{"id":27064,"date":"2026-11-10T08:10:56","date_gmt":"2026-11-10T08:10:56","guid":{"rendered":"https:\/\/interspacemusic.com\/blog\/les-huit-credits-de-magicsticks-sur-mney-revelent-la-construction-du-son-dasake\/"},"modified":"2026-11-10T08:10:56","modified_gmt":"2026-11-10T08:10:56","slug":"les-huit-credits-de-magicsticks-sur-mney-revelent-la-construction-du-son-dasake","status":"publish","type":"post","link":"https:\/\/interspacemusic.com\/blog\/fr\/les-huit-credits-de-magicsticks-sur-mney-revelent-la-construction-du-son-dasake\/","title":{"rendered":"Les huit cr\u00e9dits de Magicsticks sur M$NEY r\u00e9v\u00e8lent la construction du son d\u2019Asake"},"content":{"rendered":"

L\u2019album d\u2019Asake, M$NEY<\/em>, sorti en 2026, permet de voir concr\u00e8tement le travail du producteur Magicsticks. Les cr\u00e9dits publics le d\u00e9signent comme producteur sur huit des 13 titres, tandis que d\u2019autres morceaux mentionnent Blaisebeatz, AOD, P.Priime et Kabza De Small parmi leurs cr\u00e9ateurs. Cette r\u00e9partition est plus r\u00e9v\u00e9latrice que l\u2019affirmation g\u00e9n\u00e9rale selon laquelle une seule personne \u00ab a cr\u00e9\u00e9 le son \u00bb : elle montre un partenariat cr\u00e9atif qui se poursuit tout en laissant une place \u00e0 d\u2019autres contributions.<\/p>\n

La pr\u00e9sence actuelle du disque dans les classements donne \u00e0 ces cr\u00e9dits un contexte commercial. Le classement Official Nigeria Top 100 de TurnTable, pour la p\u00e9riode du 30 octobre au 5 novembre, r\u00e9pertorie \u00ab Gratitude \u00bb et \u00ab Forgiveness \u00bb. Le classement quotidien Spotify Nigeria de Kworb, dat\u00e9 du 8 novembre, mentionne \u00e9galement ces deux titres, selon un indicateur distinct. Les cr\u00e9dits de l\u2019album sur Qobuz attribuent la production des deux morceaux \u00e0 Magicsticks, et celle de \u00ab Forgiveness \u00bb \u00e9galement \u00e0 Nana Ntorinkansah. Le classement ne r\u00e9v\u00e8le pas quelle d\u00e9cision prise en studio a permis \u00e0 l\u2019un ou l\u2019autre titre de rester en circulation. Il montre que le travail de production effectu\u00e9 des mois avant une semaine de classement peut continuer \u00e0 faire partie de ce qu\u2019\u00e9coutent les Nig\u00e9rians.<\/p>\n

L\u2019album rend le partenariat visible<\/h2>\n

Qobuz cr\u00e9dite Magicsticks sur \u00ab WORSHIP \u00bb, \u00ab Gratitude \u00bb, \u00ab Rora \u00bb, \u00ab Amen \u00bb, \u00ab WHY LOVE \u00bb, \u00ab Forgiveness \u00bb, \u00ab Oba \u00bb et \u00ab Skilful \u00bb. Cela repr\u00e9sente huit cr\u00e9dits de production distincts sur un album qui fait aussi appel \u00e0 d\u2019autres producteurs. Il vaut la peine d\u2019examiner les cr\u00e9dits titre par titre. \u00ab WORSHIP \u00bb mentionne \u00e9galement DJ Snake comme producteur, tandis que \u00ab Forgiveness \u00bb indique Nana Ntorinkansah aux c\u00f4t\u00e9s de Magicsticks. Un cr\u00e9dit atteste d\u2019une contribution d\u00e9clar\u00e9e ; il ne nous dit pas qui a jou\u00e9 chaque instrument, pris la d\u00e9cision finale pour l\u2019arrangement ou poss\u00e8de une part pr\u00e9cise de l\u2019enregistrement.<\/p>\n

Pour \u00ab Gratitude \u00bb, le cr\u00e9dit de production figure dans plusieurs sources publiques. Qobuz mentionne Magicsticks, tout comme la description g\u00e9n\u00e9r\u00e9e automatiquement pour la sortie officielle du titre sur YouTube d\u2019Asake. La liste des nomm\u00e9s aux Beatz Awards 2026 associe Magicsticks et \u00ab Gratitude \u00bb dans les cat\u00e9gories Afro Pop Producer et Male Producer. Ces sources ind\u00e9pendantes confirment cette association sans qu\u2019il soit n\u00e9cessaire d\u2019inventer le d\u00e9roulement de la session.<\/p>\n

La m\u00eame liste de nomm\u00e9s cr\u00e9dite Asake et Magicsticks ensemble dans la cat\u00e9gorie Song Writer pour \u00ab Gratitude \u00bb, tandis que Qobuz r\u00e9pertorie plusieurs compositeurs pour le titre. Ces pr\u00e9sentations des cr\u00e9dits diff\u00e8rent ; l\u2019interpr\u00e9tation la plus prudente est donc que l\u2019organisme des prix a choisi de reconna\u00eetre cette association, sans pour autant fournir une r\u00e9partition compl\u00e8te des droits. Pour les artistes et les managers, cette distinction compte lorsqu\u2019un producteur est pr\u00e9sent\u00e9 publiquement de fa\u00e7on beaucoup plus simple que ne le laisse entendre la ligne de cr\u00e9dit compl\u00e8te.<\/p>\n

Comment le travail a \u00e9t\u00e9 d\u00e9crit<\/h2>\n

Dans une interview accord\u00e9e \u00e0 OkayAfrica en mai, Magicsticks a d\u00e9crit M$NEY<\/em> comme un projet dont l\u2019orientation ne pouvait se r\u00e9sumer \u00e0 un motif de batterie. Il a expliqu\u00e9 que, lorsqu\u2019il travaille seul, il commence souvent par les percussions, mais que certains titres de l\u2019album ont pris forme avant leurs instrumentaux. Son t\u00e9moignage aide \u00e0 comprendre pourquoi les cr\u00e9dits de l\u2019album ne doivent pas \u00eatre consid\u00e9r\u00e9s comme une liste de t\u00e2ches identiques de cr\u00e9ation de beats. Il s\u2019agit de son r\u00e9cit du processus, et non d\u2019une documentation ind\u00e9pendante de chaque session.<\/p>\n

Il a donn\u00e9 \u00e0 OkayAfrica un exemple particuli\u00e8rement concret avec \u00ab Amen \u00bb, en racontant que l\u2019\u00e9quipe avait essay\u00e9 des ch\u0153urs du Nigeria, des \u00c9tats-Unis et du Royaume-Uni avant d\u2019arr\u00eater son choix. Le cr\u00e9dit de Qobuz confirme ind\u00e9pendamment que Magicsticks a produit le titre, sans toutefois identifier les ch\u0153urs. Voil\u00e0 une limite utile pour un article sur le savoir-faire : le cr\u00e9dit de la sortie confirme le r\u00f4le qui lui est attribu\u00e9, tandis que son interview d\u00e9taille la fa\u00e7on dont un arrangement a \u00e9t\u00e9 \u00e9labor\u00e9.<\/p>\n

Dans un entretien distinct accord\u00e9 \u00e0 The NATIVE en juin, Magicsticks a d\u00e9crit la production comme un travail \u00e0 la fois technique et relationnel. Il a cit\u00e9 la production, le piano, le mixage et parfois l\u2019\u00e9criture ou le mastering parmi les comp\u00e9tences utiles, avant d\u2019insister sur l\u2019importance de comprendre les m\u00e9thodes de travail de chaque artiste. Ce t\u00e9moignage compl\u00e8te les m\u00e9tadonn\u00e9es de l\u2019album sans les remplacer. L\u2019un nous renseigne sur sa conception du m\u00e9tier ; les autres montrent o\u00f9 son nom figure sur un disque termin\u00e9.<\/p>\n

Pourquoi ces cr\u00e9dits comptent au-del\u00e0 d\u2019un seul album<\/h2>\n

Magicsticks a racont\u00e9 \u00e0 The NATIVE qu\u2019il avait commenc\u00e9 avec un ordinateur portable, une carte son, des enceintes de home cin\u00e9ma et des microphones d\u2019\u00e9glise emprunt\u00e9s, avant que Jay Pizzle lui donne son premier \u00e9quipement de studio. De son c\u00f4t\u00e9, OkayAfrica a rapport\u00e9 qu\u2019\u00e0 ses d\u00e9buts, il s\u2019entra\u00eenait \u00e0 remixer des morceaux en y ajoutant des percussions, en s\u2019appuyant sur une interview ant\u00e9rieure avec lui. Ces deux r\u00e9cits situent son int\u00e9r\u00eat pour le rythme avant l\u2019album actuel, sans pour autant permettre d\u2019affirmer que chacun de ses succ\u00e8s ult\u00e9rieurs suit la m\u00eame formule.<\/p>\n

Son \u00e9diteur, Concord, le pr\u00e9sente comme un producteur, ing\u00e9nieur du son et DJ nig\u00e9rian, et cite ses collaborations avec Asake et DJ Neptune dans son catalogue. Il s\u2019agit d\u2019une pr\u00e9sentation de l\u2019entreprise ; mieux vaut donc la lire comme la pr\u00e9sentation de son catalogue par Concord, et non comme une v\u00e9rification ind\u00e9pendante de chacune des distinctions qui y figurent. Les cr\u00e9dits publi\u00e9s de M$NEY<\/em> et les classements dat\u00e9s offrent un aper\u00e7u plus restreint et v\u00e9rifiable du travail qui circule actuellement dans l\u2019espace public.<\/p>\n

La liste des producteurs de l\u2019album rappelle aussi qu\u2019une collaboration r\u00e9currente entre un artiste et un producteur peut \u00eatre collective sans \u00eatre exclusive. Qobuz cr\u00e9dite Blaisebeatz sur \u00ab Wa \u00bb et \u00ab MCBH \u00bb, AOD et P.Priime sur \u00ab BADMAN GANGSTA \u00bb, ainsi que Kabelo Petrus Motha sur \u00ab Asambe \u00bb. Magicsticks figure sur une grande partie du projet, tandis que ces cr\u00e9dits documentent des choix diff\u00e9rents pour les autres titres. Ces listes ne permettent pas de d\u00e9duire la r\u00e9partition priv\u00e9e des r\u00e9mun\u00e9rations ou des droits.<\/p>\n

Pour l\u2019\u00e9quipe d\u2019un artiste nig\u00e9rian, la le\u00e7on pratique tient \u00e0 la documentation. Veillez \u00e0 l\u2019exactitude des cr\u00e9dits des producteurs et des compositeurs pour chaque titre, distinguez les cr\u00e9dits publics d\u2019un album d\u2019un accord priv\u00e9 et pr\u00e9cisez qui a fait quoi. Notre pr\u00e9c\u00e9dent article sur les revenus des producteurs<\/a> explique pourquoi des documents incomplets peuvent entra\u00eener des probl\u00e8mes de paiement. Les cr\u00e9dits de Magicsticks sur M$NEY<\/em> illustrent un point \u00e9ditorial plus imm\u00e9diat : les personnes derri\u00e8re un disque font partie de son histoire, et les auditeurs peuvent en d\u00e9couvrir davantage lorsque les noms et les r\u00f4les sont pr\u00e9serv\u00e9s.<\/p>\n","protected":false},"excerpt":{"rendered":"Magicsticks est cr\u00e9dit\u00e9 sur huit titres de M$NEY, l\u2019album d\u2019Asake. Les cr\u00e9dits publics, les interviews du producteur et les r\u00e9sultats des classements nig\u00e9rians \u00e9clairent le travail derri\u00e8re un partenariat cr\u00e9atif qui dure.","protected":false},"author":10,"featured_media":27061,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"csco_display_header_overlay":false,"csco_singular_sidebar":"","csco_page_header_type":"","csco_page_load_nextpost":"","csco_post_video_location":[],"csco_post_video_location_hash":"","csco_post_video_url":"","csco_post_video_bg_start_time":0,"csco_post_video_bg_end_time":0,"_jetpack_hide_featured_image":false,"_jetpack_featured_image_duplicate_dismissed":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[8625],"tags":[],"class_list":["post-27064","post","type-post","status-publish","format-standard","has-post-thumbnail","category-careers-people-fr","cs-entry","cs-video-wrap"],"yoast_head":"\nLes huit cr\u00e9dits de Magicsticks sur M$NEY r\u00e9v\u00e8lent la construction du son d\u2019Asake<\/title>\n<meta name=\"description\" content=\"L\u2019album d\u2019Asake, M$NEY, sorti en 2026, permet de voir concr\u00e8tement le travail du producteur Magicsticks. 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