Lauv Stepped Away From a Major Tour
Twenty years ago, withdrawing from a national arena tour might have been viewed as a sign of unreliability. Currently, it is increasingly understood as a responsible action.
Singer-songwriter Lauv announced one week ago that he was leaving Khalid’s It’s Always Summer Somewhere tour. The decision was not due to scheduling conflicts, illness, or creative differences.
In a message to fans on Instagram, Lauv stated he was “deeply struggling” and needed time to focus on his well-being. The artist, who has publicly discussed his experiences with OCD, anxiety, addiction, and emotional health, explained he attempted to continue but realized he needed to step back. Khalid publicly expressed support for the decision, thanking Lauv for his participation and wishing him healing.
The announcement surprised many fans, but likely resonated with many artists.
A common misconception in music is that performances must continue regardless of circumstances. Artists frequently cancel appearances due to vocal injuries, physical ailments, exhaustion, or logistical issues. However, mental health challenges often carry additional burdens of guilt, shame, and a lack of understanding.
Musicians often worry about disappointing fans, impacting professional relationships, losing income, or appearing unprofessional. Consequently, some continue working despite recognizing their need for assistance. Lauv’s announcement highlighted the importance of acknowledging struggles before they escalate into crises.
He stated that if his openness encourages even one person to examine their own feelings and seek support, it will have had a positive impact.
This sentiment reflects the ongoing nature of the problem and the limited awareness of available resources.
The demands of touring, songwriting, financial instability, irregular schedules, social media, and public scrutiny create unique stressors for music professionals.
Organizations in the field have documented this issue for years. Backline, a nonprofit focused on mental health within the music industry, notes that artists, managers, crew, agents, promoters, and family members often face challenges that traditional support systems may not fully address. The organization aims to connect music professionals with tailored mental health and wellness resources.
The conversation has become more prevalent in recent years as artists across genres have openly discussed anxiety, burnout, depression, substance use, and the emotional impact of creative work.
Lauv has provided a comprehensive list of mental health resources and helplines for various countries, available on his website.
Backline, in partnership with Spotify, created a guide titled Between The Lines: A Mental Health Guide for Songwriters. This resource addresses the specific challenges faced by songwriters, who often revisit difficult experiences during the creative process.
The guide offers practical information on recognizing warning signs, building support systems, setting boundaries, and accessing professional help, rather than providing generalized wellness advice.
Backline also operates B-LINE, a 24/7 mental health and crisis support line for the music industry.
In its first three months, B-LINE provided support to 306 music industry professionals across the United States. The service has facilitated over 300 interactions and connected 31 individuals with ongoing support through Backline’s Case Management program. 45% of those seeking help identified as active artists or musicians, and over one-third had more than 10 years of experience in the industry.
Lauv’s announcement demonstrated a supportive and encouraging response to this issue. The focus was on his ability to openly communicate the reasons for his decision.
When artists openly discuss mental health, it challenges the notion that seeking help is incompatible with a successful career. Mental health support is increasingly recognized as essential for sustaining a long-term creative life.
Remaining Tour Dates:
JUN 10 — Richmond, VA @ Allianz Amphitheater at Riverfront
JUN 12 — New York, NY @ Radio City Music Hall
JUN 15 — Charlotte, NC @ Skyla Credit Union Amphitheatre
JUN 17 — Irving, TX @ The Pavilion At Toyota Music Factory
JUN 18 — Houston, TX @ 713 Music Hall
JUN 19 — Austin, TX @ Moody Amphitheater
JUN 21 — Phoenix, AZ @ Arizona Financial Theatre
JUN 22 — San Diego, CA @ Cal Coast Credit Union Open Air Theatre
JUN 24 — Los Angeles, CA @ The Greek Theatre
JUN 26 — Berkeley, CA @ The Greek Theatre at UC Berkeley
SEP 17 — Mexico City, Mexico @ Arena C
