{"id":28026,"date":"2026-11-13T13:03:20","date_gmt":"2026-11-13T12:03:20","guid":{"rendered":"https:\/\/interspacemusic.com\/blog\/?p=28026"},"modified":"2026-11-13T12:17:15","modified_gmt":"2026-11-13T12:17:15","slug":"asake-five-projects-nigeria-album-charts-november-2026","status":"publish","type":"post","link":"https:\/\/interspacemusic.com\/blog\/asake-five-projects-nigeria-album-charts-november-2026\/","title":{"rendered":"Five Asake Projects Hold Top 20 Places on Nigeria Album Charts"},"content":{"rendered":"

Five Asake releases sit in Apple Music Nigeria’s top 20 albums on November 13, 2026, according to ChartStats’ dated reading of the platform’s most played list. TurnTable’s latest available Official Top 100 Albums chart, covering October 23 to 29, also places five Asake projects in its top 20. The repeated footprint spans his current studio album, a live recording and earlier projects, making catalogue depth the week’s clearest album-chart signal around him.<\/p>\n

For Nigerian artist teams, the point is broader than the position of one new release. Several separate titles can remain visible while a campaign moves toward a live show. That visibility gives a manager a reason to examine which recordings listeners return to, but the public ranks do not show the plays, income or discovery route behind each project.<\/p>\n

Five places on Apple’s current album list<\/h2>\n

ChartStats’ November 13 snapshot of Apple Music Nigeria lists M$NEY<\/em> at No. 4 and M$NEY Live in London (Spotify Live)<\/em> at No. 5. Work Of Art<\/em> is No. 12, Mr. Money With The Vibe<\/em> No. 14 and Lungu Boy<\/em> No. 17. Kworb’s separately displayed Apple Music Nigeria album list also has those five projects in its top 20, though its live ordering differs. The common finding is the count and range of releases, not an exact rank that will remain fixed throughout the day.<\/p>\n

ChartStats’ November 12 snapshot already held the same five titles in its top 20. The live album was sixth then, while Work Of Art<\/em>, Mr. Money With The Vibe<\/em> and Lungu Boy<\/em> occupied Nos. 13, 17 and 19. A one-day comparison is a check on continuity across two readings, not evidence of a long-term rise or a forecast for next week.<\/p>\n

The live recording matters to the shape of the list. InterSpace Daily reported its release alongside a concert film<\/a> in July. Its place beside the studio album on Apple’s November 13 list shows that the two projects are both visible as separate titles. The ranking cannot tell us whether the live version added listeners, redirected existing fans or changed the studio album’s consumption.<\/p>\n

TurnTable gives a second, earlier measure<\/h2>\n

TurnTable’s Official Top 100 Albums for October 23 to 29 places M$NEY<\/em> at No. 3, Work Of Art<\/em> at No. 10, Mr. Money With The Vibe<\/em> at No. 12, M$NEY Live in London (Spotify Live)<\/em> at No. 13 and Lungu Boy<\/em> at No. 20. The five-project count therefore appears on a separate Nigerian chart, not just two sites relaying Apple’s list. TurnTable’s page has not advanced to a November chart week at the time of this check, so those ranks are historical context for the November 13 Apple snapshot.<\/p>\n

TurnTable also prints weeks on chart. In that October 23 to 29 issue, it lists M$NEY<\/em> in its 26th week, Work Of Art<\/em> in its 176th, Mr. Money With The Vibe<\/em> in its 209th, the live album in its 14th and Lungu Boy<\/em> in its 116th. Those are chart-week counts from TurnTable, not release ages or a measure of how much each album earned. They make the presence of older projects checkable without requiring a claim about why people played them.<\/p>\n

What the pattern can and cannot say<\/h2>\n

It is tempting to treat five placements as five equal audiences. The public lists do not support that. No. 4 and No. 17 identify order, not the gap in listening between them, and an album chart does not disclose which tracks or editions generated the activity. Nor does the overlap between Apple and TurnTable create a combined market share. Their windows and measurement systems differ.<\/p>\n

The business use of the pattern is as a question for the team behind the catalogue: which tracks sustain older projects, how much listening comes from returning fans, and whether the live recording brings listeners to the studio release? The answers require artist-level platform data. Public chart positions can indicate where to look, but they cannot settle those questions or prove a particular marketing tactic worked.<\/p>\n

Asake’s newly announced December 20 Lagos concert<\/a> gives the album campaign a coming live date. The chart pattern establishes current and recent listening visibility, not ticket demand. The next meaningful public check is a fresh TurnTable album issue alongside dated Apple snapshots after this week’s releases enter the rankings. For now, five Asake projects in both top 20s show a catalogue with more than one active title in view.<\/p>\n","protected":false},"excerpt":{"rendered":"Five Asake projects appear in Apple Music Nigeria’s November 13 top 20 albums and in TurnTable’s latest available top 20. 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