{"id":28389,"date":"2026-11-15T12:55:50","date_gmt":"2026-11-15T12:55:50","guid":{"rendered":"https:\/\/interspacemusic.com\/blog\/redevances-des-producteurs-sur-soundexchange-un-lod-par-part-dartiste\/"},"modified":"2026-11-15T12:55:50","modified_gmt":"2026-11-15T12:55:50","slug":"redevances-des-producteurs-sur-soundexchange-un-lod-par-part-dartiste","status":"publish","type":"post","link":"https:\/\/interspacemusic.com\/blog\/fr\/redevances-des-producteurs-sur-soundexchange-un-lod-par-part-dartiste\/","title":{"rendered":"Redevances des producteurs sur SoundExchange : un LOD par part d\u2019artiste"},"content":{"rendered":"

Un cr\u00e9dit de production ou un pourcentage pr\u00e9vu dans un contrat de distribution ne redirige pas automatiquement les redevances de radio num\u00e9rique aux \u00c9tats-Unis d\u2019un artiste principal. SoundExchange exige une Letter of Direction distincte, ou LOD, de la part de l\u2019artiste dont la part financera ce paiement. Avant la sortie, la question pratique est simple : quelle part d\u2019artiste finance le paiement du producteur, et cette personne a-t-elle sign\u00e9 les documents SoundExchange ?<\/strong><\/p>\n

Il s\u2019agit d\u2019un type de redevance bien pr\u00e9cis, mais important. SoundExchange collecte les redevances d\u2019ex\u00e9cution de l\u2019enregistrement sonore aupr\u00e8s de services non interactifs admissibles, notamment la radio par satellite et la radio sur Internet. Ces redevances sont distinctes des revenus \u00e0 la demande figurant sur le relev\u00e9 Spotify ou Apple Music d\u2019un distributeur, comme l\u2019explique notre guide sur la part d\u2019artiste vers\u00e9e par SoundExchange<\/a>. Le LOD du producteur porte sur la part de ces revenus radio revenant \u00e0 l\u2019artiste principal, et non sur toutes les redevances qu\u2019un producteur a pu n\u00e9gocier.<\/p>\n

\n
<\/div>\n<\/figure>\n

Un m\u00eame pourcentage peut d\u00e9signer deux accords diff\u00e9rents<\/h2>\n

Supposons qu\u2019un producteur b\u00e9n\u00e9ficie d\u2019une participation de 10% aux recettes de distribution d\u2019un enregistrement. Cet accord n\u2019indique pas \u00e0 lui seul \u00e0 SoundExchange de lui verser 10% de la part radio attribu\u00e9e \u00e0 l\u2019artiste principal. Selon les consignes de SoundExchange sur les LOD<\/a>, le pourcentage indiqu\u00e9 sur le formulaire doit \u00eatre exprim\u00e9 en pourcentage de la part de l\u2019artiste principal<\/em> pour chaque enregistrement, et non en points de producteur ou en fraction de l\u2019ensemble des revenus de l\u2019enregistrement.<\/p>\n

Cette distinction change le calcul. Si la part SoundExchange d\u2019un artiste pour un enregistrement s\u2019\u00e9l\u00e8ve \u00e0 $200 et que le LOD valide attribue 10% de cette part au producteur, l\u2019instruction porte sur $20. Elle ne demande pas \u00e0 SoundExchange de pr\u00e9lever 10% du paiement total du service ni 10% de la part du propri\u00e9taire du master. Ces chiffres illustrent le fonctionnement de l\u2019instruction, ils ne correspondent pas \u00e0 un tarif par \u00e9coute publi\u00e9.<\/p>\n

Indiquez les deux pourcentages dans l\u2019accord en pr\u00e9cisant la base de calcul de chacun. Un label ne peut rapprocher les revenus de distribution et ceux de SoundExchange que s\u2019il sait \u00e0 quelle enveloppe s\u2019applique chaque pourcentage. Consid\u00e9rez le LOD comme une instruction de paiement qui met en \u0153uvre la part convenue avec l\u2019artiste, et non comme un remplacement de l\u2019accord de production sous-jacent.<\/p>\n

Les artistes invit\u00e9s et les groupes modifient le nombre de signatures requises<\/h2>\n

SoundExchange indique qu\u2019un producteur qui souhaite recevoir une partie des attributions de deux artistes principaux doit obtenir un LOD de chacun. Si un seul signe, le pourcentage indiqu\u00e9 s\u2019applique uniquement \u00e0 la part de cette personne. La pr\u00e9sence d\u2019un artiste invit\u00e9 pose donc un vrai choix : le producteur est-il r\u00e9mun\u00e9r\u00e9 uniquement sur la part radio de l\u2019artiste principal, ou sur celles des deux artistes ?<\/p>\n

Cette r\u00e8gle de signature s\u2019applique aussi aux groupes. Selon les exigences de SoundExchange en mati\u00e8re de signatures<\/a>, chaque membre du groupe ayant particip\u00e9 \u00e0 l\u2019enregistrement concern\u00e9 doit signer, sauf si chacun a d\u00e9sign\u00e9 un signataire autoris\u00e9 pour les LOD et l\u2019a d\u00e9clar\u00e9 aupr\u00e8s de SoundExchange. L\u2019autorit\u00e9 habituelle d\u2019un manager ou une procuration ne suffit pas, \u00e0 elle seule, \u00e0 en faire le signataire des LOD de SoundExchange.<\/p>\n

N\u2019utilisez pas le LOD du producteur pour r\u00e9gler la r\u00e9partition entre artistes principaux. SoundExchange consid\u00e8re deux interpr\u00e8tes principaux comme des collaborateurs et r\u00e9partit leur part d\u2019artiste entre eux. Le processus de LOD concerne les contributeurs cr\u00e9atifs admissibles, tels que les producteurs, les mixeurs et les ing\u00e9nieurs du son. \u00c9tablissez d\u2019abord la r\u00e9partition entre les artistes principaux, puis d\u00e9terminez ce que chacun attribue au producteur.<\/p>\n

D\u00e9posez une instruction pour chaque enregistrement avant le versement<\/h2>\n

Le dossier requis<\/a> comprend un LOD sign\u00e9 et un tableau de r\u00e9pertoire indiquant chaque enregistrement, sa date d\u2019entr\u00e9e en vigueur, son pourcentage de paiement et son International Standard Recording Code (ISRC), s\u2019il est disponible. Une signature \u00e9lectronique obtenue par l\u2019interm\u00e9diaire d\u2019un service de signature doit \u00eatre accompagn\u00e9e du certificat d\u2019ach\u00e8vement ou d\u2019un document \u00e9quivalent. Des documents manquants retardent la mise en place. SoundExchange pr\u00e9cise qu\u2019il faut au moins deux semaines pour traiter un LOD complet et valide.<\/p>\n

La liste de contr\u00f4le avant la sortie est donc concr\u00e8te. Confirmez le b\u00e9n\u00e9ficiaire l\u00e9gal du paiement destin\u00e9 au producteur, identifiez chaque artiste principal, convenez des parts d\u2019artistes qui financeront la participation, puis indiquez les bons ISRC et dates d\u2019entr\u00e9e en vigueur dans le tableau. Conservez ensemble l\u2019accord sign\u00e9, l\u2019instruction envoy\u00e9e et les documents de votre catalogue. Notre liste de contr\u00f4le des erreurs de m\u00e9tadonn\u00e9es<\/a> explique pourquoi la concordance des identifiants d\u2019enregistrement compte aussi au-del\u00e0 de cette voie de collecte.<\/p>\n

Pour un label qui utilise InterSpace Distribution ou ToneGrid, le contr\u00f4le utile consiste \u00e0 tenir un relev\u00e9 des r\u00e9partitions qui distingue les recettes du distributeur des collectes externes de droits voisins. Le tableau de bord peut afficher les premi\u00e8res ; le LOD SoundExchange r\u00e9git ce paiement pr\u00e9cis pr\u00e9lev\u00e9 sur la part d\u2019artiste. \u00c9tablissez clairement cette distinction avant que quiconque ne s\u2019attende \u00e0 ce que le producteur soit pay\u00e9 \u00e0 partir du mauvais relev\u00e9.<\/p>\n","protected":false},"excerpt":{"rendered":"Les redevances des producteurs vers\u00e9es par SoundExchange n\u00e9cessitent une Letter of Direction pour chaque part d\u2019artiste principal qui finance le paiement. D\u00e9couvrez pourquoi les points n\u00e9goci\u00e9s avec un distributeur ne s\u2019appliquent pas automatiquement, comment indiquer le pourcentage, quelles signatures sont requises et quelles donn\u00e9es d\u2019enregistrement fournir avant le versement des redevances radio.","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"csco_display_header_overlay":false,"csco_singular_sidebar":"","csco_page_header_type":"","csco_page_load_nextpost":"","csco_post_video_location":[],"csco_post_video_location_hash":"","csco_post_video_url":"","csco_post_video_bg_start_time":0,"csco_post_video_bg_end_time":0,"_jetpack_hide_featured_image":false,"_jetpack_featured_image_duplicate_dismissed":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[29763],"tags":[],"class_list":["post-28389","post","type-post","status-publish","format-standard","category-bonnes-pratiques","cs-entry","cs-video-wrap"],"yoast_head":"\nRedevances 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