{"id":9734,"date":"2026-08-04T02:45:32","date_gmt":"2026-08-04T02:45:32","guid":{"rendered":"https:\/\/interspacemusic.com\/blog\/le-style-visuel-y2k-fait-son-retour-dans-les-clips-de-musique-nord-africains\/"},"modified":"2026-08-04T02:45:32","modified_gmt":"2026-08-04T02:45:32","slug":"le-style-visuel-y2k-fait-son-retour-dans-les-clips-de-musique-nord-africains","status":"publish","type":"post","link":"https:\/\/interspacemusic.com\/blog\/fr\/le-style-visuel-y2k-fait-son-retour-dans-les-clips-de-musique-nord-africains\/","title":{"rendered":"Le style visuel Y2K fait son retour dans les clips de musique nord-africains"},"content":{"rendered":"<p>Un <a href=\"https:\/\/interspacemusic.com\/blog\/nigerian-music-videos-shift-from-storytelling-to-aesthetic-spectacle\/\">changement visuel<\/a> distinct se dessine dans la <a href=\"https:\/\/interspacemusic.com\/blog\/north-african-music-the-best-new-tracks-this-month\/\">musique nord-africaine<\/a> : les artistes marocains et \u00e9gyptiens font revivre les textures granuleuses, les couleurs vives et le charme lo-fi des m\u00e9dias de la fin des ann\u00e9es 1990 et du d\u00e9but des ann\u00e9es 2000. Cette tendance s&#8217;inspire largement des souvenirs d&#8217;enfance, de la t\u00e9l\u00e9vision par satellite et de la culture pop de l&#8217;\u00e9poque, r\u00e9invent\u00e9es \u00e0 travers un prisme contemporain.<\/p>\n<h2>La nostalgie marocaine en VHS et t\u00e9l\u00e9vision par satellite<\/h2>\n<p>Dans le clip de <em>Zid Sawt<\/em>, l&#8217;artiste marocain <strong>Tawsen<\/strong> recr\u00e9e un salon r\u00e9tro avec des meubles marron, un papier peint charg\u00e9 et une t\u00e9l\u00e9vision \u00e0 tube cathodique. La sc\u00e8ne fait d\u00e9lib\u00e9r\u00e9ment \u00e9cho au clip embl\u00e9matique <em>Youm Wara Youm<\/em> de <a href=\"https:\/\/en.wikipedia.org\/wiki\/Cheb_Mami\">Cheb Mami<\/a> et <a href=\"https:\/\/en.wikipedia.org\/wiki\/Samira_Said\">Samira Said<\/a>, Tawsen entrant lui-m\u00eame dans le cadre en costume sombre, la voix filtr\u00e9e par une distorsion inspir\u00e9e du ra\u00ef.<\/p>\n<p>\u00ab Le concept visuel est n\u00e9 d&#8217;un souvenir, raconte Tawsen. Je voulais que l&#8217;introduction donne l&#8217;impression de p\u00e9n\u00e9trer dans une autre \u00e9poque, comme si on regardait une vieille cassette VHS ou un clip du d\u00e9but des ann\u00e9es 2000. Ce cadre nostalgique n&#8217;\u00e9tait pas seulement un choix esth\u00e9tique, c&#8217;\u00e9tait un hommage. \u00bb<\/p>\n<p>En collaboration avec le r\u00e9alisateur marocain bas\u00e9 \u00e0 Paris <strong>Farid Malki<\/strong>, le clip superpose nostalgie personnelle et collective. Tawsen explique comment Malki a ajout\u00e9 ses propres souvenirs d&#8217;enfance : \u00ab La vieille t\u00e9l\u00e9vision qui rappelle imm\u00e9diatement le retour de l&#8217;\u00e9cole pour regarder 2M, les bonbons color\u00e9s que tous les Marocains connaissent, les vieux cahiers, le jeu de cartes&#8230; C&#8217;est devenu sa madeleine de Proust \u00e0 l&#8217;int\u00e9rieur de ma madeleine de Proust, et j&#8217;adore \u00e7a. \u00bb<\/p>\n<h2>Les artistes \u00e9gyptiens adoptent l&#8217;esth\u00e9tique du cam\u00e9scope et le R&#038;B de l&#8217;\u00e8re MTV<\/h2>\n<p>En \u00c9gypte, un renouveau parall\u00e8le prend forme \u00e0 travers des textures de cam\u00e9scope num\u00e9rique lo-fi, des objectifs fisheye et un \u00e9talonnage satur\u00e9. Le clip de <em>Hayati<\/em> de la rappeuse \u00e9gyptienne <strong>Felukah<\/strong> et du DJ palestinien <strong>Habibeats<\/strong>, co-r\u00e9alis\u00e9 par Lewis Atallah et Mattias Russo-Larsson, \u00e9voque les f\u00eates \u00e0 la maison du d\u00e9but des ann\u00e9es 2000 et le R&#038;B de l&#8217;\u00e8re MTV. Des images film\u00e9es \u00e0 la main, une mode Y2K et une atmosph\u00e8re intime de fin de soir\u00e9e se m\u00ealent \u00e0 des percussions trap et garage rebondissantes.<\/p>\n<p>\u00ab Nous \u00e9tions inspir\u00e9s par <a href=\"https:\/\/en.wikipedia.org\/wiki\/PinkPantheress\">Pink Pantheress<\/a> et nous voulions vraiment cr\u00e9er ce son Y2K en arabe parce que peu d&#8217;artistes le font, explique Felukah. Nous aimons tous les deux la musique des ann\u00e9es 2000 et nous \u00e9tions en train d&#8217;alchimiser et de penser \u00e0 cette \u00e9poque. C&#8217;\u00e9tait l&#8217;id\u00e9e d&#8217;Atallah de tourner en pellicule et de montrer une sc\u00e8ne de f\u00eate non conventionnelle, pleine de moments paradoxaux. \u00bb<\/p>\n<p>Le clip <em>matrosh<\/em> de <strong>Marwan Moussa<\/strong> rend hommage au cin\u00e9ma et \u00e0 la culture pop \u00e9gyptienne du tournant du mill\u00e9naire. Co-r\u00e9alis\u00e9 par El Antably et Mohamed Aboelella, la vid\u00e9o utilise des cadrages typiques des d\u00e9buts de la t\u00e9l\u00e9vision num\u00e9rique, des textures d&#8217;\u00e9cran CRT et des personnages exag\u00e9r\u00e9s de com\u00e9die d&#8217;action. Les paroles de Moussa font r\u00e9f\u00e9rence aux CD-ROM grav\u00e9s et aux m\u00e9dias pirat\u00e9s, avec une vantardise : \u00ab J&#8217;ai 100 000 CD, tais-toi. \u00bb<\/p>\n<h2>Des sorties d&#8217;albums comme hommages cin\u00e9matographiques<\/h2>\n<p>Le rappeur marocain <strong>Dizzy DROS<\/strong> a structur\u00e9 son r\u00e9cent album <em>AFLAM<\/em> (films) comme une exp\u00e9rience cin\u00e9matographique, chaque chanson repr\u00e9sentant une sc\u00e8ne de film. Les supports promotionnels, l&#8217;annonce officielle et le premier clip vid\u00e9o \u00e9voquent les blockbusters classiques, les menus de DVD d&#8217;antan et l&#8217;esth\u00e9tique nostalgique des cha\u00eenes de t\u00e9l\u00e9vision arabes par satellite comme Melody Hits et Mazzika, cette derni\u00e8re \u00e9tant \u00e9galement r\u00e9f\u00e9renc\u00e9e dans <em>Zid Sawt<\/em> de Tawsen.<\/p>\n<p>La superstar \u00e9gyptienne <strong>Wegz<\/strong> s&#8217;est associ\u00e9e \u00e0 <strong>Disco Misr<\/strong> pour <em>Keify Keda<\/em>, un clip r\u00e9alis\u00e9 par Khaled Mokthar qui s&#8217;inspire des publicit\u00e9s kitsch de l&#8217;\u00e8re Y2K. Disco Misr est connu pour remixer des samples de pop arabe de la fin des ann\u00e9es 90 et des ann\u00e9es 2000, et la performance de Wegz capture l&#8217;\u00e9nergie camp des \u00e9missions de vari\u00e9t\u00e9s de l&#8217;\u00e9poque. Sa tenue aux couleurs vives fait r\u00e9f\u00e9rence au l\u00e9gendaire monologuiste, acteur et marionnettiste \u00e9gyptien <strong>Mahmoud Shokoko<\/strong> (1912\u20131985), m\u00ealant un style vintage th\u00e9\u00e2tral et d\u00e9brouillard \u00e0 la pop \u00e9gyptienne classique du milieu du si\u00e8cle et \u00e0 la culture sha&#8217;abi.<\/p>\n<h2>Avancer \u00e0 travers le pass\u00e9<\/h2>\n<p>Bien que les clips de <em>Keify Keda<\/em> et <em>Zid Sawt<\/em> mettent en \u00e9vidence les diff\u00e9rences esth\u00e9tiques entre la culture marocaine et \u00e9gyptienne des ann\u00e9es 2000, les deux artistes abordent la narration avec un m\u00eame esprit ludique. \u00ab Je suis naturellement un peu loufoque ; j&#8217;aime faire rire les gens, jouer des personnages et ne pas me prendre trop au s\u00e9rieux, confie Tawsen. Si cela signifie faire ma meilleure imitation de Cheb Mami, ou redessiner le l\u00e9gendaire logo de Mazzika pour en faire le logo de SAWT, mon propre label, alors pourquoi pas ? \u00bb<\/p>\n<p>Malgr\u00e9 la vague de sons et d&#8217;images nostalgiques, Tawsen ne consid\u00e8re pas cette tendance comme un simple regard en arri\u00e8re. \u00ab Pour moi, c&#8217;est une autre fa\u00e7on d&#8217;avancer avec confiance sans oublier d&#8217;o\u00f9 je viens, dit-il. Que les gens reconnaissent les r\u00e9f\u00e9rences ou non, si cela leur rappelle leur propre enfance, leur famille ou un moment qui comptait pour eux, alors nous avons cr\u00e9\u00e9 quelque chose de plus grand qu&#8217;un simple clip. \u00bb<\/p>\n","protected":false},"excerpt":{"rendered":"Une vague de clips nord-africains adopte l&#8217;esth\u00e9tique visuelle des ann\u00e9es 2000, avec des artistes comme Tawsen, Felukah et Wegz qui puisent dans les r\u00e9f\u00e9rences technologiques et pop culturelles de l&#8217;\u00e9poque.","protected":false},"author":6,"featured_media":9004,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"csco_display_header_overlay":false,"csco_singular_sidebar":"","csco_page_header_type":"","csco_page_load_nextpost":"","csco_post_video_location":[],"csco_post_video_location_hash":"","csco_post_video_url":"","csco_post_video_bg_start_time":0,"csco_post_video_bg_end_time":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[6874],"tags":[8999,9002,9005,9008,9011,9014],"class_list":["post-9734","post","type-post","status-publish","format-standard","has-post-thumbnail","category-culture-lifestyle-fr","tag-felukah-fr","tag-music-videos-fr","tag-north-africa-fr","tag-nostalgia-fr","tag-tawsen-fr","tag-y2k-fr","cs-entry","cs-video-wrap"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Le style visuel Y2K fait son retour dans les clips de musique nord-africains<\/title>\n<meta name=\"description\" content=\"Un changement visuel distinct se dessine dans la musique nord-africaine : les artistes marocains et \u00e9gyptiens font revivre les textures granuleuses, les couleurs vives et le charme lo-fi des m\u00e9dias de la fin des ann\u00e9es 1990 et du d\u00e9but des ann\u00e9es 2000.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/interspacemusic.com\/blog\/fr\/le-style-visuel-y2k-fait-son-retour-dans-les-clips-de-musique-nord-africains\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Le style visuel Y2K fait son retour dans les clips de musique nord-africains\" \/>\n<meta property=\"og:description\" content=\"Un changement visuel distinct se dessine dans la musique nord-africaine : les artistes marocains et \u00e9gyptiens font revivre les textures granuleuses, les couleurs vives et le charme lo-fi des m\u00e9dias de la fin des ann\u00e9es 1990 et du d\u00e9but des ann\u00e9es 2000.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/interspacemusic.com\/blog\/fr\/le-style-visuel-y2k-fait-son-retour-dans-les-clips-de-musique-nord-africains\/\" \/>\n<meta property=\"og:site_name\" content=\"The InterSpace Daily.\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/facebook.com\/interspacemusic\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-08-04T02:45:32+00:00\" \/>\n<meta name=\"author\" content=\"Grace Wangeci\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@interspacegroup\" \/>\n<meta name=\"twitter:site\" content=\"@interspacegroup\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Grace Wangeci\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":[\"Article\",\"BlogPosting\"],\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/le-style-visuel-y2k-fait-son-retour-dans-les-clips-de-musique-nord-africains\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/le-style-visuel-y2k-fait-son-retour-dans-les-clips-de-musique-nord-africains\\\/\"},\"author\":{\"name\":\"Grace Wangeci\",\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/#\\\/schema\\\/person\\\/e932964055c2dfc2484af1bafae3e7b0\"},\"headline\":\"Le style visuel Y2K fait son retour dans les clips de musique nord-africains\",\"datePublished\":\"2026-08-04T02:45:32+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/le-style-visuel-y2k-fait-son-retour-dans-les-clips-de-musique-nord-africains\\\/\"},\"wordCount\":975,\"publisher\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/le-style-visuel-y2k-fait-son-retour-dans-les-clips-de-musique-nord-africains\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/i0.wp.com\\\/d2n07ae9429qri.cloudfront.net\\\/wp-content\\\/uploads\\\/2026\\\/07\\\/30160229\\\/1436526-1.jpg?fit=1200%2C683&ssl=1\",\"keywords\":[\"Felukah\",\"music videos\",\"North Africa\",\"nostalgia\",\"Tawsen\",\"Y2K\"],\"articleSection\":[\"Culture &amp; Lifestyle\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/le-style-visuel-y2k-fait-son-retour-dans-les-clips-de-musique-nord-africains\\\/\",\"url\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/le-style-visuel-y2k-fait-son-retour-dans-les-clips-de-musique-nord-africains\\\/\",\"name\":\"Le style visuel Y2K fait son retour dans les clips de musique nord-africains\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/le-style-visuel-y2k-fait-son-retour-dans-les-clips-de-musique-nord-africains\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/le-style-visuel-y2k-fait-son-retour-dans-les-clips-de-musique-nord-africains\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/i0.wp.com\\\/d2n07ae9429qri.cloudfront.net\\\/wp-content\\\/uploads\\\/2026\\\/07\\\/30160229\\\/1436526-1.jpg?fit=1200%2C683&ssl=1\",\"datePublished\":\"2026-08-04T02:45:32+00:00\",\"description\":\"Un changement visuel distinct se dessine dans la musique nord-africaine : les artistes marocains et \u00e9gyptiens font revivre les textures granuleuses, les couleurs vives et le charme lo-fi des m\u00e9dias de la fin des ann\u00e9es 1990 et du d\u00e9but des ann\u00e9es 2000.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/le-style-visuel-y2k-fait-son-retour-dans-les-clips-de-musique-nord-africains\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/le-style-visuel-y2k-fait-son-retour-dans-les-clips-de-musique-nord-africains\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/le-style-visuel-y2k-fait-son-retour-dans-les-clips-de-musique-nord-africains\\\/#primaryimage\",\"url\":\"https:\\\/\\\/i0.wp.com\\\/d2n07ae9429qri.cloudfront.net\\\/wp-content\\\/uploads\\\/2026\\\/07\\\/30160229\\\/1436526-1.jpg?fit=1200%2C683&ssl=1\",\"contentUrl\":\"https:\\\/\\\/i0.wp.com\\\/d2n07ae9429qri.cloudfront.net\\\/wp-content\\\/uploads\\\/2026\\\/07\\\/30160229\\\/1436526-1.jpg?fit=1200%2C683&ssl=1\",\"width\":1200,\"height\":683,\"caption\":\"A retro VHS-style still from Tawsen's 'Zid Sawt' music video showing a vintage Moroccan living room with a tube television and ornate wallpaper.\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/fr\\\/le-style-visuel-y2k-fait-son-retour-dans-les-clips-de-musique-nord-africains\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Le style visuel Y2K fait son retour dans les clips de musique nord-africains\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/#website\",\"url\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/\",\"name\":\"The InterSpace Daily.\",\"description\":\"Nigeria&#039;s leading music tech blog\",\"publisher\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/#organization\"},\"alternateName\":\"InterSpace Daily\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/#organization\",\"name\":\"The InterSpace Daily.\",\"alternateName\":\"InterSpace Distribution\",\"url\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/i0.wp.com\\\/interspacemusic.com\\\/blog\\\/wp-content\\\/uploads\\\/2025\\\/03\\\/DP1.png?fit=90%2C90&ssl=1\",\"contentUrl\":\"https:\\\/\\\/i0.wp.com\\\/interspacemusic.com\\\/blog\\\/wp-content\\\/uploads\\\/2025\\\/03\\\/DP1.png?fit=90%2C90&ssl=1\",\"width\":90,\"height\":90,\"caption\":\"The InterSpace Daily.\"},\"image\":{\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/facebook.com\\\/interspacemusic\\\/\",\"https:\\\/\\\/x.com\\\/interspacegroup\",\"https:\\\/\\\/instagram.com\\\/interspace.africa\",\"https:\\\/\\\/youtube.com\\\/@interspacedistro\"],\"description\":\"Nigeria's leading music tech blog \u2014 streaming, distribution, royalties, AI and the business of music, covered from Lagos for artists and labels worldwide.\",\"knowsAbout\":[\"music technology\",\"music distribution\",\"music streaming\",\"music royalties\",\"Nigerian music industry\",\"Afrobeats\",\"YouTube MCNs\",\"DDEX\",\"AI in music\"],\"parentOrganization\":{\"@type\":\"Organization\",\"name\":\"The InterSpace Group\",\"url\":\"https:\\\/\\\/business.interspacemusic.com\\\/\",\"description\":\"The independent side of the global music industry \u2014 distribution, publishing, rights, and technology built for independent artists and labels.\"},\"areaServed\":[\"Nigeria\",\"Africa\",\"Worldwide\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/#\\\/schema\\\/person\\\/e932964055c2dfc2484af1bafae3e7b0\",\"name\":\"Grace Wangeci\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/api.dicebear.com\\\/9.x\\\/lorelei\\\/svg?seed=grace&size=96&backgroundColor=ff6a1a,f7a072,ffd5bd,ffb38a&backgroundType=solid\",\"url\":\"https:\\\/\\\/api.dicebear.com\\\/9.x\\\/lorelei\\\/svg?seed=grace&size=96&backgroundColor=ff6a1a,f7a072,ffd5bd,ffb38a&backgroundType=solid\",\"contentUrl\":\"https:\\\/\\\/api.dicebear.com\\\/9.x\\\/lorelei\\\/svg?seed=grace&size=96&backgroundColor=ff6a1a,f7a072,ffd5bd,ffb38a&backgroundType=solid\",\"caption\":\"Grace Wangeci\"},\"description\":\"Grace Wangeci covers East African music tech, DSP economics, and the artists shaping the new African sound for InterSpace Daily.\",\"url\":\"https:\\\/\\\/interspacemusic.com\\\/blog\\\/author\\\/grace\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Le style visuel Y2K fait son retour dans les clips de musique nord-africains","description":"Un changement visuel distinct se dessine dans la musique nord-africaine : les artistes marocains et \u00e9gyptiens font revivre les textures granuleuses, les couleurs vives et le charme lo-fi des m\u00e9dias de la fin des ann\u00e9es 1990 et du d\u00e9but des ann\u00e9es 2000.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/interspacemusic.com\/blog\/fr\/le-style-visuel-y2k-fait-son-retour-dans-les-clips-de-musique-nord-africains\/","og_locale":"en_US","og_type":"article","og_title":"Le style visuel Y2K fait son retour dans les clips de musique nord-africains","og_description":"Un changement visuel distinct se dessine dans la musique nord-africaine : les artistes marocains et \u00e9gyptiens font revivre les textures granuleuses, les couleurs vives et le charme lo-fi des m\u00e9dias de la fin des ann\u00e9es 1990 et du d\u00e9but des ann\u00e9es 2000.","og_url":"https:\/\/interspacemusic.com\/blog\/fr\/le-style-visuel-y2k-fait-son-retour-dans-les-clips-de-musique-nord-africains\/","og_site_name":"The InterSpace Daily.","article_publisher":"https:\/\/facebook.com\/interspacemusic\/","article_published_time":"2026-08-04T02:45:32+00:00","author":"Grace Wangeci","twitter_card":"summary_large_image","twitter_creator":"@interspacegroup","twitter_site":"@interspacegroup","twitter_misc":{"Written by":"Grace Wangeci","Est. reading time":"5 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":["Article","BlogPosting"],"@id":"https:\/\/interspacemusic.com\/blog\/fr\/le-style-visuel-y2k-fait-son-retour-dans-les-clips-de-musique-nord-africains\/#article","isPartOf":{"@id":"https:\/\/interspacemusic.com\/blog\/fr\/le-style-visuel-y2k-fait-son-retour-dans-les-clips-de-musique-nord-africains\/"},"author":{"name":"Grace Wangeci","@id":"https:\/\/interspacemusic.com\/blog\/#\/schema\/person\/e932964055c2dfc2484af1bafae3e7b0"},"headline":"Le style visuel Y2K fait son retour dans les clips de musique nord-africains","datePublished":"2026-08-04T02:45:32+00:00","mainEntityOfPage":{"@id":"https:\/\/interspacemusic.com\/blog\/fr\/le-style-visuel-y2k-fait-son-retour-dans-les-clips-de-musique-nord-africains\/"},"wordCount":975,"publisher":{"@id":"https:\/\/interspacemusic.com\/blog\/#organization"},"image":{"@id":"https:\/\/interspacemusic.com\/blog\/fr\/le-style-visuel-y2k-fait-son-retour-dans-les-clips-de-musique-nord-africains\/#primaryimage"},"thumbnailUrl":"https:\/\/i0.wp.com\/d2n07ae9429qri.cloudfront.net\/wp-content\/uploads\/2026\/07\/30160229\/1436526-1.jpg?fit=1200%2C683&ssl=1","keywords":["Felukah","music videos","North Africa","nostalgia","Tawsen","Y2K"],"articleSection":["Culture &amp; Lifestyle"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/interspacemusic.com\/blog\/fr\/le-style-visuel-y2k-fait-son-retour-dans-les-clips-de-musique-nord-africains\/","url":"https:\/\/interspacemusic.com\/blog\/fr\/le-style-visuel-y2k-fait-son-retour-dans-les-clips-de-musique-nord-africains\/","name":"Le style visuel Y2K fait son retour dans les clips de musique nord-africains","isPartOf":{"@id":"https:\/\/interspacemusic.com\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/interspacemusic.com\/blog\/fr\/le-style-visuel-y2k-fait-son-retour-dans-les-clips-de-musique-nord-africains\/#primaryimage"},"image":{"@id":"https:\/\/interspacemusic.com\/blog\/fr\/le-style-visuel-y2k-fait-son-retour-dans-les-clips-de-musique-nord-africains\/#primaryimage"},"thumbnailUrl":"https:\/\/i0.wp.com\/d2n07ae9429qri.cloudfront.net\/wp-content\/uploads\/2026\/07\/30160229\/1436526-1.jpg?fit=1200%2C683&ssl=1","datePublished":"2026-08-04T02:45:32+00:00","description":"Un changement visuel distinct se dessine dans la musique nord-africaine : les artistes marocains et \u00e9gyptiens font revivre les textures granuleuses, les couleurs vives et le charme lo-fi des m\u00e9dias de la fin des ann\u00e9es 1990 et du d\u00e9but des ann\u00e9es 2000.","breadcrumb":{"@id":"https:\/\/interspacemusic.com\/blog\/fr\/le-style-visuel-y2k-fait-son-retour-dans-les-clips-de-musique-nord-africains\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/interspacemusic.com\/blog\/fr\/le-style-visuel-y2k-fait-son-retour-dans-les-clips-de-musique-nord-africains\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/interspacemusic.com\/blog\/fr\/le-style-visuel-y2k-fait-son-retour-dans-les-clips-de-musique-nord-africains\/#primaryimage","url":"https:\/\/i0.wp.com\/d2n07ae9429qri.cloudfront.net\/wp-content\/uploads\/2026\/07\/30160229\/1436526-1.jpg?fit=1200%2C683&ssl=1","contentUrl":"https:\/\/i0.wp.com\/d2n07ae9429qri.cloudfront.net\/wp-content\/uploads\/2026\/07\/30160229\/1436526-1.jpg?fit=1200%2C683&ssl=1","width":1200,"height":683,"caption":"A retro VHS-style still from Tawsen's 'Zid Sawt' music video showing a vintage Moroccan living room with a tube television and ornate wallpaper."},{"@type":"BreadcrumbList","@id":"https:\/\/interspacemusic.com\/blog\/fr\/le-style-visuel-y2k-fait-son-retour-dans-les-clips-de-musique-nord-africains\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/interspacemusic.com\/blog\/"},{"@type":"ListItem","position":2,"name":"Le style visuel Y2K fait son retour dans les clips de musique nord-africains"}]},{"@type":"WebSite","@id":"https:\/\/interspacemusic.com\/blog\/#website","url":"https:\/\/interspacemusic.com\/blog\/","name":"The InterSpace Daily.","description":"Nigeria&#039;s leading music tech blog","publisher":{"@id":"https:\/\/interspacemusic.com\/blog\/#organization"},"alternateName":"InterSpace Daily","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/interspacemusic.com\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/interspacemusic.com\/blog\/#organization","name":"The InterSpace Daily.","alternateName":"InterSpace Distribution","url":"https:\/\/interspacemusic.com\/blog\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/interspacemusic.com\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/i0.wp.com\/interspacemusic.com\/blog\/wp-content\/uploads\/2025\/03\/DP1.png?fit=90%2C90&ssl=1","contentUrl":"https:\/\/i0.wp.com\/interspacemusic.com\/blog\/wp-content\/uploads\/2025\/03\/DP1.png?fit=90%2C90&ssl=1","width":90,"height":90,"caption":"The InterSpace Daily."},"image":{"@id":"https:\/\/interspacemusic.com\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/facebook.com\/interspacemusic\/","https:\/\/x.com\/interspacegroup","https:\/\/instagram.com\/interspace.africa","https:\/\/youtube.com\/@interspacedistro"],"description":"Nigeria's leading music tech blog \u2014 streaming, distribution, royalties, AI and the business of music, covered from Lagos for artists and labels worldwide.","knowsAbout":["music technology","music distribution","music streaming","music royalties","Nigerian music industry","Afrobeats","YouTube MCNs","DDEX","AI in music"],"parentOrganization":{"@type":"Organization","name":"The InterSpace Group","url":"https:\/\/business.interspacemusic.com\/","description":"The independent side of the global music industry \u2014 distribution, publishing, rights, and technology built for independent artists and labels."},"areaServed":["Nigeria","Africa","Worldwide"]},{"@type":"Person","@id":"https:\/\/interspacemusic.com\/blog\/#\/schema\/person\/e932964055c2dfc2484af1bafae3e7b0","name":"Grace Wangeci","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/api.dicebear.com\/9.x\/lorelei\/svg?seed=grace&size=96&backgroundColor=ff6a1a,f7a072,ffd5bd,ffb38a&backgroundType=solid","url":"https:\/\/api.dicebear.com\/9.x\/lorelei\/svg?seed=grace&size=96&backgroundColor=ff6a1a,f7a072,ffd5bd,ffb38a&backgroundType=solid","contentUrl":"https:\/\/api.dicebear.com\/9.x\/lorelei\/svg?seed=grace&size=96&backgroundColor=ff6a1a,f7a072,ffd5bd,ffb38a&backgroundType=solid","caption":"Grace Wangeci"},"description":"Grace Wangeci covers East African music tech, DSP economics, and the artists shaping the new African sound for InterSpace Daily.","url":"https:\/\/interspacemusic.com\/blog\/author\/grace\/"}]}},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/d2n07ae9429qri.cloudfront.net\/wp-content\/uploads\/2026\/07\/30160229\/1436526-1.jpg?fit=1200%2C683&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/interspacemusic.com\/blog\/wp-json\/wp\/v2\/posts\/9734","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/interspacemusic.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/interspacemusic.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/interspacemusic.com\/blog\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/interspacemusic.com\/blog\/wp-json\/wp\/v2\/comments?post=9734"}],"version-history":[{"count":0,"href":"https:\/\/interspacemusic.com\/blog\/wp-json\/wp\/v2\/posts\/9734\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/interspacemusic.com\/blog\/wp-json\/wp\/v2\/media\/9004"}],"wp:attachment":[{"href":"https:\/\/interspacemusic.com\/blog\/wp-json\/wp\/v2\/media?parent=9734"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/interspacemusic.com\/blog\/wp-json\/wp\/v2\/categories?post=9734"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/interspacemusic.com\/blog\/wp-json\/wp\/v2\/tags?post=9734"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}