{"id":28082,"date":"2026-11-14T00:40:34","date_gmt":"2026-11-14T00:40:34","guid":{"rendered":"https:\/\/interspacemusic.com\/blog\/ceo-de-music-venue-trust-pide-cambios-en-la-economia-de-los-espacios-musicales\/"},"modified":"2026-11-14T00:40:34","modified_gmt":"2026-11-14T00:40:34","slug":"ceo-de-music-venue-trust-pide-cambios-en-la-economia-de-los-espacios-musicales","status":"publish","type":"post","link":"https:\/\/interspacemusic.com\/blog\/es\/ceo-de-music-venue-trust-pide-cambios-en-la-economia-de-los-espacios-musicales\/","title":{"rendered":"CEO de Music Venue Trust pide cambios en la econom\u00eda de los espacios musicales"},"content":{"rendered":"

Music Venue Trust<\/a><\/strong> CEO Mark Davyd<\/strong> afirma que los espacios musicales de base y los artistas en gira enfrentan presiones financieras relacionadas que impiden que se realicen conciertos. El programa Liveline<\/strong> de la organizaci\u00f3n ben\u00e9fica busca hacer posibles esos conciertos cubriendo riesgos financieros que los espacios, promotores o artistas no pueden asumir.<\/p>\n

Presi\u00f3n sobre los espacios y los artistas<\/h2>\n

Las cifras que convers\u00f3 con Davyd sit\u00faan en 2.5%<\/strong> el margen de ganancia promedio de un espacio musical de base, y m\u00e1s de la mitad no obtiene ganancias. Davyd sostiene que los espacios donde los artistas se desarrollan y el p\u00fablico se forma reciben muy poco apoyo financiero de la industria musical en general.<\/p>\n

Describe el aumento de los costos, la reducci\u00f3n de los m\u00e1rgenes y menos oportunidades tanto para los artistas en gira como para los espacios<\/a>. Cuando los artistas no pueden costear las giras y los espacios no pueden pagar para contratarlos, el p\u00fablico tambi\u00e9n pierde acceso a las presentaciones en vivo.<\/p>\n

Music Venue Trust<\/a> es una organizaci\u00f3n ben\u00e9fica registrada en UK, fundada en January 2014 para proteger y mejorar los espacios musicales de base en England, Scotland, Wales y Northern Ireland. Su trabajo incluye el festival Everywhere at Once, un fin de semana de m\u00fasica independiente en el que participan cientos de espacios, desde Inverness hasta Penzance.<\/p>\n

C\u00f3mo Liveline apoya los conciertos<\/h2>\n

Liveline identifica conciertos que probablemente no se realizar\u00e1n porque el riesgo financiero es demasiado alto y luego interviene para cubrirlo. Davyd dio tres ejemplos:<\/p>\n

    \n
  • Un espacio no puede garantizar el pago del artista.<\/li>\n
  • Un promotor enfrenta un d\u00e9ficit.<\/li>\n
  • Un artista en gira no puede hacer que un concierto sea financieramente viable.<\/li>\n<\/ul>\n

    Davyd afirma que el programa busca hacer posibles conciertos con fundamentos s\u00f3lidos que los costos actuales impiden realizar. Dice que cada concierto puede generar trabajo para artistas, promotores, espacios y equipos t\u00e9cnicos, y dar al p\u00fablico acceso a la m\u00fasica en vivo.<\/p>\n

    Reconstruir las escenas musicales locales<\/h2>\n

    175 ciudades y pueblos de UK<\/strong> han perdido las giras profesionales regulares. Davyd afirma que desarrollar artistas, promotores y p\u00fablico locales podr\u00eda ayudar a que las giras vuelvan a ser viables en esos lugares.<\/p>\n

    Tambi\u00e9n cuestiona c\u00f3mo se distribuyen los ingresos de la m\u00fasica en vivo. Al hablar de los precios de las entradas, contrast\u00f3 las entradas para arenas de \u00a3100 o m\u00e1s con la expectativa de que un concierto de una banda emergente en un recinto con capacidad para 200 personas deber\u00eda costar \u00a310. Dijo que algunos fans pagan \u00a3150 para ver a un artista en una pantalla desde 100 metros de distancia, pero cuestionan una entrada de \u00a310 para verlo a tres pies, aunque el p\u00fablico de los espacios de base suele ser m\u00e1s joven y tiene menos ingresos disponibles.<\/p>\n

    Davyd se\u00f1al\u00f3 las protecciones urban\u00edsticas, la propiedad comunitaria de los edificios de los espacios, el apoyo a las giras y la inversi\u00f3n de los sectores m\u00e1s exitosos de la industria como medidas que podr\u00edan aplicarse m\u00e1s all\u00e1 de UK.<\/p>\n","protected":false},"excerpt":{"rendered":"El CEO de Music Venue Trust, Mark Davyd, afirma que la presi\u00f3n financiera sobre los espacios y los artistas en gira requiere apoyo en todo el sector de la m\u00fasica en vivo.","protected":false},"author":3,"featured_media":28053,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"csco_display_header_overlay":false,"csco_singular_sidebar":"","csco_page_header_type":"","csco_page_load_nextpost":"","csco_post_video_location":[],"csco_post_video_location_hash":"","csco_post_video_url":"","csco_post_video_bg_start_time":0,"csco_post_video_bg_end_time":0,"_jetpack_hide_featured_image":false,"_jetpack_featured_image_duplicate_dismissed":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[7002],"tags":[],"class_list":["post-28082","post","type-post","status-publish","format-standard","has-post-thumbnail","category-tech-innovation-es","cs-entry","cs-video-wrap"],"yoast_head":"\nCEO 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