{"id":28291,"date":"2026-11-15T00:26:11","date_gmt":"2026-11-15T00:26:11","guid":{"rendered":"https:\/\/interspacemusic.com\/blog\/redevances-du-streaming-aux-philippines-demandez-quelles-donnees-decoute-filscap-a-utilisees\/"},"modified":"2026-11-15T00:26:11","modified_gmt":"2026-11-15T00:26:11","slug":"redevances-du-streaming-aux-philippines-demandez-quelles-donnees-decoute-filscap-a-utilisees","status":"publish","type":"post","link":"https:\/\/interspacemusic.com\/blog\/fr\/redevances-du-streaming-aux-philippines-demandez-quelles-donnees-decoute-filscap-a-utilisees\/","title":{"rendered":"Redevances du streaming aux Philippines : demandez quelles donn\u00e9es d\u2019\u00e9coute FILSCAP a utilis\u00e9es"},"content":{"rendered":"<p><strong>Un auteur-compositeur philippin peut avoir un titre sur un service de streaming sans pouvoir pr\u00e9voir les redevances d\u2019\u00e9dition \u00e0 partir du seul nombre d\u2019\u00e9coutes.<\/strong> The Filipino Society of Composers, Authors and Publishers (FILSCAP) indique qu\u2019elle r\u00e9partit s\u00e9par\u00e9ment les revenus des licences num\u00e9riques pour chaque fournisseur de services num\u00e9riques (DSP). Pour les services audio, la base normale est le nombre d\u2019\u00e9coutes d\u2019une \u0153uvre ou sa part des \u00e9coutes pendant la p\u00e9riode d\u2019utilisation concern\u00e9e. Si les donn\u00e9es d\u2019utilisation r\u00e9elles du service ne sont pas disponibles, la soci\u00e9t\u00e9 peut utiliser des donn\u00e9es analogues. Cette distinction doit figurer dans chaque audit de redevances.<\/p>\n<h2>Commencez par le service, pas par un tarif universel par \u00e9coute<\/h2>\n<p>Les <a href=\"https:\/\/filscap.org\/wp-content\/uploads\/2026\/05\/Distribution-Rules-as-of-April-20-2026.pdf\">r\u00e8gles de r\u00e9partition de FILSCAP, modifi\u00e9es en avril 2026<\/a>, indiquent que les frais de licence des DSP sont trait\u00e9s service par service, sous r\u00e9serve d\u2019un seuil de traitement fix\u00e9 par son conseil d\u2019administration. La r\u00e9partition tient \u00e9galement compte du contrat de licence et des donn\u00e9es d\u2019utilisation fournies par le service. Une \u00e9coute sur Spotify et une \u00e9coute sur une autre application ne sont donc pas regroup\u00e9es dans une m\u00eame enveloppe interchangeable selon ces r\u00e8gles.<\/p>\n<p>L\u2019<a href=\"https:\/\/www.ipophil.gov.ph\/collective-management-organizations\/\">Intellectual Property Office of the Philippines<\/a> r\u00e9pertorie FILSCAP parmi les organismes de gestion collective accr\u00e9dit\u00e9s. Sa revendication porte sur l\u2019\u0153uvre musicale sous-jacente et ses auteurs ou \u00e9diteurs. L\u2019enregistrement livr\u00e9 par un distributeur est un actif diff\u00e9rent, avec un relev\u00e9 distinct. Un label qui compare les deux doit d\u2019abord indiquer \u00e0 quel droit correspond chaque ligne.<\/p>\n<p>C\u2019est aussi pourquoi le compteur public d\u2019\u00e9coutes d\u2019une plateforme ne permet gu\u00e8re de pr\u00e9voir les redevances. Le calcul de la soci\u00e9t\u00e9 d\u00e9pend des revenus de licence concern\u00e9s, de la p\u00e9riode de d\u00e9claration du service, de la part d\u00e9clar\u00e9e des \u0153uvres \u00e9ligibles et des informations permettant d\u2019associer les donn\u00e9es \u00e0 une chanson enregistr\u00e9e. Aucun de ces montants n\u2019appara\u00eet dans le total public d\u2019\u00e9coutes d\u2019un titre. La r\u00e8gle d\u00e9crit une m\u00e9thode de r\u00e9partition, pas un montant fixe vers\u00e9 pour chaque \u00e9coute.<\/p>\n<h2>D\u00e9terminez quand les \u00e9coutes d\u00e9clar\u00e9es sont remplac\u00e9es par une estimation<\/h2>\n<p>Selon la section 10.3 des m\u00eames r\u00e8gles, les redevances du streaming audio sont normalement calcul\u00e9es \u00e0 partir du nombre r\u00e9el d\u2019\u00e9coutes ou de leur part. Lorsque les donn\u00e9es d\u2019utilisation r\u00e9elles ne sont pas fournies ou obtenues, le conseil d\u2019administration de FILSCAP peut choisir des donn\u00e9es analogues pour la m\u00eame p\u00e9riode. Il peut aussi d\u00e9cider si une r\u00e9partition pour des \u00e9coutes non enregistr\u00e9es est justifi\u00e9e. Ce m\u00e9canisme permet de r\u00e9partir les sommes malgr\u00e9 une lacune dans les d\u00e9clarations ; il ne prouve pas que votre titre n\u2019a enregistr\u00e9 aucune \u00e9coute.<\/p>\n<p>Les r\u00e8gles pr\u00e9voient un autre cas : un service num\u00e9rique verse des redevances, mais ne peut pas fournir les donn\u00e9es d\u2019utilisation r\u00e9elles, par exemple lorsque le paiement repose sur la part de march\u00e9. FILSCAP peut \u00e0 nouveau utiliser des donn\u00e9es analogues pour la p\u00e9riode et proc\u00e9der \u00e9ventuellement \u00e0 une r\u00e9partition pour des \u00e9coutes non enregistr\u00e9es. La question concr\u00e8te pour un responsable de catalogue est donc pr\u00e9cise : <em>cette \u0153uvre a-t-elle \u00e9t\u00e9 r\u00e9mun\u00e9r\u00e9e sur la base de l\u2019utilisation r\u00e9elle du service, de donn\u00e9es analogues ou d\u2019une r\u00e9partition pour des \u00e9coutes non enregistr\u00e9es ?<\/em> Un changement de m\u00e9thode peut modifier la part d\u2019une chanson m\u00eame si son audience semble stable.<\/p>\n<p>Les services vid\u00e9o n\u00e9cessitent une v\u00e9rification distincte. FILSCAP r\u00e9partit les paiements vid\u00e9o par revendication selon le montant revendiqu\u00e9 pour l\u2019\u0153uvre ; pour un paiement vid\u00e9o forfaitaire, la r\u00e9partition se fonde sur le nombre d\u2019\u00e9coutes ou leur part, avec des r\u00e8gles suppl\u00e9mentaires lorsque les donn\u00e9es d\u2019utilisation sont limit\u00e9es. Ne reprenez pas la formule audio pour estimer les revenus vid\u00e9o. Notre <a href=\"https:\/\/interspacemusic.com\/blog\/philippine-ott-song-royalties-streams-seconds-cue-sheets\/\">guide des redevances OTT aux Philippines<\/a> pr\u00e9sente une autre m\u00e9thode, o\u00f9 les \u00e9coutes d\u2019une production et les secondes document\u00e9es de la chanson d\u00e9terminent la r\u00e9partition.<\/p>\n<h2>\u00c9tablissez un rapprochement qui permette d\u2019obtenir une r\u00e9ponse<\/h2>\n<p>Pour chaque sortie, conservez dans une seule fiche de catalogue le titre exact de l\u2019\u0153uvre, les noms des auteurs et des \u00e9diteurs, les parts convenues, l\u2019identifiant de l\u2019enregistrement, le service et le territoire. Placez le relev\u00e9 de FILSCAP \u00e0 c\u00f4t\u00e9 du relev\u00e9 des enregistrements du distributeur, tout en gardant les colonnes de revenus s\u00e9par\u00e9es. Le <a href=\"https:\/\/interspacemusic.com\/blog\/philippine-song-royalties-filscap-three-claim-deadlines\/\">guide des d\u00e9lais de r\u00e9clamation aupr\u00e8s de FILSCAP<\/a> explique pourquoi une \u0153uvre manquante ou mal identifi\u00e9e n\u00e9cessite aussi un suivi \u00e9crit dans les d\u00e9lais.<\/p>\n<p>Auditez ensuite un service et une p\u00e9riode d\u2019utilisation \u00e0 la fois. Demandez quelle m\u00e9thode de r\u00e9partition a \u00e9t\u00e9 utilis\u00e9e, si l\u2019\u0153uvre d\u00e9clar\u00e9e et les ayants droit ont bien \u00e9t\u00e9 identifi\u00e9s et si un seuil de traitement a retard\u00e9 la r\u00e9partition. Consignez la r\u00e9ponse de FILSCAP avec la date du relev\u00e9. Une hausse du nombre d\u2019\u00e9coutes t\u00e9moigne utilement de l\u2019audience ; une m\u00e9thode document\u00e9e et une \u0153uvre correctement identifi\u00e9e permettent \u00e0 l\u2019auteur-compositeur de v\u00e9rifier la ligne de redevances.<\/p>\n<p>Pour un label ind\u00e9pendant, l\u2019avantage op\u00e9rationnel est simple : des livraisons pr\u00e9cises et une r\u00e9partition transparente des revenus de l\u2019enregistrement facilitent l\u2019examen d\u2019une moiti\u00e9 du catalogue, tandis qu\u2019un registre des \u0153uvres maintenu \u00e0 jour permet de r\u00e9clamer l\u2019autre moiti\u00e9. G\u00e9rez ces \u00e9l\u00e9ments comme deux dossiers li\u00e9s, et un \u00e9cart de redevances devient une question que vous pouvez r\u00e9ellement examiner.<\/p>\n","protected":false},"excerpt":{"rendered":"Les redevances du streaming aux Philippines d\u00e9pendent des donn\u00e9es d\u2019\u00e9coute qu\u2019un service transmet \u00e0 FILSCAP. D\u00e9couvrez quand les paiements aux auteurs-compositeurs sont calcul\u00e9s \u00e0 partir des \u00e9coutes r\u00e9elles, quand des donn\u00e9es analogues peuvent remplacer les rapports manquants et quelles questions un label ind\u00e9pendant devrait poser avant de comparer un relev\u00e9 de soci\u00e9t\u00e9 de gestion avec celui de son distributeur.","protected":false},"author":6,"featured_media":28281,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"csco_display_header_overlay":false,"csco_singular_sidebar":"","csco_page_header_type":"","csco_page_load_nextpost":"","csco_post_video_location":[],"csco_post_video_location_hash":"","csco_post_video_url":"","csco_post_video_bg_start_time":0,"csco_post_video_bg_end_time":0,"_jetpack_hide_featured_image":false,"_jetpack_featured_image_duplicate_dismissed":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[6952],"tags":[],"class_list":["post-28291","post","type-post","status-publish","format-standard","has-post-thumbnail","category-industry-trends-fr","cs-entry","cs-video-wrap"],"yoast_head":"<!-- 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