates de paiement diff\u00e9rentes et couvrir des droits distincts ; un solde master satisfaisant n\u2019explique pas l\u2019absence de la ligne de l\u2019auteur-compositeur. Notre pr\u00e9c\u00e9dent <a href=\"https:\/\/interspacemusic.com\/blog\/philippine-ott-song-royalties-streams-seconds-cue-sheets\/\">d\u00e9cryptage des redevances OTT aux Philippines<\/a> explique l\u2019importance des donn\u00e9es d\u2019utilisation et des feuilles de conduite pour \u00e9tablir les correspondances.<\/p>\n<p>Examinez ce dossier chaque trimestre. FILSCAP indique les redevances num\u00e9riques dans son calendrier de r\u00e9partition d\u2019avril, juillet, octobre et d\u00e9cembre, sous r\u00e9serve de ses r\u00e8gles concernant la r\u00e9ception des paiements et des donn\u00e9es d\u2019utilisation. Un label doit consigner la date \u00e0 laquelle une attribution ou une r\u00e9partition appara\u00eet, puis noter la date correspondant au d\u00e9lai applicable d\u2019un, deux ou trois ans. Comme le montre \u00e9galement le <a href=\"https:\/\/interspacemusic.com\/blog\/vietnam-songwriter-royalties-vcpmc-work-registration-quarterly-audit\/\">guide des redevances des auteurs-compositeurs au Vietnam<\/a>, la gestion d\u2019un catalogue est plus efficace lorsque l\u2019inscription et la v\u00e9rification des relev\u00e9s sont deux t\u00e2ches r\u00e9currentes distinctes.<\/p>\n<p>Un distributeur peut organiser les enregistrements, les identifiants et le suivi des parts. La r\u00e9clamation de l\u2019auteur-compositeur n\u00e9cessite toujours un dossier complet sur l\u2019\u0153uvre et une personne nomm\u00e9ment charg\u00e9e du suivi. Pour un catalogue philippin, cette petite diff\u00e9rence op\u00e9rationnelle permet de rep\u00e9rer une part mise en attente \u00e0 temps pour la r\u00e9clamer, plut\u00f4t que de la d\u00e9couvrir apr\u00e8s sa redistribution.<\/p>\n","protected":false},"excerpt":{"rendered":"Les redevances des auteurs-compositeurs philippins sont soumises \u00e0 trois d\u00e9lais distincts selon les r\u00e8gles de FILSCAP. D\u00e9couvrez quand la part d\u2019un auteur local peut \u00eatre redistribu\u00e9e apr\u00e8s un an, quand les \u0153uvres non identifi\u00e9es arrivent \u00e0 \u00e9ch\u00e9ance apr\u00e8s trois ans et comment d\u00e9poser une demande \u00e9crite de rectification dans les deux ans suivant la r\u00e9partition.","protected":false},"author":6,"featured_media":26747,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"csco_display_header_overlay":false,"csco_singular_sidebar":"","csco_page_header_type":"","csco_page_load_nextpost":"","csco_post_video_location":[],"csco_post_video_location_hash":"","csco_post_video_url":"","csco_post_video_bg_start_time":0,"csco_post_video_bg_end_time":0,"_jetpack_hide_featured_image":false,"_jetpack_featured_image_duplicate_dismissed":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[6952],"tags":[],"class_list":["post-26741","post","type-post","status-publish","format-standard","has-post-thumbnail","category-industry-trends-fr","cs-entry","cs-video-wrap"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Redevances musicales aux Philippines : les trois d\u00e9lais de r\u00e9clamation de FILSCAP<\/title>\n<meta name=\"description\" content=\"Pour un auteur-compositeur philippin, les r\u00e9clamations de redevances sont soumises \u00e0 plusieurs d\u00e9lais. 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