{"id":9316,"date":"2026-08-03T16:18:42","date_gmt":"2026-08-03T16:18:42","guid":{"rendered":"https:\/\/interspacemusic.com\/blog\/las-escuchas-de-artistas-pakistanies-se-multiplicaron-por-siete-en-spotify-la-ley-que-deberia-pagarles-es-de-1962\/"},"modified":"2026-08-03T16:18:42","modified_gmt":"2026-08-03T16:18:42","slug":"las-escuchas-de-artistas-pakistanies-se-multiplicaron-por-siete-en-spotify-la-ley-que-deberia-pagarles-es-de-1962","status":"publish","type":"post","link":"https:\/\/interspacemusic.com\/blog\/es\/las-escuchas-de-artistas-pakistanies-se-multiplicaron-por-siete-en-spotify-la-ley-que-deberia-pagarles-es-de-1962\/","title":{"rendered":"Las escuchas de artistas pakistan\u00edes se multiplicaron por siete en Spotify. La ley que deber\u00eda pagarles es de 1962."},"content":{"rendered":"<p>Pakist\u00e1n sum\u00f3 oyentes de streaming m\u00e1s r\u00e1pido que casi cualquier mercado en el que Spotify entr\u00f3 en 2021. Lo que no ha construido son los circuitos que los pagan.<\/p>\n<h2>Cinco a\u00f1os de Spotify, en cifras<\/h2>\n<p>Spotify lleg\u00f3 a Pakist\u00e1n en febrero de 2021. En su <a href=\"https:\/\/newsroom.spotify.com\/2026-04-21\/5-years-pakistan-music-trends\/\">balance de cinco a\u00f1os publicado el 21 de abril de 2026<\/a>, la compa\u00f1\u00eda resumi\u00f3 as\u00ed el crecimiento:<\/p>\n<ul>\n<li>La audiencia en Pakist\u00e1n creci\u00f3 m\u00e1s de un 750 % desde el lanzamiento.<\/li>\n<li>Las escuchas de artistas pakistan\u00edes se multiplicaron por m\u00e1s de siete.<\/li>\n<li>El n\u00famero de artistas pakistan\u00edes en la plataforma aument\u00f3 casi un 75 %.<\/li>\n<li>M\u00e1s de 15 millones de playlists creadas por usuarios locales.<\/li>\n<li>El oyente promedio en Pakist\u00e1n escucha m\u00e1s de 140 artistas al a\u00f1o.<\/li>\n<\/ul>\n<p>Ese \u00faltimo dato es el que las distribuidoras deber\u00edan leer dos veces. Un p\u00fablico que prueba 140 artistas al a\u00f1o es un mercado de descubrimiento, no de cat\u00e1logo. Spotify lo ha dotado en consecuencia, con Pakka Hit Hai, ICON Pakistan, RADAR Pakistan y Fresh Finds Pakistan como escaparates editoriales locales.<\/p>\n<h2>Las listas se volvieron locales. El dinero se fue afuera.<\/h2>\n<p><a href=\"https:\/\/musically.com\/2025\/12\/10\/talha-anjum-and-umair-were-spotifys-most-streamed-local-acts-in-pakistan-during-2025\/\">Music Ally inform\u00f3 en diciembre de 2025<\/a> de que el rapero Talha Anjum y el productor Umair fueron los artistas locales m\u00e1s escuchados en Spotify en Pakist\u00e1n durante el a\u00f1o, con Hasan Raheem en el puesto 3 tras cerrar 2024 en el 8, por delante de Atif Aslam y Nusrat Fateh Ali Khan.<\/p>\n<p><a href=\"https:\/\/tribune.com.pk\/story\/2580514\/pakistans-spotify-wrapped-2025-just-dropped-and-local-hip-hop-is-running-the-show\">La cr\u00f3nica de The Express Tribune<\/a> sobre esos mismos datos de Wrapped situ\u00f3 el consumo de m\u00fasica pakistan\u00ed un 70 % por encima del a\u00f1o anterior, con el hip hop subiendo un 35 %.<\/p>\n<p>D\u00f3nde se contabilizan esas reproducciones es otra historia. Los datos de Spotify <a href=\"https:\/\/images.dawn.com\/news\/1189603\/spotify-reveals-the-top-streamed-pakistani-artists-outside-of-the-country\">publicados por Dawn ya en 2022<\/a> mostraban que m\u00e1s del 63 % de las escuchas de hip hop pakistan\u00ed se originaban fuera del pa\u00eds, con India, Estados Unidos y Reino Unido como principales mercados de escucha.<\/p>\n<p>Cuatro a\u00f1os despu\u00e9s, el patr\u00f3n se mantiene. HAVI, <a href=\"https:\/\/tribune.com.pk\/story\/2621049\/spotify-selects-havi-as-radar-pakistan-artist-for-q3-2026\">elegido artista RADAR Pakistan para el tercer trimestre de 2026<\/a> a finales de julio, hizo crecer su audiencia m\u00e1s de un 335 % en un a\u00f1o, con oyentes concentrados en Banglad\u00e9s, Estados Unidos, Reino Unido, Canad\u00e1 y Emiratos \u00c1rabes Unidos.<\/p>\n<h2>Los circuitos de abajo se escribieron en 1962<\/h2>\n<p>La norma de derechos de autor vigente en Pakist\u00e1n sigue siendo la Copyright Ordinance de 1962. En marzo de 2026 la Asamblea Nacional present\u00f3 un <a href=\"https:\/\/www.techjuice.pk\/pakistan-introduces-copyright-amendment-bill-2026-to-strengthen-protection-for-creators\/\">proyecto de reforma de la ley de derechos de autor de 2026<\/a>, impulsado por el ministro federal de Asuntos Parlamentarios, el doctor Tariq Fazal, y lo remiti\u00f3 a comisi\u00f3n. No se ha aprobado.<\/p>\n<p>Una entidad de gesti\u00f3n colectiva es el organismo que licencia la comunicaci\u00f3n p\u00fablica y la radiodifusi\u00f3n, y luego reparte lo recaudado. Pakist\u00e1n tiene una, COMP, la Collective Organisation for Music Rights in Pakistan, creada bajo la Intellectual Property Organization of Pakistan como la primera sociedad de derechos de ejecuci\u00f3n del pa\u00eds.<\/p>\n<p><a href=\"https:\/\/synergyzer.com\/the-money-note-inside-pakistans-music-business\">El informe de Synergyzer de julio de 2026<\/a> sobre la industria musical pakistan\u00ed describe una recaudaci\u00f3n de regal\u00edas todav\u00eda lastrada por la ineficiencia y la d\u00e9bil aplicaci\u00f3n de la ley. Las entradas de conciertos, entre 2.000 y 10.000 rupias pakistan\u00edes, y el merchandising, que a\u00f1ade entre un 20 y un 30 % a los ingresos de gira, generan m\u00e1s dinero que los estados de regal\u00edas.<\/p>\n<p>El <a href=\"https:\/\/www.ifpi.org\/global-music-report-2026-global-recorded-music-revenues-grow-6-4-as-record-companies-drive-innovation\/\">Global Music Report 2026 de la IFPI<\/a> cifr\u00f3 los ingresos mundiales de m\u00fasica grabada en 31.700 millones de d\u00f3lares, un 6,4 % m\u00e1s. Pakist\u00e1n no aparece desglosado. Sus artistas est\u00e1n generando ingresos dentro de las partidas de otros pa\u00edses.<\/p>\n<h2>Qu\u00e9 implica esto en la pr\u00e1ctica<\/h2>\n<p>Si la mayor\u00eda de tus escuchas se consumen fuera de Pakist\u00e1n, tu esquema de distribuci\u00f3n pesa m\u00e1s que tu relaci\u00f3n con un sello local.<\/p>\n<ul>\n<li>Trata la grabaci\u00f3n y la composici\u00f3n como dos flujos de ingresos distintos. Las regal\u00edas fonogr\u00e1ficas llegan a trav\u00e9s de tu distribuidora. Los ingresos editoriales y de ejecuci\u00f3n p\u00fablica requieren una relaci\u00f3n con una sociedad de gesti\u00f3n, ya sea COMP en casa o una que cubra tus mercados de exportaci\u00f3n.<\/li>\n<li>Entrega donde est\u00e1n las reproducciones. Para un lanzamiento de rap pakistan\u00ed, la cobertura del Golfo, Reino Unido, Estados Unidos, Canad\u00e1 y Banglad\u00e9s no es opcional, y Anghami debe ir en el plan de entrega y no como a\u00f1adido de \u00faltima hora.<\/li>\n<li>Deja los cr\u00e9ditos bien puestos desde la entrega. Los cr\u00e9ditos de producci\u00f3n y de artistas invitados fijados en los metadatos son lo que hace pagables los repartos entre varias partes sin conciliaci\u00f3n manual.<\/li>\n<li>Vigila la mezcla de planes. Las escuchas en la versi\u00f3n gratuita pagan bastante menos que las premium, y un mercado que crece as\u00ed de r\u00e1pido por descubrimiento se inclinar\u00e1 hacia lo gratuito.<\/li>\n<li>Mant\u00e9n una vista de regal\u00edas por territorio. Si la mayor parte de tus ingresos es extranjera, el tipo de cambio y los plazos de pago pasan a ser problemas de planificaci\u00f3n, no notas al pie contables.<\/li>\n<\/ul>\n<p>Es la misma brecha que hemos seguido al lado: <a href=\"https:\/\/interspacemusic.com\/blog\/india-added-4-million-paid-music-subscribers-2025-still-just-8-percent-of-178-million-streamers\/\">India sum\u00f3 cuatro millones de suscriptores de pago en 2025 y sigue convirtiendo solo al 8 % de sus oyentes<\/a>, y las decisiones de cobertura all\u00ed siguen la l\u00f3gica de nuestro <a href=\"https:\/\/interspacemusic.com\/blog\/jiosaavn-india-music-dsp\/\">an\u00e1lisis de JioSaavn para artistas independientes<\/a>.<\/p>\n<p>El crecimiento de Pakist\u00e1n es real y est\u00e1 documentado. Su infraestructura de recaudaci\u00f3n es un proyecto de ley parado en comisi\u00f3n. Hasta que eso cambie, los ingresos de un artista pakistan\u00ed son una cuesti\u00f3n de distribuci\u00f3n, decidida por los territorios a los que llega un lanzamiento y por lo limpio que quede el registro de los repartos.<\/p>\n","protected":false},"excerpt":{"rendered":"Las regal\u00edas del streaming en Pakist\u00e1n van por detr\u00e1s del crecimiento: la audiencia de Spotify subi\u00f3 m\u00e1s de un 750 % desde 2021 y las escuchas de artistas pakistan\u00edes se multiplicaron por siete, pero la mayor parte del hip hop se escucha desde el extranjero y el pa\u00eds sigue rigi\u00e9ndose por una ordenanza de derechos de autor de 1962, con la reforma estancada en comisi\u00f3n.","protected":false},"author":1,"featured_media":9270,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"csco_display_header_overlay":false,"csco_singular_sidebar":"","csco_page_header_type":"","csco_page_load_nextpost":"","csco_post_video_location":[],"csco_post_video_location_hash":"","csco_post_video_url":"","csco_post_video_bg_start_time":0,"csco_post_video_bg_end_time":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[5],"tags":[24,3125,341,6526,112,342],"class_list":["post-9316","post","type-post","status-publish","format-standard","has-post-thumbnail","category-industry-trends","tag-music","tag-pakistan","tag-royalties","tag-south-asia","tag-spotify","tag-streaming","cs-entry","cs-video-wrap"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Las escuchas de artistas pakistan\u00edes se multiplicaron por siete en Spotify. 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