Her Frequency Report: Women’s Live Music Fandom and Spending

The ‘Her Frequency’ study, based on 15,000 interviews across 12 countries, reveals that 64% of women are live music fans and details their spending, coordination roles, and five fan segments.
Cover of the 'Her Frequency' report on women's live music fandom, featuring data visualizations and key statistics. Cover of the 'Her Frequency' report on women's live music fandom, featuring data visualizations and key statistics.

A global study of nearly 15,000 people across 12 countries finds that 64% of women identify as live music fans, but the industry’s next growth opportunity lies in converting that fandom into more frequent attendance, higher spending, and deeper social participation.

The report, titled ‘Her Frequency’, was produced by research firm The Collective and talent agency The·Team (formerly Wasserman Group). It combines quantitative, qualitative, social, and industry analysis to map how women fans behave, engage, and spend throughout the live music journey.

Spending Beyond Tickets

Spending data forms a central pillar of the findings. 54% of women spend more than $100 on expenses outside the ticket price, while 29% spend over $200 and 11% report spending more than $500.

Initiators and Coordinators

Women also shape the participation of those around them. 35% describe themselves as initiators of attendance, and 30% act as coordinators who organize groups to attend events.

Five Fan Segments

The study segments women fans into five distinct groups, each with tailored strategies for deepening engagement:

  • Power
  • High-Intent
  • Mainstream
  • Social
  • Occasional

Designing for Participation

The report states: “To turn fandom into frequency, the industry must design for both sides of participation: the emotional reasons for which women want to show up and the practical realities that determine whether they can.”

“Women do not just consume live music. They organize it, share it, spend on it, travel for it, and give it cultural meaning. The next growth opportunity is not simply reaching women fans. It is designing around how they participate… Design for her fandom, not just her attendance.”

Previous Post
Portraits of Emma Robinson, Shannon Bradley, Alice Moss, Daniele Yandel, and Simon Marcel, the five executives promoted at Merlin.

Merlin Promotes Emma Robinson to VP of Partnerships, Three Other Senior Roles

Next Post
SoundCloud and RepostExchange logos side by side, representing a new partnership for community-driven music promotion.

SoundCloud Names RepostExchange First Community Promotion Partner