{"id":9413,"date":"2026-08-03T18:38:36","date_gmt":"2026-08-03T18:38:36","guid":{"rendered":"https:\/\/interspacemusic.com\/blog\/la-musique-neo-zelandaise-signe-son-meilleur-trimestre-de-streaming-en-quatre-ans-les-artistes-locaux-touchent-environ-9-de-largent\/"},"modified":"2026-08-03T18:38:36","modified_gmt":"2026-08-03T18:38:36","slug":"la-musique-neo-zelandaise-signe-son-meilleur-trimestre-de-streaming-en-quatre-ans-les-artistes-locaux-touchent-environ-9-de-largent","status":"publish","type":"post","link":"https:\/\/interspacemusic.com\/blog\/fr\/la-musique-neo-zelandaise-signe-son-meilleur-trimestre-de-streaming-en-quatre-ans-les-artistes-locaux-touchent-environ-9-de-largent\/","title":{"rendered":"La musique n\u00e9o-z\u00e9landaise signe son meilleur trimestre de streaming en quatre ans. Les artistes locaux touchent environ 9 % de l&#8217;argent."},"content":{"rendered":"<p>La musique n\u00e9o-z\u00e9landaise a g\u00e9n\u00e9r\u00e9 226,8 millions d&#8217;\u00e9coutes en streaming entre janvier et mars 2026, son meilleur premier trimestre en quatre ans et le total de T1 le plus \u00e9lev\u00e9 sur les seize derniers trimestres.<\/p>\n<p>Le chiffre provient des statistiques trimestrielles de la NZ Music Commission, <a href=\"https:\/\/www.emptyspaces.co.nz\/nz-music-consumption-continues-growth-as-streaming-hits-new-high\/\">rapport\u00e9es par Empty Spaces<\/a>. Il progresse de 5,3 % par rapport au trimestre pr\u00e9c\u00e9dent et de 3,8 % par rapport au premier trimestre 2025.<\/p>\n<p>Vient ensuite le chiffre qui complique le titre. Les 20 titres n\u00e9o-z\u00e9landais les plus \u00e9cout\u00e9s du trimestre ont totalis\u00e9 19,4 millions d&#8217;\u00e9coutes, soit 8,6 % de l&#8217;ensemble du streaming local, et ils proviennent de seulement 12 artistes principaux.<\/p>\n<h2>L&#8217;ann\u00e9e qui a pr\u00e9par\u00e9 le terrain<\/h2>\n<p>Le <a href=\"https:\/\/recordedmusic.co.nz\/news\/2025-aotearoa-music-market-nz-artists-help-drive-growth-in-music-consumption\">rapport 2025 sur le march\u00e9 d&#8217;Aotearoa<\/a> de Recorded Music NZ donne le point de d\u00e9part :<\/p>\n<ul>\n<li>12,4 milliards d&#8217;\u00e9coutes audio au total en Nouvelle-Z\u00e9lande, en hausse de 1 % sur 2024. C&#8217;est un march\u00e9 arriv\u00e9 \u00e0 maturit\u00e9, pas un march\u00e9 en croissance.<\/li>\n<li>Un peu moins de 900 millions concernaient de la musique n\u00e9o-z\u00e9landaise, en hausse de 3 %. La part locale avoisine les 7,3 %.<\/li>\n<li>Les ventes d&#8217;albums n\u00e9o-z\u00e9landais ont progress\u00e9 de 18 %, contre 10 % pour l&#8217;ensemble du march\u00e9. Le physique a gagn\u00e9 13 %.<\/li>\n<li>Les \u00e9coutes de waiata reo Maori ont atteint 69 millions, contre 64 millions, et les ventes d&#8217;albums en te reo Maori ont tripl\u00e9.<\/li>\n<\/ul>\n<p>Jo Oliver, directrice g\u00e9n\u00e9rale de Recorded Music NZ, a qualifi\u00e9 2025 d&#8217;ann\u00e9e &#8220;particuli\u00e8rement forte pour les albums n\u00e9o-z\u00e9landais&#8221;. Marlon Williams, Lorde et Devilskin en ont port\u00e9 l&#8217;essentiel.<\/p>\n<p>Le classement des singles raconte une autre histoire. Alex Warren est rest\u00e9 num\u00e9ro un pendant 15 semaines cons\u00e9cutives avec &#8220;Ordinary&#8221;.<\/p>\n<h2>La croissance est r\u00e9elle. Le partage des revenus, lui, ne bouge pas.<\/h2>\n<p>Les chercheurs Oli Wilson, Catherine Hoad, Dave Carter et Jesse Austin-Stewart, de l&#8217;universit\u00e9 Massey, avancent le chiffre le plus dur <a href=\"https:\/\/theconversation.com\/discovering-new-nz-music-in-the-streaming-age-is-getting-harder-whats-the-future-for-local-artists-257449\">dans The Conversation<\/a> : 9 % \u00e0 peine des revenus n\u00e9o-z\u00e9landais du streaming, du t\u00e9l\u00e9chargement et des ventes physiques parviennent aux artistes locaux.<\/p>\n<p>Leurs donn\u00e9es sur la d\u00e9couverte sont pires que ne le laisse penser la consommation :<\/p>\n<ul>\n<li>Dans les Official Aotearoa Music Charts 2024, un seul artiste n\u00e9o-z\u00e9landais figurait au Top 50 des singles. Quatre albums n\u00e9o-z\u00e9landais sont entr\u00e9s au Top 50 des albums, pour la plupart des compilations de catalogue ancien.<\/li>\n<li>Seules deux radios commerciales nationales ont diffus\u00e9 plus de 20 % de musique locale en 2024, dans un pays o\u00f9 46 % des habitants \u00e9coutent la radio chaque jour.<\/li>\n<li>La playlist locale de fin d&#8217;ann\u00e9e 2024 de Spotify ne comptait qu&#8217;un seul titre n\u00e9o-z\u00e9landais.<\/li>\n<\/ul>\n<p>Leurs demandes politiques portent sur des quotas de contenu local impos\u00e9s aux plateformes internationales, un m\u00e9canisme de partage des revenus entre plateformes et diffuseurs sur le mod\u00e8le canadien, et la fusion de NZ On Air avec la Music Commission.<\/p>\n<p>Rien de tout cela n&#8217;est encore inscrit dans la loi. Les artistes qui sortent un projet ce trimestre doivent composer avec le march\u00e9 tel qu&#8217;il est.<\/p>\n<h2>\u00c0 quoi ressemble ce march\u00e9 tel qu&#8217;il est<\/h2>\n<p>L&#8217;IFPI, c&#8217;est-\u00e0-dire la F\u00e9d\u00e9ration internationale de l&#8217;industrie phonographique, chiffre la croissance du march\u00e9 n\u00e9o-z\u00e9landais de la musique enregistr\u00e9e \u00e0 3,0 % en 2025 dans son <a href=\"https:\/\/www.ifpi.org\/global-music-report-2026-global-recorded-music-revenues-grow-6-4-as-record-companies-drive-innovation\/\">Global Music Report 2026<\/a>, contre 6,4 % au niveau mondial.<\/p>\n<p>La Nouvelle-Z\u00e9lande cro\u00eet donc \u00e0 peu pr\u00e8s deux fois moins vite que le reste du monde, le r\u00e9pertoire local reste sous les 8 % de l&#8217;\u00e9coute nationale, et une douzaine d&#8217;artistes absorbent l&#8217;essentiel de l&#8217;attention locale.<\/p>\n<p>La croissance qu&#8217;un artiste d&#8217;Aotearoa peut r\u00e9ellement capter se trouve donc surtout \u00e0 l&#8217;\u00e9tranger. L&#8217;Australie, le Royaume-Uni, les \u00c9tats-Unis et la diaspora du Pacifique sont l\u00e0 o\u00f9 vit l&#8217;auditeur suppl\u00e9mentaire, et les DSP, c&#8217;est-\u00e0-dire les fournisseurs de services num\u00e9riques, que vous atteignez l\u00e0-bas rel\u00e8vent d&#8217;une d\u00e9cision de distribution plut\u00f4t que de marketing.<\/p>\n<h2>Que faire concr\u00e8tement d&#8217;une sortie n\u00e9o-z\u00e9landaise en 2026<\/h2>\n<ul>\n<li><strong>Inscrivez-vous pour \u00eatre \u00e9ligible aux classements.<\/strong> Recorded Music NZ g\u00e8re les Official Aotearoa Music Charts. Une sortie non enregistr\u00e9e ne compte pas, quel que soit son niveau d&#8217;\u00e9coute.<\/li>\n<li><strong>Renseignez correctement le te reo Maori.<\/strong> Ce sont les m\u00e9tadonn\u00e9es de langue qui alimentent les statistiques waiata reo Maori et les playlists \u00e9ditoriales qui en d\u00e9coulent. Un champ de langue vide vous co\u00fbte un couloir qui a grandi pendant que le march\u00e9 stagnait.<\/li>\n<li><strong>Pensez export d\u00e8s le premier jour.<\/strong> Un reporting de royalties par territoire vous dit si votre public de Sydney ou de Los Angeles existe vraiment avant que vous ne d\u00e9pensiez pour une tourn\u00e9e.<\/li>\n<li><strong>Verrouillez les splits avant la sortie.<\/strong> Modifier r\u00e9troactivement les parts d&#8217;un titre qui a perc\u00e9 dans trois territoires est le probl\u00e8me administratif le plus co\u00fbteux de la musique ind\u00e9pendante.<\/li>\n<\/ul>\n<h2>Pourquoi c&#8217;est un probl\u00e8me de distribution<\/h2>\n<p>Un artiste qui capte 7 % de l&#8217;attention de son march\u00e9 domestique et dont le potentiel se joue surtout \u00e0 l&#8217;\u00e9tranger a besoin de deux choses de la part de son distributeur : une livraison nativement DDEX, DDEX d\u00e9signant le Digital Data Exchange, la norme de m\u00e9tadonn\u00e9es que les plateformes ing\u00e8rent r\u00e9ellement, et un reporting de royalties d\u00e9taill\u00e9 par territoire plut\u00f4t que regroup\u00e9 sur une seule ligne.<\/p>\n<p>InterSpace Distribution int\u00e8gre les deux au tableau de bord artiste. Quand 9 % du march\u00e9 domestique constitue le plafond, savoir o\u00f9 se trouvent les 91 % restants de votre audience, c&#8217;est toute la strat\u00e9gie.<\/p>\n<p>\u00c0 lire aussi : <a href=\"https:\/\/interspacemusic.com\/blog\/australias-music-market-grew-for-a-seventh-year-local-artists-are-down-to-9-5-of-streams\/\">la part des artistes locaux en Australie est tomb\u00e9e \u00e0 9,5 % des \u00e9coutes<\/a>, et <a href=\"https:\/\/interspacemusic.com\/blog\/the-geography-of-nowhere-why-your-streams-dont-pay-where-your-fans-live\/\">pourquoi vos streams ne paient pas l\u00e0 o\u00f9 vivent vos fans<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"La musique n\u00e9o-z\u00e9landaise a atteint 226,8 millions d&#8217;\u00e9coutes au premier trimestre 2026, son meilleur d\u00e9but d&#8217;ann\u00e9e en quatre ans. Pourtant les artistes locaux ne touchent que 9 % des revenus, et 12 artistes concentrent l&#8217;essentiel de l&#8217;\u00e9coute locale. Ce que cet \u00e9cart implique pour une sortie.","protected":false},"author":1,"featured_media":9373,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"csco_display_header_overlay":false,"csco_singular_sidebar":"","csco_page_header_type":"","csco_page_load_nextpost":"","csco_post_video_location":[],"csco_post_video_location_hash":"","csco_post_video_url":"","csco_post_video_bg_start_time":0,"csco_post_video_bg_end_time":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[5],"tags":[132,24,53,6854,112,558],"class_list":["post-9413","post","type-post","status-publish","format-standard","has-post-thumbnail","category-industry-trends","tag-apple-music","tag-music","tag-new-zealand","tag-oceania","tag-spotify","tag-streaming-royalties","cs-entry","cs-video-wrap"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>La musique n\u00e9o-z\u00e9landaise signe son meilleur trimestre de streaming en quatre ans. Les artistes locaux touchent environ 9 % de l&#039;argent.<\/title>\n<meta name=\"description\" content=\"La musique n\u00e9o-z\u00e9landaise a g\u00e9n\u00e9r\u00e9 226,8 millions d&#039;\u00e9coutes en streaming entre janvier et mars 2026, son meilleur premier trimestre en quatre ans et le total de T1 le plus \u00e9lev\u00e9 sur les seize derniers trimestres.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/interspacemusic.com\/blog\/fr\/la-musique-neo-zelandaise-signe-son-meilleur-trimestre-de-streaming-en-quatre-ans-les-artistes-locaux-touchent-environ-9-de-largent\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La musique n\u00e9o-z\u00e9landaise signe son meilleur trimestre de streaming en quatre ans. Les artistes locaux touchent environ 9 % de l&#039;argent.\" \/>\n<meta property=\"og:description\" content=\"La musique n\u00e9o-z\u00e9landaise a g\u00e9n\u00e9r\u00e9 226,8 millions d&#039;\u00e9coutes en streaming entre janvier et mars 2026, son meilleur premier trimestre en quatre ans et le total de T1 le plus \u00e9lev\u00e9 sur les seize derniers trimestres.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/interspacemusic.com\/blog\/fr\/la-musique-neo-zelandaise-signe-son-meilleur-trimestre-de-streaming-en-quatre-ans-les-artistes-locaux-touchent-environ-9-de-largent\/\" \/>\n<meta property=\"og:site_name\" content=\"The InterSpace Daily.\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/facebook.com\/interspacemusic\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-08-03T18:38:36+00:00\" \/>\n<meta name=\"author\" content=\"Dave Ayodeji\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@interspacegroup\" \/>\n<meta name=\"twitter:site\" content=\"@interspacegroup\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Dave Ayodeji\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":[\"Article\",\"BlogPosting\"],\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/la-musique-neo-zelandaise-signe-son-meilleur-trimestre-de-streaming-en-quatre-ans-les-artistes-locaux-touchent-environ-9-de-largent\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/la-musique-neo-zelandaise-signe-son-meilleur-trimestre-de-streaming-en-quatre-ans-les-artistes-locaux-touchent-environ-9-de-largent\\\/\"},\"author\":{\"name\":\"Dave Ayodeji\",\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/#\\\/schema\\\/person\\\/9d06a0edee2164461b4e12bf93a861f0\"},\"headline\":\"La musique n\u00e9o-z\u00e9landaise signe son meilleur trimestre de streaming en quatre ans. Les artistes locaux touchent environ 9 % de l&#8217;argent.\",\"datePublished\":\"2026-08-03T18:38:36+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/la-musique-neo-zelandaise-signe-son-meilleur-trimestre-de-streaming-en-quatre-ans-les-artistes-locaux-touchent-environ-9-de-largent\\\/\"},\"wordCount\":971,\"publisher\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/la-musique-neo-zelandaise-signe-son-meilleur-trimestre-de-streaming-en-quatre-ans-les-artistes-locaux-touchent-environ-9-de-largent\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/i0.wp.com\\\/d2n07ae9429qri.cloudfront.net\\\/wp-content\\\/uploads\\\/2026\\\/08\\\/03180726\\\/9039201944_ee501d07dd_b.jpg?fit=1024%2C683&ssl=1\",\"keywords\":[\"Apple Music\",\"Music\",\"New Zealand\",\"Oceania\",\"Spotify\",\"streaming royalties\"],\"articleSection\":[\"Industry Trends\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/la-musique-neo-zelandaise-signe-son-meilleur-trimestre-de-streaming-en-quatre-ans-les-artistes-locaux-touchent-environ-9-de-largent\\\/\",\"url\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/la-musique-neo-zelandaise-signe-son-meilleur-trimestre-de-streaming-en-quatre-ans-les-artistes-locaux-touchent-environ-9-de-largent\\\/\",\"name\":\"La musique n\u00e9o-z\u00e9landaise signe son meilleur trimestre de streaming en quatre ans. 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