{"id":27145,"date":"2026-11-10T14:40:34","date_gmt":"2026-11-10T14:40:34","guid":{"rendered":"https:\/\/interspacemusic.com\/blog\/christopher-nolan-et-lafm-pressent-les-ayants-droit-sur-lusage-de-lai\/"},"modified":"2026-11-10T14:40:34","modified_gmt":"2026-11-10T14:40:34","slug":"christopher-nolan-et-lafm-pressent-les-ayants-droit-sur-lusage-de-lai","status":"publish","type":"post","link":"https:\/\/interspacemusic.com\/blog\/fr\/christopher-nolan-et-lafm-pressent-les-ayants-droit-sur-lusage-de-lai\/","title":{"rendered":"Christopher Nolan et l\u2019AFM pressent les ayants droit sur l\u2019usage de l\u2019AI"},"content":{"rendered":"<p><strong>Christopher Nolan<\/strong> a appel\u00e9 les studios \u00e0 rendre des comptes sur la protection des droits d\u2019auteur des films, alors que l\u2019intelligence artificielle transforme les usages possibles des \u0153uvres cr\u00e9atives. Sa position fait \u00e9cho \u00e0 une <a href=\"https:\/\/interspacemusic.com\/blog\/afm-amends-ai-licensing-lawsuit-against-umg-and-warner-targets-record-labels\/\">campagne d\u2019un syndicat de musiciens<\/a> qui r\u00e9clame son mot \u00e0 dire sur les licences d\u2019enregistrements destin\u00e9s \u00e0 l\u2019AI.<\/p>\n<p>\u00ab Nous nous concentrons beaucoup, au sein du syndicat, sur le fait de demander des comptes aux studios pour qu\u2019ils prot\u00e8gent leurs droits d\u2019auteur \u00bb, a d\u00e9clar\u00e9 Nolan, pr\u00e9sident de la <strong><a href=\"https:\/\/www.dga.org\/\">Directors Guild of America (DGA)<\/a><\/strong>, le 7 novembre 2026. Les studios d\u00e9tiennent g\u00e9n\u00e9ralement les droits d\u2019auteur des films, tandis que les moyens de subsistance des r\u00e9alisateurs et leurs r\u00e9mun\u00e9rations r\u00e9siduelles d\u00e9pendent en partie de la mani\u00e8re dont ces droits sont prot\u00e9g\u00e9s et exploit\u00e9s.<\/p>\n<h2>Les musiciens veulent participer aux licences pour l\u2019AI<\/h2>\n<p>L\u2019<strong><a href=\"https:\/\/www.afm.org\/\">American Federation of Musicians (AFM)<\/a><\/strong> a lanc\u00e9 sa campagne <strong>Human Made, Human Paid<\/strong> en octobre 2026, parall\u00e8lement aux n\u00e9gociations sur son Sound Recording Labor Agreement (SRLA). La campagne demande aux grandes maisons de disques de traiter trois questions lorsque des interpr\u00e9tations enregistr\u00e9es de musiciens sont c\u00e9d\u00e9es sous licence pour l\u2019AI :<\/p>\n<ul>\n<li><strong>Consentement :<\/strong> Les musiciens peuvent approuver ou refuser l\u2019entra\u00eenement de l\u2019AI \u00e0 partir de leurs \u0153uvres.<\/li>\n<li><strong>Cr\u00e9dit :<\/strong> Leurs interpr\u00e9tations font l\u2019objet d\u2019une reconnaissance transparente.<\/li>\n<li><strong>R\u00e9mun\u00e9ration :<\/strong> Ils re\u00e7oivent une part directe des revenus g\u00e9n\u00e9r\u00e9s par les licences pour l\u2019AI d\u2019enregistrements de catalogue.<\/li>\n<\/ul>\n<p>Le pr\u00e9sident de l\u2019AFM, <strong>Tino Gagliardi<\/strong>, a soutenu que les maisons de disques devraient tenir compte des musiciens \u00e0 l\u2019origine des enregistrements originaux qu\u2019elles prot\u00e8gent. Le syndicat a \u00e9galement contest\u00e9 ce qu\u2019il consid\u00e8re comme un d\u00e9faut de paiement des r\u00e9mun\u00e9rations contractuelles li\u00e9es aux nouveaux usages et \u00e0 l\u2019octroi de licences pour l\u2019AI. Il a expos\u00e9 ces positions dans une annonce de campagne du 20 octobre et une mise \u00e0 jour des n\u00e9gociations du 1 novembre.<\/p>\n<h2>Le droit d\u2019auteur et l\u2019identit\u00e9 sont des droits distincts<\/h2>\n<p>Une entreprise peut d\u00e9tenir un enregistrement sans poss\u00e9der le nom ou l\u2019identit\u00e9 de l\u2019interpr\u00e8te. Le fait de d\u00e9tenir un enregistrement auquel ont particip\u00e9 les guitaristes <strong>Jay Graydon<\/strong> ou <strong>Skunk Baxter<\/strong>, par exemple, ne conf\u00e8re pas \u00e0 lui seul au propri\u00e9taire des droits sur l\u2019identit\u00e9 personnelle de ces musiciens.<\/p>\n<p>Le droit d\u2019auteur et les protections du nom, de l\u2019image, de la ressemblance, de la voix et de l\u2019identit\u00e9 d\u2019une personne reposent sur des fondements juridiques diff\u00e9rents. Cette distinction compte lorsqu\u2019un syst\u00e8me d\u2019AI accepte le nom d\u2019un cr\u00e9ateur comme consigne : une licence d\u2019utilisation d\u2019un enregistrement original n\u2019autorise pas automatiquement l\u2019utilisation de l\u2019identit\u00e9 de l\u2019interpr\u00e8te.<\/p>\n","protected":false},"excerpt":{"rendered":"L\u2019appel de Christopher Nolan \u00e0 ce que les studios rendent des comptes sur l\u2019usage de l\u2019AI fait \u00e9cho \u00e0 la campagne d\u2019un syndicat de musiciens qui r\u00e9clame consentement, cr\u00e9dit et r\u00e9mun\u00e9ration.","protected":false},"author":6,"featured_media":27124,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"csco_display_header_overlay":false,"csco_singular_sidebar":"","csco_page_header_type":"","csco_page_load_nextpost":"","csco_post_video_location":[],"csco_post_video_location_hash":"","csco_post_video_url":"","csco_post_video_bg_start_time":0,"csco_post_video_bg_end_time":0,"_jetpack_hide_featured_image":false,"_jetpack_featured_image_duplicate_dismissed":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[6828],"tags":[],"class_list":["post-27145","post","type-post","status-publish","format-standard","has-post-thumbnail","category-policy-legal-fr","cs-entry","cs-video-wrap"],"yoast_head":"<!-- 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