{"id":26956,"date":"2026-11-09T16:25:45","date_gmt":"2026-11-09T16:25:45","guid":{"rendered":"https:\/\/interspacemusic.com\/blog\/royalties-des-chansons-a-trinidad-cott-peut-ne-pas-remunerer-les-diffusions-anterieures-a-ladhesion\/"},"modified":"2026-11-09T16:25:45","modified_gmt":"2026-11-09T16:25:45","slug":"royalties-des-chansons-a-trinidad-cott-peut-ne-pas-remunerer-les-diffusions-anterieures-a-ladhesion","status":"publish","type":"post","link":"https:\/\/interspacemusic.com\/blog\/fr\/royalties-des-chansons-a-trinidad-cott-peut-ne-pas-remunerer-les-diffusions-anterieures-a-ladhesion\/","title":{"rendered":"Royalties des chansons \u00e0 Trinidad : COTT peut ne pas r\u00e9mun\u00e9rer les diffusions ant\u00e9rieures \u00e0 l\u2019adh\u00e9sion"},"content":{"rendered":"<p>Un auteur-compositeur de Trinidad and Tobago peut avoir un titre sur les services de streaming sans pour autant r\u00e9clamer ses royalties locales li\u00e9es aux prestations. La Copyright Music Organisation of Trinidad and Tobago (COTT) indique qu\u2019elle <a href=\"https:\/\/cott.org.tt\/become-a-member\/\">n\u2019est pas tenue de r\u00e9mun\u00e9rer les prestations ant\u00e9rieures \u00e0 l\u2019admission d\u2019un auteur parmi ses membres<\/a>. Pour une sortie destin\u00e9e \u00e0 passer \u00e0 la radio, dans des f\u00eates ou dans d\u2019autres lieux publics, l\u2019adh\u00e9sion et la d\u00e9claration de l\u2019\u0153uvre sont des d\u00e9marches de catalogue \u00e0 effectuer sans tarder.<\/p>\n<h2>La date d\u2019adh\u00e9sion d\u00e9termine les royalties<\/h2>\n<p>COTT accorde des licences pour l\u2019ex\u00e9cution publique et la radiodiffusion des \u0153uvres musicales, puis per\u00e7oit et r\u00e9partit les redevances correspondantes. Sa <a href=\"https:\/\/cott.org.tt\/faq-for-members-2\/\">FAQ destin\u00e9e aux membres<\/a> pr\u00e9cise que le droit d\u2019auteur na\u00eet automatiquement \u00e0 la cr\u00e9ation d\u2019une chanson originale ; l\u2019inscription aupr\u00e8s de COTT ne cr\u00e9e pas ce droit d\u2019auteur. Elle fournit \u00e0 la soci\u00e9t\u00e9 les informations n\u00e9cessaires pour g\u00e9rer les droits de l\u2019auteur.<\/p>\n<p>En pratique, il faut distinguer la propri\u00e9t\u00e9 d\u2019une chanson de l\u2019existence d\u2019un circuit de perception pour celle-ci. COTT indique que la date de demande est normalement la date d\u2019admission effective, sauf si la demande comporte des points \u00e0 r\u00e9gler. La soci\u00e9t\u00e9 pr\u00e9cise \u00e9galement qu\u2019elle n\u2019est pas tenue de verser des royalties pour les prestations ant\u00e9rieures \u00e0 l\u2019admission. Un auteur qui pr\u00e9pare une campagne devrait donc r\u00e9gler les formalit\u00e9s d\u2019adh\u00e9sion avant les prestations susceptibles de g\u00e9n\u00e9rer des revenus, et conserver la preuve de son acceptation.<\/p>\n<p>Les conditions d\u2019admissibilit\u00e9 sont pr\u00e9cises : l\u2019auteur doit avoir cr\u00e9\u00e9 une \u0153uvre musicale qui est ex\u00e9cut\u00e9e en public, diffus\u00e9e ou enregistr\u00e9e en vue d\u2019une sortie publique. Un musicien qui joue uniquement sur un enregistrement ne peut pas, pour ce seul motif, adh\u00e9rer en tant qu\u2019auteur. Chaque coauteur doit d\u00e9poser sa propre demande, selon les <a href=\"https:\/\/cott.org.tt\/become-a-member\/\">consignes d\u2019adh\u00e9sion de COTT<\/a>.<\/p>\n<h2>D\u00e9clarez l\u2019\u0153uvre, pas seulement le fichier audio<\/h2>\n<p>La demande d\u2019adh\u00e9sion d\u2019un auteur requiert un formulaire sign\u00e9, une pi\u00e8ce d\u2019identit\u00e9, une Notification of Work pour au moins une chanson, une preuve de diffusion et des frais uniques de 150 TT$. La <a href=\"https:\/\/cott.org.tt\/cott-copyright-membership-application-form\/\">page de demande en ligne de COTT<\/a> mentionne \u00e9galement un fichier MP3, des coordonn\u00e9es et des informations bancaires, ainsi que le contrat d\u2019auteur. V\u00e9rifiez le formulaire en vigueur avant de payer ou de d\u00e9poser votre demande : les diff\u00e9rentes proc\u00e9dures de demande de la soci\u00e9t\u00e9 pr\u00e9sentent des listes de documents l\u00e9g\u00e8rement diff\u00e9rentes.<\/p>\n<p>Dans les <a href=\"https:\/\/www.cott.org.tt\/uploads\/file\/memberforms\/Notification%20Of%20Works.pdf\">consignes de la Notification of Work<\/a>, les auteurs doivent indiquer les compositeurs et les paroliers, leurs parts d\u2019ex\u00e9cution et de reproduction m\u00e9canique, ainsi que le num\u00e9ro Interested Party Information (IPI) de chaque contributeur. Le formulaire comporte aussi des champs concernant le premier enregistrement, les informations sur l\u2019\u00e9diteur et les renseignements sur les prestations. Convenez des parts avec les coauteurs avant le d\u00e9p\u00f4t : COTT pr\u00e9cise qu\u2019une modification des parts ou des noms des contributeurs exige le consentement \u00e9crit de toutes les personnes concern\u00e9es.<\/p>\n<p>Un International Standard Recording Code (ISRC) identifie un enregistrement, tandis que le formulaire de COTT identifie la composition et ses auteurs. Le <a href=\"https:\/\/forms.cott.org.tt\/\">formulaire distinct de t\u00e9l\u00e9versement de MP3 de COTT<\/a> comporte m\u00eame des champs s\u00e9par\u00e9s pour l\u2019ISRC, les compositeurs, les \u00e9diteurs et le fichier audio. Envoyer un master par l\u2019interm\u00e9diaire d\u2019un distributeur ne suffit donc pas, \u00e0 lui seul, \u00e0 d\u00e9clarer l\u2019\u0153uvre de l\u2019auteur.<\/p>\n<h2>Suivez s\u00e9par\u00e9ment les deux circuits de revenus<\/h2>\n<p>Les <a href=\"https:\/\/cott.org.tt\/media-licensing\/\">consignes de licence de COTT<\/a> distinguent les droits sur l\u2019\u0153uvre musicale qu\u2019elle administre de l\u2019autorisation d\u2019utiliser l\u2019enregistrement master, qu\u2019un service en ligne doit obtenir aupr\u00e8s du titulaire concern\u00e9 des droits sur l\u2019enregistrement. Un label doit rapprocher les relev\u00e9s du distributeur pour le master des donn\u00e9es de COTT concernant l\u2019\u0153uvre. L\u2019absence d\u2019un montant dans un registre ne peut pas \u00eatre diagnostiqu\u00e9e \u00e0 partir de l\u2019autre seul.<\/p>\n<p>Avant une campagne, \u00e9tablissez une fiche unique indiquant le titre de la chanson, tous les auteurs, les parts d\u2019ex\u00e9cution et de reproduction m\u00e9canique convenues, chaque IPI, l\u2019ISRC de l\u2019enregistrement, l\u2019\u00e9diteur et le propri\u00e9taire du master. Comparez cette fiche \u00e0 la d\u00e9claration d\u00e9pos\u00e9e aupr\u00e8s de COTT et aux m\u00e9tadonn\u00e9es de livraison du distributeur. Apr\u00e8s une diffusion radio ou une prestation en public, conservez les justificatifs de diffusion ou la setlist : COTT indique que les diffuseurs fournissent g\u00e9n\u00e9ralement les relev\u00e9s de musique et les cue sheets, et son formulaire d\u2019\u0153uvre permet d\u2019ajouter des d\u00e9tails sur les prestations.<\/p>\n<p>Si un auteur est d\u00e9j\u00e0 membre d\u2019une autre soci\u00e9t\u00e9, il doit d\u2019abord clarifier les droits territoriaux et les conditions d\u2019adh\u00e9sion. La demande de COTT avertit qu\u2019une adh\u00e9sion simultan\u00e9e \u00e0 plusieurs soci\u00e9t\u00e9s peut bloquer le traitement, sauf si une adh\u00e9sion r\u00e9partie entre soci\u00e9t\u00e9s est correctement organis\u00e9e. La m\u00eame rigueur de catalogue compte dans l\u2019ensemble des Cara\u00efbes : nos guides sur les <a href=\"https:\/\/interspacemusic.com\/blog\/jamaica-songwriter-royalties-jacap-three-released-songs\/\">conditions d\u2019adh\u00e9sion \u00e0 JACAP en Jamaica<\/a> et les <a href=\"https:\/\/interspacemusic.com\/blog\/barbados-soca-artist-200000-dollars-single-night-songwriters-us-royalty-pipeline-2024\/\">circuits de royalties des auteurs \u00e0 Barbados<\/a> montrent pourquoi la perception locale ne peut pas \u00eatre d\u00e9duite d\u2019un simple envoi sur une plateforme de streaming.<\/p>\n","protected":false},"excerpt":{"rendered":"\u00c0 Trinidad, les royalties d\u2019une chanson peuvent vous \u00e9chapper avant le d\u00e9but de votre adh\u00e9sion \u00e0 COTT. D\u00e9couvrez quand la soci\u00e9t\u00e9 peut refuser de r\u00e9mun\u00e9rer les prestations ant\u00e9rieures \u00e0 l\u2019admission, ce que requiert la demande d\u2019adh\u00e9sion \u00e0 150 TT$ pour les auteurs, et comment harmoniser les parts des coauteurs, les num\u00e9ros IPI et les m\u00e9tadonn\u00e9es de l\u2019enregistrement avant une diffusion radio ou une utilisation en concert.","protected":false},"author":6,"featured_media":26949,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"csco_display_header_overlay":false,"csco_singular_sidebar":"","csco_page_header_type":"","csco_page_load_nextpost":"","csco_post_video_location":[],"csco_post_video_location_hash":"","csco_post_video_url":"","csco_post_video_bg_start_time":0,"csco_post_video_bg_end_time":0,"_jetpack_hide_featured_image":false,"_jetpack_featured_image_duplicate_dismissed":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[6952],"tags":[],"class_list":["post-26956","post","type-post","status-publish","format-standard","has-post-thumbnail","category-industry-trends-fr","cs-entry","cs-video-wrap"],"yoast_head":"<!-- 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