{"id":28194,"date":"2026-11-14T09:10:48","date_gmt":"2026-11-14T09:10:48","guid":{"rendered":"https:\/\/interspacemusic.com\/blog\/redevances-musicales-des-magasins-en-indonesie-un-abonnement-nest-pas-une-licence\/"},"modified":"2026-11-14T09:10:48","modified_gmt":"2026-11-14T09:10:48","slug":"redevances-musicales-des-magasins-en-indonesie-un-abonnement-nest-pas-une-licence","status":"publish","type":"post","link":"https:\/\/interspacemusic.com\/blog\/fr\/redevances-musicales-des-magasins-en-indonesie-un-abonnement-nest-pas-une-licence\/","title":{"rendered":"Redevances musicales des magasins en Indon\u00e9sie : un abonnement n\u2019est pas une licence"},"content":{"rendered":"

L\u2019abonnement musical d\u2019un magasin indon\u00e9sien ne prouve pas, \u00e0 lui seul, que le magasin a pay\u00e9 ses redevances pour la diffusion publique.<\/strong> La Lembaga Manajemen Kolektif Nasional (LMKN), l\u2019organisme national de gestion collective de l\u2019Indon\u00e9sie, indique que c\u2019est l\u2019usage commercial qui d\u00e9clenche l\u2019obligation, que la musique provienne d\u2019un fournisseur de musique d\u2019ambiance, d\u2019une application de streaming ou d\u2019un autre lecteur. Pour un label ind\u00e9pendant qui conc\u00e8de son catalogue \u00e0 des magasins, cette distinction doit figurer dans la fiche de contrat avant le lancement de la premi\u00e8re playlist.<\/p>\n

Un accord de musique en magasin implique deux achats<\/h2>\n

L\u2019\u00e9tablissement ach\u00e8te un service qui s\u00e9lectionne et diffuse de la musique. S\u00e9par\u00e9ment, il doit r\u00e9gler les droits li\u00e9s \u00e0 la diffusion de musique \u00e0 sa client\u00e8le. Dans sa circulaire d\u2019ao\u00fbt 2026 pr\u00e9sent\u00e9e par LMKN<\/a>, l\u2019organisme indique que l\u2019abonnement d\u2019un fournisseur ne supprime pas, ne remplace pas et ne remplit pas automatiquement l\u2019obligation de redevance de l\u2019utilisateur commercial. La question pour un caf\u00e9 ou une cha\u00eene de magasins est donc pr\u00e9cise : quels droits et quels paiements le contrat du fournisseur couvre-t-il r\u00e9ellement ?<\/p>\n

LMKN indique qu\u2019un fournisseur peut travailler avec elle dans le cadre d\u2019un partenariat non exclusif, mais que ce partenariat ne lie LMKN que s\u2019il fait l\u2019objet d\u2019un accord \u00e9crit formellement sign\u00e9. L\u2019organisme demande \u00e9galement aux utilisateurs commerciaux de v\u00e9rifier directement aupr\u00e8s de LMKN toute affirmation d\u2019affiliation \u00e0 LMKN. Une pr\u00e9sentation commerciale qui qualifie un service de \u00ab fully licensed \u00bb ne constitue pas une preuve suffisante, sauf si le contrat pr\u00e9cise le r\u00e9pertoire, les droits concern\u00e9s, le territoire et la partie qui paie les frais dus par l\u2019\u00e9tablissement.<\/p>\n

Cette distinction concerne aussi les ayants droit. Un label peut conc\u00e9der ses enregistrements \u00e0 un fournisseur alors que l\u2019\u00e9tablissement reste soumis \u00e0 une obligation distincte pour la diffusion publique. \u00c0 l\u2019inverse, un re\u00e7u LMKN de l\u2019\u00e9tablissement n\u2019indique pas \u00e0 un label si son enregistrement \u00e9tait inclus dans le catalogue du fournisseur, \u00e0 quelles conditions, ni si le fournisseur a transmis assez de donn\u00e9es d\u2019utilisation pour r\u00e9partir les revenus. Conservez s\u00e9par\u00e9ment la licence de service, la licence de l\u2019\u00e9tablissement et la licence du catalogue.<\/p>\n

Suivez l\u2019argent de l\u2019\u00e9tablissement jusqu\u2019\u00e0 l\u2019ayant droit<\/h2>\n

Le Minister of Law Regulation 27\/2025<\/a> de l\u2019Indon\u00e9sie habilite LMKN \u00e0 percevoir, regrouper et r\u00e9partir les redevances des utilisateurs commerciaux de services publics. L\u2019article 20 impose \u00e0 l\u2019utilisateur commercial de demander une licence et de payer des redevances. Les articles 27 et 28 pr\u00e9voient une r\u00e9partition par l\u2019interm\u00e9diaire des organismes de gestion collective, \u00e0 partir des donn\u00e9es d\u00e9clar\u00e9es sur l\u2019utilisation de la musique, ainsi qu\u2019une proc\u00e9dure de r\u00e9clamation et de v\u00e9rification pour les ayants droit qui ne sont pas membres.<\/p>\n

C\u2019est pourquoi un export de playlist est plus utile qu\u2019une facture g\u00e9n\u00e9rique indiquant \u00ab musique fournie \u00bb. Demandez au fournisseur un journal de diffusion horodat\u00e9 indiquant le titre du morceau, l\u2019artiste, l\u2019identifiant de l\u2019enregistrement, l\u2019\u00e9tablissement et l\u2019heure de diffusion ; demandez \u00e0 l\u2019\u00e9tablissement quelle licence et quel paiement couvrent cet usage. Le label peut alors faire correspondre l\u2019enregistrement \u00e0 son propre dossier de propri\u00e9t\u00e9, tandis que les auteurs v\u00e9rifient leurs d\u00e9clarations de droits d\u2019auteur aupr\u00e8s de leur organisme de gestion collective. Des identifiants manquants ou incoh\u00e9rents compliquent cette mise en correspondance.<\/p>\n

Le bilan de novembre 2026 de LMKN sur ses travaux de d\u00e9claration<\/a> indique que l\u2019identification des donn\u00e9es reste un obstacle majeur : l\u2019organisme estime qu\u2019il existe environ sept millions de chansons et d\u2019\u0153uvres musicales en Indon\u00e9sie, contre pr\u00e8s de 26 000 enregistr\u00e9es dans la base nationale de donn\u00e9es musicales au moment du rapport. Ce sont les chiffres de LMKN, et non un d\u00e9compte des morceaux non r\u00e9mun\u00e9r\u00e9s. Ils expliquent pourquoi un contrat qui promet un paiement sans fournir de donn\u00e9es de diffusion exploitables m\u00e9rite un examen attentif.<\/p>\n

Ins\u00e9rez quatre v\u00e9rifications dans le contrat<\/h2>\n

Pour un \u00e9tablissement, demandez au fournisseur une explication \u00e9crite de son accord avec LMKN, confirmez cet accord aupr\u00e8s de LMKN, conservez les justificatifs de licence de l\u2019\u00e9tablissement et exigez des rapports d\u2019utilisation r\u00e9guliers, morceau par morceau. Pour un label, ajoutez une annexe indiquant le propri\u00e9taire du master, les usages commerciaux autoris\u00e9s, le territoire, la fr\u00e9quence des rapports et la partie responsable de chaque circuit de redevances. Un fournisseur qui refuse d\u2019identifier la partie payeuse laisse une lacune comptable.<\/p>\n

Ne confondez pas ce circuit de diffusion publique avec un stream Spotify. LMKN a indiqu\u00e9 que sa gestion collective num\u00e9rique actuelle se limite \u00e0 certains droits d\u2019ex\u00e9cution publique des cr\u00e9ateurs, tandis que les redevances num\u00e9riques li\u00e9es aux enregistrements restent r\u00e9gies par les accords des plateformes. Notre guide sur la r\u00e9partition des redevances 50\/25\/25 en Indon\u00e9sie<\/a> explique pourquoi une formule de r\u00e9partition collective ne peut pas servir de prix par stream. Notre guide d\u2019adh\u00e9sion \u00e0 WAMI<\/a> pr\u00e9sente la proc\u00e9dure distincte de r\u00e9clamation des auteurs.<\/p>\n

La r\u00e8gle pratique est simple : rattachez chaque utilisation \u00e0 un contrat, \u00e0 un relev\u00e9 de diffusion et \u00e0 un payeur identifi\u00e9. Les syst\u00e8mes de distribution peuvent livrer des enregistrements et d\u00e9clarer les revenus des plateformes, mais la musique diffus\u00e9e dans un \u00e9tablissement n\u00e9cessite cette cartographie suppl\u00e9mentaire des droits. Pour un label qui utilise InterSpace Distribution, des dossiers bien tenus sur la propri\u00e9t\u00e9 des masters et la r\u00e9partition des parts rendent ce rapprochement possible \u00e0 la r\u00e9ception d\u2019un contrat de musique d\u2019ambiance.<\/p>\n","protected":false},"excerpt":{"rendered":"Les redevances musicales des magasins en Indon\u00e9sie n\u00e9cessitent une v\u00e9rification de licence distincte. LMKN indique qu\u2019un abonnement de musique d\u2019ambiance ne couvre pas automatiquement les redevances dues par un \u00e9tablissement pour la diffusion publique. Ce guide montre aux labels et aux exploitants de magasins quels contrats, journaux de diffusion et justificatifs de r\u00e9clamation v\u00e9rifier avant de r\u00e9gler les comptes.","protected":false},"author":6,"featured_media":28175,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"csco_display_header_overlay":false,"csco_singular_sidebar":"","csco_page_header_type":"","csco_page_load_nextpost":"","csco_post_video_location":[],"csco_post_video_location_hash":"","csco_post_video_url":"","csco_post_video_bg_start_time":0,"csco_post_video_bg_end_time":0,"_jetpack_hide_featured_image":false,"_jetpack_featured_image_duplicate_dismissed":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[6952],"tags":[],"class_list":["post-28194","post","type-post","status-publish","format-standard","has-post-thumbnail","category-industry-trends-fr","cs-entry","cs-video-wrap"],"yoast_head":"\nRedevances 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