{"id":27074,"date":"2026-11-10T08:25:51","date_gmt":"2026-11-10T08:25:51","guid":{"rendered":"https:\/\/interspacemusic.com\/blog\/royalties-du-streaming-a-taiwan-pourquoi-les-275-de-kkbox-ne-sont-pas-votre-taux-de-remuneration\/"},"modified":"2026-11-10T08:25:51","modified_gmt":"2026-11-10T08:25:51","slug":"royalties-du-streaming-a-taiwan-pourquoi-les-275-de-kkbox-ne-sont-pas-votre-taux-de-remuneration","status":"publish","type":"post","link":"https:\/\/interspacemusic.com\/blog\/fr\/royalties-du-streaming-a-taiwan-pourquoi-les-275-de-kkbox-ne-sont-pas-votre-taux-de-remuneration\/","title":{"rendered":"Royalties du streaming \u00e0 Ta\u00efwan : pourquoi les 2,75 % de KKBOX ne sont pas votre taux de r\u00e9mun\u00e9ration"},"content":{"rendered":"

Les royalties du streaming \u00e0 Ta\u00efwan sont faciles \u00e0 mal interpr\u00e9ter : la licence d\u2019une plateforme pour une chanson n\u2019est pas le taux que votre label per\u00e7oit pour l\u2019enregistrement. Pour le service de musique par abonnement de KKBOX, Taiwan’s Intellectual Property Office (TIPO) a fix\u00e9 un tarif M\u00dcST pour les \u0153uvres musicales \u00e0 2.75% des revenus concern\u00e9s ou NT$0.40 par clic musical<\/strong>. Aucun de ces montants ne garantit un paiement \u00e0 l\u2019artiste pour chaque \u00e9coute.<\/p>\n

Cette distinction compte lorsqu\u2019un label compare le relev\u00e9 de son distributeur avec celui de la soci\u00e9t\u00e9 d\u2019auteurs-compositeurs. Ces rapports concernent des droits diff\u00e9rents, des contrats diff\u00e9rents et des cycles comptables diff\u00e9rents.<\/p>\n

Quel tarif ta\u00efwanais s\u2019applique r\u00e9ellement ?<\/h2>\n

M\u00dcST signifie Music Copyright Society of Chinese Taipei, une soci\u00e9t\u00e9 de gestion collective des droits sur les \u0153uvres musicales. Son bar\u00e8me publi\u00e9 de transmission au public<\/a>, annonc\u00e9 le 1 April 2026, pr\u00e9voit 8 % des revenus du service musical apr\u00e8s d\u00e9duction des revenus non musicaux. Il pr\u00e9voit \u00e9galement un calcul \u00e0 l\u2019utilisation, notamment NT$0.40 pour une \u00e9coute sur un service sans revenus d\u2019abonnement, ainsi qu\u2019un minimum mensuel ou annuel.<\/p>\n

Ce bar\u00e8me g\u00e9n\u00e9ral ne permet pas d\u2019estimer directement un paiement de KKBOX. Dans une d\u00e9cision sur la contestation de KKBOX<\/a>, TIPO a fix\u00e9 le tarif applicable \u00e0 l\u2019utilisation sp\u00e9cifi\u00e9e de streaming musical par abonnement \u00e0 2.75% des revenus concern\u00e9s ou \u00e0 NT$0.40 multipli\u00e9 par le nombre de clics musicaux. Le registre des tarifs examin\u00e9s<\/a> de TIPO consigne \u00e9galement ce r\u00e9sultat. Il faut v\u00e9rifier la licence et la cat\u00e9gorie d\u2019utilisation pertinentes avant d\u2019appliquer l\u2019un ou l\u2019autre montant.<\/p>\n

Il s\u2019agit d\u2019un tarif factur\u00e9 \u00e0 un service pour les droits sur les compositions. Ce n\u2019est pas le contrat de KKBOX avec un distributeur pour les enregistrements sonores. Le calcul de NT$0.40 ne signifie pas non plus que chaque compositeur re\u00e7oit NT$0.40 \u00e0 chaque \u00e9coute d\u2019un titre : c\u2019est une formule de redevance au niveau du service, avant r\u00e9partition entre les \u0153uvres et les ayants droit.<\/p>\n

Deux comptabilit\u00e9s, une sortie<\/h2>\n

Le registre des soci\u00e9t\u00e9s<\/a> de TIPO r\u00e9pertorie M\u00dcST, ACMA et TMCA comme gestionnaires des droits sur les \u0153uvres musicales, et ARCO et RPAT pour certains droits sur les enregistrements. La composition et le master sont des actifs distincts, m\u00eame lorsque la m\u00eame personne a \u00e9crit, interpr\u00e9t\u00e9 et financ\u00e9 le titre.<\/p>\n

Le relev\u00e9 relatif au master doit indiquer le fournisseur de services num\u00e9riques, le territoire, le mois d\u2019utilisation, le titre et l\u2019identifiant de l\u2019enregistrement, les revenus bruts, les d\u00e9ductions et la part contractuelle du label. ISRC signifie International Standard Recording Code ; il identifie un enregistrement, et non une revendication d\u2019auteur-compositeur. Un distributeur peut livrer ce master et en assurer la comptabilit\u00e9 sans pour autant enregistrer la composition aupr\u00e8s de M\u00dcST ou d\u2019une autre soci\u00e9t\u00e9 concern\u00e9e.<\/p>\n

Pour la chanson, veillez \u00e0 la coh\u00e9rence du titre de l\u2019\u0153uvre, des auteurs, des pourcentages de propri\u00e9t\u00e9 et des affiliations aux soci\u00e9t\u00e9s. Les r\u00e8gles de r\u00e9partition<\/a> de M\u00dcST classent les revenus de transmission publique sur Internet dans une cat\u00e9gorie distincte et pr\u00e9cisent que les revenus des \u0153uvres musicales sont r\u00e9partis au moins une fois par an. Ces m\u00eames r\u00e8gles pr\u00e9voient une proc\u00e9dure de correction pour certaines \u0153uvres mal identifi\u00e9es ou revendiqu\u00e9es ult\u00e9rieurement, si la soci\u00e9t\u00e9 est inform\u00e9e par \u00e9crit dans les trois ans suivant la r\u00e9partition. C\u2019est une raison de v\u00e9rifier d\u00e8s maintenant les \u0153uvres non rapproch\u00e9es, et non une promesse de versement r\u00e9troactif automatique.<\/p>\n

Un rapprochement pratique pour les labels ind\u00e9pendants<\/h2>\n

Commencez par extraire un mois d\u2019utilisation \u00e0 Ta\u00efwan depuis le tableau de bord du distributeur et v\u00e9rifiez que KKBOX figure bien parmi les services livr\u00e9s. Notez l\u2019ISRC et le propri\u00e9taire du master pour chaque titre. Si le service est absent, demandez une v\u00e9rification de la livraison et du statut du territoire avant d\u2019essayer de d\u00e9duire les revenus manquants \u00e0 partir d\u2019un tarif.<\/p>\n

Pr\u00e9parez ensuite un tableau distinct pour les auteurs-compositeurs : variantes du titre en chinois et en anglais, nom l\u00e9gal de chaque auteur, pourcentage et soci\u00e9t\u00e9 de gestion. Comparez ce tableau avec la fiche de l\u2019\u0153uvre de la soci\u00e9t\u00e9 et avec tout relev\u00e9 d\u2019\u00e9diteur. Un ISRC correctement livr\u00e9 ne peut pas corriger une part d\u2019auteur manquante.<\/p>\n

Enfin, comparez des \u00e9l\u00e9ments comparables. Faites correspondre les p\u00e9riodes d\u2019utilisation et les territoires, puis gardez \u00e0 l\u2019esprit qu\u2019une r\u00e9partition pour une composition peut intervenir selon un calendrier diff\u00e9rent du paiement d\u2019un master. Interrogez la soci\u00e9t\u00e9 concern\u00e9e sur les utilisations non r\u00e9clam\u00e9es ; interrogez le distributeur sur les relev\u00e9s au niveau des enregistrements. Ne divisez pas le tarif de plateforme de la soci\u00e9t\u00e9 par vos \u00e9coutes pour appeler le r\u00e9sultat un taux personnel.<\/p>\n

Notre guide de livraison sur KKBOX<\/a> traite du probl\u00e8me d\u2019acc\u00e8s aux enregistrements ; l\u2019explication des royalties du karaok\u00e9 \u00e0 Ta\u00efwan<\/a> montre comment un autre type d\u2019utilisation g\u00e9n\u00e8re une autre piste de revenus pour les compositions.<\/p>\n

Pour un label ind\u00e9pendant, le v\u00e9ritable test de distribution est simple : votre partenaire peut-il prouver la livraison \u00e0 Ta\u00efwan, fournir des relev\u00e9s au niveau des enregistrements et pr\u00e9senter des r\u00e9partitions claires, tout en vous laissant une proc\u00e9dure simple pour enregistrer les chansons ? Ces \u00e9l\u00e9ments sont plus utiles qu\u2019un pourcentage mis en avant et permettent de percevoir les revenus des deux parties du catalogue.<\/p>\n","protected":false},"excerpt":{"rendered":"Les royalties du streaming \u00e0 Ta\u00efwan reposent sur deux comptabilit\u00e9s distinctes. TIPO a fix\u00e9 la licence de M\u00dcST pour les compositions diffus\u00e9es sur KKBOX \u00e0 2,75 % des revenus concern\u00e9s ou \u00e0 NT$0.40 par clic musical, mais ce n\u2019est pas un taux de r\u00e9mun\u00e9ration des artistes. Voici comment les labels peuvent rapprocher les revenus des masters et les droits des auteurs-compositeurs.","protected":false},"author":6,"featured_media":27069,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"csco_display_header_overlay":false,"csco_singular_sidebar":"","csco_page_header_type":"","csco_page_load_nextpost":"","csco_post_video_location":[],"csco_post_video_location_hash":"","csco_post_video_url":"","csco_post_video_bg_start_time":0,"csco_post_video_bg_end_time":0,"_jetpack_hide_featured_image":false,"_jetpack_featured_image_duplicate_dismissed":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[6952],"tags":[],"class_list":["post-27074","post","type-post","status-publish","format-standard","has-post-thumbnail","category-industry-trends-fr","cs-entry","cs-video-wrap"],"yoast_head":"\nRoyalties 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