{"id":28016,"date":"2026-11-13T09:40:48","date_gmt":"2026-11-13T09:40:48","guid":{"rendered":"https:\/\/interspacemusic.com\/blog\/redevances-des-concerts-diffuses-en-direct-au-bresil-un-concert-deux-circuits-de-declaration\/"},"modified":"2026-11-13T09:40:48","modified_gmt":"2026-11-13T09:40:48","slug":"redevances-des-concerts-diffuses-en-direct-au-bresil-un-concert-deux-circuits-de-declaration","status":"publish","type":"post","link":"https:\/\/interspacemusic.com\/blog\/fr\/redevances-des-concerts-diffuses-en-direct-au-bresil-un-concert-deux-circuits-de-declaration\/","title":{"rendered":"Redevances des concerts diffus\u00e9s en direct au Br\u00e9sil : un concert, deux circuits de d\u00e9claration"},"content":{"rendered":"

Un concert br\u00e9silien diffus\u00e9 en direct depuis votre propre site et le m\u00eame concert retransmis par une grande plateforme de streaming ne suivent pas le m\u00eame circuit de r\u00e9partition d\u2019Ecad.<\/strong> Pour un concert diffus\u00e9 ind\u00e9pendamment sur Internet, les r\u00e8gles publi\u00e9es s\u2019appuient sur le programme musical de l\u2019\u00e9v\u00e9nement ou sur un enregistrement, et r\u00e9partissent chaque mois les sommes collect\u00e9es au titre des \u0153uvres musicales. Pour les plateformes de streaming, elles reposent sur le fichier d\u2019utilisation de la plateforme et un calendrier de traitement trimestriel. Cette distinction doit orienter les justificatifs \u00e0 r\u00e9unir avant d\u2019allumer les cam\u00e9ras.<\/p>\n

Ecad, le bureau central br\u00e9silien de collecte et de r\u00e9partition, collecte les redevances li\u00e9es \u00e0 l\u2019ex\u00e9cution publique. Ses r\u00e8gles de r\u00e9partition, articles 44 \u00e0 47<\/a>, distinguent les concerts diffus\u00e9s sur Internet du streaming audio et vid\u00e9o. La cat\u00e9gorie des concerts sur Internet exclut explicitement ceux transmis par des plateformes de streaming. Il s\u2019agit d\u2019une r\u00e8gle de classification, et non d\u2019une promesse que chaque diffusion sur le Web donne automatiquement droit \u00e0 un paiement distinct.<\/p>\n

Commencez par d\u00e9terminer le mode de diffusion<\/h2>\n

Si un label ou un promoteur exploite sa propre diffusion en direct sur le Web, demandez \u00e0 Ecad quelle licence et quelle cat\u00e9gorie de d\u00e9claration s\u2019appliquent avant d\u2019\u00e9tablir le budget de l\u2019\u00e9v\u00e9nement. Son bar\u00e8me de collecte de mai 2026<\/a> distingue les retransmissions de concerts en direct sur Internet des r\u00e9seaux sociaux, de la musique \u00e0 la demande et des autres formes de diffusion en ligne. Ce sont des utilisations diff\u00e9rentes ; consid\u00e9rer un compte sur une plateforme, un concert diffus\u00e9 sur Internet avec billetterie et une diffusion de marque sponsoris\u00e9e comme un seul et m\u00eame \u00ab concert en ligne \u00bb peut fausser l\u2019estimation des co\u00fbts.<\/p>\n

Pour un concert sur Internet relevant de l\u2019article 45, le programme musical ou l\u2019enregistrement de l\u2019\u00e9v\u00e9nement sert de justificatif pour la r\u00e9partition. La r\u00e8gle r\u00e9mun\u00e8re les titulaires des droits sur la composition<\/em> des chansons interpr\u00e9t\u00e9es, puis r\u00e9partit le montant distribuable de l\u2019\u00e9v\u00e9nement entre les interpr\u00e9tations d\u00e9clar\u00e9es. Le cycle de r\u00e9partition est mensuel. Cela ne garantit pas un paiement sous un mois : le paiement de l\u2019organisateur, un programme exploitable et le traitement du dossier doivent aussi \u00eatre re\u00e7us.<\/p>\n

En pratique, il faut demander au promoteur de fournir le programme musical d\u00e9finitif. Indiquez les titres r\u00e9ellement interpr\u00e9t\u00e9s, les auteurs et les medleys, et conservez un enregistrement si l\u2019ordre de passage change. UBC, l\u2019Union br\u00e9silienne des compositeurs, demande \u00e0 ses membres de transmettre les d\u00e9tails de l\u2019\u00e9v\u00e9nement et les titres des chansons avec les r\u00e9f\u00e9rences de leurs auteurs<\/a> via le processus de d\u00e9claration des programmes musicaux d\u2019Ecad. Une vid\u00e9o peut documenter ce qui s\u2019est pass\u00e9, mais un programme clair facilite les rapprochements.<\/p>\n

La diffusion sur une plateforme change les v\u00e9rifications<\/h2>\n

Lorsque le concert est transmis par une plateforme de streaming, l\u2019article 45 l\u2019exclut de la cat\u00e9gorie des concerts sur Internet. L\u2019article 47 pr\u00e9voit plut\u00f4t une r\u00e9partition directe fond\u00e9e sur le rapport \u00e9lectronique d\u2019utilisation de chaque plateforme, selon le contrat conclu entre celle-ci et Ecad. Les mois de traitement indiqu\u00e9s sont f\u00e9vrier, mai, ao\u00fbt et novembre ; les d\u00e9lais d\u00e9pendent aussi de la r\u00e9ception des rapports et des paiements. Ne pr\u00e9voyez pas les redevances des auteurs d\u2019un concert h\u00e9berg\u00e9 sur une plateforme en vous fondant sur le calendrier des diffusions ind\u00e9pendantes sur le Web.<\/p>\n

Le nombre de vues communiqu\u00e9 par une plateforme constitue un indice utile, mais ce n\u2019est pas le relev\u00e9 de redevances. Conservez le nom de la cha\u00eene, l\u2019URL de l\u2019\u00e9v\u00e9nement, la date, le territoire, les minutages des titres et tout rapport d\u2019utilisation accessible \u00e0 l\u2019\u00e9quipe charg\u00e9e des droits. Comparez ces \u00e9l\u00e9ments avec les inscriptions des \u0153uvres et le relev\u00e9 ult\u00e9rieur de l\u2019organisme de gestion. Si une chanson manque, commencez par v\u00e9rifier les donn\u00e9es d\u2019utilisation et la correspondance avec l\u2019\u0153uvre, au lieu de supposer qu\u2019un tarif fixe s\u2019applique \u00e0 chaque vue.<\/p>\n

La composition et le master doivent aussi faire l\u2019objet de comptabilit\u00e9s distinctes. UBC distingue l\u2019\u0153uvre musicale du phonogramme<\/a>, qui identifie les interpr\u00e8tes, les musiciens de studio et le producteur phonographique. Si la diffusion utilise un master pr\u00e9enregistr\u00e9, obtenez les autorisations et d\u00e9clarez cet enregistrement conform\u00e9ment aux accords applicables \u00e0 la plateforme et aux droits sur le master. L\u2019interpr\u00e9tation d\u2019une chanson en direct ne g\u00e9n\u00e8re pas de paiement pour un master studio qui n\u2019a pas \u00e9t\u00e9 diffus\u00e9.<\/p>\n

Inscrivez trois \u00e9l\u00e9ments dans le m\u00e9mo d\u2019accord<\/h2>\n

Avant de signer l\u2019accord de diffusion, indiquez qui autorise la retransmission, qui transmet le programme musical ou les donn\u00e9es de la plateforme, et quelle soci\u00e9t\u00e9 de gestion re\u00e7oit la demande de redevances des auteurs. Pr\u00e9cisez aussi si la diffusion utilise une interpr\u00e9tation en direct, des pistes d\u2019accompagnement ou des masters commerciaux. La personne qui distribue l\u2019enregistrement publi\u00e9 peut disposer de m\u00e9tadonn\u00e9es International Standard Recording Code propres, ou ISRC, mais ce code identifie un enregistrement ; il ne remplace pas l\u2019inscription de l\u2019\u0153uvre par son compositeur.<\/p>\n

Les rapports de sortie d\u2019InterSpace Distribution peuvent aider un label \u00e0 rapprocher les masters livr\u00e9s de ses propres donn\u00e9es de diffusion. Le programme musical du concert et l\u2019inscription des \u0153uvres doivent toujours avoir des responsables d\u00e9sign\u00e9s. Pour v\u00e9rifier un catalogue plus large, consultez nos guides sur les programmes musicaux des concerts br\u00e9siliens<\/a> et les cr\u00e9dits retenus par Ecad<\/a>. Dans tous les cas, la bonne pratique est la m\u00eame : faire correspondre les donn\u00e9es d\u2019utilisation avec la chanson inscrite avant d\u2019attendre que le relev\u00e9 de redevances s\u2019explique de lui-m\u00eame.<\/p>\n","protected":false},"excerpt":{"rendered":"Au Br\u00e9sil, les redevances des concerts diffus\u00e9s en direct suivent deux circuits : Ecad s\u2019appuie sur les programmes musicaux ou les enregistrements des concerts diffus\u00e9s ind\u00e9pendamment sur Internet, avec une r\u00e9partition mensuelle, tandis que les diffusions sur les plateformes reposent sur les rapports d\u2019utilisation et un traitement trimestriel. Voici les justificatifs que les labels doivent r\u00e9unir avant la diffusion.","protected":false},"author":6,"featured_media":27970,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"csco_display_header_overlay":false,"csco_singular_sidebar":"","csco_page_header_type":"","csco_page_load_nextpost":"","csco_post_video_location":[],"csco_post_video_location_hash":"","csco_post_video_url":"","csco_post_video_bg_start_time":0,"csco_post_video_bg_end_time":0,"_jetpack_hide_featured_image":false,"_jetpack_featured_image_duplicate_dismissed":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[6952],"tags":[],"class_list":["post-28016","post","type-post","status-publish","format-standard","has-post-thumbnail","category-industry-trends-fr","cs-entry","cs-video-wrap"],"yoast_head":"\nRedevances 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